Sentences with phrase «of illusory depth»

Yet these same chromatic stains and opposing fabrics push you back to make sense of the illusory depth and the ambiguous but evocative compositions.

Andy Coolquitt includes three new sculptures for Illusions Lounge, which are exemplary of illusory depth as well as subtleties of color, shadow, and light.

Not exact matches

Django is masquerading as a mandingo expert — a «one - eyed Charlie» — and Schultz as his money man when both are in fact only there to retrieve Broomhilda; Django uses his illusory status to verbally abuse white and black men alike; Candie is playing a worldly host who is in fact several fathoms out of his depth; and Stephen, as it turns out, is wearing a grotesquely comfortable second skin as well.

Aside from the aforementioned instances of blatant depth manipulation, Walsh keenly seizes the more pragmatic uses of the illusory optics, in the form of interior staging, with tables and bottles and barrels serving as prominent parts of a scene's foreground design, and in a wonderfully mounted gunfight, shooting through doors, windows, and fences.

Her staining method emphasized the flat surface over illusory depth, and it called attention to the very nature of paint on canvas, a concern of artists and critics at the time.

The work involves the creation of prismatic halos that follow the viewer, paired with the illusory nature of visual depth.

The «Homage» paintings, begun nearly three decades later, create a sense of overlapping colour and an illusory depth and the luminosity of Albers's glass - works.

In contrast to the graphic, cartoon - like quality of Essenhigh's early works, the illusory depth of these paintings infuses the figures with a plausibility, yet the works remain true to the sweeping strokes and amorphous forms that have defined Essenhigh's visual vocabulary.

I allow the paint to bleed, smudge, peel back at times, which disrupts the illusory or pictorial space, emphasizing the materials and surface instead... the way in which I construct illusions of depth and space, where certain patterns seem to float in front of others, screens of lines that you are looking through, into another internal space.

Boll's works included in the exhibition have been selected for their particular explorations of space, both inside and outside the frame, and the interplays they create between illusory and physical planar depth.

The resulting paintings are distinguished by shifts between flat planes of colour and an illusory depth.

Inspired by the contour of a favorite chair from her childhood, in combination with a sand painting she recently found in a garage sale, the sculptures explore positioning in space, and real vs. illusory depth, as well as pictorial language in general.

But giving even greater illusory depth, there are also 200 bars of different colors set at a slant to, and intersecting with, the vertical ones.

These hybrid images of flat color planes and illusory depth, executed in acrylic, spray paint and computer programs like Photoshop and Illustrator, have a pronounced retinal effect Elrod gets by putting sharp geometric shapes out of focus.

By utilizing negative space and alternating between a sense of representing a discrete object or a cutaway section of the ground, he re-examines formal ideas of figure and ground relationships and the image shifts between flat areas of modern colour and illusory depth.

Echoing a wide range of precursors — from high Constructivism (Alexander Archipenko and Henryk Stażewski), to geometric abstraction's flashier midcentury incarnations (Richard Anuszkiewicz, Victor Vasarely), to the eager swallowing - up of both by the «rad,» spray - paint - besmirched graphic design of the 1980s — the London - based artist's neat, sharp, labor - intensive paintings unite a shallow if convincing illusory depth with a neurotic meticulousness to erect optical labyrinths that both tantalize and deceive.

In this work, the artist manipulates illusory space by subverting the implied depth of the pictorial image while complimenting its fullness.