Sentences with phrase «of images in books»

Additionally, whenever publishers provide «ALT text» descriptions of images in their books, Kindle for PC now supports them in the screen reader.

I haven't used a lot of images in my books, but there are a few projects in the near future which will contain them on every page.

There is one thing however that is still preventing me from going entirely 100 % digital (besides the fact that not all books are available in digital format), and that is the often unacceptable quality of images in books.

But more of the images in the book focus on smaller details.

The Oasis has a new option in X-Ray called «Images» which will show you all of the images in a book you are reading.

His approach to artmaking is similar to that of a composer, and the sequence of images in this book is conceived as a score creating interplay among pieces in different media and from diverse bodies of work.»

Every single one of the images in this book — most of which are portraits, though there are some excellent still lifes, cityscapes, and street scenes, as well — jump out at the viewer as though they were painted last week.

And you can enjoy more of these images in a book of the same name, New York Bike Style, where each image is captioned with the subject's name, what kind of bike they ride, where the photo was taken, and where they're headed.

A blurred Gallaccio appears in only a couple of the images in this book, yet from the amethyst - encrusted front cover, through the flowers and vegetable foliage on the end papers, via every corner of all of the 266 inside pages, and out again through the indigo - dyed chappa silk, back endpaper, to the gleaming bronze back cover, one is aware of her omnipresence.

(I wrote short prose pieces to accompany some of the images in his book, «Within the Stone.»)

Not exact matches

This year's presidential election will go down in the books for many things, but perhaps one of the less appreciated reasons — thanks to millions of smartphone - wielding, social - networking Americans — is the number of images it has produced

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It's bad for everybody,» he said of his negative public image in July 2016, according to a book about Uber that came out last month.

In fact, according to the cleverly rewritten history books that I use to home school my children with, there is a copy of The Globe tabloid newspaper from 1776 showing an image of George Washington wearing a yarmulke, under the headline «WASHINGTON SECRETLY JEWISH — MIDDLE NAME IS MORDECAI».

The latest book by Jamal J. Elias, religious studies professor at the University of Pennsylvania, takes its name from an early Islamic account in which the Prophet Muhammad censured one use of images but permitted another.

These theological visions come from many sources, including: apocalyptic books of the Bible from Daniel to Revelation; a nineteenth - century viewpoint on the end of times known as dispensational premillennialism; and images of the so - called «rapture» popularized in novels such as Hal Lindsey's The Late Great Planet Earth (1970) and the more recent Left Behind series.

Four of the six chapters in Losing Our Virtue constitute the heart of the book and are devoted to themes liberally treated in Wells» first two volumes» materialistic consumption, image and style over substance, the therapeutic culture, the lack of civic virtue, and, not least, society's aversion to truth, truth - telling, guilt, and moral accountability.

The war question thus serves as a proxy for the more fraught question at the heart of her book: Has the restrictive creative atmosphere post-1979 been good for the moving image in Iran?

Blessed and Beautiful: Picturing the Saints by Robert Kiely Yale, 288 pages, $ 40 What I discovered,» writes Robert Kiely in this sumptuously illustrated book on Italian Renaissance paintings of the saints, «were images often infused with tenderness, exquisite sentiment, erotic vigor, but....

the three religions may have all started in Genesis with Abraham, but they don't end up in the same place... if you want the study the differences in the religions, look to the book of Revelation on one side and islamic end - times / last day studies on the other hand... the big difference between Islam and Christianity is the mirror image of the end time personalities mentioned in Revelation...

The Book of Revelation presents us with the dazzling image of the woman «clothed with the sun» (Rev 12:1).2 This lady of stellar radiance has already appeared fleetingly in Psalm 45:13, which refers to the princess «decked in her chamber with gold - woven robes», while the liturgy places on Mary's lips the oracle of Isaiah 61:10: «I will greatly rejoice in the Lord; my soul shall exult in my God, for he has clothed me with the garments of salvation; he has covered me with the robe of righteousness.»

By the time Goetz wrote, that theme — of God hanging there on the gallows with the innocent sufferer, in the timeless image Elie Wiesel offered in his book Night — had come to dominate many forms of Protestant theology.

Cf. Lewis's remarks in «The Weight of Glory»: «The books or the music in which we thought the beauty was located will betray us if we trust in them; it was not in them, it only came through them and what came through them was longing, these things - the beauty, the memory of our own past - are good images of what we really desire; but if they are mistaken far the thing itself, they turn into dumb idols.

Blessed John Paul used the relationship between Tobias and Sarah from the Book of Tobit as an image of what life was like in the Garden of Eden before sin.

It must have been a challenge to take an entire book of the Bible and try to capture it in a single image.

(You can purchase a fine art reproduction of this image from my online gallery here) Eugen Rosenstock - Huessy, in his book «I Am An Impure Thinker ``, suggests that there are the four fronts: Buddha, representing...

In his recently published book, According to Your Faith, Mr. T. S. Gregory, who produced the meditation when it was broadcast in 1953, wrote as follows: «The Cross is Love without remorse or reprieve, sovereign and everlasting, the sole image of omnipotence known to me»In his recently published book, According to Your Faith, Mr. T. S. Gregory, who produced the meditation when it was broadcast in 1953, wrote as follows: «The Cross is Love without remorse or reprieve, sovereign and everlasting, the sole image of omnipotence known to me»in 1953, wrote as follows: «The Cross is Love without remorse or reprieve, sovereign and everlasting, the sole image of omnipotence known to me».

