Sentences with phrase «of modern cityscapes»

Not exact matches

Exploding buildings, some zippy chase sequences and some truly eye - popping nighttime cityscapes really show off the virtues of the modern day animation process.

The hotels modern and inviting Guest Rooms and Suites offer luxurious comfort and convenience, all with pristine new bathrooms and spacious balconies, and providing million dollar views of Trinity Inlet or Cairns Esplanade and the unique cityscape and blue - green mountain ranges beyond.

The hotel has two categories of rooms, namely the Deluxe and Club rooms.These well - appointed and spacious rooms are equipped with all modern amenities and offers beautiful views of the cityscape.

Offering a view of the cityscape and its nearby snow - capped hills, the rooms are elegantly furnished with modern interiors.

Located in the vibrant SoMA district and adjoining the renowned San Francisco Museum of Modern Art, the 260 hotel rooms and 46 suites offer guests magnificent views of the San Francisco cityscape.

If you found it difficult to see how Audis and ads for Beats by Dr Dre and real, modern cityscapes could work side by side with magic and giant Weapons and impossibly shiny suits of armour, Kingsglaive has it all sitting side by side quite comfortably.

Mirror's Edge delivers players straight into the shoes of a modern day heroine as she traverses a vertigo - inducing cityscape, engaging in intense combat, fast - paced chases and challenging puzzles.

Sengoku 3 is the final entry in the Sengoku series, a series of beat «em ups that featured a pair of heroes battling through modern cityscapes, as well as the heavens while battling a variety of demonic samurai from feudal japan.

For die - hard fans, sometimes all you need is Zelda and Mario, but the problem is, Breath of the Wild will also release on Wii U, and while I think Super Mario Odyssey looks fantastic, others aren't sold on a variety of environments that include more realistic settings, like the modern cityscape.

Selected Group Exhibitions 2016 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2015 — «Wish List», Gallery Project, curated by Gloria Pritschet and Rocco DePietro, Toledo, Ohio and Ann Arbor, Michigan 2015 — «Roots», Linda Warren Projects, Chicago, IL 2015 — Noyes Cultural Arts Center, Evanston, IL 2015 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2014 — «National Contemporary Painting», Weatherhead Gallery, University of Saint Francis, Fort Wayne, Indiana 2013 — «31st Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «30th Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «Narrative Fragments», Quidley & Company, Boston, MA 2011 — «Juxtaposed», juried by Alyssa Monks, Six Summit Gallery, Ivoryton, CT 2011 — «Paintworks», Gowanus Ballroom, curated by Kristin Kunc, Courtney Jordan & Hyeseung Marriage - Song, Brooklyn, NY 2011 — «Space Invaders», co-curated by Virginia Rose and John Nickle, Rose Contemporary, Portland, ME 2011 — «Cinematic Bodies», curated by Jamie Adams, Zolla Lieberman Gallery, Chicago, IL 2010 — «Snow», XL Projects, Syracuse University Gallery, Syracuse, NY 2010 — «Women Painting Women», Robert Lange Studios Gallery, Charleston, SC 2010 — «Remnants», Fuse Gallery, New York, NY 2010 — «Highlights» Island Weiss Gallery, New York, NY 2010 — «Conceptually Sound», Medialia Rack and Hamper Gallery, New York, NY 2010 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2010 — «Looks good on Paper», DFN Gallery, New York, NY 2009 — «Water / Bodies», Eden Rock Gallery, St. Barths, F.W.I. 2009 — «Summer Exhibition 2009», curated by Eric Fischl, Matthew Flowers, Anne Strauss, New York Academy of Art, NY, NY 2009 — «Old School», Jack the Pelican, Brooklyn, NY 2009 — Caldwell Snyder, San Francisco, CA 2008 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «City Lights», George Billis Gallery, New York, NY 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2008 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2007 — «Summer Exhibition 2007», curated by Eric Fischl, Jenny Saville, Vincent Desiderio, New York Academy of Art, NY, NY 2007 — «Four Handed Lift: Advocacy, Art, Spirit and Community», Moti Hasson Gallery, New York, NY 2007 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2006 — «Contemporary Imaginings, The Howard A. and Judith Tullman Collection», Mobile Museum of Art, Mobile, Alabama 2006 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2006 — «AAF», shown by DFN Gallery, New York, NY 2006 — «Salon 2006», New York Academy of Art, New York, NY 2006 — «LA Art Fair», shown by Linda Warren Gallery in Chicago, Los Angeles, CA 2005 — «New Works», curated by Eric Fischl, Jane Gallery, St. Barthelemy, F.W.I. 2005 — «A Terrible Beauty: Figurative painting in the 21st Century», Grey McGear Modern, Santa Monica, CA 2005 — «Small Works», Sarah Bain Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain Gallery, Brea, CA 2005 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2005 — «Go Figure», George Billis Gallery, New York, NY 2004 — «Postcards from the Edge, Visual Aids Benefit», Brent Sikemma Gallery, New York, NY 2004 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2004 — «Points of Muse», Linda Warren Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain Gallery, Brea, CA 2004 — «Still Life», Sarah Bain Gallery, Brea, CA 2004 — «27th Small Works Exhibition», New York, NY 2003 — «Space Invaders», curated by Peter Drake, Fish Tank Gallery, New York, NY 2003 — «26th Small Works Exhibition», New York, NY 2002 — «National Arts Club 26th Annual Student Show», National Arts Club, New York, NY

His recent show at the Fondation Beyeler (now at the Louisiana Museum of Modern Art, Humlebæk; until 16 August) hung alongside a major Gauguin exhibition; a mid-career retrospective at the Tate — an accolade for any artist — was accorded him in 2008 when he was still in his 40s; and during this year's Venice Biennale he will show a selection of new works which he summarises laconically as: «Five or six large paintings and quite a number of smaller paintings: some cityscapes, some walls, some figures, some animals.»

