Sentences with phrase «of identity transformation»

Another sequence on the theme of identity transformation takes a corridor upstairs, by a collective identified only as Valie Export.

To say she is not contributing to society through a more normative sense of responsibility would be too preachy for this film, but Complete Unknown does not shy away from showing us Alice in her eerily quiet moments of identity transformation.

But at the same time identity is complex and so we have room for many approaches — from views of identity transformation to identity reconciliation (meaning one reconciles oneself with one's identity).

Not exact matches

The result has been a nuclear - like transformation of the industry in which companies have combined, split and recombined at a breakneck pace, emerging with all new identities and properties.

This form of segregation would be temporary or provisional either to allow women to form a metapatriarchal identity and then to re-enter patriarchal society with renewed personal integrity or to await the transformation of patriarchy into postpatriarchy (provisional is a better descriptor for the latter purpose, since no feminist expects the imminent collapse of patriarchy).

3 The receiving of influence from another may result in the enlargement of one's identity or the creative transformation of one's freedom.

This means that all phenomena are identical in their constituent self - identity; all are in a state of constant transformation; and there are no absolute differences between human nature and the natural order, body and mind, male and female, enlightenment and ignorance.

This book constitutes a sophisticated transformation of the intellectual puzzle of the mystery; like Oedipus, Philippa Rose Palfrey, the adopted daughter of a nonbelieving social scientist who is also a television personality, decides to seek out the identity of her natural parents.

This continuing dialectical transformation moves toward a culmination in Christian atheism precisely because authentic Christian tradition must reflect the dialectical movement of God, who emptied himself into Christ and by the death of Christ became universally immanent in cosmos and consciousness and continues there to move on toward the final identity of opposites in which God will be all in all.

An identity transformation of this type occurred among many Roman Catholics in the U.S. following Vatican II, and it may happen to the next generation of Protestants if lower levels of childhood involvement in the church result in a different interpretation of what it means to be a Christian and an «active church member.»

Satyagraha (the apprehension of truth), ahimsa (the inviolability of all life), paratma - samata (the identity of all alien spirits), paratma - nirvana (the self - transformation into an alien soul), mahamaitri (great, all - encompassing love), and maha - karuna (great compassion) are age - old religious ideals which Indian saints realized centuries before Christ and which Gandhi put into practice anew in our century.

As Rob Ford has shown in other work, one of the social changes they have been left behind by is a massive generational transformation in attitudes to race, mixing and migration, with younger generations significantly more comfortable with mixed, inclusive, civic identities.

Communities on the island were exposed to the earliest waves of European impact during a critical period of transformation and the forging of new identities.

By not giving the Counselor a name, audiences understand his identity is connected through his job and that it will lead to his dehumanizing transformation at the end of the film.

A chance sighting of a 1958 Plymouth Fury that's for sale changes Arnie's life: Obsessed with this car that was named Christine by its previous owner, he purchases the vehicle and instantly undergoes a transformation, shucking his nerd status for a new identity as a self - centered and casually cruel bad boy.

The moment of each transformation, moreover, becomes impossible to pinpoint, because the identities do not strictly mutate but overlap or interface — rather like the colored geometric shapes that traverse the screen in the film's beautiful opening credits.

Abstract: This qualitative research from a feminist paradigm, inquire, question, reflect and analyze, the process of transformation of subjectivities and gender identities subject to the policy of de Soacha's Mothers setting.

«Theater is an art of transformation because it gives people a chance to take on roles they've never played before — to try out new identities, to redefine themselves — and sometimes what happens on stage can be a rehearsal for new ways of looking at the world off stage in real life,» he says.

Featuring clips from the film Sholem Aleichem: Laughing in the Darkness, along with lesson plans and historical background readings, this collection invites students to connect Aleichem's life to the larger transformation of traditional Jewish identity in late nineteenth - and early twentieth - century Eastern Europe.

When Breath Becomes Air chronicles Kalanithi's transformation from a naïve medical student «possessed,» as he wrote, «by the question of what, given that all organisms die, makes a virtuous and meaningful life» into a neurosurgeon at Stanford working in the brain, the most critical place for human identity, and finally into a patient and new father confronting his own mortality.

The building presents a fresh identity for the new organization, while preserving and adding to the century - old building's history of transformations from a theater, a department store, and a local art center to a highly refined exhibition space.

The physical manipulation of biomaterial into an abstract, aestheticized form is a concept that runs through the work on display, with references to the ongoing transformation and rehabilitation of bodies, landscapes and the identities embedded within them.

That decision laid the groundwork for many of his works that explore issues surrounding transformation, time, memory, identity, and death.

Both Istanbul and New Orleans have existed as exotic relics of a colonial past, and both have undergone extraordinary transformations over the past 100 years, which have brought them back from a marginal position to centrality in world culture with completely new identities shaped by the global economy.

On Being Black is an excellent multilayered and highly nuanced remix of an ongoing conversation in contemporary art about identity, power and transformation.

