Sentences with phrase «of its independent film showings»

Robert Redford, President & Founder of Sundance Institute, says: «I have long believed that the quality and originality of the independent films we show would be of interest to global audiences.

Not exact matches

Electric cinema is the UK's oldest working cinema and shows a mixture of the latest mainstream, independent and classic films.

Although the show was eventually cancelled, the actress continued to appear in a number of TV series and independent films, including Hartley's Flirt (1995), Susan Streitfeld's Female Perversions (1996), which cast her as Tilda Swinton's psychiatrist lover, and Sour Grapes (1998), a black comedy which featured her as the girlfriend of a greedy neurologist.

In the world of live - action films, changing a director when a film is already in production is rare, though it happened this year on the independent western «Jane Got a Gun,» when Gavin O'Connor replaced director Lynne Ramsay after she failed to show up on the first day of shooting in New Mexico.

Twice nominated Independent Spirit Award director Sean Baker, in his fourth feature film, shows us the development of...

«As we celebrate 30 years of great independent film,» said Josh Welsh, President of Film Independent, «this year's nominees are an astonishingly strong group of films and filmmakers which demonstrate the uniqueness of vision we honor at this sindependent film,» said Josh Welsh, President of Film Independent, «this year's nominees are an astonishingly strong group of films and filmmakers which demonstrate the uniqueness of vision we honor at this sIndependent, «this year's nominees are an astonishingly strong group of films and filmmakers which demonstrate the uniqueness of vision we honor at this show.»

Lorentz arranged for independent screenings in a number of cities, and the film was eventually shown in about 3,000 theaters.

Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed by Vasilis Raisis (and winner of the Michael Cacoyannis Award for Best Greek Film), a story that follows a couple (played by different actors at different stages of the characters» lives) across the temporal loop of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns of Friends, works in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means of staving off millennial ennui, and causes ripples in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a Muppet.

Violet & Daisy is an independent film and as my experiences this week have shown, Blu - ray presentations of indies can vary wildly.

It also highlights the effort that Linklater has made in support of Independent filmmaking and how he was influential in helping create the Austin Film Society whereby old film prints could be saved and showed, as well as raising money from filmmakers to help make more films.Overall, it does little but scratch the surface and a bit more in - depth analysis to his films would have been welcome but to paraphrase Billy Bob Thornton on the outtakes at the end; «Rick Linklater doesn't need anyone to make a documentary about him.

In true Independent Spirit Awards tradition, the 2015 show began with a hilarious skit mocking some of the nominated films this year.

That's a particular corner of the American independent film landscape we're talking about, but that's the medium: one corner, leading to another corner, to another intersection where something amazing might happen when it's show time.

Also, good friend of the show Christopher Jason Bell sits down for a snack - «n» - chat with Bernard to talk about what it's like to be an independent filmmaker presenting a movie at a film festival and conducting a Q&A with a (sometimes tiny) audience.

Twice nominated Independent Spirit Award director Sean Baker, in his fourth feature film, shows us the development of an unlikely friendship between two people with nothing in common and nearly 60 years separating them apart.

To be able to show such a prestigious Irish event as our launch feature is a really strong foundation for the beginnings of the channel and demonstrates our intent to make the channel an integral part of bringing independent Irish films to the movie loving Irish public.»

The first awards show of the season, the IFP Gotham Awards is one of the leading honors for independent film and media, providing critical early recognition to groundbreaking independent films and their writers, directors, producers, and actors with ten competitive awards categories.

The best part of Galaxy Quest, playing the guy playing the ethnic guy in a «Star Trek» - like cult television series, Shalhoub also stole the show as fast - talking lawyer Freddy Riedenschneider in his reunion with the Coen Brothers, The Man Who Wasn't There; demonstrated uncommon intelligence and sensitivity in the still - underseen Big Night; and made his feature - film debut behind the camera with wife Brooke Adams in the independent Made - Up, now trickling into video stores.

On This Week's Show: Kevin and Neil brace themselves for an onslaught of films, from the big studio releases to some independent ones.

