Sentences with phrase «of his musical scores for»

Still another trend — and this one should have caught Easum's attention, given his interest in «sound tracks» — is the use of music that draws on classical idioms in the composition of musical scores for films of high drama, serious feeling or intense introspection.

Mr. Yamaoka will be rocking out to a number of his musical scores for the video game series in five different locations.

Mr. Yamaoka will be rocking out to a number of his musical scores for the video game series in five different locations.

A bound physical copy of the musical score for the game's main theme (printed in A4), composed by Nobuo Uematsu.

Not exact matches

Romantic musical «La La Land,» the tale of a struggling actress and a jazz pianist in Los Angeles, went into the Oscars with a leading 14 nominations and emerged with six, including for its score and theme song «City of Stars.»

Thus the mathematical process for solving an equation can be represented by a formalized instruction sequence, or a process of musical performance can be represented by the score that specifies how the performance is to go.

Starring former Mouseketeer Ryan Gosling and Emma Stone, the musical tells the story of two struggling lovers in modern day L.A.. From striking visuals to inspiring musical sets, the film has already won awards at the Capri Hollywood International Film Festival for best ensemble cast and best film score.

Song lyrics, musical scores and written descriptions of finger plays (hand motions), make for an engaging experience for both you and your baby.

It's impossible to know how much of Android's work made it into the score, though as for the lyrics, one guess during a post-show question and answer with the musical's makers put it at 25 per cent computer - generated.

For example, even though we have millions of musical scores from the Baroque era, we have no idea how often any of them were actually performed.

He wrote the musical score for the 1975 cult favorite A Boy and His Dog, and provided the voice of Blood the dog (one of his many voiceover assignments during this period); he also wrote and performed the music for 1971's Jeremiah Johnson.

For the life of me, I somehow can't find the identity of this series» cinematographer, but whomever this person may be, my hat is off to him or her, as his or her efforts, while not breathtaking, is consistently quite tasteful in its plays with coloring and lighting, which has a tendency to sometimes go from tasteful to just plain stunning, thus making the series a strong visual piece, as surely as it is something of a strong musical piece, as Christopher Dedrick must also gain some recognition for his spirited and sometimes upstanding score woFor the life of me, I somehow can't find the identity of this series» cinematographer, but whomever this person may be, my hat is off to him or her, as his or her efforts, while not breathtaking, is consistently quite tasteful in its plays with coloring and lighting, which has a tendency to sometimes go from tasteful to just plain stunning, thus making the series a strong visual piece, as surely as it is something of a strong musical piece, as Christopher Dedrick must also gain some recognition for his spirited and sometimes upstanding score wofor his spirited and sometimes upstanding score work.

This gorgeous romantic musical, starring Emma Stone and Ryan Gosling and recalling the classic work of Stanley Donen, Gene Kelly or Jacques Demy, has a record - equalling 14 nods, matching the Academy nomination score for Titanic and All About Eve.

After the excitement of David Arnold's three scores for Emmerich and then the brief diversion to the great John Williams on The Patriot, the change in musical approach since Kloser (later joined by Wander) took over is so extreme, it doesn't really make sense — it's hard to talk about any of the previous four Kloser / Wander scores for Emmerich without repeatedly using the word «bland» — I've just never been able to reconcile the outlandish extravagance of every other aspect of the films with the understated timidity of their scores, which seem to serve no purpose whatsoever.

The association gave its award for Best Musical Score to Alexandre Desplat for THE SHAPE OF WATER, beating out Hans Zimmer for DUNKIRK.

The revolutionary play garnered a record - setting 16 nominations including Best Musical, Best Book of a Musical, Best Original Score (Music & Lyrics) Written for the Theatre, several technical awards and a handful of acting awards.

