Sentences with phrase «of illusory space»

Wound together, the pictures I make float in and out of illusory space while simultaneously denoting flatness of their plane materiality.

Not exact matches

If we allow Blake's apocalyptic vision to stand witness to a radical Christian faith, there are at least seven points from within this perspective at which we can discern the uniqueness of Christianity: (1) a realization of the centrality of the fall and of the totality of fallenness throughout the cosmos; (2) the fall in this sense can not be known as a negative or finally illusory reality, for it is a process or movement that is absolutely real while yet being paradoxically identical with the process of redemption; and this because (3) faith, in its Christian expression, must finally know the cosmos as a kenotic and historical process of the Godhead's becoming incarnate in the concrete contingency of time and space; (4) insofar as this kenotic process becomes consummated in death, Christianity must celebrate death as the path to regeneration; (5) so likewise the ultimate salvation that will be effected by the triumph of the Kingdom of God can take place only through a final cosmic reversal; (6) nevertheless, the future Eschaton that is promised by Christianity is not a repetition of the primordial beginning, but is a new and final paradise in which God will have become all in all; and (7) faith, in this apocalyptic sense, knows that God's Kingdom is already dawning, that it is present in the words and person of Jesus, and that only Jesus is the «Universal Humanity,» the final coming together of God and man.

Time - space existence, therefore, as the arena of man's contact with the divine, is not a deficient mode of being, it is not illusory.

According to Laplace, time is merely the fourth dimension of space, as static as the other three dimensions; its apparent incompleteness is illusory, being merely, as Bergson observed, «the infirmity of a mind that can not know everything at once (Bergson 1944, p. 45).

The Flat Side of the Knife combines physical spaces with illusory spaces that appear only in mirrors, reflecting what the artist refers to as «layers of consciousness,» akin to psychological and hallucinatory spaces in the mind.

Providing a harsh, crude vision of city life and the chaos of everyday existence, strange worlds, and unusual characters, his work occupies a unique space between the objective and the subjective, the illusory and the real.

Neto's work is not suggestive of an illusory attachment to some invented past utopia, but is rather concerned with the contemporary negotiation of space, place, social relations and the role of the local in the global.

This exhibition features the work of artists who generate meaning via cracks in mimesis, delving into the intermediary spaces where the illusory meets the actual in order to examine the understood but oft - unacknowledged gulf between the real and the reproduced, as well as the knowable functional reality of the artifice's construction, the evidence of tremor in the Trompe - lœil painter's hand.

The editing process of each work's referent seeks to locate intelligible visual clues of form which serves to define illusory space, thus simultaneously imparting familiarity and vagueness.

With a sustained interest in geographic and atmospheric phenomena, her practice seeks to examine the changing possibilities and conditions of perception and light, tracing the illusory spaces that can both imitate and invert the natural world.

Brooklyn - based artist Michael Murphy is a master of space & dimension whose incredible anamorphic collage sculptures are mind - blowing in their execution and illusory effects.

The way light rakes across the monochrome folds of their shallow relief implies an illusory space, but also reads like an opaque plaster cast of a window.

I allow the paint to bleed, smudge, peel back at times, which disrupts the illusory or pictorial space, emphasizing the materials and surface instead... the way in which I construct illusions of depth and space, where certain patterns seem to float in front of others, screens of lines that you are looking through, into another internal space.

The artist complicates this in an extraordinary way by making these crude models from aluminum foil using reflected color, the result being an illusory and refracted space that becomes solidified through the process of painting.

Through recent installations that include filmed performances, where projections of the «ghosted» human body wash over sculptural elements, the artist attempts to create an alienating / disorienting illusory effect that reflects an increasing loss of the corporeal gesture in the every day, the infinite attempt at calibrating the body to technology, as well as the entrapment of the human psyche within it; manipulating and playing with memory, space and time.

Citing a desire to revisit fifteenth - century Italian painting in which figures are situated within highly detailed architectural spaces, Larsen began to create narrative scenes that upset any sense of the illusory perspectives of traditional representation.

What I'm trying to say is that the «triggers» (good word) of the space illusion are only going to work because they are associated with a particular type of spatial sensation in the real world, so that the illusory space that is evoked is actually tied to that particular spatial sensation, making the pictorial space at least in this sense figurative.

It was a real space — not illusory — it was a cloud of light in constant flux.

While activating the picture plane, they also succeed in offering a deeper contemplation of the illusory nature of time and space.

Through the use of elemental materials, including water and air, Kapoor continues his investigations into the material and immaterial, weight and weightlessness, surface and space, the ocular and the aural, as he subtly balances the literal and the illusory to animate the senses.

Boll's works included in the exhibition have been selected for their particular explorations of space, both inside and outside the frame, and the interplays they create between illusory and physical planar depth.

Inspired by the contour of a favorite chair from her childhood, in combination with a sand painting she recently found in a garage sale, the sculptures explore positioning in space, and real vs. illusory depth, as well as pictorial language in general.

Created at the height of postmodern theory, Kasten's Architectural Sites submits iconic buildings to distorting angles and colored lights, thus transforming already vertiginous structures into truly illusory spaces.

This series of paintings is fresh and exciting with novel compositions and illusory effects that create a tension between the two - dimensional picture plane and three - dimensional space.

Rather than an illusory plane, it in such instances is the even more tenuous infinity of space surrounding each of these thin lines.

Employing both digital and manual processes in the different stages of his work, Elrod's practice explores the currency of twentieth century abstract expressionism in the context of a computer dominated, digital culture characterised by our engagement with the screen and its illusory space.

By utilizing negative space and alternating between a sense of representing a discrete object or a cutaway section of the ground, he re-examines formal ideas of figure and ground relationships and the image shifts between flat areas of modern colour and illusory depth.

Colour and space were to take precedence in Hoyland's work; he rejected the modernist insistence on the flat reality of the picture plane and used colour to create a sense of virtual illusory space.

In this work, the artist manipulates illusory space by subverting the implied depth of the pictorial image while complimenting its fullness.

The original metal cladding has been kept, but the inside has been completely transformed into a minimalist space that emphasizes the «illusory abstraction of dimensional form [to] produce architecture that seems free from their function and materiality,» according to Verville.