Sentences with phrase «of hyperreality»

Her recent exhibitions include Lifelike, a group exhibition examining notions of hyperreality in contemporary art; and the survey exhibitions From Here to There: Alec Soth's America; Chuck Close: Self - Portraits 1967 - 2005; and Kiki Smith: A Gathering, all of which have toured the US.

First Reformed marks a considerable turning point, a film à thèse about the struggle for grace and faith in our modern world of hyperreality and despair, especially when the various stopgaps offered by society — organized religion, political institutions, ecological activism — seem variously counterfeit.

«District 9» does the inverse, pretending it is a documentary, lulling you into a scene of hyperreality vs. hyperfiction.

In Latin America one seems to move in a sort of hyperreality.

Not exact matches

We live increasingly in a culture in which language is suspect, a culture of contestation regarding meaning, a world of illusions and hyperreality.

With resolution up to 1,920 x 1,080 pixels (compared with analog TV's 400 or so horizontal lines), a color palette increased by a factor of two, and an aspect ratio that can cover my whole field of vision instead of just a little square, high definition turns the TV set from a flickering box into razor - sharp hyperreality.

Also hampered, for those that saw it in 48 fps, by the shiny, overlit, hyperreality of Jackson's much - touted high frame rate, «Unexpected Journey» is the best of the «Hobbit» films, but still only a pale shadow of its high - watermark forbear.

2001 Triff, Alfredo, «Flights of Fancy», Miami NewTimes, January 25 - 31, 2001 Hudspeth, Kathleen, Essay for pro catalogue, 2001 Clearwater, Bonnie, Essay for Making Art in Miami: Travels in Hyperreality catalogue, 2000

2000 Making Art in Miami: Travels through Hyperreality (catalogue), Museum of Contemporary Art, North Miami, Florida

Ultimately, Gursky is unwilling to take sides in the debate: his digital embellishments present us with a hyperreality, simultaneously magnified and telescopic, and we are to approach them as a passive record of the anthropocene.

The most significant of the often loosely defined movements of early contemporary art included pop art, characterized by commonplace imagery placed in new aesthetic contexts, as in the work of such figures as Andy Warhol and Roy Lichtenstein; the optical shimmerings of the international op art movement in the paintings of Bridget Riley, Richard Anusziewicz, and others; the cool abstract images of color - field painting in the work of artists such as Ellsworth Kelly and Frank Stella (with his shaped - canvas innovations); the lofty intellectual intentions and stark abstraction of conceptual art by Sol LeWitt and others; the hard - edged hyperreality of photorealism in works by Richard Estes and others; the spontaneity and multimedia components of happenings; and the monumentality and environmental consciousness of land art by artists such as Robert Smithson.

Relating to the vertical framing motif of Chinese traditional landscape painting, Pro invites the viewer into a familiar but also unknown space of digital hyperreality.

The Unbearable Flatness of Being, her Working Artist Project solo show at the Museum of Contemporary Art of Georgia, compresses issues of environmentalism, terror and tranquility into flat planes of cartoonish hyperreality.

Utilizing abstract geometries that rival those of M.C. Escher, as well as representational elements like waves, trees, and garlands of flowers, which she stylizes to the point of uncanny hyperreality, Steinkamp through her immersive environments dematerializes galleries» architecture into undulating fields of color.

And now with installation, a form whose verisimilitude can reach greater heights of realism than most, we seem to have attained a state of «hyperreality.»

At the Hirshhorn Museum, visitors will experience Kusama's version of infinity in six mirrored installation rooms illuminated by LED lights — infinity rooms that expand a viewer's sense of time and space and suggest a cosmic hyperreality.

Utilizing abstract geometries that rival those of M. C. Escher, as well as representational elements like waves, trees, and garlands of flowers, which she stylizes to the point of uncanny hyperreality, Steinkamp through her immersive environments dematerializes

Today, as most of his native island remains without power after Hurricane Maria, the drawings reflect neither fiction nor future, but a troubling hyperreality.