Sentences with phrase «of mobile sculptures»

For Sterling Ruby's second solo exhibition at Sprüth Magers, Berlin, he presents works from his SCALES series of mobile sculptures — conceived for the first time as a single installation.

Thea Djordjadze (b. 1971, Georgia) will populate unexpected spaces within Frieze London with a new series of mobile sculptures, incorporating the Monstera Deliciosa plants that inspired Henri Matisse's «cut - outs».

Not exact matches

Students then further develop this into a 3D sculpture and make a construction mobile cutting a copy of the painting into shapes.

A further example cutting this up by pasting on cardboard a copy of the painting and then cutting this up in shapes and building a construction of form as a 3D sculpture A Construction of a 3D sculpture using cardboard to make a mobile or standing sculpture based on Cubism.

A collection of lesson plans and art activity ideas, finger puppets, wax etchings, sculptures, jewelry, light catchers, clay, wire mobiles, poems.

Poulain convinced BMW to let him commission the late American pop artist Alexander Calder — best known for his whimsical «mobile» kinetic sculptures — to paint a race - prepped BMW 3.0 CSL with 480 horsepower in the artist's signature palette of primary colors.

Activation: Alexander Calder's Cône d'ébène at Whitney Museum As part of a series of Alexander Calder mobile activations related to the Whitney Museum's current «Calder: Hypermobility» exhibition, the Calder Foundation's president, Alexander S. C. Rower, will spring his grandfather's 1933 sculpture Cône d'ébène into action this week.

Following the celebrated debut of the series during Salone del Mobile in Milan, Studio Swine's innovative blossoming sculpture New Spring will be presented at The Temple House as an official satellite of Design Miami /, presented by Future \ Pace.

This show features the L.A. based artist latest works — roughly hewn and comprised of paintings, cardboard collages, fabric collages, tapestries, ceramics, a mobile, and sculptures in metal, urethane and fabric.

The American artist Alexander Calder (1898 - 1976) is best known for his mobiles — hanging sculptures fashioned from impeccably poised lengths of wire and thin metal plates, usually colored black and red.

The inaugural exhibition in 1992 took place at Hauser & Wirth's first gallery, located in the first - floor apartment of an Art Deco villa in the heart of Zurich; it united mobiles and gouaches by Alexander Calder with sculptures and paintings by Joan Miró.

He is renowned for his invention of wire sculpture — coined by critics as «drawings in space» — and the mobile, a kinetic sculpture of suspended abstract elements whose actual movement creates ever - changing compositions.

His invention of the «mobile», a term coined by Marcel Duchamp, in Paris in 1931 was among his most radical contributions, permanently transforming the landscape of art by introducing the concept of performativityas well as actual kinetic qualities into sculpture, engendering a redefinition of art beyond composition and material.

Nancy Jackson's latest exhibition, her sixth with Rosamund Felsen Gallery, was a lighthearted tour de force consisting of seven paper mobiles, at once intricate and majestic, nine works on paper and 12 sculptures.

Officially known as metamechanics, Tinguely's sculptures appear light - hearted and fun, yet the dangerously spiked tail of the mobile and the metallic grinding — even self - eroding — structure serve as an ironic and satirical metaphor for commercial machines, overproduction and consumerism.

Surrounding the mobile, Kwade (b. 1979, Katowice, Poland) has placed several large bronze casts reminiscent of Modernist sculpture.

She is most known for her hanging mobile sculptures, which are reminiscent of Alexander Calder.

He is a father of «mobiles», kinetic sculptures of flat metal pieces connected by a wire that moved delicately in the air.

After joining the French artists group Abstraction - Création, Calder began to perfect his trademark mobile sculptures, influenced by the abstract, non-traditional styles of fellow artists like Marcel Duchamp and Joan Miró.

The artist recalls being mesmerized by the mobiles of Alexander Calder and the sculpture of Michael Steiner, whose name is less - known now than it was in the»60s and»70s when such powerhouse critics as Clement Greenberg and Karen Wilkin hailed him as an important figure.

