Sentences with phrase «of imaginative storytelling»

I want his gaming experiences to be guided by good games full of imaginative storytelling and gameplay, and for the idea of paying being an integral part of a games core mechanics to be a long and distant memory.
After all, it's her first release not tied to the Metropolis saga, a series of concept albums — 2007's Metropolis: Suite I (The Chase), 2010's The ArchAndroid, and 2013's The Electric Lady — that cumulatively housed a downright brilliant blend of imaginative storytelling and stylistic hodgepodges (including neo soul, funk, rap, pop, and classical).

Not exact matches

Slight update on SIGNPOSTINGS: I also found there Colin's reflections on what's good and bad about living in THE GOLDEN AGE OF TV — yet another postmodern yet conservative theme: Too much disdain for convention and ordinary storytelling and narrative, way too self - indulgent when it comes to the imaginative display of excesseOF TV — yet another postmodern yet conservative theme: Too much disdain for convention and ordinary storytelling and narrative, way too self - indulgent when it comes to the imaginative display of excesseof excesses.
His pedagogy was imaginative storytelling — long before the work of C. Ernest Wright or Fred Craddock, Wehrli understood that the Bible is narrative.
By no reasonable reckoning can the film be considered a competent piece of cinematic storytelling, yet somehow the movie transcends its silly screenplay with over-the-top action and visually imaginative battles.
Makes jaunty, imaginative use of both extraordinary technology and bold storytelling possibilities within the insect world.
At every imaginative juncture, the filmmakers (the screenplay is credited to Pixar veteran Molina and Matthew Aldrich) create a richly woven tapestry of comprehensively researched storytelling, fully dimensional characters, clever touches both tender and amusingly macabre and vivid, beautifully textured visuals.
This all just goes to show then what imaginative casting and ambitious storytelling can achieve, as Robert Downey Jr.'s first stab at the role of Tony Stark was the film that started it all.
Not too far from its end, the film starts to run out of steam, as its mystery becomes less engaging, its dialogue less funny, and its interest moves from creative storytelling to imaginative visual gymnastics.
The small pleasures are myriad, from the playfulness of the storytelling and characters to the imaginative details that fill every scene to the wild, curly tangle of red hair that explodes from the head of young Merida, as unruly and untamable as Merida herself.
Anime has always had a certain eccentricity about it (think of some of the stranger sequences in touchstone titles like Akira or Ghost in the Shell, or anything at the edges of the output of supposedly child - orientated Studio Ghibli), but the films which LEAFF selected to honour the medium's milestone take this eclectic, imaginative approach to storytelling to new levels, loosening the limits of the logic of reality, and travelling through the very fabric of space and time.
As in all of his films (most notably my favorite, «Pan's Labyrinth»), del Toro's storytelling is imaginative and mesmerizing; you never know where «The Shape of Water» is going.
One of the most original and charming films of the year, it is an imaginative interpretation of the Snow White fairy tale that combines the visual power of silent cinema with the dramatic force of an orchestral score to create an entirely unique method of storytelling.
Use DRAMA TRUNK drama cards for tons of creative, fun, imaginative, any day activities, including: • Drama games (including last minute activities) • Warm ups • Team building and cooperation activities • Improvisation / quick thinking • Audition / rehearsal activities • Language activities • Guided learning • Listening skills • Inspiration • Storytelling Combine the use of multiple cards for even more activities, challenges and ideas (you will have a HUGE amount of drama activities ready to go when needed).
A beguiling, imaginative, inspiring story about the bigness of being alive as an individual, as a member of a tribe, and as a participant in history, exploring how we use storytelling to survive and shape our own truths.
- Anne Fortier, New York Times - bestselling author of Juliet «Overseas is an irresistible combination of romance, history, and imaginative storytelling.
One of his main goals in storytelling is to allow the reader to understand better theology, history, and more wholesome ways of living in a simple imaginative way.
Where we question the general lack of imaginative or world - changing storytelling, or the hundreds of thousands of boring formula fiction with bad covers (got ta have bad to recognise the truly good), we must also question why similar stuff is sitting on my local bookstore's shelves.
The missions themselves often felt like afterthoughts too; it is no coincidence that I enjoyed The Ballad of Gay Tony, and its strong emphasis on imaginative missions and storytelling, far more than the main game.
This concept, along with the episodic, chapter - based storytelling that facilitate it, became foundational to the Japanese RPG lineage, because their creators were riffing off fantasy adventure stories for inspiration and not D&D's imaginative practices of player agency, where letting the players seem to be in charge of what is happening was an important part of the appeal.
At the center of Hancock's storytelling is an imaginative and epic narrative about fictional creatures called The Mounds, which populate his fantastical landscape.
The exhibition at 540 West 26th Street comprises the work of three artists — Hernan Bas, Anne Chu, and Klara Kristalova — connected by a shared interest in the wildly imaginative nature of storytelling, and the visual fusion of fantasy and reality in a narrative context.
At the center of Hancock's storytelling is an imaginative and epic narrative about fictional creatures called the Mounds, who populate a wildly fantastic, inventive landscape.
With artwork spanning the disciplines of the graphic novel, painting, drawing, comics, illustration and street art, these artists are connected by a shared interest in the wildly imaginative nature of storytelling, and the visual fusion of fantasy and reality in a narrative context.
In this exhibition, we find a select group of artists from across the country and abroad, who are united by a shared interest in the timeless appeal of classical myths, the imaginative nature of storytelling and visual fantasy.
Subsequently I have written and co-authored several books: Sandplay and Storytelling: The Impact of Imaginative Thinking on Children's Learning and Development, with Kristín Unnsteinsdóttir, PhD; also with Dr. Unnsteinsdóttir, Sandtray Play in Education; and The Teachings of Dora Kalff.
In particular, it supports the integrated, multi-modal use of expressive arts including approaches in art, music / sound, creative writing, storytelling, dance / movement, imaginative play, integrative arts, and mind - body approaches for recovery and wellness in children, adults and families.
a b c d e f g h i j k l m n o p q r s t u v w x y z