Sentences with phrase «of international galleries for»

The shows, including a special exhibition of Maria Lassnig and a concentrated exhibition of work by, New York based artist, Ella Kruglyanskaya, were massively overshadowed by Francis Bacon: Invisible Rooms, which breaks from the tradition of bowing to the artist that has been the flaw of international galleries for decades.

Francis Bacon: Invisible Rooms, breaks from the tradition of bowing to the artist that has been the flaw of international galleries for decades.

Not exact matches

This was the week of International Women's Day, which provided much opportunity for the NDP feminocracy to indulge itself in a chorus of self - congratulation, to fill the galleries with various «st...

This was the week of International Womenâ $ ™ s Day, which provided much opportunity for the NDP feminocracy to indulge itself in a chorus of self - congratulation, to fill the galleries with various â $ œst...

Board member of the National Theatre, senior adviser to Chatham House, vice-chair of Business for New Europe and a member of the International Chamber of Commerce UK Governing Body, the Development Committee of the National Gallery, the International Advisory Board of Uria Menendez and the Advisory Board of the Centre for European Reform.

And if it's not that, it's the arts for me, be it wandering through a gallery, listening to an orchestra and choir, or cheering local groups as they take part in the community carnival at Stockton International Riverside Festival, one of the best street arts festivals in Europe, which marks its 25th anniversary this year.

An international partnership of the Northwestern University / Art Institute of Chicago Center for Scientific Studies in the Arts (NU - ACCESS), the Art Gallery of Ontario (AGO) and the National Gallery of Art, Washington, has used multiple modes of light to uncover details hidden beneath the visible surface of Pablo Picasso's painting «La Miséreuse accroupie» (The Crouching Woman), a major work from the artist's Blue Period.

«Russian Brides & Dating» Home» - it's the title of the site.The most important text on the main page - «25,000 Russian brides and International men looking for love», «RUSSIAN BRIDES AND DATINGTHE No. 1 GENUINE SPECIALIST DATING SITE», «Do a search or look at our gallery of selected Russian brides who have great photos and / or interesting profiles!

Welcome to the website of the International Consumer Protection and Enforcement Network (ICPEN)-- an organisation composed of consumer protection Jim McIngvale, owner of Gallery Furniture stores in Houston and nicknamed «Mattress Matt,» is being lauded as a local hero in Houston for opening his

Ahead of its release this coming Wednesday, Marvel has debuted a preview of International Iron Man # 1, which we have for you here; click on any of the gallery images for hi - res versions... Who is Tony Stark, really?

A bunch of scary new production stills and international posters for «Hereditary» have been added to the photo gallery.

Disc Features - High - definition digital restoration, approved by cinematographer Mark Lee Ping - bin, with 5.1 surround DTS - HD Master Audio soundtrack on the Blu - ray edition - @ «In the Mood for Love,» director Wong Kar - wai's documentary on the making of the film - Deleted scenes with director's commentary — Hua yang de nian hua (2000), a short film by Wong - Archival interview with Wong and a «cinema lesson» given by the director at the 2001 Cannes Film Festival - Toronto International Film Festival press conference from 2000, with stars Maggie Cheung Man - yuk and Tony Leung Chiu - wai - Trailers and TV spots - The music of In the Mood for Love, presented in an interactive essay, on the DVD edition - Essay by film scholar Gina Marchetti illuminating the film's unique setting on the DVD edition - Photo gallery on the DVD edition - Biographies of key cast and crew on the DVD edition - Two new interviews with critic Tony Rayns, one about the film and the other about the soundtrack, on the Blu - ray edition - A booklet featuring the Liu Yi - chang story that provided thematic inspiration for the film, an essay by film critic Li Cheuk - to, and a director's statement (DVD edition); a booklet featuring an essay by novelist and film critic Steve Erickson and the Liu Yi - chang story that provided thematic inspiration for the film (Blu - ray edition)