Drawing upon social - sculpture practice where other strategies have failed, Saro - Wiwa advances different ways of knowing about the Niger Delta and its global implications while prompting a reconsideration of the parameters of contemporary «Afropolitan» identities — a term coined in 2005 by writer Taiye Selasi to describe the transnational experience of a new generation of globally mobile Africans.

Sculptural constructions by Richard Stankiewicz, Betye Saar, and Abe Ajay, a mobile by Alexander Calder, a large glass piece by Dale Chihuly, and several large - scale metal pieces by Seymour Lipton — some of which are currently on view in the Hamer Sculpture Garden — round out the museum's collection of post-war sSculpture Garden — round out the museum's collection of post-war sculpturesculpture.

Featuring bronze sculptures of giant, pre-historic vertebrae and a film inspired by NASA data of extrasolar meteors, the commission centres around a large mobile of 24 electronic star maps.

Won by the terrific Helen Marten, who split the winnings with her fellow contenders, the Hepworth sculpture prize exhibition (ends 19 February) ranges from Phyllida Barlow's rough - and - tumble slanted stage, with its cavernous undercroft, to David Medalla's delicate foam fountains, from Steven Claydon's mobile phone masts disguised as trees and rafts of fabricated tribal artifacts, to Marten's complex syntax games with objects and images.

Unframed paintings, reliefs, collages, sculptures and mobiles were placed at different heights so that the space of the whole studio was animated.

These included Abstract Paintings, Sculptures, Mobiles, at the A.I.A Gallery, London in 1951 and during the following year three weekend exhibitions held at 22 Fitzroy Street; the London studio of artist Adrian Heath.

These included Abstract Paintings, Sculptures, Mobiles, at the A.I.A Gallery, London in 1951 and during the following year three - weekend exhibitions held at 22 Fitzroy Street; the London studio of artist Adrian Heath.

These delicate works have drawn comparisons with the lightness of Alexander Calder's mobiles and the surreal sculptures of Alberto Giacometti.

Renowned for his invention of the mobile, a kinetic construction of suspended abstract elements that describe individual movements in changing harmony, Calder also devoted himself to making outdoor sculpture on a grand scale from bolted sheets of steel, many of which stand in public plazas in cities throughout the world.

Angela Conner is one of Britain's most prolific sculptors who has created many of Europe's vast mobile sculptures as well as life - like statues and portrait busts.

Calder explored central themes and motifs that he soon transferred to the medium of sculpture, leading to his abstract wire objects, his invention of the mobile in 1931, and his motorized wall panels.

Alexander Calder: Sculpture - Mobiles, Arts Council of Great Britain, Tate Gallery, London, July 4 — August 12, 1962.

When Alexander Calder invented the mobile in the early 1930s, he brought a new kinetic form of sculpture to the art world.

George Peters has a thirty year history of working with aerial forms from gallery works to installation sculpture, kites, mobiles and banner works.

In this video, Alexander S. C. Rower (Chairman and President, Calder Foundation) and Oliver Wick (Curator at Large, Fondation Beyeler) talk about the title and the concept of the exhibition, the differences between the first and the second Calder Gallery at Fondation Beyeler, the restoration of the large outdoor sculpture that will be on view again soon in the park of Fondation Beyeler, and specific works in the show, such as the models for the avant - garde redesign of the Bronx Zoo, and the mobiles The Forest is the Best Place and El Corcovado.

Traveled to: Washington University Art Gallery, St. Louis, Missouri, February 21 — March 26, 1965; Milwaukee Art Center, Wisconsin, February 25 — March 28, 1965; Des Moines Art Center, Iowa, April 28 — March 28, 1965; as Mobiles and Stabiles by Calder, the Man Who Made Sculpture Move, Art Gallery of Toronto, May 1 — 30, 1965.

