You've got to recognize Durand from tons
of movies like X-Men Origins: Wolverine, 3:10 to Yuma or Smoking Aces, or Lost.
Bryan Singer, the director
of movies like X-Men, The Usual Suspects, and Jack the Giant Slayer, has been fired from Bohemian Rhapsody, 20th Century Fox's Queen biopic that stars Mr. Robot actor Rami Malek as frontman Freddie Mercury.
Ratner is the director
of movies like X-Men: The Last Stand, Hercules and the Rush Hour movies, along with being a well - known producer.
Not exact matches
It isn't surprising that as the audiences who first became fans
of characters
like The Avengers,
X-Men and Deadpool get older, that their modern
movie adaptations will be marketed more toward adults.
If they make a couple more
of these
movies and they fit together nicely into one giant Transformer -
like 6 hour block
of X-Men madness, then I'll revise this review.
Indeed, the non-Marvel films in these franchises that have done best more recently are the ones that stood out from the crowd,
like Wonder Woman (which rejected the dark tone
of other DC
movies), Logan (which felt
like a grown - up standalone film), and Deadpool (which loudly razzed the idea
of being linked to
X-Men movies).
The film is set in the
X-Men universe with their X-guru Simon Kinberg behind the project, and news reaches us today that the
movie is set for a hard - R rating, very much
like other
X-Men-based
movies Deadpool and Logan, both
of which have done very well for 20th Century Fox.
Blockbuster superhero
movies tend to steer clear
of overtly engaging with contemporary politics, instead conveying broader messages using metaphors (
like the fear and oppression
of mutants in the
X-Men movies).
Team superhero
movies,
like X-Men and Guardians
of the Galaxy, have been embraced.
If you
like director Matthew Vaughn's previous
movies like Kick - Ass and
X-Men: First Class, I'd recommend checking this
movie out as essentially, Kingsman: The Secret Service is a combination
of both
movies stirred and not shaken with a twist
of Snatch for good measure.
It's easy to see Hoult as a mad scientist type — we've already seen a little
of that in his portrayal
of Hank McCoy / Beast in the
X-Men movies — and he's tall and handsome
like Tesla was.
The freshness
of action setpieces is something to expect from Vaughn, who has brought impeccably staged action to past films
like Kick - Ass and
X-Men: First Class, in addition to the first Kingsman
movie installment.
Explaining the evolution
of the
X-Men series and including the more fantastical elements, Singer said «
Like Apocalypse — like some of the imagery and characters and stakes [in that movie]-- it's something we haven't seen bef
Like Apocalypse —
like some of the imagery and characters and stakes [in that movie]-- it's something we haven't seen bef
like some
of the imagery and characters and stakes [in that
movie]-- it's something we haven't seen before.
Like a football match with extra time, this is an episode
of two halves: firstly, Oli and Luke's immediate thoughts on Warcraft — the release that was meant to kickstart the video game
movie craze — and secondly, a spoiler - FULL review
of X-Men: Apocalypse.
Action - man Scott Adkins (he's in those «Undisputed»
movies, and has had small roles in the
likes of «
X-Men Origins: Wolverine» and...
Unlike a typical big - budget production
like X-Men, he says «we don't get to make it with the budget
of most superhero
movies, but we get to make it the way we want to make it, so that's even more exciting than having a catered lunch.
Fourth wall - breaking for the sake
of it helps no one, and it does not cloak the fact that this
movie is explicitly about helping a misfit mutant to feel
like he belongs in a world that has been excessively cruel and tortuous to him; in other words, the themes that have defined 18 years
of X-Men films.
One
of last year's super hero
movies that I
liked quite a lot was
X-Men: Days
of Future Past.
A new, fifth addition to the
X-Men saga is out today and,
like a growing number
of other superhero
movies, is looking decidedly more British than usual.
«Kick - Ass 2» writer and director Jeff Wadlow was been attached to an «X-Force»
movie since 2013, penning a script that went on to be praised by the
likes of series co-creator Rob Liefeld, although new developments have been scarce as Fox seemingly turned its attention to «
X-Men: Apocalypse,» «Deadpool,» and «New Mutants» films.
After nearly two decades as the character, it is finally time for him to hang up the claws, but not before appearing in what looks
like it could be one
of the best
X-Men movies ever.