Starting things off, there's an audio commentary from director Mark Hartley, joined by «Ozploitation Auteurs» Brian Trenchard - Smith, Antony I. Ginnane, John D. Lamond, David Hannay, Richard Brennan, Alan Finney, Vincent Monton, Grant Page, and Roger Ward; a set of 26 deleted and extended scenes, now with optional audio commentary from Hartley and editors Sara Edwards and Jamie Blanks; The Lost NQH Interview: Chris Lofven, the director of the film Oz; A Word with Bob Ellis (which was formerly an Easter Egg on DVD); a Quentin Tarantino and Brian Trenchard - Smith interview outtake; a Melbourne International Film Festival Ozploitation Panel discussion; Melbourne International Film Festival Red Carpet footage; 34 minutes of low tech behind the scenes moments which were shot mostly by Hartley; a UK interview with Hartley; The Bazura Project interview with Hartley; The Monthly Conversation interview with Hartley; The Business audio interview with Hartley; an extended Ozploitation trailer reel (3 hours worth), with an opening title card telling us that Brian Trenchard - Smith cut together most of the trailers (Outback, Walkabout, The Naked Bunyip, Stork, The Adventures of Barry McKenzie, three for Barry McKenzie Holds His Own, Libido, Alvin Purple, Alvin Rides Again, Petersen, The Box, The True Story of Eskimo Nell, Plugg, The Love Epidemic, The Great MacArthy, Don's Party, Oz, Eliza Fraser, Fantasm, Fantasm Comes Again, The FJ Holden, High Rolling, The ABC of Love and Sex: Australia Style, Felicity, Dimboola, The Last of the Knucklemen, Pacific Banana, Centrespread, Breakfast in Paris, Melvin, Son of Alvin, Night of Fear, The Cars That Ate Paris, Inn of the Damned, End Play, The Last Wave, Summerfield, Long Weekend, Patrick, The Night, The Prowler, Snapshot, Thirst, Harlequin, Nightmares (aka Stage Fright), The Survivor, Road Games, Dead Kids (aka Strange Behavior), Strange Behavior, A Dangerous Summer, Next of Kin, Heatwave, Razorback, Frog Dreaming, Dark Age, Howling III: The Marsupials, Bloodmoon, Stone, The Man from Hong Kong, Mad Dog Morgan, Raw Deal, Journey Among Women, Money Movers, Stunt Rock, Mad Max, The Chain Reaction, Race for the Yankee Zephyr, Attack Force Z, Freedom, Turkey Shoot, Midnite Spares, The Return of Captain Invincible, Fair Game, Sky Pirates, Dead End Drive - In, The Time Guardian, Danger Freaks); Confession of an R - Rated Movie Maker, an interview with director John D. Lamond; an interview with director Richard Franklin on the set of Patrick; Terry Bourke's Noon Sunday Reel; the Barry McKenzie: Ogre or Ocker vintage documentary; the Inside Alvin Purple vintage documentary; the To Shoot a Mad Dog vintage documentary; an Ozploitation stills and poster gallery; a production gallery; funding pitches; and the documentary's original theatrical trailer.

Extras include: international and U.S. theatrical trailers for Zombie (surprisingly, the American one is much artier); a pair of TV spots and a quartet of radio spots for the film; a Zombie - centric gallery of lobby cards, soundtrack covers, video covers, publicity stills (sub-divided into three categories), and the contents of the German press book; credits for the DVD (whose worm - eye menus are actually more skin - crawling than much of Zombie); and the biased, if thorough, biography of Fulci by Tracy Taylor that graces Blue Underground's other Fulci titles.

Perhaps sensing that there's not much there, there, Blue Underground provides just the U.S. and international trailers (both clean and in widescreen, the latter with a good deal of nudity and gore), still galleries for posters (5), lobby cards (17), the four - page promo booklet, and four video box covers, and a nice Fulci bio written by Tracy Taylor.