Ackland Art Museum, The University of North Carolina, Chapel Hill, NC Albright - Knox Art Gallery, Buffalo, NY Arkansas Art Center, Little Rock, AR Art Gallery of Ontario, Toronto, Canada Baltimore Museum of Art, Baltimore, MD Bowdoin College Museum of Art, Bowdoin College, Brunswick, ME Bradbury Gallery, Arkansas State University, Jonesboro, AK Brooklyn Museum of Art, Brooklyn, NY Cantor Art Center, Stanford University, Palo Alto, CA Cleveland Museum of Art, Cleveland, OH Columbia University, New York, NY Columbus Museum of Art, Columbus, OH Corcoran Museum of Art, Washington, DC Crystal Bridges Museum of Art, Bentonville, AR University of Delaware, Newark, DE Dallas Museum of Art, Dallas, TX Delaware Art Museum, Wilmington, DE Denver Art Museum, Denver, CO Des Moines Art Center, Des Moines, IA The Detroit Institute of Arts, Detroit, MI Didrichsen Museum, Helsinki, Finland Elvehjem Museum of Art, Madison, WI Figge Art Museum, Davenport, IA Flint Institute of Art, Flint, MI Frederick R Weisman Art Museum, University of Minnesota, Minneapolis, MN Greenville County Museum of Art, Greenville, SC Grey Art Gallery, New York University, New York, NY Hammer Art Museum, Los Angeles, CA Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY Hillwood Art Museum, Long Island University, Brookville, NY Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC Hunter Museum of American Art, Chattanooga, TN Huntington Museum of Art, Huntington, WV Iowa State University, Ames, IA The Jewish Museum, New York, NY The John & Mable Ringling Museum of Art, Sarasota, FL Martin Art Gallery, Muhlenberg College, Muhlenberg, PA Mead Art Museum, Amherst College, Amherst, MA The Metropolitan Museum of Art, New York, NY The Mint Museum of Art, Charlotte, NC Mobile Museum of Art, Mobile, AL Mulhenberg College, Allentown, PA Munson - Williams - Proctor Institute Museum of Art, Utica, NY Museum of Art, Rhode Island School of Design, Providence, RI Museum of Fine Arts, Boston, MA The Museum of Modern Art, New York, NY The Nelson - Atkins Museum of Art, Kansas City, MO National Gallery of Art, Washington, DC Neuberger Museum of Art, Purchase College, State University of New York, Purchase, NY New Britain Museum of Art, New Britain, CT New Orleans Museum of Art, New Orleans, LA New School for Social Research, New York, NY Newark Museum, Newark, NJ Oklahoma City Museum of Art, Oklahoma City, OK Palmer Art Museum, Pennsylvania State University, University Park, PA Pennsylvania Academy of Fine Arts, Philadelphia, PA Philadelphia Museum of Art, Philadelphia, PA The Phillips Collection, Washington, DC Phoenix Art Museum, Phoenix, AZ Portland Art Museum, Portland, OR San Diego Museum of Art, San Diego, CA San Francisco Museum of Modern Art, San Francisco, CA San José Museum of Art, San José, CA Santa Barbara Museum, Santa Barbara, CA São Paulo Museum, São Paulo, Brazil Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, NE Smith College Museum of Art, Smith College, Northampton, MA Smithsonian American Art Museum, Washington, DC Spencer Museum of Art, University of Kansas, Lawrence, KS Tamayo Museum, Mexico City, Mexico Tel Aviv Museum, Tel Aviv, Israel Tucson Museum of Art, Tucson, AZ Ulrich Museum of Art, Wichita State University, Wichita, KS University of Tucson, Tucson, AZ University Gallery, University of Massachusetts, Amherst, MA The University of Michigan Museum of Art, Ann Arbor, MI Vanderbilt University Fine Arts Gallery, Vanderbilt University, Nashville, TN Virginia Museum of Fine Art, Richmond, VA Wadsworth Atheneum Museum of Art, Hartford, CT Whitney Museum of American Art, New York, NY Wichita Art Museum, Wichita, KS Williams College Museum of Art, Williams College, Williamstown, MA Yale University Art Gallery, Yale University, New Haven, CT

The installation features a series of interconnected wall drawings and mobile - like sculptures made up of his signature scrap paintings — bits of tape and overspray that have been stripped from his studio walls and carefully arranged on paper and clear mylar.

