Sentences with phrase «of modern turbines»

Rooted in core knowledge of modern turbines and wind parks, combined with wind and irradiation resources and / or electricity storage, Vestas possess the know - how necessary to right - size hybrid power plants relative to project business case, while fulfilling grid requirements.

Not exact matches

«New off - shore turbines, with blades the size of the London Eye, need to be built and launched from modern docks, so we need to upgrade our shipyards to take advantage of this massive opportunity,» he said.

«For the size of equipment, a modern wind turbine — typically 250 feet across, blade tip to blade tip — can generate a megawatt and a half to 2 megawatts at peak output,» he says.

There's a hint of modern Maserati to the expansive grille with its large vertical strakes - a design intended to direct as much air as possible to the turbine - and we see a touch of Lincoln in the body - width horizontal rear light unit.

The modern, long - stroke engine with the internal code 4P10 features two robust chain - driven overhead camshafts; four valves per cylinder; an exhaust gas turbocharger with variable turbine geometry; common rail injection system; and piezo injectors for precise metering of fuel.

When combined with modern - day turbocharging — which uses waste energy from the exhaust gas to drive the turbine — direct injection provides the best of both worlds: the responsiveness of a larger - displacement engine with fewer trips to the gas pump.

Tino Sehgal's These Associations at Tate Modern Turbine Hall this summer, in which a flock of participants (one of whom was me) approached strangers and talked to them about their lives — an example of customised storytelling in the flesh, going back to the core of how we can and might want to share words with each other in the technological age.

One of the most successful major public art projects in recent (ish) memory as Olafur Eliasson's The Weather Project, when in 2003 the Tate Modern's vast Turbine Hall was bathed in sunlight and a sublime fine mist that felt entirely otherworldly.

From vast outdoor public sculptures such as the Angel of the North and Mark Wallinger's soon to be realised White Horse to the many projects designed to enliven Tate Modern's vast, bare Turbine Hall, the scale of art just keeps getting bigger.

In 2011 - 12, her piece FILM was featured in the Turbine Hall at Tate Modern as part of the Unilever series.

Since Tate Modern opened in 2000, the Turbine Hall has hosted some of the world's most memorable and acclaimed works of contemporary art, reaching an audience of millions each year.

Art Installation by Danish artists» collective Superflex in the Turbine Hall of Tate Modern in...

Solo exhibitions of her work have been held at Museo Tamayo (2016); Espace Louis Vuitton Munich (2016); Statens Museum for Kunst, Copenhagen, Denmark (2014); The Fabric Workshop and Museum, Philadelphia (2013); Australian Centre for Contemporary Art, Melbourne (2013); the Botín Foundation, Santander (2013); the New Museum, New York (2012); the Turbine Hall, Tate Modern, London (2011) and the Museum Moderner Kunst Stiftung Ludwig, Vienna (2011), among others.

It comprises a major exhibition at the Whitechapel Gallery surveying five decades of his career, a large - scale sculptural commission in Tate Modern's Turbine Hall and a new publication.

Installation view of Empty Lot Tate Modern Turbine Hall, London October 13, 2015 - April 3, 2016 Photo © Tate, London, 2016

transformed Tate Modern's Turbine Hall for two days in May, 2015 as part of BMW Tate Live series of events.

To accompany the retrospective, «For the Love of God» (2007)-- a platinum cast of a human skull set with 8,601 flawless pavé - set diamonds — is on exhibition in the Tate Modern's monumental turbine hall.

I can't wait to see how they tackle these themes within the unique scale and public context of Tate Modern's Turbine Hall.»

This survey show of Tuttle's work with coincides with the artist's Turbine Hall commission at Tate Modern and is accompanied by a new publication I Don't Know, Or The Weave of Textile Language.

Commissioned by TBA21 — Academy and presented in Tate Modern's Turbine Hall as part of a survey exhibition dedicated to the artist's work, the multi-layered performance is Jonas» poetic response to the threatened marine cultures, endangered habitats, and rampant exploitation of our seas.

Directed by Kentridge with music by Philip Miller, the piece will premiere against the backdrop of the Tate Modern's Turbine Hall from 11 to 15 July 2018.

Two Turner prize winners, Susan Philipsz and Douglas Gordon, live here, and there are a host of other artists including Ceal Floyer, Jonathan Monk, and Tacita Dean, who has been commissioned to create the next Turbine Hall installation at Tate Modern.

On the occasion of the exhibition, HangarBicocca is showing his most important work, Double Bind, which was made in 2001 for the Turbine Hall at Tate Modern in London and never exhibited to the public afterwards.

