At this event in Berlin, the Daimler Art Collection (which concentrates on abstract avant - garde movements and reduced conceptual tendencies from Bauhaus to current contemporary art) presents mainly new acquisitions in the
field of international contemporary art for the first time.
A bold and ambitious effort to place the Crescent City at the center
of the international contemporary art world begins in three weeks with Prospect.1 New Orleans, a city - spanning art extravaganza that will last nearly three months and scatter the works of 81 of the world's hottest artists indoors and outdoors, from Uptown to the Lower 9th Ward.
At this event in Berlin, the Daimler Art Collection (which concentrates on abstract avant - garde movements and reduced conceptual tendencies from Bauhaus to current contemporary art) presents mainly new acquisitions in the field
of international contemporary art for the first time.The presentation of our Ampersand exhibition includes site - specific installations and video art as well as paintings, drawings and photography.
Providing a focused overview
of international contemporary art from 1985 to 1995, the show also included the work of an earlier generation of artists, including Marcel Duchamp, Francis Picabia, and Man Ray, whose work was influential for artists working in the 80s and 90s.
It is the «can't miss» event for all serious collectors, curators, museum directors and interior designers providing an intimate look at some of the most important work at the forefront
of the international contemporary art movement.
Prospect.4: The Lotus in Spite of the Swamp is the fourth
iteration of the international contemporary art triennial, on view to the public from November 18, 2017 through February 25, 2018, aligning with the City of New Orleans» Tricentennial celebration.
These individual contributions, distributed throughout the book, address specific themes relevant to the gallery's unrivalled longevity and position at the
centre of international contemporary art in Britain over the last 50 years: BEGINNINGS, COLLECTORS, MINIMALISM, INTERNATIONALISM, MARKET, MATERIAL, etc..
Under the helm of previous curators — including Yongwoo Lee, Massimiliano Gioni, Okwui Enwezor, Charles Esche, Hou Hanru, Honghee Kim, Kwangsoo Oh, Wankyoung Sung, Youngchul Lee, Kerry Brougher, Sukwon Chang, and Harald Szeemann — the Gwangju Biennale has established itself as a
highlight of the international contemporary art biennale circuit.
So maintains Selene Wendt, Independent Curator and Founder of the Global Art Project, a professional platform for the communication, development and
presentation of international contemporary art across geographical borders, based in Norway.
As it prepares to begin construction of its new headquarters on Biscayne Bay, Miami Art Museum highlights its growing collection
of international contemporary art with «Recent Acquisitions,» a new exhibition on view from March 13 to October 11 of this year.
Ms Martínez, on the other hand, is the baroness of biennali, having made her name as a peripatetic
curator of international contemporary art expos in her native Barcelona, Istanbul, Busan (South Korea) and, most recently, Moscow.
In addition to the BIACI goal of establishing a foundation for the exhibition and
promotion of international contemporary art, the Biennial was started with the express purpose of serving as a pedagogical tool for the people and particularly the youth of Cartagena and all of Colombia.