Sentences with phrase «of images of objects»

Ji Zhou's oeuvre explores fragmented and whole images, comprised of images of objects and installations that are not what they always appear to be.

The new theme is ok but I much prefer the old theme as I more of an image of objects floating in space when I hear it.

Not exact matches

Programmers have, rather, fed the computer a learning algorithm, exposed it to terabytes of data — hundreds of thousands of images or years» worth of speech samples — to train it, and have then allowed the computer to figure out for itself how to recognize the desired objects, words, or sentences.

In an article from Co.create.com, Abigail Posner, Head of Strategic Planning And Agency Development at Google explains our societal fascination with sharing cat memes and videos: «In the language of the visual web, when we share a video or an image, we're not just sharing the object, we're also sharing in the emotional response it creates.»

One of the features Apple is exploring is the ability to take a picture and then change the depth of the photograph or the depth of specific objects in the picture later; another would isolate an object in the image, such as a person's head, and allow it to be tilted 180 degrees.

The two women are considered by analysts to be experts in the field of computer vision, a subset of artificial intelligence that involves teaching computers to recognize objects in images.

One such quandary is called computer vision, the process of programming machines to recognize objects in images, something conventional computers don't do very well.

Its software is capable of identifying the objects in images, producing captions for the visually impaired.

«We managed to take dozen of images, and we used a group of them to show the trail of the object across the stars.»

Using high precision optics, a photo scanner (it looks a little like a drip coffee maker attached to a turntable) can create a three - dimensional digital image of an object placed inside it.

The engineers used an existing image tracking technology to pinpoint specific objects within a video, which allows them to keep track of those objects in the film over time.

There are different ways to perform facial recognition, but generally the accuracy of it depends on factors such as the quality of the image of your face at authentication time, light conditions, time between the enrollment image and verification, and visibility of occluding objects like a scarf or sunglasses.

'' [W] e can now get extremely sharp images,» he said, which creates «a unique opportunity to improve our physical understanding of Eta Carinae and many other key objects.»

The resolution of images in the video does not allow a proper identification of the object which might well be a drone (or a distant manned aircraft... such as an F - 117 that was spotted flying over Nevada with accompanying F - 16, in the recent past), still the story of the alleged interaction has had some exposure.

A photo lightbox is a tent - like container with several light bulbs aimed at its interior that photography professionals often use to create well - illuminated images of objects.

The radar shoots lasers at objects in order to detect them and works closely with the cameras and normal radars to create a thorough image of the car's surroundings.

The radar shoots lasers at objects in order to detect them, and works closely with the cameras and normal radar to create a thorough image of the car's surroundings.

The news: Facebook created a data set of 3.5 billion pictures and 17,000 hashtags pulled from public Instagram accounts to improve how well it can recognize objects in images, the company announced on stage at its annual F8 developer conference today.

The Smithsonian's National Museum of American History provides an illustrated overview of the country's business history, including images of objects and artifacts in the museum's collections.

Were it to fully objectify, were the incipient present to vivify a recollection into a solid object, the result would be a present image of a present event.

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Newman concedes this dilemma, saying that «we can not make sure, for ourselves and others, of real apprehension and assent, because we have to secure first the images which are their objects, and these are often peculiar and special.»

The long strip of linen cloth known as the Turin Shroud, which bears the faint image of a crucified and beaten man, has been an enigma and an object of reverence for centuries.

Which images, ideas, and objects consti.tute idolatry is often a matter of considerable contention.

The Faith movement's push for such coherence involves affirming, in a neo-Augustinian manner, the dynamic relationship of spiritual mind (whether of the absolute God or of the human soul in his image) with the objects of its knowing, as a metaphysical first principle.

The mistake, however, is to assume that the image is in fact the object of worship rather than a representation of the Divine who is formless.

In the 1800s, Norman Macleod, in the midst of his exuberance for the vistas of Banaras, referred to «that ugly looking monster called God», and Sherring wrote of «the worship of uncouth images, of monsters, of the linga and other indecent figures, and of a multitude of grotesque, ill - shapen, and hideous objects.»»

