Sentences with phrase «of kunst»

The exhibition is generously supported by the U.S. Embassy Berlin, KW Freunde e. V., Members of KUNST - WERKE BERLIN e. V., and Julia Stoschek Collection.

As of July this year the two institutions are now operating as separate business units under the umbrella of the KUNST - WERKE BERLIN e. V.

He's the founder of kunst - stoff, and the creator of several award - winning games, and was...

Not exact matches

Moderne kunst, heute, Kunstverein Hamburg, Germany Johanna Burton, «How Does the Verb Work When One Speaks of Collaboration?

Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.

2014 «The Divided Body», Predikerkerk, Leuven, Belgium «Puddle, pothole, portal», SculptureCenter, Long Island City, NY — curated by Ruba Katrib & Camille Henrot «Petals on the Wind», Galerie Micheline Szwajcer, Antwerp, Belgium «I would prefer not to», Stedelijk Museum Bureau Amsterdam (SMBA), Amsterdam, The Netherlands «Lou Ford», établissement d'en face, Brussels, Belgium «Forcefield — drawing show», A.VE.NU.DE.JET.TE — Institut de Carton vzw, Brussels, Belgium Small Museum for the American Metaphor, REDCAT, Los Angeles, CA — curated by Kersten Geers Emoties in de hedendaagse kunst, Gemeentemuseum Helmond, The Netherlands «The Hawker», dépendance at Carlos / Ishikawa, London, UK Progress and Hygiene, Zachęta National Gallery of Art, Warsaw — curated by Anda Rottenberg La référence d'objet n'est pas définie à une instance d'objet, Galerie Edouard - Manet, Genevilliers — curated by Barbara Sirieix

The KW Friends e. V. was founded in 1996 with the aim of supporting the KUNST - WERKE BERLIN e. V. financially and ideationally.

First published in German by MUSEUM KUNST PALAST Düseldorf 2006 on the ocasion of the exhibition: ZERO Internationale Künstler Avantgarde der 50er / 60er Jahre.

kunst scanner is an educational project in which students create, over the course of several weeks, their own interpretations and commentaries relating to the current exhibition at Kunsthalle Basel.

It is awarded by Louis Vuitton in the framework of KINO DER KUNST, Munich's biennial festival of contemporary art and film, which in 2017 is based on the theme Fiction & Reality.

From 2009 to 2012, he was the Director of ar / ge kunst Galerie Museum in Bolzano, Italy, where he organised several group and solo exhibitions including Runo Lagomarsino, Chto Delat?

His work has been included in numerous group exhibitions, notably Mapping the Horizon at Upstream gallery, Paramaribo Perspectives, Tent Rotterdam (2010) Crop rotation at Marianne Boesky Gallery, New York (2008), Umbau at Kunsthalle St. Gallen, Switzerland (2007), Brave New World, Cobra Museum voor Moderne kunst, Amstelveen, SCAPE 06, the Biennial of Art in Public Space, Christchurch, New Zealand (2006), That was then, this is now at De Appel, Amsterdam (2006), Project Rotterdam at the Museum Boijmans Van Beuningen, Rotterdam (2005), Prague Biennale 1 (2003) and Hardcore at Palais de Tokyo, Paris (2003)

¨ She has participated at the Biennale Estuaire Nantes / St - Nazaire; Bienal de Sao Paulo, São Paulo; Biennale of Sydney; The Busan Biennale; berlin biennale für zeitgenössische kunst; Yugoslav Biennial of Young Artists; Tirana Biennial; Manifesta 3 and Melbourne International Biennial.

in 2005, excerpts of the collection were displayed in the collectors group exhibitions «see history» (kunsthalle kiel) and «die kunst zu sammeln» (2007, museum kunstpalast, düsseldorf).

In 1975, he was awarded an honorary doctorate from Nova Scotia College of Art, Halifax, Canada, and in 1978 he became a member of the Akademie der kunst, Berlin.