Comparing the international and U.S. trailers offers some insight into the changes wrought on the version that washed up on Yankee shores; an extensive and vaguely repetitive posters and still gallery reminds that the film's original title was Kiss & Kill; a long essay on the life and times of Sax Rohmer offers sustenance for the pulp geek (and who ain't); and extensive biographies of Lee and Franco illuminate not only their subjects, but the strong connection behind the scenes between Blue Underground and Anchor Bay.

Side B: Featurette: «Diary Of Anne Frank: Echoes From The Past» (90:00) / George Stevens Press Conference (5:01), 1.85:1 Anamorphic / Movietone Newsreels: «Millie Perkins, 18, To Be Anne Frank in Film of Diary» (1:01) + «Anne Frank Diary Star Readies for Film's First Night» (1:02) + Movietone Newsreel: «Academy Awards Highlight» (2:07) + Movietone Newsreel: «Millie Perkins Visits the L.A. County Museum» (1:52) + Movietone Newsreel: «Brilliant Turnout for L.A. Premiere» (1:16) / Millie Perkins screen test (2:21), 1.85:1 Anamorphic / Still gallery (83) / Original theatrical trailer and international trailer for «The Diary Of Anne Frank» (both 2.35:1 AnamorphiOf Anne Frank: Echoes From The Past» (90:00) / George Stevens Press Conference (5:01), 1.85:1 Anamorphic / Movietone Newsreels: «Millie Perkins, 18, To Be Anne Frank in Film of Diary» (1:01) + «Anne Frank Diary Star Readies for Film's First Night» (1:02) + Movietone Newsreel: «Academy Awards Highlight» (2:07) + Movietone Newsreel: «Millie Perkins Visits the L.A. County Museum» (1:52) + Movietone Newsreel: «Brilliant Turnout for L.A. Premiere» (1:16) / Millie Perkins screen test (2:21), 1.85:1 Anamorphic / Still gallery (83) / Original theatrical trailer and international trailer for «The Diary Of Anne Frank» (both 2.35:1 Anamorphiof Diary» (1:01) + «Anne Frank Diary Star Readies for Film's First Night» (1:02) + Movietone Newsreel: «Academy Awards Highlight» (2:07) + Movietone Newsreel: «Millie Perkins Visits the L.A. County Museum» (1:52) + Movietone Newsreel: «Brilliant Turnout for L.A. Premiere» (1:16) / Millie Perkins screen test (2:21), 1.85:1 Anamorphic / Still gallery (83) / Original theatrical trailer and international trailer for «The Diary Of Anne Frank» (both 2.35:1 AnamorphiOf Anne Frank» (both 2.35:1 Anamorphic)

So the site includes a beautiful elaboration of the Sam Sheppard case for curious readers, as well as a gallery of unused and international covers of the book.

The latest development in the area is Boxpark: a temporary (at least for the next five years) pop - up mall made out of shipping containers, featuring a mix of international and independent fashion designers as well as galleries and cafés.

One of the most exclusive art galleries in a county known for its galleries celebrates its 10th anniversary with a special collaboration of works by the cream of the region's artistic talent, many with international reputations.

The international art gallery collection, with locations in some of the world's most iconic cities, will be collaborating with us to showcase installations from two artists, for a new and exciting celebration of colour.

24 hour Reception Services, housekeeping, ATM machine, free WiFi internet access, 24 hour internet corner, 5 flexible event rooms with A / V equipment, medical service and defibrillator available, international newspapers available, free covered private parking available, accessible hotel, shopping gallery, unisex hairdresser, dogs and cats up to 5 kg admitted on request for a fee - access to public areas of the hotel restricted.

Well stocked bar and cellar is also just for houseguests and we have a private garden gallery displaying works by Jenni Matson Boyle and daughter Freya an artist of International repute.

Other worthy stops include Bergamot Station, housing Santa Monica's single largest concentration of art galleries, and Broadway Gallery Complex for contemporary works by local and international artists.

Offering over 60 fine retail shops and restaurants, it is open daily from 9:30 a.m. to 10:00 p.m. International haute couture and art galleries, a variety of resort wear for everyone in the family, accessories and jewelry, beach gear, fine crafts and antique maps, cosmetics, bath and body items, books and housewares are featured.

