Sentences with phrase «of key scenes with»

The newly - assembled «The Complete Novel» edition of The Outsiders restores most scenes elided for the theatrical release (including a couple of key scenes with Lowe's Sodapop, one a homoerotic cuddle between he and Pony), augmenting them with a wonderful new / old soundtrack.

Not exact matches

The overhaul of Arsenal around Arsène Wenger is gathering pace with the club negotiating the departure of the long - serving chief scout, Steve Rowley, the latest of the Frenchman's allies behind the scenes to vacate his key role.

Although the US did not always agree with the domestic policies of Egypt, Mubarak was a key ally on the international scene.

«The idea that we can parachute insubstantial and untested candidates with little knowledge of the local scene into key seats to win the confidence of people they seek to represent is the bizarre theory of people who spend too much time with the pseuds and posers of London's chichi set and not enough time in normal Britain.»

Western New York Stonewall's Ball and Eunic Ortiz, president of the Stonewall Democratic Club of New York City, both welcomed Equality NY's emergence, with both Ortiz and Selvaggi saying that despite the modest amount of money raised so far, the key was to telegraph to Albany that LGBT New Yorkers will remain players on the political scene.

And information about what kinds of paints were used, which is now being compiled with the new data, will tell him about the painter's palette and whether it was a daytime or nighttime scene — information that «will be key to [help] figure out who painted it and when,» he says.

Between models prepping for hair and make - up, clothes being steamed, racks organized by outfits, meticulous notes outlining the smallest details, inspiration boards highlighting key features, and so much more, we're very excited to share a small glimpse of the behind - the - scenes of an event that takes months to plan with her.

This year is a bit different, maybe because I am getting older or something - BUT the whole night scene: dancing, singing and putting my hands around strangers as we swag back and forth singing Auld Lang Sync just doesn't sound like my kind of thing, instead this year I am keeping things a bit low key and having a nice fancy dinner with friends, followed by great conversation and wine, of course - as we countdown with Ryan Seacrest and Carson Daly on TV.

Whether your key interest is in films or theatre shows, you will find that the Watford Palace Theatre is the ideal place for a date with a touch of culture on the Watford dating scene.

One of the film's key scenes shows the village assembly in Hirut's area carefully debating her case, and when Meaza attempts to leave a meeting with Hirut's parents without staying for a meal, she is brought up short by a mother who insists, «you must not forget our culture.»

The recreations of key scenes from that kitsch classic are shot with stunningly tacky verisimilitude and played to the scrappy hilt by an up - for - anything cast, including Zac Efron, Ari Graynor, Josh Hutcherson and Jacki Weaver.

Parts of this season worked, especially anything to do with Potter and Roosevelt and certain scenes between key cast members such as Tara, Gemma, Jax, Clay, Opie and Piney.

As for that key moment that sets up the final act, I thought the film established the character motivation adequately with the earlier scenes showing us Schultz's reaction to some of the violence against slaves.

De Palma remains their only interview subject as he chronologically spins fascinating tales of his experiences intercut with photos and key scenes from his films.

The movie, which marks the feature debut of writer - director Kate Barker - Froyland, has the low - key appeal of «Once,» with its extended scenes of music and drama - free romantic subplot.

These golden nuggets of cinematic genius are peppered throughout the films conservative eighty - four minute narrative, each presenting a different overall feel and visual tone to each scene, and it is this impressive variety along with the films pace and subtle humour that is key to its success.

A late introduction of the recently deceased Nigel Hawthorne (as a crusty theatre critic) only serves to heighten the distance the film gains on its increasingly dismayed audience — the key scene of the film, in fact, is one with Hawthorne gazing forlornly from his second - story window at two young lovers in embrace.

While many of his scenes had been completed, a key emotional moment with Jennifer Lawrence's freedom fighter Katniss Everdeen had not been filmed.

One thing the final act can not sully is the sublime score by Michael Patton, with its echoing keyboard effects conjuring a romantic melancholy that electrifies many of the film's key scenes.

