Sentences with phrase «of individual curators»

Thursday March 5 — Expectations, looking at not only the personal expectations of individual curators, but also those of audiences and of artists and how these expectations might influence curatorial practice.

Not exact matches

Virtually all of the curators voiced resentment over the fact that, as they see it, the government is trying to dictate a sweeping, generalized policy in a situation that calls for a case - by - case approach — one that respects the diversity of the various tribes as well as the responsibilities of individual museums.

The system works like this: Researchers ask the virtual curator questions based on the data — for instance, «What percentage of individuals who have Type B blood are also HIV positive?»

Innovative learning spaces can encourage both individual and collective voices, and, through use of emerging technologies, they inspire students to become skillful curators of their digital worlds.

Guardian, tutor, or curator of the beneficiary, or another individual who is legally authorized to act for the beneficiary

In her story about how she ended up showing there, she mentioned that being comfortable with her own story and the story of her individual pieces of work enabled her to have conversations with gallery owners and curators that got her in the door.

The curator of «Substitutes...» saw the small toys in these pictures, wrapped in individual colored forms, like small toys enclosed in a hand.

With over 4,000 objects representing more than two dozen collectors, including contemporary artists making art conceived by collecting, Massimiliano Gioni, the museum's artistic director, and his team of curators have mounted a remarkable series of object lessons about what it means to «keep,» the relationship of possession to loss, the madness inherent in love, and the undeniable importance of the individual's voice in recording and interpreting history and its sweep.

Each of the green - and - white paintings in the room has its individual merits, but the massed effect of the nine cleanly demarcated, clear - eyed works, and the generous spacing allotted to the hanging by curator Dana Miller, raise the bar considerably.

All Collector's Circle Member benefits, plus: • Private collections» tours at the homes of New York's top collectors • Artist Studio visits led by the Executive Director • Conversations with Curators receptions, an opportunity to mingle with the Executive Director and curators and learn about upcoming exhibitions and projects • Private Tour of current Bronx Museum exhibitions with the Executive Director (up to twelve guests and by appointment) • One complimentary ticket to the Annual Fall Art Collection Tour • Recognition on the Bronx Museum's website and Annual Report • Sponsorship recognition for an exhibition or program • Two Individual - level gift memberships Curators receptions, an opportunity to mingle with the Executive Director and curators and learn about upcoming exhibitions and projects • Private Tour of current Bronx Museum exhibitions with the Executive Director (up to twelve guests and by appointment) • One complimentary ticket to the Annual Fall Art Collection Tour • Recognition on the Bronx Museum's website and Annual Report • Sponsorship recognition for an exhibition or program • Two Individual - level gift memberships curators and learn about upcoming exhibitions and projects • Private Tour of current Bronx Museum exhibitions with the Executive Director (up to twelve guests and by appointment) • One complimentary ticket to the Annual Fall Art Collection Tour • Recognition on the Bronx Museum's website and Annual Report • Sponsorship recognition for an exhibition or program • Two Individual - level gift memberships to share

You can't characterize him with one individual style,» said the Museum of Contemporary Art Jacksonville's curator Jaime DeSimone.

Mind and Matter and these other exhibition and incidental installations of individual works are part of an ongoing initiative among women curators at MoMA to delve deeply into the permanent collection in order to find out what works by women artists they already own and then see how gaps in the collection can be filled through acquisitions, with assistance from the Modern Women's Fund.

Push + Pull, the 2018 Future Curators exhibition, represents the mental tug - of - war that occurs in all individuals at one point in their lives.

The awards «honor the outstanding achievements and accomplishments of individual artists, art historians, authors, conservators, curators, and critics whose efforts transcend their individual disciplines and contribute to the profession as a whole and to the world at large,» and will be presented Feb. 15 at CAA's annual conference in New York City.

