Sentences with phrase «of immersive images»

Ranging from the television monitor to the cinema screen, and from the intimacy of the smartphone to the communal experience of immersive images and soundscapes, this survey will chart the ways in which Rist's work fuses the biological with the electronic in the ecstasy of communication.

Ranging from the television monitor to the cinema screen, and from the intimacy of the smartphone to the communal experience of immersive images and soundscapes, this survey charts the ways in which Rist's work fuses the biological with the electronic in the ecstasy of communication.»

Ranging from the television monitor to the cinema screen, and from the intimacy of the smartphone to the communal experience of immersive images and soundscapes, the exhibition charts the ways in which Rist's work fuses the biological with the electronic in the ecstasy of communication.

Not exact matches

The headset, which can give people an immersive experience with concerts, aerial footage and games, has sensors to gauge the head's position and to tell the phone which part of a 360 - degree image to display.

Pixvana, a company powering the future of XR storytelling and immersive media, today announced a partnership with Radiant Images, an award - winning solution provider in immersive technology and high - end VR camera rental agency, making Pixvana's SPIN Studio platform available to creators that rent a VR camera from Radiant Images.

Her lab examines how and why real tangible objects are processed and represented differently in the human brain compared to representations of objects, such as two - dimensional (2 - D) computerized images, three - dimensional (3 - D) stereo images, and immersive «virtual» reality displays.

What to say of a work that, for all its rapture with the sheer possibilities of the image, wholly retools the typical workings of cinema's less - heralded half, such that the act of listening is elevated to a level of immersive engagement that has perhaps been lacking in theaters, again, since Sunrise?

This immersive opening is a haunting example of the director's succinct visual style, she hones in on individual details as opposed to crafting elaborate concoctions of image and sound.

Meanwhile, DoP Dan Laustsen's sumptuous images relish every inch of Paul D. Austerberry's immersive production designs, from Elisa's home to the movie theatre below.

While most magazines in the Kindle Fire newsstand are just images of pages from the original print edition, Conde Nast did a great job at converting its titles to a fully immersive experience.

With its stunning view, immersive, romantic Caribbean atmosphere and five - star amenities, Villa Fabrizia is the embodiment of the image our mind conjures up when we fantasize about a private Caribbean villa rental getaway!

Guests at the event were treated to immersive «virtual reality» displays and aquatic - themed images being projected onto the ice rink at the famous Bank of America Winter Village at Bryant Park alongside the reveal of a new broadcast ad, featuring a voiceover by Australian actor and new Tourism Australia global ambassador Chris Hemsworth.

It was only inevitable, then, that someone would do an exhibition that surveys the trend toward bringing moving images out of the theater space and creating more immersive experiences.

«Whispering Bayou» @ Contemporary Art Museum Houston Houston, Texas An immersive, multimedia installation, «Whispering Bayou,» uses sounds, voices and images to capture the rich diversity and history of Houston and its citizens.

In this immersive installation representing the accumulation of memory and experience, images are obstructed and buried under delicate layers of waxed papers.

This immersive installation continues Ziegler's interest in processes of translation: from image to sculpture, figuration to abstraction, from the virtual to the physical.

This month, visit Carmen Herrera: Lines of Sight and Dreamlands: Immersive Cinema and Art, 1905 — 2016 to compare how artists use shapes and colors in both painting and the moving image!

Encompassing a wide range of mediums, Ritchie's immersive installation - including painting, wall drawing, sculpture, sound and moving image - demonstrates the complexity and transient nature of information.

She has created an immersive environment with a newly - conceived soundscape to accompany her animation Typhoon coming on (2018), which features a digitally manipulated image of J.M.W. Turner's 1840 painting Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On).

His elliptical, often abstract, animations deploy thousands of drawings across multiple custom screens, using the projected images to engage architecture as part of an immersive and multi-directional film experience.

«Dreamlands: Immersive Cinema and Art, 1905 - 2016» highlights the ways artists have pushed the conventions of cinema — screen, projection, darkness — to create new experiences with the moving image.

«How to Act» is an installation that offers an immersive cinematic experience without the use of film images.

Aitken presents a timely interrogation of technology's impact on humanity with a new immersive installation integrating sound, image, space.

A new immersive video exhibition is merging arts and images of nature together at the Brandywine River Museum of Art.

He is renowned for his sprawling, immersive artworks that use everyday materials, found images and texts to engage audiences in actively thinking and facing the reality of our world.

Combining images in different sequences with the haunting refrain of music by Alton Ellis «I was born a loser» / «I was born a winner», Nightlife (2015) by Cyprien Gaillard offers the viewer an immersive experience in 3D.

2016Biennale of Moving Image 2016, Centre d'Art Contemporain Genève, Genève, Switzerland (upcoming) Dreamlands: Immersive Cinema and Art, 1905 - 2016, Whitney Museum of American Art, New York (upcoming) Development, curated by Liam Gillick, Okayama Art Summit, Japan Nam June Paik Award, Folkwang Museum, Essen, Germany Art Basel Parcours, Naturhistorisches Museum, Basel, Switzerland Perfect Lives, Kunstverein Göttingen, Göttingen, Germany Nothing Conceptual: la Meme Era, La Barra de Paquito, San Juan, Puerto Rico What People Do For Money: Some Joint Ventures, Manifesta 11, Zurich, Switzerland Seven on Seven, New Museum, New York Overseas BF, curated by Signe Rose, Glovebox, Auckland Onion By The Ocean, organized by Essye Klempner and Elisa Soliven Underdonk, Brooklyn, New York default, Honor Fraser Gallery, Los Angeles, California

Doug Aitken «New Era» 303 Gallery 555 West 21st Street OPENS: April 13 Aitken presents a timely interrogation of technology's impact on humanity with a new immersive installation integrating sound, image, space.