The opening on June 14 will also mark the completion of Lisi Raskin's project, Mobile Observation (Transmitting and Receiving) Station, as well as the reopening of Christian Philipp Müller's Hudson Valley Tastemakers, an earth sculpture on the grounds of Bard College originally installed in 2003.

This exhibition celebrates his work of the last four decades when it expanded to include mobile sculptures, screenprints, furniture and public design projects.

the often provocative oeuvre consists of over a thousand objects ranging from sculptures to furniture, mobile homes, and autonomous communes.

In addition, Brancusi's The Child in the World, a so - called «mobile group», has been reconstructed out of the original wooden sculptures.

For Space Program: Europa, Sachs presents an immersive installation of large scale sculptures including the Mobile Quarantine Facility, Mission Control, and the Landing Exploration Module (LEM), as well as a variety of materials and equipment for conducting scientific experiments.

«Elements of Peace» consists of 47 recent paintings, works on paper, sculpture, mobiles and maquettes of large multi-dimensional constructions, and features works that range from vivid explosions of color by which the artist is recognized, to newer subtle white meditative paintings.

2015 Mobile M +: Live Art, M +, Hong Kong, China The Malady of Death: Écrire and Lire, commissioned by M + for Mobile M +: Live Art, Hong Kong, China The Eighth Asia Pacific Triennial of Contemporary Art (APT8), Queensland Art Gallery, Brisbane, Australia Office Space, Yerba Buena Center for the Arts, San Francisco, USA Paradox of Place: Contemporary Korean Art, Seattle Asian Art Museum, Seattle, USA Remember Lidice, Edition Block, Berlin La vie moderne, 13th Biennale de Lyon, Lyon, France J'adore, Kunsthalle Lingen, Lingen, Germany Future Light, MAK — Austrian Museum for Applied Arts / Contemporary Art, Vienna, Austria Passing Leap, Hauser & Wirth, New York Scenes for a New Heritage: Contemporary Art from the collection, MoMA, New York, USA As We Never Imagined: 50 Years of Art Making, STPI gallery, Singapore After Babel, Moderna Museet, Stockholm, Sweden Absolute Collection Guideline, Sifang Art Museum, Nanjing, China Storylines: Contemporary Art at the Guggenheim, Guggenheim Museum, New York, USA Works on Paper, Greene Naftali, New York, USA Fiber: Sculpture 1960 - present, Des Moines Art Center, Iowa, USA Temporary Permanent, Galerie Wien Lukatsch, Berlin, Germany Feminismen, Nordsternturm Videoart Center, Gelsenkirchen, Germany Suppleness and Rigidity — The Art of the Fold, Kunstraum Alexander Bürkle, Freiburg, Germany The past, the present, the possible, Sharjah Biennale 12, Sharjah, UAE Scenes for a New Heritage: Contemporary Art from the Collection, MoMA, New York, USA Man in the Mirror, Vanhaerents Art Collection, Brussels, Belgium 360 °: Die Rückkehr der Sammlung, Stiftung Kunstmuseum Stuttgart, Stuttgart, Germany

A Bird Without A Song is a video - sculpture in the form of an oversized mobile phone displaying a looping Tinder - profile animation.

In the end of its evolution, Calder's mobile could be defined as a kinetic sculpture made with delicately balanced or suspended components which move in response to motor power or air currents.

This constellation of key sculptures brings together major examples of Calder's work dating from the 1930s and includes early motor - driven abstractions and sound - generating gongs as well as the standing and hanging mobiles for which he is best known.

Also opening on Saturday at the Knockdown Center is A Way From Home, a mobile art project by J. McDonald, which will present a solo sculpture show of his work in «New Environments for the Modern Creature».

He's an incredibly inventive artist and one of the things the exhibition is trying to do is look at, with his invention of the mobile, how that revolutionised sculpture as a practice.