Curated Exhibitions 2017 Dreams, Community and Individual Voices - Spoken Through Symbolism, guest curator, Saint Louis Art Museum's Danforth Collection, St. Louis, MO 2016/2017 Sinew: Female Native Artists of the Twin Cities: Artistry, Bloomington, MN, Tweed Museum of Art, Duluth, MN 2016 American Art: It's Complicated (co-curated), Minnesota Museum of American Art, St. Paul, MN 2016 Synthesis: Paintings by Aza Erdrich, All My Relations Gallery, Minneapolis, MN 2014 Rosalie Favell: Relations, All My Relations Gallery, Minneapolis, MN 2014 On Fertile Ground, All My Relations Gallery, Minneapolis, MN 2014 Where I Fit, All My Relations Gallery, Minneapolis, MN 2013 Found, All My Relations Gallery, Minneapolis, MN 2013 Make it Pop, All My Relations Gallery, Minneapolis, MN 2012 Indian First, All My Relations Gallery, Minneapolis, MN 2012 Ded Unk» Unpi — We Are Here, All My Relations Gallery, Minneapolis, MN, Minnesota History Center, St. Paul, MN 2012 The Hopeman Family Collection, All My Relations Gallery, Minneapolis, MN 2011 Mni Sota: Reflections of Time and Place, All My Relations Gallery, Minneapolis, MN, Mayo Clinic, Rochester, MN, Mille Lacs Indian Museum, MN, Nash Gallery University of Minnesota, Tweed Museum of Art, Duluth, MN.

She has been a participant in Ecole du Magain's International Curatorial Program and an editor of the «Harald Seemann Individual Methodology» project; resident artist of the Hyde Park Art Center's Center Program; Resident Artist at ACRE; Artist - In - Residence at Nichols Tower Homan Square; Sponsored Artist at High Concept Labs; Resident Curator of Chicago Artists Coalition's HATCH Projects; and Collaborator of Independent Curators International Dakar Intensive.

The curriculum centers around individual and group critiques with the head of the department, visiting artists, curators, and critics.

Curators, artists, writers, and creative individuals, regardless of experience level, art world involvement, and location, are invited to submit ideas online.

It can also be helpful to join museum groups, where you meet like - minded individuals and have access to the passions and insights of curators.

The ever - expanding role of a curator requires that individuals wear a variety of figurative hats.

As part of its mission to document the history of alternative art spaces, AS - AP has been commissioning the production of oral history interviews with the founders, former and current directors, and curators of significant alternative art spaces throughout the United States: http://as-ap.org/oral-histories Oral and video history interviews have been used as key research and documentation tools within art history and its related disciplines as a means of capturing first - person accounts of specific events, individuals, institutions and organizations.

As the director of S.I.A.R., Alicia Goodwin offers her experience as an artist, writer, curator, and world - traveler to visiting artists, as well as exposure to a wide network of other local, national, and international individuals and organizations integral to a successful artistic cultural exchange.

Drawing upon recent contemporary fiction, curators Tom Eccles and Amy Zion (both Bard College, New York) have invited writers, poets, and artists to investigate the psychological, linguistic, physical and social conditions that underpin the daily struggles of individual lives.

The artists» selection of artwork developed through many conversations with curator Gary Garrels, in which they discussed the issues of their work, their individual studio practices, their appraisal of art history, and the current status of contemporary art.

Nick Aikens, one of the prize's selectors and curator at Eindhoven's Van Abbemuseum, describes the range of chosen individuals as one which «shows the myriad, sophisticated ways artists are articulating and responding to some of the most pressing questions of our time.»

As part of the ZONAMACO SUR section, the fair will invite international curators who select artists to propose individual projects under the representation of a gallery.

Vibrant photos of each artist's performance by renowned photographer Paula Court and texts contributed by a range of curators and critics provide accounts of every show, as well as an understanding of the importance of each work within the artist's individual career and in relation to larger historical trends.

Past events include: • Curated tour of Harlem art spaces, including the inHarlem public art projects in Harlem's Historic Parks, the Harlem Hospital Murals, PS209, followed by a reception and artist talk at the Lewis Long Gallery • Private preview of artist Lynette Yiadom - Boakye's work at Jack Shainman Gallery with Yiadom - Boakye and Thelma Golden, Studio Museum Director and Chief Curator • Private tour of the JPMorgan Chase Art Collection led by Lisa K. Erf, Director and Chief Curator of the JPMorgan Chase Art Program, with Studio Museum Associate Curator Lauren Haynes • Private breakfast and studio visit with 2016 — 17 Studio Museum artists in residence Autumn Knight, Julia Phillips, and Andy Robert, with Thelma Golden and Hallie Ringle, Assistant Curator Studio Society offers two options: Individual ($ 1,500) or Steering Committee ($ 2,500) membership.

