Well, I became increasingly interested in variations
of hybrid identities.
Genetic identification of spotted owls, barred owls, and their hybrids: legal implications
of hybrid identity
Her paintings explore the often conflicting aspects
of her hybrid identity and the pictorial push - and - pull of Western Modernism.
«These mixed media works combine domestic photographs with aspects of painting to explore the representation
of a hybrid identity negotiated between personal and cultural memory...
Not exact matches
Additionally, new blockchain - based technologies like Internet
of Coins» «
Hybrid Asset» pose a threat to authoritative
identity verification, by building protocols that would allow individuals the ability to store and swap digital assets (including cryptocurrencies) peer - to - peer without the use
of exchanges.
Thus, «universal, but concrete effectiveness» can take place by means
of «
hybrid prehensions»
of passed events regarding their
identity, forming novelty («mentality») in an immediacy
of actualization, which can not sufficiently be attained by any physical causality.
The fact that personal
identity in this life depends so little upon the relation to a common body and so much upon unmediated
hybrid prehensions
of past occasions
of the soul's life strengthens the plausibility
of the claim that continuity may occur after bodily death.
3 I have argued elsewhere that personal
identity is not to be understood as a function
of hybrid prehensions alone, but rather that such prehensions presuppose common defining characteristics.
«In nature, this sensory system would prevent the creation
of hybrids that may not survive or can not propagate, thereby helping the species preserve its
identity,» said senior author Nirao M. Shah, MD, PhD, a UCSF associate professor
of anatomy.
A
hybrid tale, equal parts coming
of age story, lesbian romance, and psychological thriller, this never quite settles on an
identity.
A voltmeter replaces the tachometer in the GS 450h and is one
of the more visible clues to the car's
hybrid identity.
Autostop and go green The Vue Green Line's instrument cluster contains four clear and bright dials, two
of which give clues to its
hybrid identity.
However, Flashback: The Quest for
Identity is a rare
hybrid that has the same atmosphere as a traditional adventure and contains a lot
of the same puzzle elements as well.
That leaves us with Star Ocean; an uninspired
hybrid of the two that appears to be in the midst
of an
identity crisis from both a visual and gameplay perspective.
As a result, multiple traces
of current and historic moments and
identities are fused together onto the canvas, producing a
hybrid state
of uncharted territory.
His work, anchored in his unique cultural background as a Kenyan - Indian Canadian based in the United States for over a decade, confronts the
hybrid and transitional nature
of identity as not static, but enacted.
Gannis's work examines the narrativity
of 21st century representational technologies and questions the
hybrid nature
of identity, where virtual and real embodiments
of self diverge and intersect.
I think
of my cultural
identity as a
hybrid of all the disparate spaces I have inhabited — Nigerian, American, rural, cosmopolitan.
Three themes that emerge from her work are explored in Outcasts: finding a voice, the process
of constructing multiple perspectives on female
identity;
hybrid alternatives to the status quo, harnessing ancient and modern mythologies to subvert the established social and cultural order; and healing and empowerment as pathways to resistance, inclusiveness and recovery from loss and trauma.
The
hybrid identities of the internet age are everywhere in Ryan Trecartin's videos.
Carla Gannis's work examines the narrativity
of 21st century representational technologies and questions the
hybrid nature
of identity, where virtual and real embodiments
of self diverge and intersect.
2009 Beall, Dickson, SLAM for the holidays, West End World, 23 December Dawson, Jessica, Yinka Shonibare, skewing history with his images, The Washington Post, 20 November Judkis, Maura, Yinka Shonibare MBE: «As Artists, We are Liars», Washington City Paper, 13 November Geldard, Rebecca, Time Out, 6 November Lewis, Sarah, Yinka Shonibare: Brooklyn Museum, New York, Artforum, October Cole, Teju, Shonibare's fantasies
of empowerment, 234 next.com, 10 July Hoffman, Barbara, Headless Bods, New York Post, 10 July Genocchio, Benjamin, The Rich Were Different (and Perhaps Still Are), The New York Times, 10 July Kazakine, Katya, Adam Smith, Ocelots Channel History in Artist's Textile World, Bloomberg.com, 8 July Lacayo, Richard, Decaptivating, TIME Magazine, 6 July Rosenberg, Karen, Fashions
of a Postcolonial Provocateur, The New York Times, 3 July McLaughlin, Mike, Show blows away art world, The Brooklyn Paper, 2 July Olowu, Duro, Style.com/Vogue, July McCartney, Alison, Class, Culture and
Identity in Party Time, NJ.com, 26 June Tambay, Defining Blackness Series, Shadow and Act, 21 June Sontag, Deborah, Challenging cultural stereotypes, International Herald Tribune, 19 June Sontag, Deborah, Headless Bodies from Bottomless Imagination, The New York Times, 17 June Bergman, Amerie, Yinka Shonibare MBE @ Museum
of Contemporary Art, White Hot, June Later, Paul, Postcolonial
Hybrid fuses art and politics, Flavor Pill, Summer How schoolchildren shaped the new Trafalgar Square plinth, The Times, 22 May Knight, Yinka Shonibare at Santa Barbara Museum
of Art, Christopher, The LA Times 6 April Hunter, Alice, Encountering Excess, Art
of England, Issue 56, April Jeno, Heather, Hip, British - Born Artist's Show Ushers in a New Era at SBMA, The Santa Barbara Independent, 31 March Pote, Mariana, African Art?
