Sentences with phrase «of imaginary women»

Jocelyn Hobbie's lush, delicate and sensuous paintings depict psychologically charged portraits of imaginary women who are seemingly frozen within provocatively mysterious narratives.

In the institute's main gallery are 41 portraits of imaginary women, each called «Madonna.»

Crosher has inhabited an imaginary archive of an imaginary woman, who changed identities at will and tried her hand at being everything other than satisfied.

Not exact matches

I knew another woman who went to the church and she said no one was bullying the other woman, who she said attended only part time, did not participate in most church activities and interpreted her lack of social connections to imaginary bullies.

We understand it for what it truly is... a book that condones mass murder; rape; incest; child abuse; oppression of women; oppression of LGBT... your imaginary friend is not anything worthy of respect and it doesn't pertain to those who are capable of thinking for themselves and doing well without it.

I care about the life people like you are attempting to force in to this world, you care about what appeases your god - big difference when you really don't care or consider the child only what your imaginary friend god wants and yet your god cause abortions all the time... you care about a clump of cells, not the actual life of the child and that's much worse than me supporting the rights of a woman to have control over her body, especially if the clump of cells couldn't survive outside of the host.

To have a woman decide that she rather have a «personal relationship» with an imaginary being rather than the old line of the Catholic church is like a child saying that they like the Tooth Fairy better than Santa Claus.

I am sick of reading about what other religions are doing to woman, children and to other people who won't go along with their imaginary friend.

Does it break your poor heart that the church is being exposed for what it truly is - a cult of pedophiles protected by the fact that they all share a similar imaginary friend and a church that constantly rages war on women?

A false belief about your wife does not amount to being in love with an imaginary woman instead of your wife.

Beginning with an imaginary journey into the red tent, a traditional place of women's wisdom, some of the gifts and secrets of womanhood are imparted in a gentle lyrical way along with practical advice on preparing for her first period, choosing menstrual products, herbal healing, and celebrating menarche.

Better (but imaginary) LC — «X number of women do not produce enough milk.

Namely, the pregnant woman and her partner will learn how to develop imaginary scenarios (such as lying on a beach) and focusing mentally on all the elements of those scenarios (the texture of the sand, the noise of the waves, etc.).

During this mysterious time of pregnancy, women have been known to scrub imaginary germs off tiles with a toothbrush, reorganize the foods in their cupboards alphabetically, repaint and wallpaper the new nursery, only to mysteriously end up repainting and wallpapering out into the rest of the house.

And statements like «It's all in your mind» not only insult women whose problems were absolutely not imaginary, but reveal a lack of education on the realities of breastfeeding issues.

With a puffy bust, a thin waist and heavy hips, the emphasis on the s - silhouette demonstrated an imaginary image of how women were suppose to look.

«The good and hopeful news here is that a woman who is honest with herself, is willing to separate reality from imaginary romance, and who understands that real communication (in a real room, where eyes and hands can be seen, words considered, aroma savored, body language studied, and social behavior observed) stands the best chance of finding a lover for now or for forever, who is really a match based on the realities of sexual chemistry and interpersonal harmony.»

Now with the story of Manti Te'o's imaginary romance appearing all over the news, women are worried about getting catfished.

IMAGINARY MARY Picked up to series STUDIO: Sony Pictures TV / Happy Madison TEAM: Adam F. Goldberg (w, ep), David Guarascio (w, ep), Doug Robinson (ep), Patrick Osborne (ep), Shawn Levy (d, ep) LOGLINE: Live - action / CGI project centers on Alice, a fiercely independent career woman whose life is turned upside - down when she meets the love of her life — a divorced father with three kids.

Deraspe opens her film in a very unique manner for a documentary, recreating the imaginary affair between Amina and Sandra in hypersexualized images of women undressing under explicit texts between the pair.