Jordan Peele's startlingly good debut is here for its completeness, its savvy use of genre, its timeliness, its thematic complexity, its whip - smart casting (I like to think Whitford is actually playing Josh Lyman) and that scene with the keys.

In key scenes (Sahmi's meeting with the General, the montage sequence showing Houshang's attempts to raise money using repetitive framing devices, and several of Parviz's key scenes, which often function like dramatic monologues) the performances appear often to be slightly stylized and theatrical, offering, I believe, a degree of distanciation (in the Brechtian sense), somewhat in the manner of, say, Rainer Werner Fassbinder.

But now, with key new scenes of Roberta Sparrow (aka Grandma Death) and chapter headings to correspond to the fictional textbook in the movie (The Philosophy of Time Travel), Donnie Darko is organized in such a way that new and old audiences can get a better idea as to what's happening in this rich tale of a young man and his personal search for God.

Yet they and the rest of the cast (look for cameos by Gena Rowlands, in the nightclub scene; Cassavetes, protecting Lelia from a Forty - second Street masher; and Seymour Cassel, getting gut - punched by Ben) are indelibly associated with Shadows, where they seem as real as the preserved cityscapes that are a key pleasure of the movie.

Features relaxed commentary by director Lone Scherfig and actors Carey Mulligan and Peter Sarsgaard (who spend as much time reminiscing over the shoot and appreciating key moments as discussing the production and the characters), a nine - minute making of featurette (which also includes interviews with screenwriter Nick Hornby and author Lynn Barber) and 11 deleted scenes among the supplements on both DVD and Blu - ray.

Alessandro Nivola, who plays a nameless (but integral) fashion designer character in the film, has several key scenes with Elle Fanning, and the first time he sees Fanning in the movie he sees a flower in the wasteland of beauty.

The muse for the character of Danny (played by Manchester by the Sea's Lucas Hedges), a skinny kid with a good singing voice from an upper - middle - class Irish Catholic family, was Gerwig's high school boyfriend, Connor Mickiewicz, who remembers making out with her in the McKinley Park rose garden, inspiring a key scene in the movie.

I'm grateful he was able to bring in Christopher Plummer on short notice, that the studio went along with the decision, that the other cast members made themselves available to reshoot key scenes, and that Ridley Scott is a maverick bad - ass who attempted to spin some good out of a hideous situation.

Other highlights in this strand include: Miguel Gomes» mixes fantasy, documentary, docu - fiction, Brechtian pantomime and echoes of MGM musical in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosof MGM musical in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosof William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosof CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth MosOF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosof Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosof the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosof KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosof a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth MosOF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosof mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Moss.

The story was constructed and reimagined in the editing room, with several key scenes moving from the beginning of the film to the end, Linklater says.

A scene featuring a deranged Anna Faris playing herself got most of the attention, but it's cross-cut with an even funnier moment: Keegan - Michael Key sitting in his minivan with some hardcore killers, trying — successfully, as it turns out — to convince them that George Michael is truly «O.G.» It's the sort of sublimely ridiculous moment that makes you wish these guys hadn't needed to expend their brainpower on coming up with a story for Keanu, which suffers when it tries to further its own silly plot but glimmers when it just lets its stars get silly.

Children is less impressive, in part because more of its action takes place in shadow; elements appear a touch mismatched in the key tunnel - truck - mother scene and the source doesn't, on the whole, seem as sharp as Village — but that may have more to do with respective budgets and studio facilities.

The TV medium was ideal for illustrating specific examples, such as the disappearance of Mrs. Robinson in her key scene with Benjamin.

Malick in fact emerges as the anti-Kubrick, entrusting Chivo with key scenes and refusing to see blueprints of sets before they're built, lest he spoil the surprise.

The first brief scene was meant to precede the discovery of a new dead kid, but the extreme wide photography rendered the key visual a mere dot in the field; and the second scene involves local police chief Murphy with the town mayor at a grocery shop.

It feels like a video game as the kids run from one chase scene to another fetching objects — get the key, find the locker, get the Bible, break the code — advancing every time to the next level with little sense of a story moving forward, and leaving a gimmicky aftertaste given all the real - life squalor onscreen.

