I want his gaming experiences to be guided by good games full
of imaginative storytelling and gameplay, and for the idea of paying being an integral part of a games core mechanics to be a long and distant memory.
After all, it's her first release not tied to the Metropolis saga, a series of concept albums — 2007's Metropolis: Suite I (The Chase), 2010's The ArchAndroid, and 2013's The Electric Lady — that cumulatively housed a downright brilliant blend
of imaginative storytelling and stylistic hodgepodges (including neo soul, funk, rap, pop, and classical).
Not exact matches
Slight update on SIGNPOSTINGS: I also found there Colin's reflections on what's good and bad about living in THE GOLDEN AGE
OF TV — yet another postmodern yet conservative theme: Too much disdain for convention and ordinary storytelling and narrative, way too self - indulgent when it comes to the imaginative display of excesse
OF TV — yet another postmodern yet conservative theme: Too much disdain for convention and ordinary
storytelling and narrative, way too self - indulgent when it comes to the
imaginative display
of excesse
of excesses.
His pedagogy was
imaginative storytelling — long before the work
of C. Ernest Wright or Fred Craddock, Wehrli understood that the Bible is narrative.
By no reasonable reckoning can the film be considered a competent piece
of cinematic
storytelling, yet somehow the movie transcends its silly screenplay with over-the-top action and visually
imaginative battles.
Makes jaunty,
imaginative use
of both extraordinary technology and bold
storytelling possibilities within the insect world.
At every
imaginative juncture, the filmmakers (the screenplay is credited to Pixar veteran Molina and Matthew Aldrich) create a richly woven tapestry
of comprehensively researched
storytelling, fully dimensional characters, clever touches both tender and amusingly macabre and vivid, beautifully textured visuals.
This all just goes to show then what
imaginative casting and ambitious
storytelling can achieve, as Robert Downey Jr.'s first stab at the role
of Tony Stark was the film that started it all.
Not too far from its end, the film starts to run out
of steam, as its mystery becomes less engaging, its dialogue less funny, and its interest moves from creative
storytelling to
imaginative visual gymnastics.
The small pleasures are myriad, from the playfulness
of the
storytelling and characters to the
imaginative details that fill every scene to the wild, curly tangle
of red hair that explodes from the head
of young Merida, as unruly and untamable as Merida herself.
Anime has always had a certain eccentricity about it (think
of some
of the stranger sequences in touchstone titles like Akira or Ghost in the Shell, or anything at the edges
of the output
of supposedly child - orientated Studio Ghibli), but the films which LEAFF selected to honour the medium's milestone take this eclectic,
imaginative approach to
storytelling to new levels, loosening the limits
of the logic
of reality, and travelling through the very fabric
of space and time.
As in all
of his films (most notably my favorite, «Pan's Labyrinth»), del Toro's
storytelling is
imaginative and mesmerizing; you never know where «The Shape
of Water» is going.
One
of the most original and charming films
of the year, it is an
imaginative interpretation
of the Snow White fairy tale that combines the visual power
of silent cinema with the dramatic force
of an orchestral score to create an entirely unique method
of storytelling.
Use DRAMA TRUNK drama cards for tons
of creative, fun,
imaginative, any day activities, including: • Drama games (including last minute activities) • Warm ups • Team building and cooperation activities • Improvisation / quick thinking • Audition / rehearsal activities • Language activities • Guided learning • Listening skills • Inspiration •
Storytelling Combine the use
of multiple cards for even more activities, challenges and ideas (you will have a HUGE amount
of drama activities ready to go when needed).
A beguiling,
imaginative, inspiring story about the bigness
of being alive as an individual, as a member
of a tribe, and as a participant in history, exploring how we use
storytelling to survive and shape our own truths.
- Anne Fortier, New York Times - bestselling author
of Juliet «Overseas is an irresistible combination
of romance, history, and
imaginative storytelling.
One
of his main goals in
storytelling is to allow the reader to understand better theology, history, and more wholesome ways
of living in a simple
imaginative way.
Where we question the general lack
of imaginative or world - changing
storytelling, or the hundreds
of thousands
of boring formula fiction with bad covers (got ta have bad to recognise the truly good), we must also question why similar stuff is sitting on my local bookstore's shelves.
The missions themselves often felt like afterthoughts too; it is no coincidence that I enjoyed The Ballad
of Gay Tony, and its strong emphasis on
imaginative missions and
storytelling, far more than the main game.
This concept, along with the episodic, chapter - based
storytelling that facilitate it, became foundational to the Japanese RPG lineage, because their creators were riffing off fantasy adventure stories for inspiration and not D&D's
imaginative practices
of player agency, where letting the players seem to be in charge
of what is happening was an important part
of the appeal.
At the center
of Hancock's
storytelling is an
imaginative and epic narrative about fictional creatures called The Mounds, which populate his fantastical landscape.
The exhibition at 540 West 26th Street comprises the work
of three artists — Hernan Bas, Anne Chu, and Klara Kristalova — connected by a shared interest in the wildly
imaginative nature
of storytelling, and the visual fusion
of fantasy and reality in a narrative context.
At the center
of Hancock's
storytelling is an
imaginative and epic narrative about fictional creatures called the Mounds, who populate a wildly fantastic, inventive landscape.
With artwork spanning the disciplines
of the graphic novel, painting, drawing, comics, illustration and street art, these artists are connected by a shared interest in the wildly
imaginative nature
of storytelling, and the visual fusion
of fantasy and reality in a narrative context.
In this exhibition, we find a select group
of artists from across the country and abroad, who are united by a shared interest in the timeless appeal
of classical myths, the
imaginative nature
of storytelling and visual fantasy.
Subsequently I have written and co-authored several books: Sandplay and
Storytelling: The Impact
of Imaginative Thinking on Children's Learning and Development, with Kristín Unnsteinsdóttir, PhD; also with Dr. Unnsteinsdóttir, Sandtray Play in Education; and The Teachings
of Dora Kalff.
In particular, it supports the integrated, multi-modal use
of expressive arts including approaches in art, music / sound, creative writing,
storytelling, dance / movement,
imaginative play, integrative arts, and mind - body approaches for recovery and wellness in children, adults and families.