Award: The Assassin Least Sexy Movie: 50 Shades of Grey (Runner - up: A LEGO Brickumentary) Best Tolkien Reference: The Martian Best Gag Involving a Hammer: Avengers: Age of Ultron Best Joke About Naming Your Fists «Cagney and Lacey»: Spy Best Celebrity Cameo: LeBron James, Trainwreck Best Imaginary Friend: Bing Bong, Inside Out Most Awkward Interplay Between Real and Fictional Theme Parks: Tomorrowland (Runner - up: Jurassic World) Best Contact Lenses: Johnny Depp, Black Mass Best Eyeglasses: Sean Harris, Mission: Impossible — Rogue Nation Best Glass Eye: Christian Bale, The Big Short Best Robot: Ava (Ex Machina) Worst Robot: Chappie (Chappie) The Cameron Crowe Award for a Soundtrack in Search of a Movie: Aloha Best Aerial Stunt: Mission: Impossible - Rogue Nation (Runner - up: Spectre) Worst Oven - Cleaning Method: The Visit Worst Misuse of a Juice Bottle: Sleeping with Other People Best Movie About Journalism: Spotlight Worst Movie About Journalism: Truth The Sudden Ubiquity Award: Domhnall Gleeson (Ex Machina, Brooklyn, Star Wars: The Force Awakens, The Revenant); Tom Hardy (Mad Max: Fury Road; Legend; The Revenant); Oscar Isaac (Ex Machina, Mojave, Star Wars: The Force Awakens) Best Dog - boy: Jack Bright, The Good Dinosaur Worst Dog - man: Channing Tatum, Jupiter Ascending Worst Implicit Historical Comparison: Moving the events of The Secret in Their Eyes from Argentina's Dirty War to post-9 / 11 America Best Backward - Looking Reboot: Star Wars: The Force Awakens Worst Backward - Looking Reboot: Terminator Genisys Best Home Movies: Me and Earl and the Dying Girl Nicest Russian Spy: Mark Rylance, Bridge of Spies Trends of the Year: Women ruling comedy (Trainwreck, Spy); an overdue pushback against CGI (Mad Max: Fury Road, Star Wars: The Force Awakens); sneakily feminist themes in summer sequels (Magic Mike XXL, Mad Max: Fury Road); spy spoofs (Spy, Kingsman: The Secret Service, The Man from U.N.C.L.E, the final third of Spectre)

Encouraged by his teenage son and best friend, a film producer stages a fake casting session, interviewing beautiful young woman for the imaginary role of his new wife.

Summary Capsule: Quite possibly the worst imaginary friend ever comes back into the life of a woman with terminally bad fashion sense.

It's a world of daring heroes — of men and women who courageously defy phony «authorities,» corrupt institutions, and senseless rules — of characters, both real and imaginary, that think boldly and act bravely in the pursuit of justice.

Because LaFevers» female assassins are intentionally imaginary, they have no need to answer to the standards of demure behavior expected of other women of their time.

Even in this case, it must be noted that certain photographs represent a private sketch group meeting in one of the women artists» homes; in the other, the model is draped; and the large group portrait, a co-operative effort by two men and two women students of Repin's, is an imaginary gathering together of all of the Russian realist's pupils, past and present, rather than a realistic studio view.

The acts captured in Onofre's videosa well - dressed couple pacing on treadmills, a woman hungrily eating flowers, models auditioning for an imaginary rolecontain a hidden tension which underlies the outcome of the action.

They also describe the extent to which women in a caring and healing capacity have become sexualized and fetishized objects in parts of the popular imaginary.

She has contributed to, and been written about, in several anthologies of literary criticism including: The Racial Imaginary: Writers on Race in the Life of the Mind (Fence Books, 2015); The BreakBeat Poets: New American Poetry in the Age of Hip - Hop (Haymarket Books, 2015); What I Say: Innovative Poetry by Black Writers in America (University of Alabama Press, 2015); The & Now Awards 3: The Best Innovative Writing (Northwestern University Press, 2015); I'll Drown My Book: Conceptual Writing By Women (Les Figues Pess, 2012); eco language reader (Portable Press at Yo - Yo Labs and Nightboat Books, 2010); American Women Poets in the 21st Century (Wesleyan University Press, 2002); and An Exaltation of Forms: Contemporary Poets Celebrate the Diversity of Their Art (University of Michigan Press, 2002).

