I'm torn about the concept — accumulating a bunch
of identical objects and lining the gallery with them is pretty old hat — but the humility that drives it is, I think, honest.
Andre, Carl (b. 1935) American minimalist sculptor best - known for his geometric floor arrangements
of identical objects like bricks or blocks.
The American sculptor Carl Andre, one of the best - known exponents of minimalist art, is renowned for his geometric arrangements
of identical objects like bricks or blocks, or other grid - format sculptures.
With these works, the artist continues to explore the phenomenological effect of work created through the accumulation
of identical objects.
Not exact matches
There is secondary origination
of conceptual feelings with data which are partially
identical with, and partially diverse from, the eternal
objects forming the data in the primary phase
of the mental pole; the determination
of identity and diversity depending on the subjective aim at attaining depth
of intensity by reason
of contrast.
But the publics thus created are not communities
of free persons; they are masses
of more or less
identical psycho - physical
objects pushed this way and that by the powerful purveyors
of propaganda.
I would
object that in death and sleep the biochemical compounds may be
identical, but not the type
of electric potentials and fields which is necessary for the stream
of consciousness.
It is that experience which is
identical when we see a collection
of objects reflected in a mirror and a corresponding collection through an open window frame.
The freedom to and from God as the origin and future
of freedom, and freedom as a dialogical power
of love are accomplished in the highest modality
of these aspects: as freedom supported in personal love by God's own self - communication and which accepts God himself, so that the horizon and the
object of the love that is made free to itself become
identical.
There is secondary origination
of conceptual feelings with data which are partially
identical with and partially diverse from, the eternal
objects forming the data in the first phase
of the mental pole.
5 This is a remarkable anticipation
of Whitehead's view in Process and Reality that God's primordial ordering
of the world's possibilities (the eternal
objects) is the ultimate source
of novelty in an emergent universe, except that Thornton understands these possibilities to be everlasting rather than timeless.6 This reification
of what for Whitehead is purely possible, needing concrete embodiment in the actual world, leads Thornton to conceive
of the eternal order as absolutely actual in its unchangeableness,
identical with God.
But in addition to this reenactment
of what is given in the initial data, there is also a «secondary origination
of conceptual feeling with data which are partially
identical with, and partially diverse from, the eternal
objects» derived from the initial data.
So at the end
of this analysis we are faced with the paradox that the actualization
of the cause
of the process goes on in the
object of the process, indeed has to be thought
identical with it (202a1 3 - 21).
An individual in its mode
of being is thus unintelligible; it is experienced, bumped up against, reacted with, but never cognized as an
identical object.
Hence, as Herrmann used to say, the ground and
object of faith do not fall apart, but are
identical, for the very reason that we can not say what God is like in himself, but only what he does to us.
That conflict is a proof that faith has not yet discovered the proper terms in which to express itself, it has not realized that it can not be logically proven, it has not clearly understood that its basis and its
object are
identical, it has not clearly apprehended the transcendental and hidden character
of the divine activity, and by its failure to perceive its own «Nevertheless» it has tried to project God and his acts into the sphere
of objective reality.
By this he meant that «the [eternal]
object in all modes
of ingression is just its
identical self» (SMW 229).
After putting the ducklings back in the dark following this «priming» period, they returned them to the enclosure but this time offered them a choice
of what to follow — either two
identical objects, or two that were different.
At first, they tried this with pairs
of solid
objects that were either
identical — such as a couple
of prisms — or non-
identical, such as a prism and a sphere.
Astronomers sift through virtually
identical images
of the sky, looking for moving
objects.
Attraction to the floating
object alone would have generated
identical distributions
of tuna between the two
objects.
Centuries
of work has gone into finding the most efficient ways to pack
identical objects into the densest possible arrangements.
1 In the Leaning Tower Illusion, discovered by Frederick Kingdom, Ali Yoonessi, and Elena Gheorghiu
of McGill University, two
identical side - by - side images
of the same tilted and receding
object appear to be leaning at two different angles.
Other common research techniques may require a collection
of thousands near -
identical objects, viewed with an electron microscope, to compile a single, averaged 3 - D structure.
Tip: Notice that the groupings
of objects in the middle are not
identical but match each other in height.
The UI is
identical to those games, and the port from the Nintendo DS to iOS is handled similarly, with 3D
objects looking more crisp and the soundtrack replaced with something
of higher quality.
After I grew tired
of controlling the bug with the left analog stick, and had spawned in a huge group
of identical - looking friends, I switched to a different
object.