In addition to his main work in theatre, Mroué's recent exhibitions include: CA2M, Madrid 2013, Museé de la Dance (2013), dOCUMENTA 13, Kassel (2012), Templhof, Berlin — Hebbel theater, the world UnFair exhibition (2012), Lunds konsthall, Lund (12 March — 8 May 2011); Iniva (Institute of International Visual Arts), London (23 March — 14 May 2011) and Württembergischer Kunstverein, Stuttgart (22 May — 31 July 2011); and Tranzitdisplay, Prague (10 June — 14 August 2011), BAK, basis voor actuele kunst, Utrecht (21 May — 1 August 2010), Performa 09, New York (2009); 11th International Istanbul Biennale (2009); Tarjama / Translation, Queens Museum of Art, New York (2009); Soft Manipulation — Who is afraid of the new now?

The article «Een genealogie van generatieve kunst» (in Dutch) by Bas Hendrikx discusses the way computer - driven work has evolved over the past decades, mentioning the work of Harm van den Dorpel.

He has exhibited his work in the United States and abroad at the Saint Louis Art Museum; Albright - Knox Art Gallery, Buffalo; P.S. 1 / MoMA, New York; The Studio Museum in Harlem, New York; Brooklyn Museum; The Kitchen, New York; Contemporary Art Museum Houston; Dak «Art 2006, the Biennial of Contemporary African Art, Dakar, Senegal; Susanne Vielmetter Los Angeles Projects; Art in General, New York; ar / ge kunst Galerie Museum, Bolzano, Italy; Scottsdale Museum of Contemporary Art, Arizona; Ulrich Museum, Wichita, Kansas; Salt Lake Art Center, Utah; Hong - Gah Museum, Taipei; Southeastern Center for Contemporary Art, Winston - Salem; Krannert Art Museum, Urbana - Champaign, Illinois; Plug In ICA, Winnipeg; Brooklyn Academy of Music; Galerie Chez Valentin, Paris; Santa Monica Museum of Art, California; Contemporary Museum, Baltimore; and the Watts Towers Art Center, Los Angeles.

He also won the grand prize of 19th «Contemporary Art Festival Sesc Videobrasil», and was shortlisted for «HUGO BOSS ASIA ART Award for Emerging Asian Artists» and International Competition sector of the KINO DER KUNST festival in 2017.

He has work in permanent collections around the world, including the Walker Art Center, Minneapolis; Solomon R. Guggenheim Museum, New York; Centre Pompidou, Paris; Musée d'Art Contemporain de Lyon; Städel Museum, Frankfurt / Main; Museum Ludwig, Cologne; museum moderner kunst stiftung Ludwig wien; MAK — Austrian Museum of Applied Arts / Contemporary Art, Vienna; and Centro de Arte Contemporáneo, Málaga, Spain.

In the framework of his exhibition DIE NACKTESTE FREIHEIT DER KUNST (The Most Naked Freedom of Art) from April 14 — May 12, 2018 at Sies + Höke, Jonathan Meese presents 21 paintings fresh from the studio in very different formats.

Recent exhibitions of the artist's work include group shows «Bergen Geestgrond,» «Inspiratie - kunst, kennis en natuur» and «Silence out Loud» (curated by Joost Zwagerman) at Museum Kranenburgh, Bergen; «Blind Date II» at Dapiran Art Project Space, Utrecht; and «Ways of the Imagination» at Witteveen Visual Art Centre, Amsterdam.

Nicholas Hlobo's long career of international projects and solo shows includes those at Nasjonalmuseet for kunst, arkitektur og design in Oslo (2011), Locust Projects in Miami (2013), and Museum Beelden aan Zee, The Hague (2016).

Stockholm, Eva af Burén, Marcel Duchamp, April - May 1963 Antwerp, Galerie Ronny Van de Velde, Marcel Duchamp, 15 September - 15 December 1991, no. 127, n. p. (another example exhibited and illustrated) Berlin, Martin - Gropius - Bau; London, Royal Academy of Arts; London, Saatchi Gallery, American Art in the 20th Century: Painting and Sculpture, 1913 - 1993, 8 May - 12 December 1993, no. 29, p. 478 (another example exhibited and illustrated) Stockholm, Galerie Bel «Art, Marcel Duchamp, 2006 The Hague, Gemeentemuseum Den Haag, Parijs, Stad van de moderne kunst 1900 - 1960, 15 October 2011 - 29 January 2012, p. 236 Edinburgh, National Galleries of Scotland; Hamburger Kunsthalle; Rotterdam, Museum Boijmans Van Beuningen, Surreal Encounters: Collecting the Marvellous.