La La Land won all seven awards it was nominated for, with the retro musical earning Best Motion Picture, Musical or Comedy; Best Performance by an Actress in a Motion Picture, Musical or Comedy for Emma Stone; Best Performance by an Actor in a Motion Picture, Musical or Comedy for Ryan Gosling; Best Director, Motion Picture, and Best Screenplay, Motion Picture, for Damien Chazelle; Best Original Score, Motion Picture for Justin Hurwitz; and Best Original Song, Motion Picture for Benj Pasek and Justin Paul's «City of Stars.musical earning Best Motion Picture, Musical or Comedy; Best Performance by an Actress in a Motion Picture, Musical or Comedy for Emma Stone; Best Performance by an Actor in a Motion Picture, Musical or Comedy for Ryan Gosling; Best Director, Motion Picture, and Best Screenplay, Motion Picture, for Damien Chazelle; Best Original Score, Motion Picture for Justin Hurwitz; and Best Original Song, Motion Picture for Benj Pasek and Justin Paul's «City of Stars.Musical or Comedy; Best Performance by an Actress in a Motion Picture, Musical or Comedy for Emma Stone; Best Performance by an Actor in a Motion Picture, Musical or Comedy for Ryan Gosling; Best Director, Motion Picture, and Best Screenplay, Motion Picture, for Damien Chazelle; Best Original Score, Motion Picture for Justin Hurwitz; and Best Original Song, Motion Picture for Benj Pasek and Justin Paul's «City of Stars.Musical or Comedy for Emma Stone; Best Performance by an Actor in a Motion Picture, Musical or Comedy for Ryan Gosling; Best Director, Motion Picture, and Best Screenplay, Motion Picture, for Damien Chazelle; Best Original Score, Motion Picture for Justin Hurwitz; and Best Original Song, Motion Picture for Benj Pasek and Justin Paul's «City of Stars.Musical or Comedy for Ryan Gosling; Best Director, Motion Picture, and Best Screenplay, Motion Picture, for Damien Chazelle; Best Original Score, Motion Picture for Justin Hurwitz; and Best Original Song, Motion Picture for Benj Pasek and Justin Paul's «City of Stars.»

The nominations for the 72nd Annual Golden Globes Awards have been revealed... and there are a few surprises in the motion picture categories — most notably the complete absence of any nominations for Interstellar (except for its musical score, and even the box office washout Noah got that much attention).

The film is great at building a sense of dread throughout and Carpenter, of course, brings his excellent musical score along with his great panache for action.

Daniel Licht, best known for his composing of music on the television show Dexter, was brought on board to handle Downpour «s musical score.

Sure, it has plenty of edge - of - the seat suspense, but, as written and directed by Alex and Andrew Smith («The Slaughter Rule»), it is just as noteworthy for its terrific, spare dialogue, stunning cinematography, stirring musical score and poignant narrative arc.

I also felt that the musical score was somewhat forced for the purpose of provoking on the emotional level and was only there to make up for the lack of it in the film, it did seem quite unnecessary in parts where I thought silence could have worked better, but thats not to say of course that it was brilliant to listen too, and the changes were spot on to suit the changes determined in the film but for a simplistic kind of story it seemed excessive.

The Hateful Eight opens with an unavoidably pretentious but nonetheless sublime musical overture that gives centre stage to Ennio Morricone's suspenseful original score — the majority of which was written for John Carpenter's The Thing back in 1982 but never used — which is more Hitchcock in tone than Leone.

Alexandre Desplat's score, which might be peak Desplat for overall invention, is busy at work being a brilliant synergy of Western and Eastern musical forms.

But after that, the trophies came at a steady pace for the candy - colored musical set in the world of showbiz: production design, score, song for «City of Stars,» Emma Stone for lead actress and Damien Chazelle for director.

Best Original Score (Music and / or Lyrics) Written for the Theatre Come From Away (Music and Lyrics: Irene Sankoff and David Hein) Dear Evan Hansen (Music and Lyrics: Benj Pasek and Justin Paul) Groundhog Day The Musical (Music and Lyrics: Tim Minchin) Natasha, Pierre & The Great Comet of 1812 (Music and Lyrics: Dave Malloy)

In pre-production for over two years, Jodorowsky's Dune adaptation was to star his own 12 year old son alongside Orson Welles, Mick Jagger, David Carradine and even Salvador Dali, set to a musical score by Pink Floyd and art - design by some of the most provocative talents of the era, including H.R. Giger and Jean «Moebius» Giraud.

