Sentences with phrase «of images from popular culture»

It was his use of images from popular culture that gave him the label Pop - artist, although his artistic statements have also led to some of his work being described as Neo-Dada art.

Warhol, an iconic American artist whose reputation has only increased in the quarter - century since his death, is best known for appropriations of images from popular culture — advertisements, mass - media photographs and celebrity portraits — that challenged the conventional definitions and subjects of art.

The Bruce High Quality Foundation, known for their humorous and irreverent projects and performances that often take a subversive and critical stance towards the current market's seemingly insatiable appetite for hyped new artists, answers this question ad nauseum by insinuating the image cum icon of their namesake, Bruce High Quality, into thousands of images from popular culture and art history.

Marks cover fragmented body shapes or drawings of images from popular culture.

Mainly, he expanded upon Pop Art's use of images from popular culture, and further complicated it by adding abstraction and an emphasis on painterly process.

Not exact matches

The pop art movement took place primarily in the 1960s, and it is easily distinguished by its use of images, objects, and themes from popular culture as subject matter.

Working Paper Series # 1: Michael A. Genovese, Art and Politics: The Political Film as a Pedagogical Tool # 2: Donald B. Morlan, Pre-World War II Propaganda: Film as Controversy # 3: Ernest D. Giglio, From Riefenstahl to the Three Stooges: Defining the Political Film # 4: John W. Williams, The Real Oliver North Loses: The Reel Bob Robert Wins # 5: Robert L. Savage, Popular Film and Popular Communication # 6: Andrew Aoki, «Chan Is Missing:» Liberalism and the Blending of a Kaleidoscopic Culture # 7: Barbara Allen, Using Film and Television in the Classroom to Explore the Nexus of Sexual and Political Violence # 8: Robert S. Robins & Jerrold M. Post, Political Paranoia as Cinematic Motif: Stone's «JFK» # 9: Richard A. Brisbin, Jr., From State and Local Censorship to Ratings: Substantitive Rationality, Political Entrepreneurship, and Sex in the Movies # 10: Stefanie L. Martin, Fiction and Independent Films: Creating Viable Communities and Coalitions by Reappropriating History # 11: Peter J. Haas, A Typology of Political Film # 12: Phillip L. Gianos, The Cold War in U.S. Films: Representing the Political Other # 13: Michael A. Genovese, The President as Icon & Straw Man: Hollywood & the Presidential Image # 14: Michael Krukones, Hollywood's Portrayal of the American President in the 1930s: A Strong and Revered Leader # 15.

The artist engages her audience through enigmatic visual content, often appropriated from popular culture, fashion magazines, and vintage images of the 1970s and 1980s.

Czyszczoń's paintings feature carefully selected, artistically reduced motifs and borrowings from the worlds of media, popular culture, found photographs and images of childhood heroes.

Moving from scenes of terror and violence to images of great intimacy, and drawing on film, photography, political cartoons and other sources in popular culture, Lawrence created an innovative format of sequential panels, each image accompanied by a descriptive caption.

Williams refers to this piece as a «real model image», a standard image taken from a specialist form of popular culture, in this case a magazine on show chickens, which is then reproduced by Williams as closely as possible whilst introducing an element of difference.

Some of Lichenstein's greatest works evolved from imagery drawn from popular culture: advertising images, war - time comics, and pin - up portraits, as well as traditional painting genres such as landscapes, still lifes, and interiors.

The central thing that distinguishes Chris Martin from his forebears (Forrest Bess, Alfred Jensen, and Simon Gouveneur) is his meshing of visionary symbols and images derived from mass culture, particularly from the world of popular music.

Any object or image from comic books, popular culture, pornography, may inspire and encourage the discovery of new and personal interpretations.

Mixing art historical references with images taken from the internet, their subject matter knows no limits: from icons of popular culture such as Roy Orbison to much admired paintings of the past such as Georges Seurat's Bathers at Asnières (1884); from the lonesome cowboys in a Steven Spielberg film to the shocking photographs of Mexican photographer, Enrique Metinides.

He first used the term «mass popular art» in the mid-1950s and used the term «Pop Art» in the 1960s to indicate that art has a basis in the popular culture of its day and takes from it a faith in the power of images.

Mixing art historical references with images taken from the internet, the paintings of Polish artist Wilhelm Sasnal (born 1972) borrow liberally from the image glut around us, appropriating anything from icons of popular culture such as Roy Orbison to paintings of the past such as Georges Seurat's «Bathers at Asnières» — from the lonesome cowboys in a Steven Spielberg film to the photographs of Enrique Metinides.

With massive drawings, Jamal blends references from popular culture, religious iconography, and symbolism in an attempt to create a possible image of what our multilayered identities could look like.

Photograph of the exhibition «Luis Jimenez: Working Class Heroes, Images from the Popular Culture,» May 18 - August 2, 1997, held at the Dallas Museum of Art.

Arthur Jafa with Gavin Brown sets images from popular culture in irregular arrays on fields of gray.

In Sounds Like Her, Boyce is presenting a new development of her ongoing Devotional series with the names of 200 black British female performers inscribed on a wallpaper, overlaid with placards especially created for the exhibition, featuring images of these women, plucked from Boyce's own archive of concert announcements, fashion magazines and other materials documenting popular culture.

Kota Ezawa draws from the histories of media, popular culture, and art history to create distilled renderings of iconic images.

She makes extensive use of Xerox transfer printing, a largely Western technique, to incorporate found photography into the works: family photographs; images from Nigerian popular culture; clippings from political, fashion, and society magazines; and ornamental patterns from traditional textiles.