The exhibition will be accompanied by a fully illustrated two - volume publication: a catalogue with an introduction by the three curators, and an essay by Briony Fer, and a subject index, a second volume in the form of a glossary that is devoted to important ideas in Horn's practice or that relate to individual works.

The artists included in «Performance Archiving Performance» discuss the development of and future goals for their individual archiving projects with the curator.

Beyond collaborations, these arrangements house islands of independent inspiration, related to the themes of the exhibition at large but filtered through the interest, research, or collections of individual demi - curators.

Convening luminary artists, curators, researchers, and writers to discuss how technology is transforming culture, the first edition of Open Score will consider how artists are responding to new conditions of surveillance and hypervisibility; how social media's mass creativity interfaces with branding and identity for individual artists; how the quality and texture of art criticism is evolving in a digital age; and what the future of internet art might be in light of a broader assimilation of digital technologies.

«Among Friends» is another example of how curators these days are trying to shift their emphasis away from the mythology of individual genius by showing the artist's immersion in and dependence on his or her context.

KW Friends are part of a network of enthusiastic art lovers, curators, artists and individuals with an interest in the arts and thereby contribute actively to the culturally multifaceted life of Berlin.

Jurors for the 2016 Individual Artist Fellowship Awards were Cybele Maylone, executive director of UrbanGlass, Brooklyn; artist and independent curator Anne Thompson; and Reto Thüring, curator of contemporary art at the Cleveland Museum of Art.

Rather than a comprehensive history of art and culture in the New York area, 5 Year Review will instead reflect the idiosyncratic nature of individual taste and memory as recommended by an invited group of fellow curators and critics.

And four dozen of them take brief, individual bows in a show — organized for the Santa Monica Museum of Art by two independent curators and critics, Michael Duncan and Kristine McKenna — that feels like both a slice of still - warm history and a reliquary.

«Whether drawing and collaging on individual paper panels or creating a mural on the floor - to - ceiling wall, Schliebener combines the additive qualities of drawing, reductive acts of cutting, and nuances of figure and ground to explore the ambiguities of gender,» notes curator John Chaich.

We support both individual artists for unique solo shows as well as emerging curators in preparation of a group exhibition.

About the Award Each year the Center for Curatorial Studies celebrates the individual achievements of a leading curator or curators whose lasting contributions have shaped the way we conceive of exhibition - making today.

The names of many worthy individuals were put forward representing a cross section of the contemporary visual arts community including artists, patrons, educators, curators and gallery owners.

Art Trichotomy: Portraits of the Industry aims to explore how gallerists, curators, and artists interface within the art world and what factors shape the trajectory of each individual's career path.

However, the two young curators, Christopher Lew and Mia Locks, have taken as their premise a consideration of the individual's place in a turbulent society.

THE AGREEMENT This Agreement is agreed upon by four discrete groups of curators, hereby referred to as The Curators, each comprised of three individuals chosen atcurators, hereby referred to as The Curators, each comprised of three individuals chosen atCurators, each comprised of three individuals chosen at random.

We forge strategic partnerships with collaborating institutions to offer customized residencies designed to meet the individual needs of participating artists and curators.

But one theme that cropped up repeatedly in the shortlisting discussion of the judging panel for the 2014 Art Fund Prize for Museum of the Year was the very evident impact of particular individuals (be they curators or directors) on the quality and originality of what was being newly presented to the visiting public.

The Fishers collected in depth, often buying dozens of works by a single artist, and for this first presentation the curators have opted for concentrated displays of individual painters, sculptors and photographers.

More than a dozen anonymous nominators participated, along with the following jurors: Susanne Ghez, director of the Renaissance Society; Lane Relyea, art critic and professor at Northwestern University; Lisa Dorin, assistant curator of contemporary art at the Art Institute of Chicago; Carol Ehlers, independant curator; and Nick Cave, artist and past winner of the individual artist award.

Organized in a collaborative effort between curator Julie Fishkin, and artist Saya Woolfalk, the fifteen artists in the exhibition engage the dichotomy between communal pasts and the individual experience, intertwining them visually through the manipulation of common materials and reexamination of time - honored aesthetic practices.

Andrea Lissoni, curator of the exhibition, said: «Hypothesis can be considered an experimental model for a solo show, in which different existing works are recombined for just the duration of the exhibition, becoming a temporary installation, and then getting back their individual lives and status after the show itself has ended.