Sentences with phrase «of invisible men»

As a postscript, the Studio Museum uncovers an entire history of invisible men, in «Black Cowboy.»

When one is telling another not to act like a child, one should not insist on the existence of invisible men.

I'd like to believe that my good deeds and my bad deeds are acts of invisible men... but I can't help but feel empowered by my one and only REAL RIGHT and REAL FREEDOM, free choice.

As usual, the «believers» of the invisible Man in the sky, denigrate those that are actually educated.

Whereas the musical feel of Invisible Man was blues, Basie, and Armstrong, and seemed to acquire an accelerating be-bop drive and craziness once its plot brought it to NYC, the feel in Juneteenth is gospel and black - church revival down to the core.

I don't see why I have to cower at the thought of an invisible man in the sky to be moral.

But when world leaders with nuclear weapons, as an extreme example, make serious global decisions because they believe their mythology to be history and their intuition to be the voice of the invisible man in the sky directing their actions — that makes me terrified!

What's the dfference between the myth of an invisible man who lives in the sky and the Santa Claus myth?

The laughs and visual effects are out of sight when Chevy Chase headlines Memoirs of an Invisible Man.

As for their other creature creations, Johnny Depp is reportedly set to take on the role of The Invisible Man with Angeline Jolie courted for the role of Frankenstein's Bride.

This past week saw Universal Pictures releasing the first trailer for The Mummy, the first of what is planned to be a shared Monsters universe, which will eventually see Sofia Boutella's Mummy and Russell Crowe's Dr. Henry Jekyll joined by the likes of The Invisible Man (Johnny Depp), Frankenstein's Monster (Javier Bardem) and other iconic characters from the Universal Monsters vault.

«Memoirs of an Invisible Man (1992)- DVD + John Carpenter: The Prince of Darkness - Books Main The Thing (1982)- Blu - ray Disc»

Christine (John Carpenter)-- 9, 1983 Last of the Mohicans (Michael Mann)-- 1, 1992 Memoirs of an Invisible Man (John Carpenter)-- 41, 1992 HHH: A Portrait of Hou Hsiao - hsien (Olivier Assayas)-- 23, 1999 The Insider (Michael Mann)-- 31, 1999

Carptener's career hit a slump in the 1990's with films like Memoirs of an Invisible Man, Village of the Damned, Escape from LA, Vampire $ and.

After a four - year hiatus from feature filmmaking, Carpenter returned to the big screen in 1992 with the comedic Memoirs of an Invisible Man, probably his least interesting film.

When he was ready to work again, he considered making The Exorcist III but eventually settled on an ill - fated Chevy Chase vehicle, the $ 40 million sci - fi adaptation Memoirs of an Invisible Man, that torpedoed his attempted return to big - budget filmmaking.

Memoirs of the Invisible Man — a Chevy Chase vehicle directed by John Carpenter.

Johnny Depp has been cast for the title role in a remake of The Invisible Man for Universal Pictures, according to Deadline.

Memoirs of an Invisible Man is a rather melancholy comedy - fantasy and action picture that for some time has been a pet project of its star, and among the personal traces of Chevy Chase in the conception of this project is, not unimportantly, a certain ambivalence about his own image.

Someone's Watching Me and Memoirs of an Invisible Man will...

The community has a rich African - American culture, so the school was named Ralph Ellison — after the author of Invisible Man.

Sixteen years after Ralph Ellison's death, and 58 years after the publication of Invisible Man, editors John F. Callahan and Adam Bradley are publishing the author's long - awaited second novel: Three Days Before the Shooting...

2003Strange Messengers, The Breeder, Athens The Lost Collection of An Invisible Man, The Laing Art Gallery, Newcastle

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

This painting, part of Whitten's «Black Monolith» series, honors Ralph Ellison, author of Invisible Man, a book that parallels a story of a young black man's search for identity with «the struggle of the nation to define itself in the tumultuous years of the early Civil Rights Movement.»

Recent exhibitions include «Flock», Luna International in Berlin, «The Lost Collection of an Invisible Man», Laing City Art Gallery, Newcastle, and «Jagsalon», Kreuzberg Kunstraum / Bethanien, Berlin.

Over 600 guests attended the successful opening of Invisible Man: Gordon Parks and Ralph Ellison in Harlem.

The nameless narrator of the novel describes growing up in a black community in the South, attending a Negro college from which he is expelled, moving to New York and becoming the chief spokesman of the Harlem branch of «the Brotherhood», and retreating amid violence and confusion to the basement lair of the Invisible Man he imagines himself to be.

Not exact matches

Supporters insist the volume of trades that HFT shops provide generates a steady flow of awesome liquidity, giving Adam Smith's invisible hand a bionic upgrade by making it better, stronger and faster like Steve Austin in the Six Million Dollar Man (look it up here, kids).