The game supports Dolby Pro Logic II setups for enhanced audio, though the game's actual musical score (all subdued, tinny techno) and its audio effects (hushed and mostly bland, though reasonably varied) won't make much of a showcase for a high - end sound system.

For while the charm of the Sherman Brother's songs might make an appearance here and there, Debney's often scary score sings with the danger and excitement that make for a great, exotic boy's adventure, blending choral majesty with drum - pounding savagery, yet in a way that's firmly on the studio's musical reservation as they terrifically expand their horizons with robustly flesh and blood scoriFor while the charm of the Sherman Brother's songs might make an appearance here and there, Debney's often scary score sings with the danger and excitement that make for a great, exotic boy's adventure, blending choral majesty with drum - pounding savagery, yet in a way that's firmly on the studio's musical reservation as they terrifically expand their horizons with robustly flesh and blood scorifor a great, exotic boy's adventure, blending choral majesty with drum - pounding savagery, yet in a way that's firmly on the studio's musical reservation as they terrifically expand their horizons with robustly flesh and blood scoring.

Just as Tim Burton's Batman set a new standard for superhero movies in 1989, Danny Elfman's musical score remains one of the genre's most iconic compositions.

«Phantom of the Opera» (1943) Best Art Direction - Interior Decoration, Color: Alexander Golitzen, John B. Goodman, Russell A. Gausman, and Ira Webb Best Cinematography, Color: Hal Mohr and W. Howard Greene * Also nominated for Best Scoring of a Musical Picture (Edward Ward) and Best Sound Recording (Bernard B. Brown).

With stunning locations, a great musical score, and some sharp performances from the non-professional actors comprising the films cast, this is a true must - see adventure for the summer of 2015.

A change in pace for a festival that usually offers easy pleasures, there is no musical score here, and a large portion of the voice - over is from Hepnarová's letters, verbatim.

The lyrics they wrote for Justin Hurwitz's music in «La La Land» scored them the 2017 Oscar (for the original song «City of Stars»); their Broadway musical, «Dear Evan Hansen,» won them the Tony; its cast album earned the Grammy.

In dramatizing Mathison's script, Spielberg and his usual army of key collaborators — led by Janusz Kaminski (director of photography), Rick Carter (production design), Michael Kahn (film editing), and John Williams (original musical score)-- have fashioned a movie for children that looks at home in modern cinemas while retaining an «old - fashioned» pacing and temperament.

Harris, who has hosted the Tonys four times and won three Emmys for doing so, scored a nomination for playing the title character in Hedwig and the Angry Inch, a nominee for Best Revival of a Musical.

This small film doesn't boast much in the way of cinematography, musical score, even London doubles as Paris with some CGI for budget restraints.

Other winners in the film categories were Lady Bird for Best Picture (Comedy or Musical); Guillermo del Toro for Best Director for The Shape of Water; Gary Oldman for Best Actor (Drama) for Darkest Hour; Saoirse Ronan for Best Actress (Comedy or Musical) for Lady Bird; James Franco for Best Actor (Comedy or Musical) for The Disaster Artist; Allison Janney for Best Supporting Actress for I, Tonya; In the Fade for Best Foreign Feature; Coco for Best Animated Feature; Alexandre Desplat for Best Original Score for The Shape of Water; and «This Is Me» from The Greatest Showman for Best Original Song.

The Program is focused on supporting accomplished composers from a wide range of musical backgrounds, which may include composers with previous experience writing for film as well as accomplished composers working outside of film whose work is suitable for film scoring.

First, a word about the music: The songs are by Benj Pasek and Justin Paul, a fast - rising team who wrote lyrics for the tunes in La La Land; they composed the charmingly retro score for the musical adaptation of A Christmas Story and penned the affecting emo balladry in the Tony - winning Broadway smash, Dear Evan Hansen.