Most
of the artists in the exhibition travel back and forth, choosing to live between two places, for reasons like access to their native language, curiosity about their own unresolved
hybrid identity, or maintaining professional or familiar relationships.
Utilizing an interdisciplinary approach to artmaking, her installation and performance works investigate the artistic, spiritual and political collisions
of a
hybrid transnational
identity.
Her cultural
identity combines strong attachments to the country
of her birth and to her adopted home, a
hybrid identity that is reflected in her work.
CARLA GANNIS»S work examines the narrativity
of 21st century representational technologies and questions the
hybrid nature
of identity.
It's less a case
of using paint to explore the binary
of home / not at home, or to make a point about medium specificity, but to reflect on the
hybrid identities that emerge from multiple influences, sources and images.
In this exhibition curated by Modou Dieng, these artists come into conversation with one another, providing a space in which to explore complex systems articulated around design and execution that have been employed in the cultural realization
of identities as they continue to emerge in new transcultural and
hybrid forms.
Fusing Nigerian and American source materials, histories and cultural references her intricately layered scenes reflecting the rich complexity
of contemporary lives shaped by postcolonial African cosmopolitanism and global,
hybrid identities.
Through the use
of consumer products, technology and mementos, Hoti assembles a
hybrid identity to relive the psychological tension caused by his dualistic
identity.
Shonibare has described himself as a post-colonial
hybrid, and his work in painting, sculpture, photography, film, and performance utilizes unexpected combinations
of pattern and form to examine race, class, migration, and
identity in a globalized world.
Martinez uses painting, sculpture, neon and installation to comment on issues affecting communities nationally, while responding to specificities associated with the City
of Los Angeles, including its overlapping and intersectional modern
hybrid cultural
identities.
Through a combination
of performance, drawing, painting, installation, video and ceramic object - making, she investigates the
hybrid nature
of African
identity, contesting notions
of authenticity.
Hershman Leeson's innovative work with genetic manipulation will be on display with her latest installation, Venus
of the Anthropocene (2016), which captures viewers» DNA patterns to create a mutating
hybrid of mirrored
identities.
Hybrid Identities», Art in America, v. 82, no. 9, September, p. 47 - 51 C. Schwartzman, «Michael Joo,» New Art Examiner, no. 27, September, p. 55 - 57 L. Nesbitt, «Michael Joo: Nordanstad Gallery, Petzel / Borgmann Gallery,» Artforum, v. 33, no. 1, September K. F. Magnan, «Michael Joo at Nordanstad / Petzel - Borgmann», Asian Art News, v. 4, no. 4, July / August, pp. 89 - 90 A.Wilson, «Out
of Control», Art Monthly, no. 177, June, p. 3 - 9 A.Choon, «Openings....»
Informed by documentary practices from the turn
of the last century, Frazier explores
identities of place, race, and family in work that is a
hybrid of self - portraiture and social narrative.
She uses the
hybrid architecture
of Los Roques to recreate a vision
of paradise but also to problematize the carnavalising
identity of the Other.
SB: The Indian Ocean region symbolizes great movements
of people,
hybrids of culture and religious
identity, both historically and in contemporary terms.
The global South and its myriad issues — concerning diasporas,
hybrid identities, migration flows and travels, personal accounts, memories, isolation, the social fabric, and insularity — have inspired and set the parameters for the Curatorial Committee to select artworks and art projects, as well as oriented the curating
of all
of the Festival's exhibitions, public programs, and publications.
Whether it be Sekhukuni and his use
of the Internet as medium, Mooney and her fascination with ephemerality and the social notion
of space or Adams and his interrogation
of hybrid racial, sexual and religious
identities, each are operating outside the stereotypical approaches canonized by South African art history, thanks to the possibilities / challenges presented to them by a new political and cultural climate.
Utilizing a multidisciplinary approach, which includes sculpture, performance and mixed media, Adams is interested in exploring the impact
of race and sexuality on
hybrid identity.
Tsang's
hybrid identity of being born in Hong Kong during the occupation
of the British Colony, and then immigrating to Canada and raised as a Canadian, informs many aspects
of his artistic practice.
«Talkback» is a
hybrid installation that explores the intersections
of race and
identity.
Co-Curator
of Martin Wong: Human Instamatic Serigo Bessa will moderate a discussion between Arnaldo Cruz - Malave, Chris «Daze» Ellis, Yasmín Ramírez, and John Yau, exploring Wong's self - identification as a Chino - Latino and how that
hybrid identity fostered his vision
of America.
Shonibare, a self - described post-colonial
hybrid, explores ideas
of race, class, and the construction
of cultural
identity through his work.
She uses an array
of materials and techniques, such as collage and photo - transfer, which serves as a visual metaphor for the intersection
of cultures as well as the artist's own
hybrid identity.
O'Grady has continued an ongoing commitment to articulating «
hybrid» subjective positions that span a range
of races, classes and social
identities.
Born and raised in Nigeria and now living in Los Angeles, Akunyili Crosby constructs intricately layered scenes reflecting the rich complexity
of contemporary lives shaped by postcolonial African cosmopolitanism and global,
hybrid identities.
Marilyn Minter's pink - and - blue gender - coded paintings comment on the either / or status
of sexual
identity, while Alison Saar's vibrant figures treat
identity as a fluid cultural
hybrid.
I've never understood the appeal
of a phablet — what's commonly known as a smartphone - tablet
hybrid, or just a giant smartphone — as it seems to have an
identity crisis.