Gonzalez - Foerster's Chambre (l'inhumaine)(Room [The Inhuman Woman], 2016) elaborates the idea of a fictional character, creating an imaginary boudoir for silent movie star Georgette Leblanc, all plush carpet, fur bedspreads and drawn curtains, the clock stopped perpetually at a minute before ten.

Wilke has also participated in a large number of significant group exhibitions including the forthcoming exhibition Virginia Woolf: an exhibition based on her writing, Tate St Ives (2018); Delirious: Art at the Limits of Reason, 1950 - 1980, Met Breuer, New York (2017); Body Talk, Rose Art Museum, Waltham (2017); Feminist Avant - Garde of the 1970s, ZKM, Karlsruhe (2017), travelling to Stavanger Art Museum, Norway and The Brno House of Arts, Brno (2018); I Remember Not Remembering, Scottsdale Museum of Contemporary Art (2017); The Beguiling Siren is Thy Crest, Museum of Modern Art in Warsaw (2017); Performing for the Camera, Tate Modern, London (2016); Revolution in the Making: Abstract Sculpture by Women, 1947 - 2016, Hauser & Wirth & Schimmel, Los Angeles (2016); Americana: Formalizing Craft, Perez Art Museum, Miami (2013); Aquatopia: The Imaginary of the Ocean Deep, Nottingham Contemporary (2013); Human Nature, Los Angeles County Museum of Art (2012); Naked Before the Camera, Metropolitan Museum of Art, New York (2012); Elles: Women Artists from the Centre Pompidou, Seattle Art Museum (2012); The Body as Protest, Albertina Museum, Vienna (2012); Ourselves, Australian Centre for Contemporary Art, Melbourne (2012); The Original Copy: Photography of Sculpture, 1839 to Today, MoMA, New York and elles@centrepompidou, Centre Pompidou, Paris (2010).

Its purpose was to explore the imaginary dimension of habitation at the diasporian - communities that are created beyond national borders focusing on the experience of women, as well as the exploration of the everyday life mythographies in conditions of displacement, temporariness and deterritorialization.

«Speaking out: Siting the Voice in Contemporary Asian Art», Courtauld Institute of Art and Kings College, University of London 2017 Conceptualism — Intersectional Readings, International Framings Conference, AHRC Black Artists and Modernism project in collaboration with Van Abbemuseum, NL, 7 - 9 December 2017 Trinh T Minh - ha Symposium, ICA London, 3 December 2017 Women in Collections Symposium, Contemporary Art Society / Sackler CPD Programme, Leeds City Art Gallery, 19 October 2017 Deviant Researching Symposium, part of Demodernising the Collection, Van Abbemuseum, NL, 21 - 23 September 2016 Now and Then, Here and There Conference, AHRC Black Artists and Modernism, Chelsea College of Art and Design, UAL / Clore auditorium, Tate Britain, 6 - 8 October 2016 Kung Fury: Contemporary Debates in Martial Arts Cinema Symposium, AHRC Martial Arts Studies Network, Birmingham City University, 1 April 2015 Martial Arts Studies Conference, with Luke White, Cardiff University, 10 - 12 June 2015 How to See the World Panel discussion & book launch, with Nicholas Mirzeoff, Jon Bird, Sonia Boyce, Nadja Milner - Larsen, ICA, London 4 June 2015 (In) Direct Speech: «Chineseness» in Contemporary Art Symposium, University of Lisbon, 16 - 19 March 2014 Thinking with Berger Conference, with Juliette Kristensen, Cardiff Metropolitan University, 4 - 5 September 2014 Mega Events & Culture: Arts & Artists Engagement in Events - based Regeneration, Resistance & Research Regional Studies Association, Research Seminar, Queen Elizabeth Olympic Park, London, 17 June 2014 Image — Movement — Story Conference, University of Roehampton, 14 June 2014 SPSL / A to Y Public Lecture, MAI (Montreal Arts Interculturels / University of Concordia, Montreal QC, 12 April 2013 Inter-Asian Connections IV Conference, in the strand «Contemporary Art and the Inter-Asian Imaginary», Koç University, Istanbul.