- «The scholarly community will need to see the full report and images of the artifacts to make a judgment in regard to the interpretation of these objects as coins,» Steven Ortiz, associate professor of archaeology and biblical backgrounds at Southwestern Baptist Theological Seminary in Fort Worth, Texas, said.

Images and objects can symbolize a personal search for meaning, and in the sanctuaries of museums people may almost genuflect before such art works.

But he goes on: «When these images clash — as in The Fascist octopus has sung its swan song, the jackboot is thrown into the melting pot — it can be taken as certain that the writer is not seeing a mental image of the objects he is naming; in other words he is not really thinking.»

As we shall see in the next section, Whitehead's principal version of symbolic reference becomes his means of relating images or sensa as directly perceived to the objects which cause them.

To this useful image Marian Evans contrasts Dr. Cumming's God, who «instead of sharing and aiding our human sympathies is directly in collision with them; who instead of strengthening the bond between man and man, by encouraging the sense that they are both alike the objects of His love and care, thrusts himself between them and forbids them to feel for each other except as they have relation to Him.»

One of these foundations is the view that when we see a table, hear a trumpet, taste sugar, etc., what we really see, hear, or taste are not ordinary objects, but instead our own ideas or images — the colored shape directly apparent to us, the loud blare, the sugary taste.

The conclusion reached is that the modern philosophical tradition was mistaken in postulating sensory images as objects of perception.

What we call the perception of these latter objects is in fact an inference we make to them from images as their representations.

If the basic purpose of the study of man is defined by the image of man as the creature who becomes what only he can become through confronting reality with his whole being, then the specific branches of that study must also include an understanding of man in this way, and this means not only as an object, but also, to begin with, as a Thou.

But taken at face value, they are alienating insofar as they betray us into placing our own possibilities outside of us as attributes of God and not of humanity, viewing ourselves as unworthy objects of a projected image of our own essential nature.

In understanding the work of art as a language - event, an image - event, the hermeneutics of Hans - Georg Gadamer and Paul Ricoeur offered a critique of the formalists» tendency to make «meaning» a static object.

The modern scientific worldview, for all its benefits, is an abstraction because its image of the world is made up only of objects.

In Feuerbach's own words: «Man — this is the mystery of religion — projects his being into objectivity, and then again makes himself an object to this projected image of himself thus converted into a subject.»

(CNN)- A statue resembling the goddess Athena and jewelry bearing images from Greco - Roman mythology may not be objects you'd expect to see in a museum exhibit of Buddhist art from Pakistan.

For Islam, it is God's insurmountable distance that renders impossible the fabrication of an image worthy of its object; for Judaism, it is God's intimate familiarity.»

In fact, in Newtonian physics we would expect that the image of a single substantial object would be identifiable not only by the continuity of its first three factors as an implicit function of the fourth, but also by the constancy of the fifth.

Thus the image of Satan aptly illustrates both the Oedipal relation, at the level of personal development, and the subject - object dichotomy, at the level of world - perception.

Such a world rests upon the evidence of similarity, the correspondence of certain images and patterns with others, and the argument that such consonance implies a common form or structure in which similar objects participate.

A second basis for the sensa myth is the fact that we do use mental images to fill out perceptual objects; e.g., I am aware of the visual profile of an event.

What one can historically describe as the «mechanization of the image of the world» is, at any rate in an environment formed by machines, a process which is also being looked at psychogenetically; this process advances the same object categories and ideas of movement, if only in a rudimentary, pre-reflexive manner, which might, especially for that reason, influence thinking so much more persistently.

What we see when we illuminate only a small area of the photographic plate is not a partial image but a whole image somewhat less sharply defined in detail, There is no one - to - one correspondence between object and image.

There was a Talmudic - era rabbi by the name of Akiva ben Joseph (who argued plenty with another rabbi, Simeon ben Azzai) who argued that the greatest commandment in all of the Torah was to love your neighbor as yourself (to which ben Azzai objected primarily due to neighbor not being clear enough and then said that the greatest commandment was within Genesis 5:1 — that man was created in G - d's image and thus if you hate any person, you are hating G - d).

That division was expressed in Reformation iconoclasm and the rejection of the notion that material objects — the bread and wine of the Mass, relics, images — could be vehicles of spiritual reality.