Year 6 Science Assessments and Tracking Objectives covered: Describe how living things are classified into broad groups according to common observable characteristics and based on similarities and differences, including micro-organisms, plants and animals Give reasons for classifying plants and animals based on specific characteristics Identify and name the main parts
of the human circulatory system, and describe the functions
of the heart, blood vessels and blood Recognise the impact
of diet, exercise, drugs and lifestyle on the way their bodies function Describe the ways in which nutrients and water are transported within animals, including humans Recognise that living things have changed over time and that fossils provide information about living things that inhabited the Earth millions
of years ago Recognise that living things produce offspring
of the same kind, but normally offspring vary and are not
identical to their parents Identify how animals and plants are adapted to suit their environment in different ways and that adaptation may lead to evolution Recognise that light appears to travel in straight lines Use the idea that light travels in straight lines to explain that
objects are seen because they give out or reflect light into the eye Explain that we see things because light travels from light sources to our eyes or from light sources to
objects and then to our eyes Use the idea that light travels in straight lines to explain why shadows have the same shape as the
objects that cast them Associate the brightness
of a lamp or the volume
of a buzzer with the number and voltage
of cells used in the circuit Compare and give reasons for variations in how components function, including the brightness
of bulbs, the loudness
of buzzers and the on / off position
of switches Use recognised symbols when representing a simple circuit in a diagram
Fitz is an online multiplayer match 3 or more tiles.The aim
of this game is to line three or more
identical objects horizontally...
The player overcomes navigational difficulties to collect a large number
of mostly
identical objects.
The UI is
identical to those games, and the port from the Nintendo DS to iOS is handled similarly, with 3D
objects looking more crisp and the soundtrack replaced with something
of higher quality.
These monumental sculptures, which the artist views as three - dimensional manifestations
of his collages, feature
identical monochrome shapes to those evident in the ECLPSE series, but this time juxtaposed with identifiable scraps
of materials and
objects from his studio.
Although in each
of these pieces the shafts
of yarn are all
of identical height (stretching from floor to ceiling) and evenly spaced in relation to each other, they appeared to differ wildly thanks to the vagaries
of perspective, steadfastly refusing to cohere into a stable configuration, let alone the outline
of an implied plane or
object.
The accumulative nature in the exhibit's presentation
of seemingly random
objects, all arranged on
identical shelves, draws inspiration from past Oldenburg's work, such as his pioneering Pop exhibition The Store.
This includes nearly
identical installation methods in the entrances
of both galleries, with dimly lit entryways featuring two kiddie - cornered works to the immediate left and an
object resting on a pedestal in the opposite far right corner.
Despite being cast in acrylic in a state -
of - the - art pressurised autoclave, the pigmentation
of each
object is, by contrast, mixed by hand, ensuring that no two can be
identical and that chance has a part to play in the final artwork.
Liversidge says, «No matter how close, in subject or proximity, two separate nearly
identical images or
objects can not be seen with the same level
of detail and concentration at exactly the same time.
In the end, he explains that «there are many possible interpretations when it comes to large amounts
of mass - produced, almost
identical objects doing all the same thing, or when things made from cheap and colorful plastic — the opposite
of anything organic — start to behave organically like a swarm or wave.
His visit concluded a series
of collaborations with visiting artists — some
of them original members
of Fluxus — who had been invited to select
objects from the two Fluxkits on display, which are similar but not
identical, and determine their arrangement.
Nine
identical, large, black rubber
objects are stacked like a puzzle, interlocking and tessellating in 3 dimensions, recalling minimalist sculpture by the likes
of Robert Morris, Sol Lewitt and Tony Smith.
In his Accumulations, such as his 1980 bronze sculpture Avalanche, Arman created arrangements from collections
of multiple
identical objects, modifying their meaning through repetition.
Well - known for his massive installations
of multiple
objects, all nearly but not quite
identical, all handmade, he has only gotten better with time.
Depending on how you draw distinctions, there are six
objects on display in the gallery space
of Fort Worth Contemporary Arts: three
identical houses constructed from everyday items — reclaimed wood, video cassettes, Tupperware — and three paintings on an opposite wall.
For instance, her studies
of «chirality» - when an
object is not
identical to its mirror image - inspired a trio
of sculptures featuring interlocking forms in powder coated - steel.
The display culminates in a wonderful theme - and - variations sequence: four canvases from 1952 that depict a nearly
identical arrangement
of objects.
Additionally, the artist also explores relationships between
identical objects being presented in different emotional and spatial contexts, thereby creating different experiences
of the same subject.
Auerbach's studies
of «chirality» — when an
object is not
identical to its mirror image — led her to these sculptures featuring interlocking forms in powder coated - steel.
Compositional variation can be introduced as oppose to
identical mass produced
objects, allowing each piece to be one -
of - a-kind.»
But if it didn't exist, it would be some other issue which formed the putative
object of an
identical agreement.
With Longwave radiation the tendency is for the cooler
object not to increase the temperature
of the warm
object, and if they are at the same air pressure, and ambient temperature - take 2
identical apples, one at 8C the other at 15C an inch apart, in a room at 20C — the likely outcome is that each apple reaches equilibrium with the ambient temperature
of its own entropy, as if they were not in each other's presence.