Bruguera, a Cuban performance artist, joins the ranks of artists including Carsten Höller, Doris Salcedo, Ai Weiwei, and Louise Bourgeois, who have previously shown work in the Tate Modern's spectacular Turbine Hall.

Major solo exhibitions include «Bruce Nauman: Inside Out» Museo Nacional Centro de Arte Reina Sofía (1993 - 94, traveled to Walker Art Center, Minneapolis; Museum of Contemporary Art, Los Angeles; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; and Museum of Modern Art, New York, through 1995); «Bruce Nauman: Mapping the Studio I (Fat Chance John Cage),» Dia Center for the Arts, New York (2002); «Mapping the Studio,» Museum für Gegenwartskunst, Basel (2002); «Bruce Nauman: Theaters of Experience,» Deutsche Guggenheim, Berlin (2003); «Bruce Nauman: Raw Materials» Unilever Commission, Tate Modern Turbine Hall (2005); «A Rose Has No Teeth: Bruce Nauman in the 1960s,» UC Berkeley Art Museum and Pacific Film Archive, Berkeley, CA (2007); «Notations / Bruce Nauman: Days and Giorni,» Biennale di Venezia (2009, traveled to Philadelphia Museum of Art; and Museum of Modern Art, New York (through 2010); «Bruce Nauman: Dream Passage,» Hamburger Bahnhof, Berlin (2010); and «Bruce Nauman's Words on Paper,» Art Gallery of Ontario (2014).

«Something like the Turbine Hall in Tate Modern — that's really just a kind of ongoing Artangel project.

When Olafur Eliasson projected a yellow disc onto the far wall of Tate Modern's Turbine Hall in 2003, hundreds came to bask in the light of the artificial sun.

Empty Lot is the title of Abraham Cruzvillegas's new Turbine Hall installation for Tate Modern — a soaring plank and scaffolding construction veering like a ship's prow through the oceanic space, bearing aloft what amounts to a vast multi-part allotment.

Think of Felix Gonzalez - Torres's heaps of takeaway sweeties, or Rirkrit Tiravnija's soup kitchens, or Tino Sehgal's conversations with strangers, staged in the Turbine Hall at Tate Modern, where Höller's slides were first shown, in 2006.

Installation of 100 million painted porcelain seeds in the Turbine Hall at the Tate Modern, London.

In 2000 she was given the honor of staging the inaugural exhibition in the Tate Modern's Turbine Hall, it was here she memorably showed Maman, a colossal steel arachnid.

Since then, Tate Modern's Turbine Hall has been filled with a succession of spectacular slides, sunsets and visions of the apocalypse.

NSK Folk Art is part of a London wide presentation in cooperation with Tate, who will be hosting a Symposium and which will also include a music performance at Tate Modern's Turbine Hall, an exhibition of archival material at Chelsea Space (Chelsea College of Art) and a seminar at UCL.

Art Installation by Danish artists» collective Superflex in the Turbine Hall of Tate Modern in London.

She recently opened Tania Bruguera: Untitled (Havana, 2000), a new installation at the Museum of Modern Art, and was just awarded the 2018 Tate Modern Turbine Hall commission, one of the most prestigious in contemporary art.

Richard Tuttle's limited edition The End, was produced by Whitechapel Gallery in collaboration with Tate Modern in 2014 to accompany his major Whitechapel Gallery exhibition, surveying five decades of his career and his concurrent 2014 large - scale sculptural commission in Tate Modern's Turbine Hall.

Selected solo exhibitions of Anish Kapoor include: «Objects», Seoul: Leeum, Samsung Museum of Art (2012); «Anish Kapoor: Flashback», Manchester Art Gallery, Manchester (2011); «Monumenta», Grand Palais, Paris (2011); «Anish Kapoor», Fabbrica del Vapore, Milan (2011); «Anish Kapoor: Delhi / Mumbai», National Gallery of Modern Art (NGMA), New Delhi and Mehboob Studios, Mumbai (2010); «Turning the World Upside Down», Kensington Gardens, London (2010); «Anish Kapoor», Museo Guggenheim de Arte Moderno y Contemporáneo, Bilbao (2010); «Anish Kapoor», Middlesbrough Institute of Modern Art, MIMA, Middlesbrough (2010); «Turning the World Upside Down», Kensington Gardens, London (2010); «Anish Kapoor: Shooting into the Corner», MAK Museum, Vienna (2010); «Drawings», Regen Projects, Los Angeles (2009); «Memory» Guggenheim, New York (2009); «Place / No Place: Anish Kapoor in Architecture», Royal Institute of British Architects, London (2008); «Anish Kapoor», Haus der Kunst, Munich (2007); «Anish Kapoor, Sky Mirror» Rockefeller Centre, New York (2006); «Anish Kapoor Japanese Mirrors», Scai The Bathhouse, Tokyo (2005); «My Red Homeland», KUB, Kunsthaus Bregenz (2003); «Marsyas», Turbine Hall, Tate Modern, London (2002 - 03); Tel Aviv Museum of Art, Tel Aviv (1993); Mala Galerija, Moderna Galerija Ljubljana, Museum of Modern Art, Slovenia (1994); «Anish Kapoor, XLIV Biennale di Venezia», British Pavilion, Venice (1990).