Each Blade composer has had to balance his scoring chores with songs cemented to key scenes and montages: Mark Isham went for a brooding synth and orchestral blend that managed to smoothly weave in and out of the pumping songs laid over the main battle sequences; and Marco Beltrami's large orchestral score was tweaked by Danny Saber and buoyed by a similar number of songs.

Program Description: During the month - long Directors Lab, eight fellows work with an accomplished group of creative advisors and professional production crews, rehearsing, shooting, and editing key scenes from their scripts.

Universal Studio's DVD release of the Skeleton Key fleshes out the production's details with a commentary by Director Iain Softley and deleted scenes (also with commentary by Director Iain Softley).

As the judge in «Primal Fear,» she presided over a key scene with Richard Gere defending the accused murderer of an archbishop.

He made his television debut with the 1993 television movie Family Style starring Ewan McGregor, after which he directed and performed in Shakespeare Shorts, a series that explored the history of Shakespearean characters and presented them in key scenes from the plays in which they appeared.

Working with a smaller budget, it's basically a four - character film which wouldn't suffer too much from being staged in a theatre — featuring unusually long dialogue scenes in diners, restaurants and motel rooms, with staccato rhythms and masculine posturing borrowed from David Mamet, another of Anderson's key, acknowledged influences.

There's an edge of low - key flirtation to his scenes with Foy, which consistently helps the movie out, and elicits some of her best work.

Features commentary by Shelton with the stars and key members of her production team, a featurettes and deleted scenes.

Disc Features - High - definition digital restoration, approved by cinematographer Mark Lee Ping - bin, with 5.1 surround DTS - HD Master Audio soundtrack on the Blu - ray edition - @ «In the Mood for Love,» director Wong Kar - wai's documentary on the making of the film - Deleted scenes with director's commentary — Hua yang de nian hua (2000), a short film by Wong - Archival interview with Wong and a «cinema lesson» given by the director at the 2001 Cannes Film Festival - Toronto International Film Festival press conference from 2000, with stars Maggie Cheung Man - yuk and Tony Leung Chiu - wai - Trailers and TV spots - The music of In the Mood for Love, presented in an interactive essay, on the DVD edition - Essay by film scholar Gina Marchetti illuminating the film's unique setting on the DVD edition - Photo gallery on the DVD edition - Biographies of key cast and crew on the DVD edition - Two new interviews with critic Tony Rayns, one about the film and the other about the soundtrack, on the Blu - ray edition - A booklet featuring the Liu Yi - chang story that provided thematic inspiration for the film, an essay by film critic Li Cheuk - to, and a director's statement (DVD edition); a booklet featuring an essay by novelist and film critic Steve Erickson and the Liu Yi - chang story that provided thematic inspiration for the film (Blu - ray edition)

Clap, Stomp, Slide: The Sounds of Battle A very interesting presentation of one of the key dance scenes with just sound effects (no music).

In Rules Don't Apply, Beatty steals every scene — but there isn't much to take away from a movie whose ostensible main plot line of sexually frustrated youth is enacted with such lack of interest from its key players.

That was because all of Don's scenes with other key characters - from his dying ex-wife Betty (January Jones), to his daughter (Kiernan Shipka) to longtime colleague Peggy (Elisabeth Moss)- took place over the phone.

Weisz's performance is key to the movie's early scenes of Philip's enchantment with Rachel, which is a strange combination of a son seeking approval from his mother and a suitor playing for the affections of a potential lover.

For those interested in a terrific satirical piece, Simone offers lots of comedic moments and food for thought, and while those satirical moments aren't usually the stuff of laugh - out - loud hilarity, there are some key moments, scenes and insights that are delivered with precision.

And some touches can not help but remind one of some of the cast and crew's previous credits: Leder's extensive steadicam use recalls her ERwork; a prolonged piano - playing scene, complete with closeups of fingers on keys, reminds one of co-star Armin Mueller - Stahl's Shine; and Devoe and Kelly encounter a character named — gag — Schumacher.