Sentences with phrase «of individual identity through»

Many of her works capture the expression of individual identity through groups (couples, teams, crowds) and reveal an undercurrent of her own biography vis - à - vis her subjects.

But he never confused this logical notion of identity («things are identical» when every predicate is true of both or false of both» [3.398]-RRB- with the notion of individual identity through time, which is at issue here.

Furthermore, men have always had an important measure of individual identity through time.

Not exact matches

The Results Pleased with his own results, McLaren struck a partnership with BillGuard to integrate the service into his company's suite of identity - theft protection programs, which is offered to individuals through employers, universities and associations (and soon at the enterprise level).

(Indeed, fascinating histories might be written of major changes in the identities of both denominational and university - related theological schools that came about over the past thirty years not by grand vision and masterful decision but through the accumulated impact of individual decisions about particular proposed courses, programs for this and centers for that.)

I tend to side with Pannenberg's «loose» sense of identity — continuity through time of an individual — as phenomenologically more adequate: it does express the subjective sense of sameness through time of which persons are aware.

First, there is the notion of an individual or «primary» substance, an ousia in Aristotle's sense, which retains its individual identity through change and of which universals are predicable, while it itself is predicable of nothing.

This means that when the seat of existence was located in the unconscious, individual identity through time was far less exclusive than it became with the axial shift of center to consciousness.

Like Eliot and Valéry, Borges would, to a degree, negate individual identity, but would aim simultaneously to rescue every literary work's originality through the creative act of reading.

The respect in which I conceive of an individual object as distinct from my reaction with it is then that I conceive of the former but not the latter as retaining an identity through time.

But through the concept of individual identity, I conceptualize the experience as an encounter with an individual existent.

When he gave his definition of individual identity, the view of continuity he had in mind would seem to be the «common sense» one he came to through a modification of Kant's definition «that a continuum is that of which every part has itself parts of the same kind» (6.168).

Intelligibility is obtained through the concept of individual identity as consisting in a continuity of reactions.

First of all, his conception of reality as social process makes individual personal identity through time an abstraction from a more concrete network of social interaction which unites individuals.

Individual identity through time is a matter of degree.

But its positive strength is (1) to provide an understanding of God's identity as an individual through abstractions alone («This does not imply that God is a merely abstract entity, but only that what makes God God and no other individual is abstract «15), and (2) more specifically, to identify God as the sole individual with strictly universal functions, defined with relation to actuality as such and with respect to possibility as such.

The state's propensity to assign individuals identities through voter registration lists and social security numbers or more generally to reinforce conceptions of individual rights serves as an example; the roles of educational systems (through individualized test scores) and professional careers (organized around cumulative skills attached to the individual's biography) provide further examples.7 This work is important because it shows the dependence of self - constructs on markers in the culture at large: the self is understood not only in terms of internal development but also as a product of external reinforcement.

By putting so much of our personal identity on the Internet, especially through the use of cellphones, hackers are finding it much easier to access critical information about individuals.

Join moderator Leah Bloom, LMFT, a faculty member at the Chicago Center For Family Health and an adult internationally adopted person, as she leads our panel through a discussion about the intricacies of identity formation within an adopted individual.

They also highlight the importance to animals of transmitting information about their size and identity to other individuals through their calls.

Fashion provides one of the most ready means through which individuals can represent themselves in their everyday lives and make visual statements about their identities.

Through the exploration of her fractured sense of identity and loss of self - control, the film investigates modern day alienation, the struggle to connect, and the dividing lines between individual identity, personal relationships, and societal pressures.

As Egoyan employs his usual technique of travelling back and forth through time, some secrets about Hilditch's past and present surface, and the relationship between Felicia and Hilditch is in a constant state of flux — but no moreso than than their individual sense of identity.

The film, told almost entirely through song and a beautiful pop music score, portrays an honest, heartbreaking, often funny, exploration of love and its consequences on individual identity.

A real impact of civic and intercultural education implies «moving away from a focus on individual (identity) difference / s towards a focus on finding, through principled intercultural discourse, consensus for social action to redress injustice and inequality in the multicultural society» (Ohana & Otten, 2012).

Management of digital identity: How an individual is represented online in the public domain based on activities, connections or tagging through social media posts, photos, public online comments or reviews, and awareness and monitoring of depictions by others.