It should come as no surprise, then, that he is one of the best - loved artists working today, the recipient of numerous international awards (including the Turner Prize) and the creative force behind some of the most popular public sculptures in contemporary art, including Marsyas in the Tate Modern Turbine Hall (2002) and Cloud Gate in Chicago's Millennium Park (2004).

Originally conceived as the inaugural commission for Tate Modern's Turbine Hall in May 2000, Maman is one of the artist's most ambitious and recognizable works to take the spider as its subject.

Major solo exhibitions include: Louise Bourgeois: Retrospective, Museum of Modern Art, New York, USA, touring (1982 — 1984); Louise Bourgeois: A Retrospective Exhibition, Frankfurter Kunstverein, Frankfurt, Germany, touring (1989 — 1991); American Pavilion, 45th Venice Biennale, Venice, Italy (1993); Louise Bourgeois: Memory and Architecture, Museo Nacional Centro de Arte / Reina Sofia, Madrid, Spain (1999 — 2000); Louise Bourgeois: I Do, I Undo, I Redo, inaugural installation in the Turbine Hall, Tate Modern, London, UK (2000); Louise Bourgeois, Guggenheim Museum Bilbao, Spain (2001 — 2002); Louise Bourgeois at the Hermitage, The State Hermitage Museum, St. Petersburg, Russia, touring (2001 — 2003); Louise Bourgeois: The Insomnia Drawings, The Whitney Museum of American Art, New York, USA (2003); Louise Bourgeois: Retrospective, Tate Modern, London, UK, touring (2007 — 2009); Louise Bourgeois: The Return of the Repressed, Fundación PROA, Buenos Aires, Argentina, touring (2011); Louise Bourgeois, National Gallery of Canada, Ottawa, Canada (2011 — 2013); Louise Bourgeois: Conscious and Unconscious, Qatar Museums Authority, QMA Gallery, Katara, Doha, Qatar (2012); Sammlungshangung Bourgeois, Fondation Beyeler, Basel, Switzerland (2013 — 2014); Artist Rooms: Louise Bourgeois, A Woman without Secrets, Scottish National Gallery of Modern Art, Edinburgh, Scotland (2013 — 2014); Louise Bourgeois: Petite Maman, Museo del Palacio de Bellas Artes, Mexico City, Mexico (2013 — 2014); and Louise Bourgeois: I Have Been to Hell and Back, Moderna Museet, Stockholm, touring (2015).

Serial Killers: From Tate Modern to TAKSU Singapore was brought to the TAKSU gallery in Singapore after a run in the No Soul for Sale Festival at the Turbine Hall of Tate Modern, London, earlier this year.

A crack running through the floor, a helter - skelter and a simulated sunrise have all been part of Tate Modern's popular Turbine Hall series.

A girl with two new piscine friends, part of Philippe Parreno's new Tate Modern installation in the Turbine Hall.

At the other end of Tate Britain, the contemporary artist Olafur Eliasson, who created The Weather Project — the wildly popular Turbine Hall commission at Tate Modern in 2003 — has been given a room where he is showing new works inspired by Turner.

Bourgeois is familiar to all of us as the creator of the enormous metal spider sculptures, like the ones that towered above dizzied spectators at the inauguration of Tate Modern's momentous Turbine Hall.

The Weave of Textile Language» at Tate Modern's Turbine Hall and Whitechapel Gallery in 2015.

Carsten Höller is the seventh artist to undertake the challenge of creating an artwork to fill Tate Modern's vast Turbine...

At the same time as his cavernous industrial container eats up the light in Tate Modern's Turbine Hall, Modern Art Oxford is staging Topography, an exhibition of his lesser - known video art.

The Belgian artist Carsten Höller is known to a wider public for his work Test Site, an art installation in the turbine hall of the Tate Modern in London that consisted of five slides, visitors could slide down.

Other curatorial highlights include En Mas»: Carnival and Performance Art of the Caribbean, an Emily Hall Tremaine Exhibition Award - winning traveling curatorial platform (2014 — present); Up Hill Down Hall, a BMW Tate Live commission in Tate Modern's Turbine Hall (2014); and Tide by Side, the opening ceremony of Faena Art's Miami Beach district (2016).