2005 Family Legacies: The Art of Betye, Alison and Lezley Saar, Ackland Art Museum, University of North Carolina, Chapel Hill, NC; Pasadena Art Center, Pasadena, CA; San José Museum of Art, San José, CA; Palmer Art Museum, Pennsylvania State University, University Park, PA Back to Black: Art, Cinema and the Racial Imaginary, The Whitechapel Art Gallery, London, England; New Art Gallery, Warsall, England Eye Contact, American Painting and Drawing, Michael Rosenfeld Gallery, New York, NY Syncopated Rhythms: 20th Century African American Art from the George and Joyce Wein Collection, Boston University Art Gallery, Boston, MA Art of Engagement, Jack Rutberg Fine Arts, Los Angeles, CA How American Women Artists Invented Postmodernism: 1970 — 1975, Mason Gross School of the Arts Galleries, Rutgers University, New Brunswick, NJ

It is present in the show's opening second - floor gallery, too, but with a playful forthright decorativeness: Here are over 100 small watercolor «Afromuses,» bust - length portraits of imaginary men and women in full face or in profile, that Mr. Ofili began in 1995.

The photographs depict how an adult woman has become inseparable from her imaginary friend, so much so that it appears as an identical reflection of herself.

During the heady days of Surrealism's reign in Paris, between 1929 — 35, the Spanish - born painter responded by creating some of his most memorable works in three dimensions as well as a series of astonishing graphite drawings on fine - textured woven paper of imaginary standing and seated women.

Imaginary Coordinates, published on the occasion of an exhibition originating at Chicago's Spertus Museum, juxtaposes the museum's extensive collection of antique Holy Land maps with contemporary artwork by Israeli and Palestinian women (including Ayreen Anastas, Yael Bartana, Mona Hatoum, Emily Jacir, Sigalit Landau, Enas Mutthafar, Michal Rovner and Shirley Shor) to explore issues of national identity, borders and the critical disparity between maps and lived experience.

