Not exact matches
Gracefully describing the behavior
of fish and butterflies and humpback whales, spinning out extended metaphors
of great explanatory power, and conveying it all in a voice that was both familiar
yet rigorous, Dawkins not only achieved a superb, lay - friendly exposition
of Darwinian evolution but pushed the science into
novel conceptual territory.
The
Great Gatsby, his scintillating version
of F. Scott Fitzgerald's
novel, may be garish and boorish and brutish and extravagant — and it is all
of those things and more —
yet it is never insincere; it never puts on airs and pretends to be something that it is not.
Despite the uptick in remakes, it's extremely difficult to identify a few dozen
great ones — particularly when you exclude movies like The Thing, which represent the second attempt at adapting a
novel — and
yet we can't deny that some
of the
greatest films ever made wouldn't have been possible without slapping a new paint job on an old chassis.
Here's an example
of great optimism: while the first film based on Cassandra Clare «s The Mortal Instruments
novels hasn't even opened
yet, Constantin Films is already putting together a prequel.
At 60, the
great auteur was at the height
of his fame and
yet was unable to convince Paramount to finance his next film, «Psycho,» a story based on Robert Bloch's lurid
novel about a serial killer.
Novels can be put down and picked up again at will, allowing much
greater freedom for long expository sequences and character development, and
yet the skill
of a
great filmmaker is to convey the information concisely, such that we feel we know the characters and plot as well as were they written, but within the time and attention - span limitations that are inherent on screen.
Delicately adapted from Willy Vlautin's 2010
novel, it follows classical narrative arcs
of both the coming -
of - age story and the
great American road movie,
yet with precious little
of the romanticism and sentimentality that tends to accompany them: Haigh, rather like his stoic protagonist, keeps his eye quietly and pragmatically on the destination.
In Philida, longlisted for the Man Booker Prize, André Brink — «one
of South Africa's
greatest novelists» (The Telegraph)-- gives us his most powerful
novel yet; the truly unforgettable story
of a female slave, and her fierce determination to survive and to be free.
With his best
novel yet, the Edgar Award - winning Hart firmly cements his place alongside the
greats of the genre.
But perhaps the
greatest pleasure
of this
novel is glimpsing the world through the keenly observant and imaginative eyes
of its irresistible teenage narrator, whose generous, unique,
yet ever perceptive outlook makes the world feel more beautiful, more colorful, more cruel and kind, more full
of possibility — in short, makes the world feel More.
Sad
yet funny, brilliant
yet unpretentious, Nunez's latest
novel is the story
of a woman who navigates grief with the help
of her late friend's massive
Great Dane.
In the streets below, a slew
of ordinary lives become extraordinary in bestselling novelist Colum McCann's stunningly intricate portrait
of a city and its people Let the
Great World Spin is the critically acclaimed author's most ambitious
novel yet: a dazzlingly rich vision
of the pain, loveliness, mystery, and promise
of New York City in the 1970s.
I've also been reading a lot
of really
great stuff I can't tell you about
yet — advanced readers copies
of some terrific
novels that will come out next year, as well as a couple
of memoirs that should make a splash when their publication times come.
Structured around a syllabus for a
Great Works
of Literature class and containing ironic visual aids (drawn by the author), Pessl's debut
novel is complex
yet compelling, erudite
yet accessible.
Among the gloriously vivid cast
of characters he encounters are his tyrannical stepfather, Mr Murdstone; his formidable aunt, Betsey Trotwood; the eternally humble
yet treacherous Uriah Heep; frivolous, enchanting Dora; & the magnificently impecunious Micawber, one
of literature's
great comic creations.In «David Copperfield» — the
novel he described as his «favorite child» — Dickens drew revealingly on his own experiences to create one
of his most exuberant & enduringly popular works, filled with tragedy & comedy in equal measure...
I self - published my middle grade adventure
novel (in the USA) and went on to win a slew
of book awards, No
great sales
yet (boo hoo!)
, LIAF, Lofoten International Art Festival, Norway Rematerialized New Galerie Paris / New York, New Galerie, Paris on Off moments, Grimmuseum, Berlin Le tamis et le sable 2/3: L'Intervalle, Instants Chavirés, Paris New Eyes for New Spaces, ISCP, New York Und everybody says yeah — on internet meme, The House
of Electronic Arts, Basel 2012 The End (s)
of the Library, Goethe - Institut New York Library, New York The Making
of Americans: A marathon reading
of Gertrude Stein's
novel, Triple Canopy, New York Let us keep our own noon, curated by David Horvitz, West, Den Haag Rome Photo Festival, MACRO, Testaccio, Rome Fair Exchange, curated by Taeyoon Choi, Eyebeam, New York Canceled: alternative manifestations and productive failures, organised by Lauren van Haaften - Schic, Center for Book Arts, New York Frieze, with Triple Canopy, New York Group exhibition, Access Art, Vancouver Matter Out
of Place, The Kitchen, New York Scenes
of Selves, Occasions for Ruses, Surrey Art Gallery, Vancouver In search
of..., curated by Lennard Dost and Daniel Dennis de Wit, Academie Minerva, Groningen the chief on top
of the chief, MIRACLE & CONNELLY PRESENTS, Vancouver Force Fields, curated by Alexis Granwell and Jenny Jaskey, Tiger Strikes Asteroid, Philadelphia 2011 The
Greater Cloud, curated by Petra Heck, Netherlands Media Art Institute, Amsterdam Worng, IMO, Copenhagen Intimate Bureaucracies: Art and the Mail, curated by Zanna Gilbert, Art Exchange, University
of Essex, Essex Subject to Change, Fathom + Hatch, New York The Best
of 2011, Soloway, Brooklyn, New York The Open Daybook, Los Angeles Contemporary Exhibitions, Los Angeles FINISHED, Showpaper 42nd St Gallery, New York, New York As
Yet UnTitled, SF Camerawork, San Francisco LATE Nights, Berkley Art Museum, Berkeley, California (performance) 2010 FREE, New Museum, New York Different Repetitions, curated by David Senior, Booklyn, New York Palling Around with Socialists, U-turn Art Space, Cincinnati, Ohio We have as much time as it takes, Wattis Institute for Contemporary Arts, San Francisco FAX, Burnaby Art Gallery, Vancouver An Immaterial Survey
of our Peers, Chicago (online) 01, Presented by 01 Magazine, 107 Shaw Gallery, Toronto The Page, Guggenheim Gallery, Chapman University, Orange, California Burn, Baby, Burn!
In his recent book - length essay The
Great Derangement, the Indian novelist Amitav Ghosh wonders why global warming and natural disaster haven't become major subjects
of contemporary fiction — why we don't seem able to imagine climate catastrophe, and why we haven't
yet had a spate
of novels in the genre he basically imagines into half - existence and names «the environmental uncanny.»