You claim publishers would make up for ebook price caps at the expense
of the midlisters or new authors, but I've personally already seen plenty of unknown authors with ebooks priced quite high, which I would argue hurt both their immediate sales and their career trajectory.
So they get rid
of midlisters, because that will will ave money.
Believe me, a bunch
of midlisters are having my exact results.
For 90 %
of midlisters that's 5 - 10K.
(Here's the website listing Hachette's authors, highlighting bestsellers, of course, but like most publishers they have a mob
of midlisters.)
Not exact matches
But there seem to be fewer
of the good guys all the time — probably for the reasons you say: publishers force them to screw their
midlisters to pay more to their superstars.
When that's not available, what is the likelihood
of that debut author or
midlister walking away from a traditional book deal over eRoyalties when the current percentage
of sales done electronically is not even 1 %
of the total book sales overall?
The argument that they are concerned about the
midlisters doesn't fly when you consider statements like this from the head
of Penguin Random House Canada, Brad Martin:
In fact, as I will now attempt to prove in terms
of that other obviously agricultural matter which obviously isn't well known in NYC publishing circles, logic — in terms
of talent, on average, agent - selected, traditionally published authors are... third class bestsellers, and quite possibly
of less value than even
midlisters, or largely indistinguishable from those.
Given the degree
of support that the Big Five dahling had, the average Indy
midlister would eat their lunch.
For every superstar there are a plethora
of the «
midlisters» in ebook land gaining readers and supplementing their incomes.
Now, I am honest enough to know there are undoubtedly better writers than me, and many
of them didn't win the top 10 % lottery (the top 10 %
of writers submitting are all fairly good, any one
of them could be an adequate
midlister.
Plus he's a ridiculously nice guy, still a regular on the Kindle Boards, sharing with other indie authors all the ins and outs
of his crazy awesome success, and advocating to the media how the real indie success stories are
midlisters who make a living off their writing, not just mega-successful authors like him.
Published or unpublished, traditional or indie, bestseller or
midlister — at the beginning
of every day we are moving forward with our writing.
I'm sure it does get muddier when it comes to traditionally published authors, although it's disingenuous to claim or even to imply that
midlisters or new authors are impacted the same as bestselling authors by these sorts
of fights.