The first long - term elements of Art Basel Cities: Buenos Aires — including a crowdfunding platform for nonprofits in the city, a gallery internship program, and a service meant to foster international exchange opportunities — began in November 2017.

CONTEXT ART MIAMI NOVEMBER 29 — DECEMBER 4 Midtown Wynwood Arts District 118 NE 34th Street FL 33127 Miami www.contextartmiami.com CONTEXT Art Miami, sister fair to Art Miami, has established itself as a serious marketplace for top collectors to acquire important works from a collection of specially curated international galleries representing emerging and mid-career artists producing cutting - edge works of art.

«It is unusual for an international gallery to do such a specific kind of fair,» dealer Jane Cohan said of her space's first time participating in 1 - 54, «but there's a fantastic energy and interest in the artists and galleries being shown.

His work is in the collections of the Museum of Contemporary Art, Los Angeles, LACMA, Los Angeles, Centre Pompidou, Paris, Albright - Knox Art Gallery, Buffalo, and the International Center for Photography, New York, among others.

Vehabović is among the most highly regarded young artist in Croatia having won First Prize for Zagreb Salon 2010, The International Association of Art Critics (AICA) Award 2010, as well as an Essl Award in 2007, (Emerging Artists in Southeast Europe) 2010, and with solo exhibits in 2011 and 2013 at Lauba Museum in Zagreb, Kranjcar Gallery, Zagreb (2011).

We couldn't be more thrilled that New York is getting its own iteration of Condo — an innovative space - sharing program born in London in which international galleries can «borrow» another gallery's location for a month.

The gallery, highly regarded for its intellectual rigor, represents an international roster of artists who work...

In January 2015 the gallery opened its new 4500 sq. ft. exhibition space in the warehouse art district of downtown Los Angeles at 1923 S. Santa Fe Ave., consisting of three CB1 exhibition galleries, plus an addition «Guest Annex» which serves as an exhibition gallery for national and international commercial galleries as well as non-profit organizations.

Recent solo exhibitions include Shrine For Girls, Venice, Chiesa di San Gallo, Solo Collateral Event of the 56th International Art Exhibition, La Biennale di Venezia, Venice, Italy (2015); Le Macchine, Gli Dei e I Fantasmi, Musei Capitolini, Centrale Montemartini Museo, Rome, Italy (2013); Dante: The Way of All Flesh, fordPROJECT, New York, NY (2012); Patricia Cronin, All Is Not Lost, Newcomb Art Gallery, Tulane University, New Orleans, LA (2012); and Patricia Cronin: Harriet Hosmer, Lost and Found, Brooklyn Museum, Brooklyn, NY (2009 - 10); among others.