Kubo and the Two Strings Rated PG for thematic elements, scary images, action and peril Rotten Tomatoes Score: 97 % This stunning stop - motion animated film from Focus follows the tale of young boy who must hide from and eventually battle his aunts and grandfather with only his magical musical instrument, a monkey and a giant warrior beetle to protect him.

Best Film — National Board of Review Film of the Year — London Critics Circle Best Picture — Boston Online Film Critics Best Picture — Online Film Critics Society Best Picture — Chicago Film Critics Best Picture — Utah Film Critics Association Best Picture — Florida Film Critics Circle Best Picture — Kansas City Film Critics Best Picture — Austin Film Critics Best Picture — San Diego Film Critics Best Director — Boston Online Film Critics Best Director — Los Angeles Film Critics Best Director — Washington D.C. Area Film Critics Best Director — San Francisco Film Critics Circle Best Director — Online Film Critics Society Best Director — Southeastern Film Critics Best Director — Phoenix Critics Circle Best Director — Chicago Film Critics Best Director — Vancouver Film Critics Circle Best Director — Utah Film Critics Association Best Director — Florida Film Critics Circle Best Director — Kansas City Film Critics Best Director — Austin Film Critics Best Director — San Diego Film Critics Best Director — Indiana Film Journalists Best Director — Oklahoma Film Critics Circle Best Director — Black Film Critics Circle Director of the Year — London Critics Circle Best Director — Critics» Choice Award Best Actress for Charlize Theron — Kansas City Film Critics Best Cinematography — Boston Online Film Critics Best Cinematography — New York Film Critics Online Best Cinematography — Los Angeles Film Critics Best Cinematography — San Francisco Film Critics Circle Best Cinematography — Online Film Critics Society Best Cinematography — Southeastern Film Critics Best Cinematography — Chicago Film Critics Best Cinematography — Utah Film Critics Association Best Cinematography — Florida Film Critics Circle Best Cinematography — Black Film Critics Circle Best Edited Feature Film (Dramatic)-- American Cinema Editors Best Editing — Boston Online Film Critics Best Editing — Boston Society of Film Critics Best Editing — Washington D.C. Area Film Critics Best Editing — San Francisco Film Critics Circle Best Editing — Online Film Critics Society Best Editing — Las Vegas Film Critics Best Editing — Chicago Film Critics Best Editing — San Diego Film Critics Best Editing — Central Ohio Film Critics Best Editing — Alliance of Women Film Journalists Best Editing — Critics» Choice Award Best Editing — BAFTA Awards Best Original Score — Boston Society of Film Critics Best Musical Score — Indiana Film Journalists Best Score — Phoenix Critics Circle Best Production Design — Los Angeles Film Critics Best Production Design — Washington D.C. Area Film Critics Best Production Design — Chicago Film Critics Best Production Design — Critics» Choice Award Best Production Design — BAFTA Awards Best Costume Design — Las Vegas Film Critics Best Costume Design — Critics» Choice Award Best Costume Design — BAFTA Awards Excellence in Fantasy Film — Costume Designers Guild Awards Best Visual Effects — Las Vegas Film Critics Best Visual Effects — Florida Film Critics Circle Best Visual Effects — Critics» Choice Award Visually Striking Film of the Year — Gay and Lesbian Entertainment Critics Outstanding Effects Simulations in a Photoreal Feature — Visual Effects Society Best Hair & Makeup — Critics» Choice Award Best Hair & Makeup — BAFTA Awards Best Action Film — Las Vegas Film Critics Best Fantasy Film — Art Directors Guild Best Action Movie — Critics» Choice Award Best Stunt Ensemble — Screen Actors Guild Best Sound Design — San Diego Film Critics Best Equality of the Sexes — Women Film Critics Circle Best Actor in an Action Movie for Tom Hardy — Critics» Choice Award Best Actress in an Action Movie for Charlize Theron — Critics» Choice Award Best Female Action Star for Charlize Theron — Women Film Critics Circle Best Female Action Star for Charlize Theron — Alliance of Women Film Journalists

As a whole, Entwined is a good looking game with a wonderful musical score and a fun style of gameplay, but for all of its grand suggestions that this is a game about love and life and destiny, it ends up feeling more like a dressed up minigame.