That's the way I feel about Matthew Vaughn's «
X-Men: First Class,» and I only grudgingly went with the slightly positive, because I walked out
of the theater feeling
like I had just watched an okay superhero
movie.
«Deadpool 2» is the latest installment in
X-Men movie world, aka the «Marvel but not THAT Marvel» universe, and
like its 2016 predecessor it glories in profanely and hilariously mocking the clichés
of comic books and action
movies.
At first, I thought the
movie was about fighting a war «infinitely»
like «
X-men's Days
of Future Past».
In what is beginning to look
like the summer
of the superhero film (remember, still to come are Green Lantern and Captain America: The First Avenger), it is with a big, stupid fanboy grin that I report
X-Men: First Class builds on the momentum established by the season's first successful superhero, Thor, and delivers another solid, entertaining, and thoroughly satisfying comic book
movie.
It looks
like there's been a change
of composer on 20th Century Fox's upcoming Wolverine
movie Logan, with director James Mangold revealing on Twitter (via Film Music Reporter) that Marco Beltrami (3:10 to Yuma, The Wolverine) is now scoring Hugh Jackman's
X-Men swansong.
But just as older genre film fans might look back in wonder at the summer
of ’82 (featuring E.T., Star Trek II: The Wrath Of Khan, Poltergeist, The Road Warrior, and Blade Runner) or the summer of ’84 (Ghostbusters, Gremlins, Indiana Jones And The Temple Of Doom), there have been some contemporary summers with robust, varied lineups of very good movies, like 2008 (Iron Man, The Dark Knight, Wall - E, Step Brothers, and cult favorite Speed Racer) and even the otherwise sequel - saturated 2011 (Rise Of The Planet Of The Apes, Super 8, X-Men: First Class, the first Captain America
of ’82 (featuring E.T., Star Trek II: The Wrath
Of Khan, Poltergeist, The Road Warrior, and Blade Runner) or the summer of ’84 (Ghostbusters, Gremlins, Indiana Jones And The Temple Of Doom), there have been some contemporary summers with robust, varied lineups of very good movies, like 2008 (Iron Man, The Dark Knight, Wall - E, Step Brothers, and cult favorite Speed Racer) and even the otherwise sequel - saturated 2011 (Rise Of The Planet Of The Apes, Super 8, X-Men: First Class, the first Captain America
Of Khan, Poltergeist, The Road Warrior, and Blade Runner) or the summer
of ’84 (Ghostbusters, Gremlins, Indiana Jones And The Temple Of Doom), there have been some contemporary summers with robust, varied lineups of very good movies, like 2008 (Iron Man, The Dark Knight, Wall - E, Step Brothers, and cult favorite Speed Racer) and even the otherwise sequel - saturated 2011 (Rise Of The Planet Of The Apes, Super 8, X-Men: First Class, the first Captain America
of ’84 (Ghostbusters, Gremlins, Indiana Jones And The Temple
Of Doom), there have been some contemporary summers with robust, varied lineups of very good movies, like 2008 (Iron Man, The Dark Knight, Wall - E, Step Brothers, and cult favorite Speed Racer) and even the otherwise sequel - saturated 2011 (Rise Of The Planet Of The Apes, Super 8, X-Men: First Class, the first Captain America
Of Doom), there have been some contemporary summers with robust, varied lineups
of very good movies, like 2008 (Iron Man, The Dark Knight, Wall - E, Step Brothers, and cult favorite Speed Racer) and even the otherwise sequel - saturated 2011 (Rise Of The Planet Of The Apes, Super 8, X-Men: First Class, the first Captain America
of very good
movies,
like 2008 (Iron Man, The Dark Knight, Wall - E, Step Brothers, and cult favorite Speed Racer) and even the otherwise sequel - saturated 2011 (Rise
Of The Planet Of The Apes, Super 8, X-Men: First Class, the first Captain America
Of The Planet
Of The Apes, Super 8, X-Men: First Class, the first Captain America
Of The Apes, Super 8,
X-Men: First Class, the first Captain America).
They're doing a really nice job
of it, and it's a really cool one, because in many ways,
like Deadpool was so different from the mainline
X-Men movies, New Mutants... It's maybe not as different as Deadpool, but it has its own unique, original voice to it.»