The projected images scroll across the large windows and walls of the gallery space to create an immersive environment.

We Disappear is an immersive odyssey that encourages the viewer to question the photograph and the relationship between the still image and our physical presence in the landscape of the city.

Nearly 160,000 people experienced the exhibition of Kusama's immersive «Infinity Mirror Rooms,» sharing over 34,000 images of it on Instagram.

For this special presentation, Aitken and Vergne discuss Aitken's uniquely immersive aesthetic; the work's relationship to 20th - century avant - garde art, cinema, and experimental music; the nature of creativity in the 21st century; the possibilities for artmaking within our ever - mobile, ever - changing, image - based contemporary world; and other ideas central to the artist and the exhibition.

Continuing the Whitechapel Gallery's longstanding commitment to seasonal exhibitions organised in collaboration with local young people, this immersive display of moving image and sound works from the artist Mikhail Karikis (b. 1975, Greece) is the result of a collaboration with a group of 7 to 8 year - old students from Mayflower Primary School in East London.

His work embraces moving image, sound and other media to create immersive audio - visual installations and performances which emerge from his long - standing investigation of the voice as a sculptural material and a socio - political agent.

We're looking forward to Chrissie Iles's Dreamlands exhibition, a survey of immersive moving image works over the last century, opening at the Whitney this fall.

With 24 solo presentations and 300 artworks spread throughout 15,000 square feet of raw space, as well as an immersive series of off - site special projects with artists such as Jeremy Deller and Michael Rakowitz, these images are only a snapshot of what The Moving Museum produced in Dubai.

The work comprises an immersive environment, in which a sequence of images is projected onto walls collaged with aluminum foil, doodles, paintings, and sculpture, resulting in an ever - shifting, abstract composition.

The primary challenge of any William Kentridge monograph might seem to be getting images on the page to represent the South African artist's oeuvre, which spans performance by puppets and opera singers, immersive film installations, stereoscopic and anamorphic drawings, crank - activated kinetic sculptures that play music (recently on view at Marian Goodman in New York), and virtuosic charcoal - on - paper animations.

As images of experiences and landscapes from around the world can be seen instantly on backlit screens and handheld devices, Wasmuht pulls from her own photography, various Internet - based sources and a meticulous collection of images from life, landscapes and nature as inspiration for her immersive paintings.

Dreamlands: Immersive Cinema and Art, 1905 — 2016, Whitney Museum of American Art, New York Moving Image Department, 6th Chapter: Inner Lives (of Time), National Gallery of Art, Prague Arts Council 40th Anniversary Exhibition, Night at the Museum, The Gas Hall, Birmingham Cloud Cover, Kresge and Pascal Galleries, Ramapo College, Mahwah Alfonso Artiaco 30th Anniversary, Alfonso Artiaco, Naples

Alt Art Space hosts Moving Image Immersive Media's special exhibition New Realities, featuring an international group of artists creating works...

The film is presented as part of an immersive installation on MoMA's 3rd floor Elaine Dannheiser Project space, an expansive gallery painted to match Syms» signature [The Color] purple (see martinesyms.com), and equipped with a series of movie poster - sized photographs that transform into moving image works with the addition of a site - specific augmented reality app called WYDRN (ie.

In 2018 the Download is being adapted to display a wider selection of moving image, 360 ° and immersive works at foundations, museums and debuted as an art fair booth concept at the NADA New York (2018).

AR allows users to see the physical world with added images and information through the HMD, kind of like Iron Man's immersive vision.

Ventur often collapses his images into immersive, hypnotic video installations, while Bismuth juxtaposes scenes from vintage cinema with the drawn line in his Following the Right Hand of... series.

New Yorker Rachel Rose's 2015 video work «Everything and More,» about astronauts and the cosmos, was shown at the Whitney Museum of American Art; Wakefield felt she'd take a mystical approach to Desert X. Images of Smith's LED - illuminated, mirrored shack in Joshua Tree, «Lucid Stead,» went viral in 2013, he'd likely create another colorful, Light and Space Movement - inspired work for Desert X. Aitken's immersive video installation «Diamond Sea,» which was presented at the Whitney Biennial in 1997, explores southwestern Africa's Namib Desert.

Jointly acquired by the Whitworth Art Gallery and Towner Museum via the Art Fund's Moving Image Fund, the spectacular immersive three - screen installation of Isaac Julien's Ten Thousand Waves will open as «Isaac Julien: Ten Thousand Waves» at the Whitworth Art Gallery at the end of the month.

Through monumental billboards, site - specific environments, sound works, photography, sculptures, and immersive video installations the artist investigates the spatial and temporal dislocation of images and the vulnerability of individuals, in a period of massive industrial and environmental changes.

The audio component of the project is presented within an immersive installation of hand - drawn images printed as wallpaper.

This immersive installation of sculpture, performance and moving image explores the fetishism of anthropological objects.