, curated by Anne Umland, Museum of Modern Art, New York Someone else with my fingerprints, Galerie Chantal Crousel, Paris Overtake: The Reinterpretation of Modern Art, curated by René Zechlin and Matt Parker, Lewis Gluckman Gallery, University College Cork, Cork Degree Zero, Richard Telles Fine Art, Los Angeles Introvert, extrovert, Makes no Difference, curated by John Armleder, Galerie Catherine Issert, Saint Paul de Vence The Lath Picture Show, Friedrich Petzel Gallery, New York Uncertain States of America: American Art in the 3rd Millenium, (Guyton \ Walker), curated by Daniel Birnbaum, Hans Ulrich Obrist and Gunnar Kvaran, Le Musée du Serignan, Serignan; Herning Art Museum, Herning / Copenhagen; The Centre for Contemporary Art, Zanek, Ujazdowski, Warsaw DUMP: Postmodern Sculture in the Dissolved Field, curated by Andrea Kroksnes, Nasjonalmuseet for Kunst, Arkitektur og Deisg, Oslo Stuff: International Contemporary Art from the Collection of Burt Aaron, Museum of Contemporary Art, Detroit Seth Price / Kelley Walker / Continuous Project, (Continuous Project), Modern Art Oxford, Oxford En Foco: El CoLeccionismo en Puerto Rico - Parte 1: Apropiacion, Autoria y Autenticidad - Wade Guyton, Seth Price, Josh Smith, Kelley Walker, Aaron Young, Museo de Arte de Puerto Rico, Santurce Imagination Becomes Reality, ZKM Center for Art and Media Karlsruhe, Germany Very Abstract and Hyper Figurative, curated by Jens Hoffmann, Thomas Dane Gallery, London For the People of Paris, Sutton Lane (c / o Galerie Ghislaine Hussenot), Paris À Moitié Carré, À Moitié Fou / Half Square, Half Crazy, curated by Vincent Pécoil, Lily Reynaud, Dewar and Elisabeth Wetterwald, Centre National d'Art Contemporain de la Villa Arson, Nice Hard Hat Dispatch, curated by Fabrice Stroun and Balthazar Lovay, Dispatch, New York Tbilisi 4: Every Day is Saturday, curated by Daniel Birnbaum, Tbilisi String Show, curated by Josh Smith, Greene Naftali Gallery, New Yfor Contemporary Art, Zanek, Ujazdowski, Warsaw DUMP: Postmodern Sculture in the Dissolved Field, curated by Andrea Kroksnes, Nasjonalmuseet for Kunst, Arkitektur og Deisg, Oslo Stuff: International Contemporary Art from the Collection of Burt Aaron, Museum of Contemporary Art, Detroit Seth Price / Kelley Walker / Continuous Project, (Continuous Project), Modern Art Oxford, Oxford En Foco: El CoLeccionismo en Puerto Rico - Parte 1: Apropiacion, Autoria y Autenticidad - Wade Guyton, Seth Price, Josh Smith, Kelley Walker, Aaron Young, Museo de Arte de Puerto Rico, Santurce Imagination Becomes Reality, ZKM Center for Art and Media Karlsruhe, Germany Very Abstract and Hyper Figurative, curated by Jens Hoffmann, Thomas Dane Gallery, London