Prince's technique involves appropriation, and he pilfers freely from the vast image bank of popular culture to create works that simultaneously embrace and critique a quintessentially American sensibility, with images stemming from the Marlboro Man, muscle cars, biker chicks, off - color jokes, gag cartoons and pulp fiction novels, among many other sources.

The bulletin boards that Tom Burr has been arranging since the late 1990s reference not only art historian Aby Warburg's Mnemosyne Atlas strategy of employing a black panel backdrop in order to heighten thematic arrangements of photographic images — including reproductions from books, and visual materials from newspapers and popular culture — but also reflect a setting typical of early cinematic and photographic motion studies.

The drawings, which combine fragments of text with images culled from American popular and underground culture, dominated the exhibition, due in part to the sheer number of them and in part to the appeal of familiar images drawn in a simple graphic style.

Nevertheless, this one is a must - see, because like the Brown Paper fest I attended in Baltimore, it focuses on artists of color — who are inexplicably, erroneously absent from the stereotypical popular image of zine nerd culture.

These large collages are broken by narrow tracks of shimmering, computer - generated images made from digital amalgamations of architec - tural mock - ups and extreme blow - ups of the photo - shopped bodies of popular culture.

James Casebere first came to notice as a member of the famed «Pictures Generation,» standing out from fellow artists like Cindy Sherman and Richard Prince for his uncanny take on appropriation: instead of lifting images from popular culture, Casebere created tabletop models of architectural settings out of modest materials and photographed them in eerily flat, theatrical light.

While Behlau frequently takes inspiration from other artists, Loesch freely avails himself of elements from popular image culture.

Julia Wachtel's paintings deploy a repertoire of images drawn from everyday popular culture which she variously appropriates, and transforms.

Andy Warhol is the best - known practitioner of appropriating images from popular culture, but his work focused mainly on reproducing images; whereas artists like Marisol Escobar, at the same time, incorporated objects bottles of Coke and other consumer items directly into their works.

Leckey, born in Birkenhead, is known for his interest in different aspects of popular culture and his Turner exhibition includes Cinema - in - the Round 2006 - 2008, a video work which is essentially an art lecture in which the artist expounds on his fascination with the life of images on - screen and takes in everything from Chuck Jones's Road Runner chasing Wile E Coyote, and Felix the cat, to James Cameron's Titanic and Homer Simpson.

By appropriating images from the mass media — including iconic film posters, album covers, magazine pages, photographic test plates, and simple notebooks — and re-photographing them, Collier creates her own personal lexicon of popular culture.

In the new works, Sarmento combines his seminal portraits of the female form with images taken from popular culture (found and personal material) silk - screened directly onto the surface of the paintings, that read almost like fragmented film stills.

Combining iconography from comic books, art history, and popular culture, Art & Beauty portrays a broad selection of images of female figures in diverse settings.

Challenging tradition, Pop artists regularly incorporated into their work mass - produced images drawn from popular culture and the world of advertising art.

Chris Ofili's intricately constructed works, combining beadlike dots of paint, collaged images from popular media, and elephant dung, create a unique iconography that marries African artistic and ritual practices with Western art historical traditions and contemporary hip - hop culture.

Uprooted from Cuba as a child, and brought to Miami via Spain in 1983, Andres Conde, an expressionist painter with pop tendencies, mitigates the feeling of displacement by merging images from popular American culture with historic examples of Cuban iconography.

The artists of the Pictures Generation, such as Cindy Sherman, Sherrie Levine, Laurie Simmons, Barbara Kruger, David Salle and Robert Longo, explored a new stylistic vocabulary grounded in their interest in popular culture, appropriating images from books, magazines, advertisements, television, and film.

Then there's Lisa Yuskavage's scene of her internal mindscape that reveals her sophisticated art historical knowledge that unifies Renaissance art, cubism, surrealist art, pop art, whatever images that spring from past to popular contemporary culture.»

In a fashion similar to Richard Prince and Jack Goldstein, he appropriated tropes of popular culture as a means of celebrating the emotional dynamics of images from mass media.

Dedicated to Carolee Schneemann, the magazine features a previously unpublished image archive from Schneemann's studio «Plagarism, Influence, I Forgot» that documents half a century of morphological connections between her work and other visual material, including art, advertising, and popular culture.

I am deeply concerned about the world around me, and my work reflects my reactions to social issues such as war and consumerism by contrasting images from American advertisements and popular culture with images of rituals from around the world.

There is a an undeniable reference to memory and youth in these images, specifically the childhood associated with 1950's popular culture — from the use of the artist's own toys, to the evocation of editorial pages from Life and Look magazines or family - oriented situation comedies like Father Knows Best.

Through self - portraits, portraits of their sitters, and images appropriated from popular culture, these artists address the themes of desire, attraction, pride, discomfort, and discrimination.

He was the first to return figuration to postwar American painting, was innovative in his combination of «high art» with images from popular culture, and is today celebrated as the pioneer of postmodern, figurative painting.

Part of NSU Art Museum's Regeneration Exhibition Series, and featuring works from its Golda and Meyer Marks Cobra Collection, the largest Cobra art collection in America, this exhibition explores Cobra artists» innovative use of animal images and how they expressed elements of popular visual culture.

«Dine has a vast creativity and willingness to turn to a variety of images, many derived from found objects and popular or consumer culture,» said Joseph Becherer, Vice President and Chief Curator of Sculpture.

Peter Blake is known as one of the leading figures of the British Pop art movement, and central to his work is his interest in images from popular culture.