Featured works include Are You Rea, an eerie 1968 portfolio
of lithographs by Robert Heinecken, the founder of UCLA's photography program and the subject of a 2014 retrospective at MoMA; and Crackle & Drag, Death (track # 20/0: 25)(2014) TR Ericsson's dubplate audio recordings of his mother.
Covering an unusual breadth of material, the gallery's holdings include Alexander Calder's Santa Clause Suite portfolio, along with a series
of lithographs by social and political satirist William Gropper that depict the dramatic unrest inside the U.S. government during Richard Nixon's Watergate scandal.
Also available is a run
of lithographs by second - generation Abstract Expressionist Joan Mitchell, as well as prints by Louise Bourgois and Louise Nevelson, including a circa 1935 pencil drawing by Nevelson titled Seated Nude and estimated to sell between $ 1,500 and $ 2,500.
Particularly notable works include a portfolio of 16 etchings by David Hockney titled, A Rake's Progress, as well as a rare group
of lithographs by Bruce Nauman.
April 6 — May 6 Please join us for the opening reception Friday April 6, 7 - 10 PM An edition
of lithographs by Brewer will be published with the exhibition.
Portfolio
of lithographs by Calder, Hartung, Matta, Sutherland, Miró, and Moore.
Further offerings include a run
of lithographs by George Bellows of boxing scenes, as well as Arch Conspirators, a 1917 etching by John Sloan of artists celebrating on top of the Washington Square Arch to establish the «secession of Greenwich Village from the United States,» including Marcel Duchamp and Sloan himself ($ 1,500 to $ 2,500).
Alongside an additional selection of Neapolitan gouaches is a series
of lithographs by David Roberts, a Scottish painter known in particular for his detailed prints of Egypt and Nubia — themselves based on a set of drawings the artist produced during his travels along the Nile in 1838 — 39.
The Graham Hunter Gallery presents a finely printed collection
of lithographs by Francis Bacon and Pablo Picasso, examining their attitude and approach to the representation of the body.
You will see Asian antiques, Masters Paintings from Asia, Chinese Antique furniture and a collection
of lithographs by Picasso, Dali, Chagall and Andy Warhol.
Not exact matches
One
of van Gogh's first successful
lithographs, At Eternity's Gate (1882),) depicts an old man seated
by a fire, his head buried in his hands.
Accompanying the exposition are a picture and paragraph devoted to architecture (Solomon's Temple), a
lithograph of the Jerusalem temple, a pictorial representation
of Solomon and Queen Sheba from Ethiopia, a painting
by Cornelis de Vos
of Solomon offering sacrifices to idols, a map
of the divided kingdoms, a contemporary Chinese painting
of Elijah, another painting
of Elijah
by Peter Paul Rubens, a 17th - century needlepoint rendition
of Jezebel's death, a sidebar devoted to the term «Jezebel,» and a picture
of a panel showing King Jehu offering tribute to the Assyrians.
Its walls display a collection
of black - and - white
lithographs by renowned American artist Richard Serra.
Prior to Spitzer's tenure, it was mostly used for smaller financial violations, such as «shady pharmacists, Ponzi schemes, and peddlers
of fraudulent Salvador Dali
lithographs,» according to a 2004 article in Legal Affairs
by Nicholas Thompson, published prior to the revelation
of the Bernie Madoff Ponzi scheme, for which Andrew Cuomo used the Martin Act when he was attorney general.
The cream border is is applied
by hand, whilst the border pattern is created using a textured
lithograph which is hand - painted with 22 carat gold, creating a one -
of - a-kind, lustrous bas relief finish.Wedgwood china has graced the homes and palaces
of the world's most discerning customers for more than 250 years.
The guide is being developed
by Piggyback, and will contain many extras such as a numbered
lithograph by Shinkawa (like the Metal Gear Solid 4 Collector's Edition Guide), a hardcover and extra information regarding the creative process
of the game.
Of course there is the regular paperback edition, but also (for those who want a bit more): a hardcover collector's edition that comes with a «
lithograph» artwork
by Yoji Shinkawa.
One
of the most prolific and prosperous artists
of the twentieth century, surrealist paint Original
Lithographs by Marc Chagall, Today in Milwaukee
One
of the most prolific and prosperous artists
of the twentieth century, surrealist paint Original
Lithographs by Marc Chagall, Today in Milwaukee more
Fiona Maye, a High Court judge, at home on Sunday evening, supine on a chaise longue, staring past her stockinged feet toward the end
of the room, toward a partial view
of recessed bookshelves
by the fireplace and, to one side,
by a tall window, a tiny Renoir
lithograph of a bather, bought
by her thirty years ago for fifty pounds.