For the People of Paris, Sutton Lane (c / o Galerie Ghislaine Hussenot), Paris À Moitié Carré, À Moitié Fou / Half Square, Half Crazy, curated by Vincent Pécoil, Lily Reynaud, Dewar and Elisabeth Wetterwald, Centre National d'Art Contemporain de la Villa Arson, Nice Hard Hat Dispatch, curated by Fabrice Stroun and Balthazar Lovay, Dispatch, New York Tbilisi 4: Every Day is Saturday, curated by Daniel Birnbaum, Tbilisi String Show, curated by Josh Smith, Greene Naftali Gallery, New Yfor Kunst, Arkitektur og Deisg, Oslo Stuff: International Contemporary Art from the Collection of Burt Aaron, Museum of Contemporary Art, Detroit Seth Price / Kelley Walker / Continuous Project, (Continuous Project), Modern Art Oxford, Oxford En Foco: El CoLeccionismo en Puerto Rico - Parte 1: Apropiacion, Autoria y Autenticidad - Wade Guyton, Seth Price, Josh Smith, Kelley Walker, Aaron Young, Museo de Arte de Puerto Rico, Santurce Imagination Becomes Reality, ZKM Center for Art and Media Karlsruhe, Germany Very Abstract and Hyper Figurative, curated by Jens Hoffmann, Thomas Dane Gallery, London For the People of Paris, Sutton Lane (c / o Galerie Ghislaine Hussenot), Paris À Moitié Carré, À Moitié Fou / Half Square, Half Crazy, curated by Vincent Pécoil, Lily Reynaud, Dewar and Elisabeth Wetterwald, Centre National d'Art Contemporain de la Villa Arson, Nice Hard Hat Dispatch, curated by Fabrice Stroun and Balthazar Lovay, Dispatch, New York Tbilisi 4: Every Day is Saturday, curated by Daniel Birnbaum, Tbilisi String Show, curated by Josh Smith, Greene Naftali Gallery, New Yfor Art and Media Karlsruhe, Germany Very Abstract and Hyper Figurative, curated by Jens Hoffmann, Thomas Dane Gallery, London For the People of Paris, Sutton Lane (c / o Galerie Ghislaine Hussenot), Paris À Moitié Carré, À Moitié Fou / Half Square, Half Crazy, curated by Vincent Pécoil, Lily Reynaud, Dewar and Elisabeth Wetterwald, Centre National d'Art Contemporain de la Villa Arson, Nice Hard Hat Dispatch, curated by Fabrice Stroun and Balthazar Lovay, Dispatch, New York Tbilisi 4: Every Day is Saturday, curated by Daniel Birnbaum, Tbilisi String Show, curated by Josh Smith, Greene Naftali Gallery, New YFor the People of Paris, Sutton Lane (c / o Galerie Ghislaine Hussenot), Paris À Moitié Carré, À Moitié Fou / Half Square, Half Crazy, curated by Vincent Pécoil, Lily Reynaud, Dewar and Elisabeth Wetterwald, Centre National d'Art Contemporain de la Villa Arson, Nice Hard Hat Dispatch, curated by Fabrice Stroun and Balthazar Lovay, Dispatch, New York Tbilisi 4: Every Day is Saturday, curated by Daniel Birnbaum, Tbilisi String Show, curated by Josh Smith, Greene Naftali Gallery, New York