I'm not talking about the extremely entertaining Captain America: Civil War, because it made the uninspired decision to have Captain America's genre - jumping land in the less - than - storied genre
of «Marvel
Movie,» or the similarly enjoyable
X-Men: Apocalypse, because I apparently
liked it more than almost anyone else.
With Mangold directing, Martinez scoring and an R rating being implemented, it looks
like we're in store for one
of the more unique and artistic superhero
movies in the same vein as Watchmen,
X-Men: Days
of Future Past or Nolan's Dark Knight trilogy.
0:00 — Intro 8:15 — Review: Flight 1:06:25 — Headlines: Disney Buys Lucasfilm, Arnold to Star in New Conan
Movie, Jamie Foxx to Play Electro, Bryan Singer to Direct
X-Men: Days
of Future Past, Ernest Reboot, Iron Man 3 Trailer 1:42:55 — Other Stuff We Watched: Who Framed Roger Rabbit, The Brood, Hell House, The Girl, The Birds, Avatar 3D, Moonrise Kingdom, Rosemary's Baby, Nosferatu, Shock Waves, Fright Night: Part 2, Microwave Massacre, Halloween III: Season
of the Witch, Ai Weiwei: Never Sorry, Lost in Translation 2:21:35 — Junk Mail: Steven Soderbergh and the old WB Logo, Directors Who Cast Themselves, Trend - Setting
Movie Posters, Shocking or Emotional Deaths in
Movies, Recent Buddy Cop
Movies, Pineapple Soda, Other Podcasts We'd
Like to Do 2:46:15 — This Week on DVD and Blu - ray 2:49:15 — Outro
He's dabbled extensively in effects films and navigated the treacherous waters
of steep budgets on
movies like X-Men and Superman Returns.
«I actually think part
of the problem on the last Fantastic Four is that we tried to make it maybe a little bit more
like an
X-Men movie, make it a little bit darker, when, in fact, I think the Fantastic Four comic traditionally is a lighter, brighter, more hopeful book that's interested in very different things to other comics.
Some
of it —
like a preview for direct - to - video cartoon Ultimate Avengers: The
Movie, a footage-less pitch for
X-Men 3, and a promo for the soundtrack — isn't really missed.
Following the failure that was
X-Men Origins: Wolverine, it would have been really great to see legitimate versions
of the characters team - up / face - off in a well - made
movie, but it doesn't look
like that's ever going to actually happen.
«
X-Men,» more than any other film, is responsible for the glut
of superhero
movies we now have — the film was the first in a long time to treat the source material with respect (after the 90s «Batman»
movies and things
like «The Phantom,» this proved important), and showed that they could work without A-list stars, with the property doing the heavy lifting.
The
movie is a mess
of contradictions, which seems (
like last year's Spectre) more interested in fan service than telling the next chapter in the
X-Men film franchise as a strong
movie.
For now, Channing Tatum and Doug Liman are keeping themselves busy, and Fox is working on a lot
of other
X-Men franchise
movies,
like Deadpool 2, so we will have to wait and see if the Gambit
movie ever actually becomes a reality.
Plus, Jessica Chastain has joined the cast as the unknown villain
of the film, and hopefully she won't be wasted
like Oscar Isaac was as Apocalypse in the last
X-Men movie.
While the
X-Men franchise has been changing things up ratings-wise, with
movies like Deadpool and Logan set up to be more adult - oriented, it makes sense for Marvel Studios to stick with PG - 13 ratings for all
of their big screen projects — including Black Panther.
Some people would die to get a cool job
like yours — being part
of big budget
movies such as Chicago and
X-Men.
To be fair, though, due to Disney and Marvel's recent push against promoting the
X-Men and other
movie properties they don't control, the roster is a bit artificially bloated with multiple versions
of Iron Man, Captain America, Spider - Man, and the
like as well as some really obscure heroes and villains from Marvel's history.
However,
like the
movie version
of X-Men 3, The Official Game falls flat on its face and simply fails to impress or even satisfy anyone.
Frank Quitely's depictions
of iconic characters
like Superman, Batman and
X-Men have provided inspiration for some
of Hollywood's biggest
movie franchises