Invincible Iron Man Invitational Postcards Invincible Iron Man Build Your Own Iron Man Promo Item Piece 1
of 6 Invincible Iron Man Skottie Young
Lithographs Invincible Iron Man # 1 Exclusive Deadpool Sketch Party Variant
by Yasmine Putri Mass media promotion around the launch
of Invincible Iron Man and the associated parties
The Collector's Edition copy includes a Steelbook case, a nine - inch statue
of Kratos and his son Atreus
by Gentle Giant as well as several smaller two - inch carvings, a keychain, a
lithograph, and a cloth map.
Fig. 1 shows the drawing from which Bonnard made the gouache which was the study for the
lithograph «The Yellow Room», 1942 - 1946, one
of the series put on stone
by Jacques Villon.
In the next thirteen years Bonnard made many posters and illustrations for La Revue Blanche and other magazines, made a large set
of lithographs published
by Ambroise Vollard, illustrated publications for his brother - in - law, the composer Claude Terrasse, and illustrated, very fully, three books.
Taking Théodore Géricault's iconic 1818 — 19 painting as its point
of departure, and working from photographs taken
by his wife Elfie Semotan, «The Raft
of the Medusa» eventually came to include over a dozen each
of paintings, drawings, and
lithographs, as well as an eight -
by - fifteen - foot rug that depicts the raft's schematic layout.
Through posters, woodcuts,
lithographs, screenprints, and etchings, they depicted the plight
of the indigenous people violated
by unlawful landowners, land water appropriations, and human rights violations facilitated
by «elected» officials.
Untitled III carries over the shift in texture from opaque to virtually transparent tonality in the greys and blues in particular, as if the artist had absorbed the style
of Sumi - e brush painting, as for example in the
lithograph owned
by the Museum
of Modern Art, Wah Kee Spare Ribs, 1970, a medium with which de Kooning was preoccupied in the early years
of the decade.
The Museum
of Modern Art lists no work on their extensive website
by Mason or Peter Voulkos, and only four minor
lithographs by Ken Price — no ceramics.
Armed with a European esteem for the role
of the
lithograph as a tool
of expression, Tanya (who
by all accounts was the driving force behind ULAE) doggedly pursued important artists
of the New York School until they relented to try their hand in the medium; she then went to extremes both to help realize the artist's vision as well as ensure that their experience was pleasant and expansive.
, Galerie Jean Fournier, Paris (June 20 — August 22) Paintings
by Joan Mitchell,
Lithographs by Willem de Kooning, Sculpture
by Raoul Hague, Lennon, Weinberg, New York (June 10 — August 4) The Collection
of Sue and Eugene Mercy, Jr.: Paintings, Drawings, and Sculpture, Richmond Art Center, Loomis Chaffee School, Windsor, Connecticut (May 18 — June 11) New York Action and Edge: 1950s and 1960s: John Ferren, Balcomb Greene, Stephen Pace, Esteban Vicente, Jimmy Ernst, Al Held, Joan Mitchell, Milton Resnick, Katharina Rich Perlow Gallery, New York (April — May 3) Papel papel, Galerie Jean Fournier, Paris (March 11 — April 15) Seven from the Seventies: Diebenkorn, Frankenthaler, Krasner, Martin, Mitchell, Scully and Stella, Knoedler and Company, New York (February 8 — March 4) XXV Years: An Exhibition Celebrating the 25th Anniversary
of John Berggruen Gallery and Saluting the Opening
of the New San Francisco Museum
of Modern Art, John Berggruen Gallery, San Francisco (January 13 — February 25)
Nearby is a gorgeous late Jackson Pollock, Untitled, 1951 that is semi-figurative; a Franz Kline black and white calligraphic abstraction, Untitled from 1953; an architectural collage
of rectangular shapes
by Conrad Marca - Relli from 1965; and, from 1976, the Larry Rivers pop - historical Big B Signs Up, a
lithograph of two hands clasping a quill pen created
by Rivers to mark the U.S. Bicentennial and honor Benjamin Franklin's signing the Declaration
of Independence.
Lithograph, screen print and rubber stamp on Somerset tub sized 310gsm 60 x 80 cm Edition
of 100 prints, each accompanied
by a signed numbered certificate.
Works on view include a series
of large
lithographs that are characterized
by their horizontal, tripartite compositions.
In the 1930s, the Works Projects Administration, one
of the New Deal agencies, donated 200
lithographs and prints created
by artists that it supported.