Open Plan is a long term public art and education project which invites international and British artists to create artworks with and for the SLG's close neighbours on Elmington, Pelican and Sceaux Gardens housing estates, along with a programme of events at the gallery.

Following a solo exhibition at the Chisenhale Gallery in 2011, his Turner prize nomination in 2014 and recent collaborative projects between ICA, London, Bergen Kunsthall and Kestnergesellschaft, Hannover, this opportunity comes at a pivotal moment to consolidate Richards» practice at one of the most significant international platforms for the visual arts.

The Flood Gallery is dedicated to presenting the highest quality visual arts and educational programming for people in the Southern US area, and particularly for the residents of Western North Carolina, a uniquely diverse ethnic, cultural and international community.

Collection, Museum of Art, Fort Lauderdaie, FL; travelled to Oklahoma Museum of Art, Oklahoma City, OK; Santa Barbara Museum of Art, Santa Barbara, CA; Grand Rapids Art Museum, Grand Rapids, MI; Madison Art Center, Madison, WI; Montgomery Museum of Fine Arts, Montgomery, AL 1981 Drawing Invitational, Harm Bouckaert Gallery, New York, NY 1981 New Work, Roy Boyd Gallery, Chicago, IL 1981 Artists Books, Metrònom, Barcelona, Spain 1980 Little Books, Franklin Furnace, New York, NY 1980 New York 1980, Banco - Massimo Minini, Brescia, ltaly 1980 Pool Project Documentation, Artists Space, New York, NY 1980 New York Painters, University of Rochester, Rochester, NY 1980 Works of Art, Patricia Sneed Gallery, Rockford, IL 1980 Group Show, Roy Boyd Gallery, Chicago, IL 1980 Collection of Dr. Milton Brutten and Dr. Helen Herrick, Ben Shahn Gallery, William Patterson College, Wayne, NJ 1980 Group Exhibition, Susan Caldwell, Inc., New York, NY 1980 Pool Projects, Wake Forest University, Winston - Salem, NC 1980 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post College, Greenvale, NY 1979 Prospectus, Aldrich Museum, Ridgefield, CT 1979 New Wave Painting, The Clocktower, MoMA P.S. 1, New York, NY 1979 Artist's Postcards, Ananas Gallery, Abrau, Switzerland 1979 Poets and Painters, The Denver Art Museum, Denver, CO; traveled to Atkins Museum of Fine Art, Kansas City, MO; La Jolla Art Museum, La Jolla, CA 1979 14 Painters, Lehman Gallery, CUNY, Bronx, NY 1979 Drawings, Hal Bromm, New York, NY 1979 Summer Show, Hal Bromm, New York, NY 1979 Drawings, Pyramid Gallery, Providence, MA 1978 Detective Show, Gorman Park, Jackson Heights, NY 1978 Works on Paper, Studio La Citta, Verona, Italy 1978 Group Exhibition, Arte Fiera, Bologna, Italy 1978 Group Exhibition, Art - 9, Basel, Switzerland 1978 Black and White on Paper, Nobe Gallery, New York, NY 1978 Paperworks, Galerie Wirz, Milan, Italy 1978 Selections from the Collection, Aldrich Museum, Ridgefield, CT 1978 Artists Books: USA, New Gallery, Cleveland, OH 1977 Fine / Fleishman / Stamm, Franklin Furnace, New York, NY 1977 Painting 75,76,77, Sarah Lawrence College, Bronxville, NY; traveled to American Foundation for the Arts, Miami, FL; Contemporary Arts Center, Cincinnati, OH 1977 Book Objects, Albright - Knox Art Gallery, Buffalo, NY 1977 A Painting Show, MoMA P.S. 1, Long Island City, NY 1977 New York Group Show, Galerie Denise Rene, New York, NY 1977 Group Exhibition, Art Fiera, Bologna, ltaly 1977 Group Exhibition, Documenta - 6, Kassel, Germany 1977 Collection in Progress, Moore College of Art, Philadelphia, PA 1977 Ideas — Images, Eugenia Cucalon Gallery, New York, NY 1977 Postcards and Other Mail, Jock Truman, New York, NY 1977 Wrapping Paper Invitational, Nobe Gallery, New York, NY 1977 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1976 Group Exhibition, Art Fiera, Bologna, Italy 1976 Summer Group, Max Protetch Gallery, Washington D.C. 1976 SoHo and Downtown Manhattan, Akademie Der Kunste, Berlin, Germany 1976 Selections SoHo - Berlin, Louisiana Museum, Humlebaek, Denmark 1976 Works on Paper, Hal Bromm, New York, NY 1976 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1975 Contemporary Reflections 1971 — 1974, AFA; travelling exhibition Spare, Central Hall Gallery, Port Washington, NY 1975 Group Indiscriminate, 112 Greene Street, New York, NY 1975 A Collection in Progress (Herrick - Brutten Collection), The Clocktower, MoMA P.S. 1, New York, NY 1975 Group Exhibition, International Art Fair, Cologne, Germany 1975 Five from SoHo, Rose Art Museum, Waltham, MA 1975 Spare, Central Hall Gallery, Port Washington, NY 1975 Abstraction Alive and Well, SUNY, Potsdam, NY 1975 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1974 Tight and Loose, State University, Albany, NY; travelled to State University, Potsdam, NY 1974 Black as Color, Reed College, Portland, OR 1974 Drawings, Albright - Knox Art Gallery, Buffalo, NY 1974 Paperworks, Rosa Esman Gallery, New York, NY 1974 10th Anniversary Exhibition 1964 — 1974, Aldrich Museum, Ridgefield, CT 1974 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1973 Painting in America, Decorative Arts Center, New York, NY 1973 Black Paintings, Nancy Hoffman Gallery, New York, NY 1973 DiDonna / Stamm, O.K. Harris Gallery, New York, NY 1973 Nine New York Artists, Hartwick College, Oneonta, NY 1973 Recent Acquisitions, Phoenix Museum, Phoenix, AZ 1972 Contemporary Reflections 1971 — 1972, Aldrich Museum, Ridgefield, CT 1971 What's Happening in SoHo, University of Maryland, College Park, MD 1971 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1971 Alumni Show, Hofstra University, Hempstead, NY 1970 Young Artists: New York 1970, Greenwich, CT

* This review (September 2011) incorporates part of the review written by Janet McKenzie for Studio International at the time of the National Gallery, London exhibition, in 2001, for which an excellent catalogue was produced.

