Sentences with phrase «of modern horror movies»

I would implore anyone who ever wrote it off as a soulless remake to dig a little deeper with a rewatch, because you might just be surprised at how great of a modern horror movie it truly is.

Think Deus Ex mechanics mixed with the gore of a modern horror movie and you have the principle of its early brawls - until things take an obscene turn with the more occult stuff later on.

Not exact matches

The first of these movies remains one of the great sci - fi horror achievements of the modern cinema, but its sequel, «Aliens,» is that rare instance where a follow - up deviates from the formula and finds an effective rhythm in propelling the story

The tale of a CD ROM game that gives new definition to the term «interactive» is the subject of this horror movie, notable for its lack of the blood and guts that have characterized modern horror films.

Featuring original series and movies, its unrivaled modern horror library unites Sony Pictures Television (SPT: US), Lionsgate (NYSE: LGF), the two top studios producing and distributing the genre, and Comcast (NASDAQ: CMCSA)(NASDAQ: CMCSK), the nation's leading provider of cable, entertainment and communications products and services.

There's style in it, and that great silence concept — which reminds me of how light was treated in The Others, one of the best modern horror movies.

Aquaman will also feature a strikingly different world from that of other superhero films - something that also extends to other upcoming superhero movies, such as Marvel Studios» Doctor Strange (which dabbles in supernatural horror) or even 20th Century Fox's Wolverine 3 (an R - Rated film with a modern - western vibe).

A blockbuster with heart, a horror movie with bite, a child's - eye view of poverty and a romance for modern times are among the year's best movies.

The fact that it's Polanski directing this movie that derives much of its horror from the notion of a woman who does not have control over her body and the dark things being done to it certainly don't make the film un-problematic by modern standards.

It could easily play as a monster movie or a modern horror movie, with the haunted tension of a supernatural story like The Orphanage mixed with the big, stately action of Pacific Rim.

Traumatic backstories are one of modern horror's most durable tropes, but Flanagan's strong interest in his characters has always put his movies a cut above the rest.

It's a surprisingly refreshing approach for a modern horror film that helps us focus on the core of the movie — the bloodbath.

However, there are always a few surprises, a few movies that feel less inspired by Richard Linklater and more inspired by something unexpected, and such is the case with a pair of flicks from this year's fest that owe more to European horror from the «60s and «70s than anything from the modern independent scene.

Shot on 35 mm and in technicolor, a pastiche of «60s Russ - Meyer-esque B horror movies, it challenges modern conceptions of gender roles.

Anyone with a passing familiarity with modern Austrian cinema outside of Michael Haneke «s work will not be surprised that arthouse horror «Goodnight Mommy» is produced by Ulrich Seidl, whose own «Paradise» trilogy, as well as 2015's terrific, underseen semi-doc «In The Basement,» share a certain chilly formalist distance with Fiala and Franz» movie.

Written by Max Landis (Chronicle, American Ultra), Victor Frankenstein isn't so much a re-imagining of Mary Shelley's iconic 1818 sci - fi / horror novel, «Frankenstein; or, The Modern Prometheus»; rather, it's an origin story for the eponymous character, as seen from the perspective of Igor (who didn't originate in Shelley's source book, but rather in a subsequent movie adaptation).

Matthew's print encapsulates both the old - school movie poster feel of classic horror film art, while bringing some modern printing magic into the mix.

Cannibal Holocaust is repellant for a number of reasons, chief among which is being an early progenitor of the modern found - footage horror movie.

It's one of the most iconic props in modern horror movie history, but what was it, anyway, and where is it now?

Patrick Hughes previously made the well - regarded horror thriller Red Hill, which I haven't seen yet, but between those positive notices and the notion that he would be helming the remake of one of the best action movies in years, I was intensely curious to see what he would make of the third installment in this modern series that is dominated by lead actor, co-writer, and director Sylvester Stallone.

So this is the big question, then: Are so many American men so oppressed by the «horrors» of modern life — high cholesterol, uppity wives, smartass children, cell phones, boring jobs, the general dead - eyed awfulness of suburbia — that they need a stupid movie like this one to tell them that if they don't like their lives they should do something about it?

At Modern Horrors, we are big fans of slasher movies.

People couldn't help but be won over by the utter ineptitude they were witnessing, and soon The Room had become something akin to a modern - day Rocky Horror Picture Show — the stuff of midnight movie legend, with a devoted group of fans initiating their friends into an ever - growing cult movement.

You're deciding what movie to see on a Saturday night and wonder: What if someone took the suburban spookiness of many a Steven Spielberg or J.J. Abrams movie and combined it with the captive - prisoner subgenre of the modern horror film.

The bar for modern horror has been set so low that by now any movie better than terrible seems worthy of praise.

Scream should be here somewhere, with all of the meta, the symbolism, Matthew Lillard's great performance as a psychopath, and the fact that it's one of the best modern horror movies (though not as modern anymore).

Perhaps it's because, bucking the trend for horror movies, Primeval comes to DVD in its theatrical cut rather than a unrated extended presentation or perhaps it's because I reviewed Apocalypto last week, but this film didn't seem overly gory the way many of its modern kin do.

The episodes are slick, well - produced and continually disturbing in the way that most modern - day horror movies can only dream of being.

The movie is still riveting and suspenseful after multiple viewings, maybe because it's anchored in reality and so beautifully simple — the horror is played out within the realities of a modern marriage in late -»60s Manhattan and the «God is dead» movement.

Clint and Jared (along with returning guest Craig) polish off Horror Octorbor with their final double feature of a Universal classic monster movie and its modern counterpart!

This latest edition of Now Stream This has scoured streaming services to bring you back a variety of films: comedy, horror, drama, as well as modern - day movies and classics from Hollywood's yesterday.

The interior - design horror movie represented by this car was the result of a few injudicious choices in the Modern line, such as the Fineline Pure trim pieces.

Reminiscent of a 1950's B - horror movie, Pope has also warned that modern genetic enhancement technology is creating «superpest» insects.