Sentences with phrase «of jazz tunes»

She plays lots of jazz tunes which I adore.

Told in typical Woody Allen fashion with lots of dialogue and plenty of jazz tunes, the film becomes a name - dropping event.

Not exact matches

These goofy creatures frolicked and danced to tunes like Somewhere Over The Rainbow, performed during the lead - up to the keynote by a smooth - jazz band with a hint of Hawaiian music.

A lot of old jazz standards, Gershwin, Cole Porter, Broadway tunes, things like that.

Experiment with different types of tunes, since babies have their own favorites that can range from jazz to country to classical, and even rock and rap.

Music Together in Susquehanna Valley is proud to teach the Music Together © curriculum which includes an award - winning mix of original songs and traditional tunes from a range of musical styles, including folk, blues, jazz, and world music.

Scientists at the Max Planck Institute for Human Cognitive and Brain Sciences (MPI CBS) in Leipzig have recently discovered that these capabilities are embedded in a much more finely - tuned way than previously assumed — and even differ depending on the style of the music: They observed that the brain activity of jazz pianists differs from those of classical pianists, even when playing the same piece of music.

In the mean time jazz it up a bit with fun accessories and stay tuned; we've got lots of spring fun in store starting next week.

From honky - tonk blues to smooth jazz, you can find all sorts of romantic and dance - worthy tunes playing in Louisville's clubs.

Authentic bluegrass, jazz, and country tunes are crooned beneath massive birch rafters in this rustic tobacco barn, decorated top to bottom with bits and pieces of nostalgic Americana.

The New York - based singer - songwriter celebrates International Women's Day with a program of jazz, pop and original tunes, accompanied by Michael Rorby (trombone), Michael Raitzyk (guitar) and Jeff Reed (acoustic bass).

Musician (Unrated) Brainiac bio-pic examines the unorthodox musical career of avant garde jazz saxophonist Ken Vandermark, the Chicago - based recipient of a MacArthur genius grant who has released over a hundred albums, about one per month, comprised of non commercial tunes he's composed, arranged and performed with dozens of different ensembles.

The majority of the film is backed by orchestral tunes, but each with their own variation, some tending towards blues and jazz while others rely heavily on a rather sweet clarinet and piano combination.

The jazz band pieces, especially the title song «Whiplash,» give the film a brittle edge; these tunes aren't played to express musical joy, they are designed to showcase musical precision, and the percussion - heavy element puts the film on edge as successfully as the drum solos in Birdman define the nervous tension of that film.

There's also more than enough reason to convert jazz haters as well as Hurwitz effortlessly segues from O.G. improvisation to the electronically hip in this engaging slice of musical LA dream life and its myriad musical styles, turning a seemingly lost golden age of musical storytelling into the hippest tune around.

(His very first short, made 30 years ago, used a jazz version of a Beatles tune performed by Paul Desmond.)

At one point at least, which sees Viktor wildly breaking down a standard jazz tune to lead into a classical melody from home, the musical cue also serves essential narrative purposes, mapping out the emotional turmoil of someone where words alone don't suffice.

And this is especially true, not only given to tough road of a musical that has no pre-established fan base, as well as one that incorporates so many jazz pieces that can't be made into pop tunes, along with a romance that doesn't actually give those who just want a sweeping love story something to fawn over as they leave the theater.

WHIPLASH is not just the name of Hank Levy's eccentrically metered jazz tune, but describes the dangerous dynamic between a young drummer Andrew (Miles Teller) and his bullying instructor Fletcher (J.K. Simmons) at an exclusive music conservatory.

Musica Viva In Schools sees talented musicians ranging from jazz, classical and world music perform a diverse spectrum of tunes.

The Jazz has 2 engine options - the 1.2 litre petrol though has been borrowed from the Brio but has a slightly higher power output of 89bhp though is tuned for efficiency.

Attendees will tune into a blues and jazz lineup that includes Blues Hall of Fame inductee and guitar legend Joe Louis Walker; jazz / rock guitar legend and «Godfather of Fusion» Larry Coryell; Grammy - winning and New Orleans jazz royalty Delfeayo Marsalis; Grammy - winning The Band Courtbouillon with Wayne Toups, Steve Riley and Wilson Savoy; Grammy - nominated jazz saxophone master Javon Jackson; jazz trumpeter Gabriel Mark Hasselbach; sax master Rock Hendricks; and jazz guitarist and Na Hoku winner Benny Uyetake.

Jazz musicians have a list of standards, great tunes on which they improvise, hearing (playing) them as they haven't been interpreted before.

The work is scored by a guitar tune that subtly transitions from that of a guqin (the oldest guitar - like Chinese instrument) into American guitar stylings, including country, blues, jazz, electronic, and / or ambient.

Wander through Glyndor Gallery and find plenty to edify body and soul in The Shop and The Café, including informal piano performances in the Mark Twain Room of Wave Hill House — the sets will range from classical and jazz to show tunes and works composed by the guest pianists.

, and smooth, live jazz, courtesy of the National Jazz Museum in Harlem, sets a sweet tjazz, courtesy of the National Jazz Museum in Harlem, sets a sweet tJazz Museum in Harlem, sets a sweet tune.

To look at the artist's work from those years now (not on view at Mnuchin) is a bit like watching a jazz musician mastering the scales, fine - tuning himself and his instrument, preparing to receive the transmissions of higher dimensions.

Strangely, the catalog essays ignore the importance of drawing to Davis's repetitions, but the paintings with recycled motifs, which he likened to his beloved jazz musicians» fluid improvisations on familiar tunes, illustrate the point.

But Sonny Rollins, by anyone's estimate the dean of jazz tenor saxophonists, did a CD a decade ago that included a tune «Global Warming» that my group played in 2000 at a Danish - sponsored UN event on climate in Copenhagen, to the obvious pleasure of former minister Svend Auken and his staff.

Yet if you like innovative jazz like «Cantaloupe Island» by Herbie Hancock, you'll be a little disappointed that the Studio3 tuning doesn't quite bring out the full sound of the orchestra, leaving the song sounding a little contained.

For those who listen to more classic rock, folk, jazz — or really anything other than contemporary urban music — the tuning of the E55BT Quincy, with it's cleaner and more transparent upper register, may be preferable.

Album reviews, gig reviews, interviews, «reprints» of stuff I've written for Jazz Journal over the years, oh, and a tune a day, Mondays to Fridays.