He has worked on multiple independent feature films, short films, commercials, TV shows, at the Movie Studios of Las Colinas, etc..

It's just... I mean, everybody says this now, but that's why Gus Van Sant is one of the producers of our show, that's why Todd Haynes is doing television: because it's really the way to continue that spirit of what independent film is without having to compromise creatively.

John Cooper, Director of the Sundance Film Festival, said, «The films selected for our 2014 Festival show that filmmakers are empowered and emboldened by the 30 - year legacy of the independent film movement.

There were many other films at Park City shown out of the official competition but reflecting the spirit of independent filmmaking.

But the key member of the so - called «mumblecore» independent film movement reached a new level last year, when his romantic comedy Drinking Buddies was a modest hit, especially on V.O.D. Working with established stars like Anna Kendrick, Olivia Wilde, and Jake Johnson, Swanberg made his work available to a bigger audience than ever — which puts more attention on the two new films he had showing for audiences in January alone.

INDEPENDENT & FOREIGN FILMS Eleven Minutes (R for profanity) Flash - in - the - pan documentary chronicles the efforts of promising fashion designer Jay McCarroll to show his first line of clothing in New York following his win on Season One of the reality TV - show «Project Runway.»

So the atmosphere then was definitely not that you'd take the opportunity from having an independent film at Sundance to get a shot at playing in the world of feature films to go make a TV show.

Producer / Emmy ® - award winning actress, America Ferrera talks about her early roles in film and television including the hit show Ugly Betty, Real Women Have Curves, The Sisterhood of the Traveling Pants and working with Ryan Piers Williams on the independent film The Dry Land.

Producer / Emmy ® - award winning actress, America Ferrera talks her early roles in film and television including the hit show Ugly Betty, Real Women Have Curves, The Sisterhood of the Traveling Pants and working with Ryan Piers Williams on the independent film The Dry Land.

I wanted to single out both mainstream characters we're all familiar with and who have become key members of the LGBT media canon (the ladies of Litchfield, the boys from Noah's Arc, Justin Suarez, Ricki Vazquez, Almodóvar's steamy couples) but I also made it a point to single out characters in independent films that many would not be familiar with, and to highlight the work of character actors in smaller roles in tv shows past and present.

(A localized version of this posting was published in the Marin Independent Journal on October 9th as background for a showing of the film at the Mill Valley Film Festival.)

Casey Ryan (@CuttingRoomMRB), host of The Cutting Room Floor online radio show, began his online broadcast program by focusing on reviews of independent films but quickly found that having an interview subject on the air with him made for a more dynamic show that received more listeners.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

Starting on Sunday that gallery's large Eldridge Street space will show the videos, film stills and annotated scripts of the uncompromising French independent filmmakers Jean - Marie Straub and Danièle Huillet, coinciding with their retrospective at the Museum of Modern Art.

Back at the turn of the millenium, fifty artists were called upon to devise a series of pop - up shows run at an independent project space — these included writers, film - makers, designers and performers, with known names like Richard Hamilton and Anish Kapoor, among them.

A noted independent filmmaker whose works were shown at the Whitney Museum of American Art, the Berlin Film Festival and other major institutions, Mr. Sonbert began making films as a student at New York University in 1966.

Theaters in the Living Room Theaters complex are used for film study classes in our College's School of Communication during the day, and are open at night and on weekends showing independent and foreign films, and serving lunch and dinner.

Anthology Film Archives evolved from roots and visions that go back to the early 1960s, when Jonas Mekas, the director of the Film - Makers» Cinematheque, a showcase for avant - garde films, dreamed of establishing a permanent home where the growing number of new independent / avant - garde films could be shown on a regular basis.

Independent film producers are showing interest in cryptocurrency ICOs, which might change traditional ways of money attraction and replace crowdfunding platforms.

It's no wonder the financial commitment from players like those helped spawn the development of a slew of restaurants and a spate of art galleries as well as a the Midtown Movie Cinema that shows small independent films and a large bookstore called Midtown Scholar Bookstore.