RELIGION - there has always been this invisible magical man with no explanation, got bored and thought hey i want some company and * POOF * created everything from nothing besides man that he used dirt to make and women that he used a rib to create then for the next generation a lot of incest happened and now we are at 6 billion people in only 6,000 years were the majority of people will suffer for eternity to do not believe in him, even though he could easily save them...

I totally understand the crazy notion of believing in an invisible man in the sky.

The fact that someone can profess to believe in something as insane as an invisible magic man in the sky in the first place tells me their grasp on reality is tenuous to begin with, and probably shouldn't be the sort of person to be trusted with the means to wipe out our species.

So, not only do we think you're an idiot for actually believing in a magical, all - powerful, invisible man who lives in the sky and demands things of you, we think you're an idiot for turning your back on the teachings of this magical, all - powerful, invisible man who lives in the sky.

A big magic fairy man spoke a spell and then there was earth and light before stars and then a snake talked to a woman and then the big magic fairy man had to sacrifice himself to himself to appease himself by exploiting a loophole in a plan he made himself because of an invisible disease (sin) in an invisble body part (soul) so that he doesn't have to torture us forever in the big fire pit he made even though he doesn't want anyone to ever go there but he just can't help himself.

Please, any Christian, honestly answer the following: The completely absurd theory that all 7,000,000,000 human beings are simultaneously being supervised 24 hours a day, every day of their lives by an immortal, invisible being for the purposes of reward or punishment in the «afterlife» comes from the field of: (a) Astronomy; (b) Medicine; (c) Economics; or (d) Christianity You are about 70 % likely to believe the entire Universe began less than 10,000 years ago with only one man, one woman and a talking snake if you are a: (a) historian; (b) geologist; (c) NASA astronomer; or (d) Christian I have convinced myself that gay $ ex is a choice and not genetic, but then have no explanation as to why only gay people have ho.mo $ exual urges.

Big invisible magic man chanting magical incantations does NOT provide any sort of meaningful answer that answers any relevant questions.

Some good places to start: Beloved by Toni Morrison, The Collected Poems of Langston Hughes, Invisible Man by Ralph Ellison, Strength to Love by Martin Luther King Jr., Narrative of the Life of Frederick Douglass, The Souls of Black Folk by W.E.B. DuBois and I Know Why the Caged Bird Sings by Maya Angelou.

Saying that everyone has a delusion and beleives in an invisible old man who lives in the sky is absurd and is mentally in need of help.

If someone told you he believes 100 % that an invisible man is watching him and judging him 24/7 and that this man (we'll call him Steve, but he is known by many names) has a special book of rules that you have to follow or he will punish you for all eternity, what would your response be?

I don't fear any «invisible man in the sky» who hasn't produced one credible, empirically based instance of his existence in over 3,000 years What is needed is for people to stop living by the rules of myth and mysticism and start living by the realities of the here and now

He is not an invisible man, He is an exalted glorified Man and all will one day know where of I speman, He is an exalted glorified Man and all will one day know where of I speMan and all will one day know where of I speak.

Let me get this straight: You believe that a couple of thousand years ago an invisible man in the sky impregnated a virgin girl in the middle east, had a half - god / half - man son who traveled around doing magic tricks, and then rose from the dead and is now constantly watching all of us to see if we'll get pie in the sky when we die?

20 For the invisible things of him since the creation of the world are clearly seen, being perceived through the things that are made, even his everlasting power and divinity; that they may be without excuse: 21 because that, knowing God, they glorified him not as God, neither gave thanks; but became vain in their reasonings, and their senseless heart was darkened.22 Professing themselves to be wise, they became fools, 23 and changed the glory of the incorruptible God for the likeness of an image of corruptible man, and of birds, and four - footed beasts, and creeping things.24 Wherefore God gave them up in the lusts of their hearts unto uncleanness, that their bodies should be dishonored among themselves: 25 for that they exchanged the truth of God for a lie, and worshipped and served the creature rather than the Creator, who is blessed for ever.

Otherwise, the oppressors of the world take on the lurking transparency of Ralph Ellision's invisible man who mugs in the dead of night.

There wasn't a zombie named Christ, there is no invisible man up in the sky, and a new translation of nonsense is still nonsense.

Through this revelation, therefore, the invisible God out of the abundance of His love speaks to men as friends and lives among them, so that He may invite and take them into fellowship with Himself.

For what other novel has so successfully portrayed the operation of invisible grace through such lyrical descriptions of the visible actions of sinful men and women?

Your invisible man in the clouds and his song / himself did a really great job of protecting these innocent boys!

Rather, every culture is the product of the human spirit, as the spirit of man wrestles with its total environment and seeks to work out a satisfactory adjustment to the material world, to other men, and to such invisible powers as are believed to control its destiny.