Sentences with phrase «of kaleidoscopic patterns»

Exhibited alongside Auad, Brătescu and Hicks, Lucas Samaras employs techniques such as splicing, stitching, interweaving, doubling and repetition, combined with numerous fabrics which create a single continuous surface of kaleidoscopic patterns and colour.
In one of the kaleidoscopic patterns, you can easily pick a color within the print and complete the look.
Yellows, blues, turquoise, greens and browns are all mixed up to give an impression of a kaleidoscopic pattern.

Not exact matches

About eight years ago, just as he was running a white - hot chain called Dylan's Candy Bar (his co-founder was Dylan Lauren, Ralph's daughter), Rubin realized that much of his work — the kaleidoscopic displays, the lollipop lamps, the peppermint - patterned barstools — mattered not a whit to his target audience.
I can't get enough of the individually dyed kaleidoscopic colors and patterns.
This silk georgette boasts a kaleidoscopic feather pattern in a variety of natural brown hues.
, I've always appreciated how easy they make it to pattern mix, whether you're looking to dip your toe in via smaller - scale, sedate prints and motifs, or (take a gulp of air and possibly an aspirin) go full - bore with upholstery - scale, kaleidoscopic prints worthy of the Jenna Lyons photo in Duchesse's post (wow, those pants are beyond the pale -LSB-!]
We are then transported, first to the Himalayas, and then to a kaleidoscopic pattern of cityscapes.
One of the first animated features made in Brazil, «Boy & the World» is a brightly colored, often charming film that juxtaposes simple, hand - drawn animation with kaleidoscopic computer - generated patterns.
Themes covered include kaleidoscopic patterns, map of Europe, Olympic themed images, Christmas, Easter, Halloween and abstract images.
Using black and white photographs, she shreds and then pieces together portraits of famous celebrities, from Nina Simone to Al Capone, and creates kaleidoscopic patterns.
His kaleidoscopic compositions of overlapping grids and patterns create complex pictorial spaces, and his use of transparent pigments allows the viewer to see, as the artist has said, «all the events that went into the making of the painting.»
The body is kaleidoscopic — each pattern offers a kind of access.
This installation is her first to layer pounce patterns, combining the intricate forms of rubber skid marks on diamond - cut asphalt to kaleidoscopic effect.
Featuring photographic images of indigenous masks, beach scenes, and tropical foliage arranged into complex geometric patterns alongside embedded tiles, the collages depict kaleidoscopic visions of imaginary landscapes.
A mark, thus, that excavates, little by little, the surface of the silver faced foam panel, revealing the density of an aggressive and intense force — in a rainbow of different dark shades, as the final aesthetic outcome; a mark also clearly crystallized in kaleidoscopic patterns inspired by the Arizona Petrified Forest; a mark condensed, finally, in a system that re-draws all the complexity of a structure that is expressed by abstraction.
Here, Richard Wright — known for intricately patterned wall drawings in gold leaf — covers the sheet with kaleidoscopic abstractions of painstaking complexity.
At first glance her work is reminiscent of a kaleidoscopic optical illusion, repeating dots of color, numbers, grids, and patterns that are simultaneously dizzying and mystical.
The buzz around Fred Tomaselli's meticulous painting - collage hybrids frequently centers on the work's more loaded materials — ephedrine, aspirin, saccharine, an assortment of brand - name pharmaceuticals, marijuana, and other psychoactive plants — which Tomaselli assembles into kaleidoscopic patterns and scenes; looking at his pictures, one might infer that «using» a drug as a raw material should constitute or symbolize «being on drugs.»
Winters» kaleidoscopic compositions of overlapping grids and patterns create complex pictorial spaces, and his use of transparent pigments allows the viewer to see, as the artist has said, «all the events that went into the making of the painting.»
Strong bands of color can dialogue with static dashes that make kaleidoscopic patterns.
Her meticulously obsessive paintings of vortex patterns, pinwheels, and cosmic particles set in kaleidoscopic motion are based on intricate mathematical systems, and evoke grand visions of night skies in which meteor showers, gaseous explosions and other sorts of astronomical phenomena are happening.
Executed in 1995, the same year that Hirst was awarded the Turner Prize, it is one of the only spin paintings to rotate mechanically on the wall, causing its kaleidoscopic surface patterns to shatter across its vast circular form.
These figures, partially subsumed within the kaleidoscopic patterns, produce a deft play of textures between their matte surface and the rich impasto of the rest of the canvas.
Published in the early 1970s, a decade that has largely influenced her visual aesthetic, The Practical Encyclopedia of Good Decorating and Home Improvement yielded stylish reproductions of brightly painted foyers, tiled kitchens, and wood - paneled living rooms which Thomas coupled and collaged with her own photographs, swathes of patterned textiles and blocks of pure color, and at times, glimpses of the landscape to render kaleidoscopic shifts in perspective.
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