The challenging gameplay and the musical score may be enough for some players, but those in search of more depth will need to look elsewhere.

Best Motion Picture (Drama)-- Golden Globe Awards Best Film — BAFTA Awards Best Actor for Leonardo DiCaprio (tie)-- Boston Society of Film Critics Best Actor for Leonardo DiCaprio — Washington D.C. Area Film Critics Best Actor for Leonardo DiCaprio — Dallas - Fort Worth Film Critics Best Actor for Leonardo DiCaprio — Las Vegas Film Critics Best Actor for Leonardo DiCaprio — Chicago Film Critics Best Actor for Leonardo DiCaprio — Utah Film Critics Association Best Actor for Leonardo DiCaprio — Kansas City Film Critics Best Actor for Leonardo DiCaprio — San Diego Film Critics Best Actor for Leonardo DiCaprio — Oklahoma Film Critics Circle Best Actor for Leonardo DiCaprio — Central Ohio Film Critics Best Actor for Leonardo DiCaprio — Golden Globe Awards Best Actor for Leonardo DiCaprio — Alliance of Women Film Journalists Best Actor for Leonardo DiCaprio — Critics» Choice Award Best Actor for Leonardo DiCaprio — Screen Actors Guild Best Lead Actor for Leonardo DiCaprio — BAFTA Awards Film Actor of the Year — Gay and Lesbian Entertainment Critics Best Cinematography — Washington D.C. Area Film Critics Best Cinematography — Dallas - Fort Worth Film Critics Best Cinematography — Las Vegas Film Critics Best Cinematography — Central Ohio Film Critics Best Cinematography — Critics» Choice Award Best Cinematography — American Society of Cinematographers Best Cinematography — BAFTA Awards Best Director — Dallas - Fort Worth Film Critics Best Director — Golden Globe Awards Best Director — BAFTA Awards Outstanding Director (Feature Film)-- Directors Guild of America Best Musical Score — Dallas - Fort Worth Film Critics Best Sound — BAFTA Awards Best Period Film — Art Directors Guild Outstanding Animated Performance in a Photoreal Feature for The Bear — Visual Effects Society Outstanding Composition in a Photoreal Feature for Bear Attack — Visual Effects Society Outstanding Supporting Visual Effects in a Photocell Feature — Visual Effects Society Best Character Animation in a Live Action Production — Annie Awards

None of that is important for the first 30 - 40 minutes of the movie, though, because Cuarón and his team of collaborators — notably Emmanuel Lubezki (gorgeous cinematography), Steven Price (unsettling musical score), Mark Sanger (seamless editing with Cuarón), and Andy Nicholson (meticulous production design)-- have created a setting and a mood and a tempo and a feeling that sweeps from sheer beauty quickly into sheer, sustained terror.

Best Original Score Written for the Theatre: Come From Away, Irene Sankoff and David Hein Dear Evan Hansen, Benj Pasek and Justin Paul — WINNER Groundhog Day The Musical, Tim Minchin Natasha, Pierre & The Great Comet of 1912, Dave Malloy

The acting is solid, particularly from Dano; Pohlad's direction is assured and graceful; and Atticus Ross's score is kind of incredible, especially when you consider that he had to create music for a movie about a musical genius.

I didn't notice a lot of separate effects in the back channels, but it is made up for in crisp and clear production of the dialogue, sound effects, and musical score.

A U.S. Dramatic Special Jury Award for Musical Score was presented to: The Octopus Project for Kumiko, the Treasure Hunter (Director: David Zellner, Screenwriters: David Zellner, Nathan Zellner)-- A lonely Japanese woman becomes convinced that a satchel of money buried in a fictional film is, in fact, real.