I think I decided to pursue it as a full book because I came to realize that the somewhat specific culture of «hipster Christianity» was actually indicative of much broader tensions and paradoxes in contemporary Christianity dealing with identity, image, and the question of cool.

if you recall, God said, «Let us make man in our image AND after our likeness...... yes, every man still bears the image of God and deserves respect, but every man deserves to be pitied for the likeness of God which he has lost and which can only be restored through a relationship with Jesus Christ, who is more than a book, He is the Living Word of God, and any relationship with Him demands an obedience to the Word He represents, thus, how can a man «walk humbly with God» while at the same time rejecting the His very Word?

It is probable that Carl R. Rogers» important book, Counseling and Psychotherapy, published in the early 1940's and read by many ministers also contributed to use of the interview image.

And even the idea that some book could contain ultimate truth is really the worship of images or idolatry in Christianese.

In the Reformation image there is a book instead of an altar.

In his book Third - Eye Theology (Orbis, 1979) he focuses on the image of the third eye in the teaching of the Japanese Zen master Daisetz Suzuki, who suggests that the aim of Zen Buddhism is to open up a vision of life that is usually clouded by our ignorance, a vision that will enable us to see ourselves as we truly arIn his book Third - Eye Theology (Orbis, 1979) he focuses on the image of the third eye in the teaching of the Japanese Zen master Daisetz Suzuki, who suggests that the aim of Zen Buddhism is to open up a vision of life that is usually clouded by our ignorance, a vision that will enable us to see ourselves as we truly arin the teaching of the Japanese Zen master Daisetz Suzuki, who suggests that the aim of Zen Buddhism is to open up a vision of life that is usually clouded by our ignorance, a vision that will enable us to see ourselves as we truly are.

In the Reformation preaching image the Word of God may wrongly be equated with the solid lines of type in the book; the solidity of the pulpit may be misrepresented as the authoritativeness of something or other; and the preacher's power to interpret may be mistakenly equated with some kind of weight — not necessarily the girth of his stomach, but perhaps the athletic cut of his shoulders, or more probably the weightiness of his voicIn the Reformation preaching image the Word of God may wrongly be equated with the solid lines of type in the book; the solidity of the pulpit may be misrepresented as the authoritativeness of something or other; and the preacher's power to interpret may be mistakenly equated with some kind of weight — not necessarily the girth of his stomach, but perhaps the athletic cut of his shoulders, or more probably the weightiness of his voicin the book; the solidity of the pulpit may be misrepresented as the authoritativeness of something or other; and the preacher's power to interpret may be mistakenly equated with some kind of weight — not necessarily the girth of his stomach, but perhaps the athletic cut of his shoulders, or more probably the weightiness of his voice.

Around 1915 a local artist, Thomas O'Shaughnessy, who had studied Celtic decorative arts in Dublin and learned the art of stained glass at the Art Institute of Chicago, transformed the windows and stenciled the walls with images from the Book of Kells.

And yet, when the gifted musician / author Jeremy Begbie reviewed art historian Dan Siedell's book God in the Gallery in the current issue of Image, Begbie appeared - ever so subtly - to take issue that Dan Siedell, in a book about art, limited himself to «one particular current within the Nicene river, the Eastern Orthodox tradition... and the council of Niceae (787 CE), the conference which established the orthodoxy of icons.»

Go to google, and search in the «Images» section of google on the words: «Anubis mummification»... then search again on The Book of Abraham, which is the Mormon «scripture» written by Joseph Smith which he claimed was written by Abraham himself!

And, if I may note my own two recent offerings: The revised and expanded Letters to a Young Catholic (Basic Books) is intended for the young from sixteen to (at least) eighty - plus, while City of Saints: A Pilgrimage to John Paul II's Kraków (Image) will, I hope, be welcomed by all attending World Youth Day - 2016, in person or in spirit, in print or in the all - color - photography e-book.

If you are interested in using my images for these purposes (advertising, marketing, merchandise, books, magazine covers, etc.) or any other purpose which does not fit into any of the above categories, please contact me with details and I will quote a price based on your intended specific use (haywardart (at) gmail.com).

Blessed John Paul used the relationship between Tobias and Sarah from the Book of Tobit as an image of what life was like in the Garden of Eden before...

Drawing on images in Revelation, the books predict an Antichrist demanding universal loyalty and acceptance of a «mark of the beast» on their bodies.

It is not so much God who is seen as it is the image of a man (as in the book of Revelation).

What's more, many of us do not believe that religions actually cause you to live a good life (they certainly don't cause you to live a life in teh image of Jesus), most of their time now is spent telling people how they're wrong, and what they can't do, because it says so in their book.

Though Heidegger makes quite a number of positive public references to Hitler and to Nazi ideas, Richard Rorty's statement (in reviewing Safranski's book) that the images of Hitler and Heidegger «blend into one another» is farfetched.

Nonetheless, in a sort of «I - recognize - it - when - I - see - it» way, it is at the root of what it means for us to be creatures formed in the image of God, and it is a critical theme in the Catholic social teaching that forms the (largely) implicit backdrop to Reno's book.

Because images, in a book or in a sermon, are generally regarded as decorative and hence optional in their bearing upon the principal form and content of the communication, the imaginative preacher may have to endure such comments as «His sermons don't seem theologically weighty» or «It was too interesting to have contained much truth», or perhaps such inverted compliments as «I was much involved in your talk, or whatever it was.

The book of Genesis tells him he is made in the image of God.

I have, in this book, outlined the content of an appropriate image of the future, a concrete utopia, relevant to the perils and promises of this era.

In his first book, Land of Unlikeness (1944), bitter images describe the terror of a world from which the Christian experience has disappeared.

(Image) Answers in Genesis, the same people behind Kentucky's Noah's Ark, have also created a massive museum dedicated to displays that illustrate their literal interpretation of the book of Genesis (mainly, that the earth is only 6,000 years old).