This exhibition marks the beginning of a two - year exchange series that takes place in MCASB's Bloom Project exhibition gallery, a space that for over a decade continues to feature new commissions and experimental projects by regional, national, and international emerging or under - recognized artists.

Gaining early international recognition with her participation in Damien Hirst's Freeze exhibition, Surrey Docks, London (1988), she has had numerous solo exhibitions, including: Thomas Dane Gallery, London (2017), Museum of Contemporary Art San Diego, CA (2015), Lehmann Maupin, New York, NY (2015), Blum & Poe, Los Angeles, CA (2014), Headlands Center for the Arts, Sausalito, CA (2014), Artpace, San Antonio, TX (2013), Annet Gelink Gallery, Amsterdam (2011), Camden Arts Centre, London (2008), SculptureCenter, New York, NY (2006), and Tate Britain, London (2002); and group shows at venues such as Bohusläns Museum, Uddevalla, Sweden (2016), Museum of Contemporary Photography, Chicago, IL (2014), the FLAG Art Foundation, New York, NY (2013), Contemporary Arts Center, Cincinnati, OH (2012), Whitechapel Gallery, London (2011), and Kunstmuseum Bonn, Germany (2009).

Ballroom Marfa is collaborating with Whitechapel Gallery, London for the fourth season of the film and video program, Artists» Film International.

He's been included in several important international exhibitions including 10,000 Lives: The Eighth Gwangju Biennale, Gwangju, South Korea (2010); Moving Images: Artists & Video / Film, Museum Ludwig, Cologne, Germany (2010); Playing Homage, Vancouver Contemporary Art Gallery, Canada; Sympathy for the Devil, Museum of Contemporary Art, Chicago, IL (2007); Istanbul Biennial, Istanbul, Turkey (2005); Manifesta 5, European Biennial of Contemporary Art, San Sebastian, Spain (2004); Fast Forward.

1996 Beyond Print: Masterworks from the Ken Tyler Collection, Dr. Earl Lu Gallery, LASALLE - SIA College of the Arts, Singapore (October 24 — December 21) Abstract Expressionism in the United States (Pintura estadounidense expresionismo abstracto), Centro Cultural Arte Contemporaneo, Mexico City (October 11, 1996 — January 12, 1997) Parallels, Galerie Lelong, New York (opened September 12) Women's Work, Greene Naftali, Inc., New York (September 6 — October 13) Summer show, Robert Miller Gallery, New York, (July 1 — August 30) Group show, Lennon, Weinberg, Inc., New York (June 11 — August 1) Forces of the Fifties: Selections from the Albright - Knox Art Gallery, Wexner Center for the Arts, The Ohio State University, Columbus (May 4 — August 4) Changing group exhibition, Robert Miller Gallery, New York (March 5 — April 6) American Art Today: Images from Abroad, Florida International University, Miami (February 23 March 30) Group Exhibition, Manny Silverman Gallery, Los Angeles (January 13 — March 2) Art in Embassies Program, U.S. Ambassador's Residence, Bulgaria

With its exhibitions and events, the opening of a gallery in London's West End, together with the publication of the influential Signals Newsbulletin, Signals became a centre for experimental international artists, with links formed between the avant gardes of Latin America, Europe and London.

It was therefore able to build international reputations for contemporary artists in - house and the gallery began to attract artists of the standing of Francis Bacon, one of the first to sign an exclusive contract with Marlborough in 1958.

Originally the Tate collection was held at Millbank (now Tate Britain), but after the additions of Tate Liverpool in the 1980s and Tate St Ives in the 1990s, the decision was made to create a second London gallery specifically for modern and international art.

Ballroom Marfa is collaborating with Whitechapel Gallery, London, and nine other international art spaces for the third season of the film and video program, Art in the Auditorium.

The gallery, highly regarded for its intellectual rigor, represents an international roster of artists who work primarily in photography, video, film, and text, although a recent show featured paintings for the first time.