The Artist and the Model, a portfolio
of twelve intaglio prints, is published
by Sylvan Cole at Associated American Artists, New York; receives a Tamarind Artist Fellowship and travels to the Tamarind Lithography Workshop in Los Angeles, where he produces thirty - four editions
of primarily black - and - white
lithographs that continue the Artist and the Model theme; begins using the airbrush, which he had learned from the artist Billy Al Bengston while at Tamarind; sees the exhibition Edgar Degas: Monotypes at the Fogg Art Museum and subsequently begins making monotypes; in Boston co-founds Artists against Racism and the War and collaborates with Fred Stone on The American Way Room (fig), an antiwar installation piece that is shown throughout the Boston area and subsequently travels to New York, Atlanta, Syracuse, and Philadelphia; solo exhibitions: Associated American Artists, New York (The Artist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection
of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum
of American Art, New York; Graphics» 68: Recent American Prints, University
of Lexington, Kentucky.
The three color
lithograph was hand drawn and proofed
by the artist with the assistance
of Paul DeRuvo last summer.
The selection includes Ritual and Desire, 2009, a rarely - available
lithograph by Chris Ofili, and Suicide Sunday, a new letterpress print
by Hernan Bas, which draws on the Cambridge rites and traditions that have inspired his most recent body
of work.
«Wreck
of the Old» 97»
lithograph by Thomas Hart Benton is part
of the Americana exhibit at Springfield Museum
of Art Juried Spring Exhibition Opening Reception at the Dayton Society
of Artists 48 High Street, Dayton Friday, May 4, 6 to 9 p.m..
Creates an untitled
lithograph with embossing, printed in an edition
of two hundred
by Styria Studio, New York, and published
by the Democratic Congressional Campaign Committee for the benefit
of Artists Rights Today, New York.
Goodman Gallery is pleased to host Transcend, an exhibition
of new drawings,
lithographs, and etchings
by Diane Victor.
Francis Bacon: Prints features
lithographs, etchings and aquatints, some
of which were published
by Marlborough.
Vendler had already done an edition
of Ashbery's «Self - Portrait in a Convex Mirror» for Arion, printed on roundel pages — wheels
of paper 18» in diameter — with work
by several artists, including Willem de Kooning and Jim Dine, as well as a selection
of Wallace Stevens with a frontispiece
by Jasper Johns; 1992 saw an edition
of Kaddish, White Shroud and Black Shroud with
lithograph portraits
by Kitaj.
It includes
lithographs, engravings, aquatints, photogravures, and woodcuts created
by artists
of the late eighteenth, nineteenth, and early twentieth centuries.
This exhibition brings together a truly remarkable collection
of over 100 gouaches, drawings and
lithographs by the artist, many
of which have not been seen before and come from a private collection formed over the last 20 years.
Quint Gallery is pleased to announce the opening
of RYAN MCGINNESS: COMMUNITY IDENTITY STABILITY, which will feature ten new paintings and ten monoprint
lithographs from stone, published
by Edition Copenhagen.
The former portfolio, supervised
by Vaclav Vytlacil, a founding member
of AAA, and teacher at the Art Student League, consisted
of 30
lithographs (the entire membership
of AAA at that time was 39).
Also
of interest are a series
of photographs
by Anne Sager, James Brooks's The Springs (
lithograph, 1971), Marcia Gygli - King's Main Beach, East Hampton (oil on canvas, mixed media frame, 1988 - 91), and Terry Elkins's Montauk (collage and pencil, 1994 - 97), a work which is memorable both for his signature collage technique but also for the use
of shadowing, which adds a significantly suggestive intimation to the image
of the Montauk lighthouse.
The Fiftieth Anniversary Portfolio contains 44 original
lithographs by that many members
of AAA.
A number
of significant benefit exhibitions followed: «Drawings, 1965,» simultaneously shown at Leo Castelli, Tibor De Nagy and Kornblee Galleries; a print exhibition at the Kornblee Gallery in 1967; the 1980 «Drawings» show; «Eight
Lithographs,» published
by Gemini G.E.L. in 1981, shown at Leo Castelli; the «25th Anniversary Exhibition,» jointly shown at Brooke Alexander and Leo Castelli in 1988; the «30th Anniversary Exhibition
of Drawings» at Leo Castelli in 1993; «Prints» at Brooke Alexander in 1995; «Drawings & Photographs» at Matthew Marks Gallery in 2000; «Clarissa Dalrymple's Exhibition
of Young Artists to Benefit the Foundation for Contemporary Arts» at Bortolami Dayan in February 2006, «Posters: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at Paula Cooper Gallery in December 2006, «Photographic Works: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at Cohan and Leslie in December 2008, «Painting and Sculpture: Works Donated
by Artists to Benefit the Foundation for Contemporary Arts» at Lehmann Maupin in December 2010 and January 2011; «Artists for Artists: 51st Anniversary Exhibition to Benefit the Foundation for Contemporary Arts» at Matthew Marks Gallery in December 2014 and January 2015; and «65 Works Selected
by James Welling: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at David Zwirner in December 2016 and January 2017.
This 1989
lithograph by Barbara Kruger features a portrait
of a young child is accompanied
by the phrase, «reach out and touch someone.»