Recent solo exhibitions include Zachary Formwalt, ar / ge kunst Galerie Museum, Bolzano (2011); Future Park — Reproduction Direct from Nature, Casco, Utrecht (2010); and Zachary Formwalt — The form of practical memory, Kunsthalle Basel (2009).

museum f u00fcr moderne kunst frankfurt museum het domein sittard the netherlands museum of contemporary art los angeles museum of contemporary art and connie tilton netherland america foundation the consulate general of the netherlands new york linda and jerry janger dr s sanford kornblum (2 words, 15 characters)

belgium museum voor moderne kunst arnhem the netherlands strasbourg museum of modern and contemporary art nasher museum of art durham paleis vught vught the netherlands the intimate confines of the menil collection franklin sirmans curator of modern and contemporary art has worked with connie butler and marlene dumas to select (5 words, 30 characters)

Edward Hopper: Selections from the Permanent Collection of the Whitney Museum of American Art, July 21, 1989 — May 23, 1993 This exhibition was show at the Whitney from July 21 — November 5, 1989, and then traveled through May 1993 to other venues, including Tokyo Metropolitan Tien Art Museum; Newport Harbor Art Museum, California; Seattle Art Museum; Musee d'art et d'histoire de la Ville de Geneve, Switzerland; Louisiana Museum for moderne kunst, Humlebaek, Denmark; Schirn Kunsthalle, Frankfurt; and Palais des Beaux - Arts, Brussels.

joint acquisition by the gesellschaft für moderne kunst and the museum ludwig on the occasion of the 2018 wolfgang hahn prize.

How art ages MARTa Herford Museum, Herford Royal Awards for Painting 2011 Royal Palace, Amsterdam ILLUMInations The 54th Venice Biennale, Venice (catalogue) Too late, too little, (and how) to fail gracefully Kunstfort Asperen, Langedijk (catalogue) Image to be projected until it vanishes Museion - Museum of modern and contemporary art, Bolzano (curated by Mihnea Mircan) Radical Autonomy Netwerk / centrum voor hedendaagse kunst, Aalst Inside Installations Collectietentoonstelling S.M.A.K (Stedelijk Museum voor Actuele Kunst), Ghent (catalogue) Falten, Searching for White, Rise above Reason Martin van Zomeren, Amsterdam 2010 Taking Place Stedelijk Museum, Amsterdam Invisible Shadows, Images of Uncertainty MARTa Herford Museum, Herford (catalogue) Benefit Exhibition Kunst Halle Sankt Gallen, St. Gallen Starter Arter, Istanbul (curated by Rene Block)(catalogue) History of Art David Roberts Art Foundation, London Performative Attitudes Kunsthaus Glarus, Glarus Up to You Stroom, The Hague 2009 The Knight's Tour De Hallen Museum, Haarlem (catalogue) Sculptural - Collection S.M.A.K (Stedelijk Museum voor Actuele Kunst), Ghent Broken English Seiler + Mosseri - Marlio Galerie, Zurich 2008 Modern Museum of Arnhem Portfolio 1 Plan B, Berlin (catalogue) Schilders DCR, The Hague Geoair residency in Georgia, Tbilisi Mariakapel, Hoorn 2007 Billy town Rijswijk INSIDEOUT Moira Gallery, Utrecht Voorstel voor DCR Project Space, The Hague Drawing the line somewhere duo, Ned.

Thauberger's group exhibitions include: I Wan na be a Pop Star, Loop - raum für aktuelle kunst, Berlin, Germany; Emotion Pictures, Antwerp Museum of Contemporary Art, Belgium; Baja to Vancouver, San Diego Museum of Contemporary Art, San Diego, CA; soundtracks, Edmonton Art Gallery, Edmonton, AB.