His works offer reminders of the ideas that shape identity — exploring its limits and possible transformations.

In this sense many works on view can be understood as explorations of concepts like «surface» and «skin» translated as sites of transformation, in the form of the skin of a building, the skin of a painting as a material entity, or the artificial skin of a latex mask that makes it possible to assume multiple sexual identities.

death, drawing, film, Haus der Kunst, identity, Jonathan Bepler, Matthew Barney, Museum of Old and New Art, mythology, narrative, Norman Mailer, Okwui Enwezor, photography, premiere, rebirth, reincarnation, sculpture, symphonic, transcendence, transformation

And to a mathematician, that is itself a kind of map — the «identity transformation,» or a mapping of the gallery onto itself.

Notions such as self and identity, once unquestioned and safely maintained by tradition, have undertook an irreversible process of transformation that responds to the changes brought by processes of globalisation.

Disturbing Innocence features over fifty artists using surrogate imagery such as dolls and mannequins to pose questions regarding the «social constructs of youth, beauty, transformation, violence, sexuality, gender, identity, and loneliness.»

She also co-curated the exhibition Fatal Love: South Asian American Contemporary Art Now, as well as coordinated two editions of Corona Plaza: Center of Everywhere, which commissioned eight artists to develop public art works that engage local residents on issues of neighborhood history and identity as well as tensions around its various transformations.

Constantly inquiring into transitional qualities of time and space and the correlative transformation of identities, locales and (hi) stories Esther Shalev - Gerz has produced a body of work that simultaneously records, critiques, and contributes to our understandings of the societal roles and value of artistic practice.

Pierre Huyghe: As a major retrospective of his work opens in Paris, ArtReview asks the French artist about issues of identity, leakage, transformation and the essence of things, by Christopher Mooney.

The rural and urban landscape reflect the mental state of society, in these works I approach scenarios which for me have an «anonymous» aspect, sites that have lost their identity and express disinterest, transformation and the failures of ideologies.»

The exhibition is structured in chapters whose themes are the man - eating outsider or non-human; the relationship with others and construction of an individual and group identity through a dual movement of incorporation and rejection; the body as an organism capable of transformation, and which feeds on and feeds others; eroticism and all - consuming passion; violence and horror; ritual and sacrifice; and images from childhood, derived from tales and legends.

Permeated by an aura of eroticism and decadence, and loaded with codes and double - meanings, the works further point to the intricacies of self - identity, while celebrating moments of transformation — the ordinary becoming extraordinary.

Constantly inquiring into transitional qualities of time and space and correlative transformations of identities, locales and (hi) stories, Esther Shalev - Gerz has produced a body of work that simultaneously records, critiques, and contributes to our understandings of the societal roles and value of artistic practice.

Seen together, they suggest that the body itself is a mutable terrain, both endlessly varied and potentially infinite, with shifting boundaries allowing for the transformation of shape and identity and the oscillation between familiar and strange, self and other.

Nitarudi Ninarudi expresses the complexity of longing for a place that is alive in the memory in a very different way than in the physical reality — a place as evasive and fleeting as the identities one negotiates when they are relocated, bringing into play issues of transformation, translation, and even personal survival.

In the process of migration and reconfiguration of the work, the artist and the curator have brought up issues of identity and communal experience, and transformation in the act of re-presenting and re-reading.

Nearly Real Things explores, literally or metaphorically, the act of transformation within contemporary consciousness, identity, society, and class by carefully investigating our relationships to current biological or technological metamorphoses.

They explore the notions of the simulacrum and the symbol, memory and immanence, devotion and superstition, transformation and metamorphosis (of the body, identity, language and the forms themselves of representation and expression).

Extensive in scale, Esther Shalev - Gerz's exhibition «Factory is Outside» at the Serlachius Museums in Finland, comprises four interweaving series of works that investigate how cultural identities are constructed and examine the role and status of traditional professions in a world that is global and undergoing a rapid digital transformation.

The participating artists: Janine Antoni, Andrea Bowers, Patty Chang, Abigail DeVille, Ana Mendieta, Catherine Opie, Adrian, Piper, Genesis Breyer P - Orridge, Cindy Sherman, and Martha Wilson, expand on the possibilities of gender expression and fluidity, they make clear there is no single approach to feminist transformation, aside from the agency to engage with sexual identity on their own terms.

The topic of gender identity is often polarizing and over sensationalized; in opposition, Cohen presents this self - transformation in a series of poetic portraits with exquisite details.»

The effect of the blown - up image in Abstraktes Bild is not simply the increase in size, but the transformation of the identity of the initial reference image and the subsequent impact on the viewer.

Describing his newest work, Campins stated: «I approach scenarios which for me have an «anonymous» aspect, sites that have lost their identity and express disinterest, transformation and the failures of ideologies.»

Each series questions the link between place, identity, and memory connected to a specific site, where water is the pervading element of transformation.

This body of work illustrates Carrillo's masterful ability to capture the mood of his home country in an era of cultural transformation and an evolving national identity.