Through regular meetings, special events, group actions and online communication, we aim to increase access to resources that help teachers and schools in their efforts to form safe, inclusive environments that welcome and support individual differences of identity and self - expression.

The Second is a work of profound and moving secular spirituality that touches on all the markers of religion, a modern - day American Gothic in which the novel's characters ultimately confront their individual identities through the realization of just how hard it is to make belief believable.

Though I do agree from a publisher's point of view that you want a reader to be able to quickly determine which books are yours, its even more important to let the book's individual identity shine through.

Identity theft specialists are on call to guide individuals through the process of restoring their identity profiles and credit Identity theft specialists are on call to guide individuals through the process of restoring their identity profiles and credit identity profiles and credit records.

For example, a credit report would not explain that an individual's credit suffered because she was the victim of identity theft, that she went through a divorce or death of a spouse, that she unexpectedly lost a job or lost health care coverage or incurred substantial medical bills.

In a similar vein to the ongoing project Faces and Phases, Muholi creates celebratory photographs of empowered individuals who assert their identities through their confident poses, taking ownership of the spaces they inhabit.

JTD: Your work engages with ideas of cultural history, individual identity, and the female persona through complex, multi-layered pieces, both visual and performative.

On view from January 26 through March 16, 2018, this site - specific exhibition visually materialized and meshed memories of the past and present in Red Star's investigation of her Apsáalooke (Crow) Indian father's life in rock music, a site of familial importance and popular culture that has informed the artist's practice and individual and collective identities as an Apsáalooke (Crow)- Irish American woman.

Through projections and light on a main wall and throughout the campus, the work aims to explore connections between the individual identities of the galleries and artists at Bergamot Art Center as a unified space.

Known for her work that questions the identity of the individual through the malleable forms of space, Campbell explores the universal ideas of loss, meaning and memory.

In the paintings for which he first became known, de Balincourt worked from the position of an outsider (the Paris - born artist has lived in the United States since childhood), questioning structures of power and influence, laying bare injustices and hypocrisies while maintaining an amused attachment to the myths through which identity — individual and national — is constructed.

While Sherman fashions her identity through self - representations of a panoply of characters drawn from American history, Prager stages hundreds of costumed actors to create complex narrative that explores psychological experiences of individuals within a large group.

Through an individual lens, Work Hard suggests an imaginary time and place in art history as past, present and future converge in a narrative of national identity and art production.

This not only created a specific individual identity through the alliance of word and image but also encouraged a close scrutiny of the painting surface.

The exhibition is structured in chapters whose themes are the man - eating outsider or non-human; the relationship with others and construction of an individual and group identity through a dual movement of incorporation and rejection; the body as an organism capable of transformation, and which feeds on and feeds others; eroticism and all - consuming passion; violence and horror; ritual and sacrifice; and images from childhood, derived from tales and legends.

Thematic cohesion, meanwhile, can be found through the artists» individual interpretations of landscape and personal space, and by subtle commentary on personal identity.