«CLAES OLDENBURG: THE SIXTIES «MUSEUM MODERNER KUNST STIFTUNG LUDWIG WIEN, VIENNAFebruary 4 - May 28 * Curated by Achim HochdörferPROPELLED BYAN ENGAGEMENT WITH the work of Sigmund Freud at the close...

GALERIE FUR ZEITGENOSSISCHE KUNST On the heels of a slew of recent shows internationally, Neo Rauch is suddenly making a name for himself in his native Germany.

2009 The Malady of Writing, MACBA, Barcelona, ES Zeno Reminder (in collaboration with Mariana Castillo Deball), Performa 09, New York, US Exhibition at Labor Gallery, Mexico, MX Planet of Signs» — curated by Guillaume Desanges at Le Plateau, Paris, FR A Fantasy for Allan Kaprow — curated by Mai Abu ElDahab and Philippe Pirrote, at CIC, Cairo, EG KAAP (the little biennale) curated by Mark Kremer, Fort Ruigenhoek, Utrecht, NL The Happy interval, Gallery Tulips & Roses, Vilnius, LT 2008 Nameless Science, curated by Henk Slager at Apex art, New York, US Fuga di un Piano (in collaboration with Mariana Castillo Deball), Manifesta 7, IT The Flight of the Dodo, Project Arts Centre, Dublin, IE Arte BA - art fair, with 713 Gallery, Buenos Aires, AR MiArt - art fair, 713 Gallery, Milan, IT 2007 Panorama de las artes visuales en Córdoba», Museo Caraffa, Cordoba, AR A for Alibi, De Appel Center for Contemporary Art, Amsterdam, NL Shelter 07, public space intervention, Hardewijk, NL Levity at The Drawing Center, New York, US 2006 Alguns Llibres D'Artista (a few artists books) Roma Publications at ProjecteSD, Barcelona, ES Longitude, part of the group show fumus fugiens at Smart project space, Amsterdam, NL 2005 A Poetics of Place, Utrecht's former county - court, Utrecht, NL 2004 Rendering, Mirta de Mare ruimte voor actuele kunst, Rotterdam, NL 2003 Open Studio Rijksakademie van Beeldende Kunsten, Amsterdam, NL 2002 Open Studio Rijksakademie van Beeldende Kunsten, Amsterdam, NL

moderne kunst, heute, Hamburg, Germany 2004 Modern Art Oxford, Real World: The Dissolving Space of Experience (cur.

MUSEUM MODERNER KUNST STIFTUNG LUDWIG WIEN An actor, playwright, film director, and diagnosed schizophrenic, Antonin Artaud advocated the radical dissolution of barriers separating art...

(142 p.) Edition: Humlebaek: Louisiana museum of modern art, 2003 Éditeur scientifique: Martin Caiger - Smith, Michael Juul Holm, Louisiana museum for moderne kunst.

French artist Laure Prouvost has produced a new installation titled «We Would Be Floating Away from the Dirty Past» for Haus der Kunst's Middle Hall as the fourth edition of the annual art commission DER ÖFFENTLICHKEIT — VON DEN FREUNDEN HAUS DER KUNST.

After the Nazi regime closed down the Bauhaus in 1933, as part of its campaign of suppression of «degenerate art» (entartete kunst) Albers emigrated to America, and continued propagating the Bauhaus aesthetic in art and design at the experimental Black Mountain College, North Carolina, where he directed the fine art painting course until 1949.

During the pre-war years, the governors of the Kunstmuseum decided to develop a major collection of modern art, and took full advantage of the opportunity in 1939 to purchase a large holding of avant garde art - designated as degenerate art (entartete kunst) by the Nazis.

After World War I, Justin Thannhauser assumed control of the gallery, opening new branches in Lucerne (1919), and Berlin (1927), but the advent of the Nazis and its campaign against so - called «entartete kunst» (degenerate art) forced Thannhauser in 1937 to close the business and emigrate to Paris and thence to New York where he established himself as a private art dealer.