MUSEUM COLLECTIONS Cleveland Museum of Art, Cleveland, OH Museum of Fine Arts, St. Petersburg, FL Museum of the City of New York, NY Smithsonian Museum of American Art, Washington, DC Cahoon Museum of American Art, Cotuit, Cape Cod, MA Brooklyn Historical Society, Brooklyn, NY SELECT GROUP EXHIBITIONS Beach Elements IV (curated by Nancy Gesimondo), PLAXALL Gallery, Long Island City, Members» Exhibition, Edward Hopper House Art Center, Nyack, NY America: Here and Now, curated by Eric Fischl, Buchanan Center for the Arts, New York State of Mind, Flinn Gallery, Greenwich Library, Greenwich, CT Wide Open 3 (curated by Charlotta Kotik, Curator Emerita of Contemporary Art, Brooklyn Museum of Art), Kunstwerke Carlshutte, Budelsdorf, Germany Wide Open 2 (curated by Nathan Trotman, Curator, Guggenheim Museum, NYC), Brooklyn Artists National Midyear Exhibition, Butler Institute of American Art, Youngstown, OH Painting the Town: Cityscapes of New York, Museum of the City of New York, New York, 165th Juried Exhibition, National Academy of Design, New York, NY 31st New England Exhibition (juried by Henry Geldzahler), Silvermine Guild Recent Painting USA: The Figure, Museum of Modern Art, New York, NY

Drawn to bold structures, shapes and lines, self - taught photographer Jürgen Schrepfer (b. 1962) explores cityscapes with a camera, uncovering moments of artistic beauty in the modern metropolis.

Look awhile longer and you'll discover that both their imagery and their facture reference landscape, cityscapes, pop culture and private narratives while they index the history of modern painting.

This exhibition demonstrates his protean reach as an artist, pushing not only the boundaries of abstraction but also bringing modern vitality and innovation to landscape, cityscape, and portraiture, themes that preoccupied him throughout his working life in Barcelona, New York, Paris, Madrid, and Montevideo.

Among his many solo exhibitions and projects are Light Cycle: Explosion Project for Central Park, New York; Ye Gong Hao Long: Explosion Project for Tate Modern, London; Transient Rainbow, the Museum of Modern Art, New York; Cai Guo - Qiang, Shanghai Art Museum; and APEC Cityscape Fireworks Show, Asia Pacific Economic Cooperation, Shanghai.

Guston's existentialist canvases, which some found cartoonish or crude, are saturated with the influence of Italy's cultural and artistic heritage: from ancient and modern cityscapes that populate his Roma series, to references from Federico Fellini's films, his work is indebted to the Italian masters, Masaccio, Piero della Francesca, Giotto, Tiepolo and De Chirico to whom he pays tribute to in «Pantheon» (1973).

Photographing modern cityscapes and man made spaces through bird's - and worm's - eye perspectives and utilizing composite construction, his images destabilize the notion of photographic reality.

This February, Stephen McKenna: Perspectives of Europe 1980 — 2014 opens at mima, Middlesbrough Institute of Modern Art, in partnership with Hugh Lane Gallery, Dublin, and is the artist's largest museum solo presentation in a decade featuring work from throughout his career including landscapes and cityscapes, with loans both nationally and internationally.

Meanwhile, Mondrian's broader relationship with architecture and urbanism is explored through a comparison of his earlier Parisian works and those he made in the modern cityscape of New York.

• Cityscape I, (Landscape No. 1)(1963) San Francisco Museum of Modern Art.

But at the same time, these cityscapes can be seen to represent human isolation and a modern anxiety; and perhaps a loss of personal identity, swallowed by Picabia's Modernist machine.

These landscapes, whether cityscape or the newly industrialised agricultural landscape — as with Ralston Crawford's featureless work of modern purity «Buffalo Grain Elevators», 1937 — are for the most part completely devoid of any human narrative, only later do we end with Edward Hopper's isolated figure, in his 1928 picture «From Williamsburg Bridge»; sitting in the window of an otherwise empty cityscape, framed by an expansive absence of humanity.

The rich array of portraits, nudes, landscapes, and cityscapes offers a glimpse into the essential role drawing played in the modern artist's creative process.

Referencing and manipulating styles of antique cartography, Macfarlane's work injects energetic lines and vibrant bursts of color into her portrayals of early modern cityscapes.

And I love how the expertly polished ad attempts to portray its industry as modern — the high - tech looking computers, the special effect - laden shots of cityscapes, the high production values.

Take in the view of modern London with this Cityscape vinyl wall decal, from Cost Plus World Market