The Nude Man in Art from 1800 to the Present Day Musèe d'Orsay, Paris, France «Eye to I... 3,000 years of Portraits» Katonah Museum of Art, Katonah, NY 30 Americans, Milwaukee Art Museum, Milwaukee, WI Through the Eyes of Texas: Masterworks from Alumni Collections, The Blanton Museum of Art, Austin, TX 2012 Looped, Utah Museum of Contemporary Art, Salt Lake City, UT The Human Touch: Selections from the RBC Wealth Management Art Collection, RedLine Gallery, Denver, CO The Soul of a City: Memphis Collects African American Art, Memphis Brooks Museum of Art, Memphis, TN 30 Americans, Chrysler Museum of Art, Norfolk, VA All I Want is a Picture of You, Angles Gallery, Los Angeles, CA BAILA con Duende: Group Art Exhibition, Watts Towers Arts Center and Charles Mingus Youth Arts Center, Los Angeles, CA The Bearden Project, The Studio Museum in Harlem, New York, NY The Human Touch: Selections from the RBC Wealth Management Collection, The Scottsdale Museum of Contemporary Art, Scottsdale, AZ 2011 Parallel Perceptions, NYC Opera, New York, NY Who, What, Wear: Selections from the Permanent Collection, Studio Museum Harlem, New York, NY Capital Portraits: Treasures from Washington Private Collections, National Portrait Gallery, Smithsonian Institution, Washington, D.C. Becoming: Photographs from the Wedge Collection, The Nasher Museum of Art at Duke University, Durham, NC Human Nature: Contemporary Art from the Collection, Broad Contemporary Art Museum (BCAM) at Los Angeles County Museum of Art, (LACMA) Los Angeles, CA Beyond Bling: Voices of Hip - Hop in Art, Ringling Museum of Art, Sarasota, FL 30 Americans: Rubell Family Collection, Corcoran Gallery of Art, Washington, D.C.. For a Long Time, Roberts & Tilton, Culver City, CA RE-Envisioning the Baroque, I.D.E.A. at Colorado College, Colorado Springs, CA 2010 Size Does Matter, FLAG Art Foundation, New York NY Passion Fruits, Collectors Room, Berlin The Global Africa Project Exhibition, Museum of Arts and Design, New York, NY Personal Identities: Contemporary Portraits, Sonoma State University Art Gallery, Sonoma, CA Patter ID, Akron Art Museum, Akron, OH Wild Thing, Roberts & Tilton, Culver City, CA Summer Surprises, Pennsylvania Academy of the Fine Arts, Philadelphia, PA Individual to Icon: Portraits of the Famous and Almost Famous from Folk Art to Facebook, Plains Art Museum, Fargo, ND The Library of Babel / In and Out of Place, 176 Zabludowicz Collection, London, England Searching for the Heart of Black Identity: Art and the Contemporary African American Experience, Kentucky Museum of Art and Craft, Louisville, KY The Gleaners: Contemporary Art from the Collection of Sarah and Jim Taylor, Victoria H. Myhren Gallery, Denver, CO From Then to Now: Masterworks of Contemporary African American Art, Cleveland Art Museum, Cleveland, OH 2009 Enchantment, Joseloff Gallery, Hartford, CT Reconfiguring the Body in American Art, 1820 - 2009, National Academy Museum, New York Creating Identity: Portraits Today, 21C Museum, Louisville, KY Other People: Portraits from Grunwald and Hammer Collections, Curated by Cindy Burlingham and Gary Garrels, Hammer Museum, Los Angeles, CA 2008 30 Americans, Rubell Family Collection, Miami, FL Recognize: Hip Hop amd Contemporary Portraiture, Smithsonian Institution National Portrait Gallery, Washington, D.C. Macrocosm, Roberts & Tilton, Culver City, CA 21: Contemporary Art at the Brooklyn Museum, The Brooklyn Museum, Brooklyn, NY Selected Drawings, Museum of Contemporary Art, Cleveland, Cleveland, OH Down, Museum of Contemporary Art, Detroit, Detroit, MI

Whether he was deconstructing three dimensional reality through mirrored cylinders in installations such as «What Will Come» at the Goodman gallery, or reflecting on identity and individual choices in a politically conflicted landscape as he did through his films at the K20 exhibit — at the heart of it was always the voice of an artist striving to inform, interrogate and possibly change the world.

The works span two decades of wide - ranging explorations into individual and collective identity as viewed through the lens of history.Today, these artworks wield an ever greater urgency as a reminder that unchecked prejudice can cripple a society.

The story becomes a vehicle through which the artist explores his biography; Jack who perilously thieves his new way of living and Shim - Boyle, like many 1.5 and second - generation individuals, who must precariously grab on and assimilate to multiple identity systems.

The history of Irish art in the twentieth century shows that landscape painting was closely entwined with Irish nationalism and the search for an «Irish» identity, although artists pursued these ideas in quite individual ways: Jack B Yeats (1871 - 1957) through his intense expressionist landscapes populated by unmistakably Irish figurative icons; Paul Henry (1876 - 1958) and James Humbert Craig (1878 - 1944) through their outstanding renderings of sky, sea, turf and light in their West of Ireland views.

The works in «Prejudice at Home: A Parlour, a Library, and a Room» explore individual and collective identity viewed through the lens of history, challenging the prejudices of society.

Through blocks of various shades of blue on diverse sizes of canvas, each painting is elegant in its individual identity.

Fabric of Identity explores the presentation of individual and collective identities, private and public personas through a selection of work from the IMMA Collection by artists Marina Abramoviæ, James Hanley, Les Levine, Jackie Nickerson and Janet Mullarney.