, ArtPharmacy (Blog), June 12 Elisa della Barba, «What I loved about Venice Biennale 2013», Swide, June 2 Juliette Soulez, «Le Future Generation Art Prize remis a Venise», Blouin Artinfo, May 31 Charlotte Higgins, «Venice Biennale Diary: dancing strippers and inflatable targets», The Guardian On Culture Blog, May 31 Vincenzo Latronico, «Il Palazzo Enciclopedico», Art Agenda, May 31 Marcus Field, «The Venice Biennale preview: Let the art games commence», The Independent, May 18 Joost Vandebrug, «Lynette Yiadom - Boakye», L'Uomo Vogue, No. 441, May / June «Lucy Mayes, «Lynette Yiadom - Boakye», a Ruskin Magazine, Vol.3, pp. 38 - 39 Rebecca Jagoe, «Lynette Yiadom - Boakye: Portraits Without a Subject», The Culture Trip, May Lynette Yiadom - Boakye, «Lynette Yiadom - Boakye on Walter Richard Sickert's Miss Gwen Ffrangcon - Davies as Isabella of France (1932)», Tate etc., Issue 28, Summer, p. 83 «Turner Prize - nominated Brit has art at Utah museum», Standard Examiner, May 1 Matilda Battersby, «Imaginary portrait painter Lynette Yiadom - Boakye becomes first black woman shortlisted for Turner Prize 2013», The Independent, April 25 Nick Clark, «David Shrigley's fine line between art and fun nominated for Turner Prize», The Independent, April 25 Charlotte Higgins, «Turner prize 2013: a shortlist strong on wit and charm», guardian.co.uk April 25 Charlotte Higgins, «Turner prize 2013 shortlist takes a mischievous turn», guardian.co.uk, April 25 Adrian Searle, «Turner prize 2013 shortlist: Tino Sehgal dances to the fore», guardian.co.uk, April 25 Allan Kozinn, «Four Artists Named as Finalists for Britain's Turner Prize», The New York Times, April 25 Coline Milliard, «A Crop of Many Firsts: 2013 Turner Prize Shortlist Announced», Artinfo, April 25 Sam Phillips, «Former RA Schools student nominated for Turner Prize», RA Blog, April 25 «Turner Prize Shortlist 2013», artlyst, April 25 «Turner Prize Nominations Announced: David Shrigley, Tino Sehgal, Lynette Yiadom - Boakye and Laure Prouvost Up For Award», Huffpost Arts & Culture, April 25 Hannah Furness, «Turner Prize 2013: a dead dog, headless drummers and the first «live encounter» entry», Telegraph, April 25 Hannah Furness, «Turner Prize 2013: The public will question whether this is art, judge admits», Telegraph, April 25 Julia Halperin, «Turner Prize shortlist announced», The Art Newspaper, April 25 Brian Ferguson, «Turner Prize nomination for David Shrigley», Scotsman.com, April 25 «Former Falmouth University student shortlisted for Turner Prize», The Cornishman, April 29 «Trickfilme und der Geschmack der Sonne», Spiegel Online, April 25 Dominique Poiret, «La Francaise Laure Prouvost en lice pour le Turner Prize», Liberation, April 26 Louise Jury, «Turner Prize: black humour artist David Shrigley is finally taken seriously by judges», London Evening Standard, April 25 «Turner Prize 2013: See nominees» work including dead dog, grave shopping list and even some paintings», Mirror, April 25 Henry Muttisse, «It's the Turner demise», The Sun, April 25 «Imaginary portrait painter up for Turner Prize», BBC News, April 25 Farah Nayeri, «Tate's Crowd Artist Sehgal Shortlisted for Turner Prize», Bloomberg Businessweek, April 25 «Turner Prize finalists mix humour and whimsy», CBC News, April 25 Richard Moss, «Turner Prize 2013 shortlist revealed for Derry - Londonderry», Culture24, April 25 «David Shrigley makes 2013 Turner Prize shortlist», Design Week, April 25 «The Future Generation Art Prize@Venice 2013», e-flux.com, April 21 Skye Sherwin, «Lynette Yiadom - Boakye», The Guardian Guide, March 2 - 8, p. 36 Amie Tullius, «Seasoned by Whitney Tassie», 15 Bytes, March «ARTINFO UK's Top 3 Exhibitions Opening This Week, ARTINFO.com, February 25 Orlando Reade, «Whose Oyster Is This World?»

The painter Lubaina Himid is here with canvases that present imaginary architecture by imaginary black women; part of a project from 1997 - 78 called Architects, Models, Plans they extend her practice of proposing moments when black women could alter history.

The play on words in the imaginary route and destination of the bus in the upper quadrant — «2A Sojourner Truth Square» — speaks to the «long road leading out of here» that the women had asked to see depicted.

Trips to Europe in 1925 and 1928 inspired him to shift from imaginary to more realistic paintings of women and still lifes, which received critical praise.

What lends them a dark sense of mystery is the revelation that these women are all imaginary.

Blurring the distinction between object and subject, concrete and abstract, real and imaginary, Thomas constructs complex portraits, landscapes, and interiors in order to examine how identity, gender, and sense of self are informed by the ways women are represented in art and popular culture.

Do they create imaginary women and compare their imaginary salaries to other imaginary (sorry, synthetic) salaries for validation, to come up with a world wide average of women's salaries to within hundredths of a cent?

Luckily, I had one of those «aha» moments in a personal development course where I realized I was holding myself back with this imaginary perception that I could not act like a woman and be a successful lawyer.