Sentences with phrase «of multimedia sculptures»

Project C: The Rare Breed Collective invites children of all ages to touch, rearrange, demolish or rebuild a series of multimedia sculptures.
Presented in a meandering array of multimedia sculpture, site - specific installation, and video with sound, Berk's ongoing series is a reflection on his childhood home in Aurora, Illinois — a site formative to his personal and artistic growth.

Not exact matches

One of the things we've seen over and over is that when you bring in someone with a fresh perspective, someone not entirely steeped in or beholden to the usual videogame language — a multimedia & painter duo like Masaya Matsuura & Rodney Greenblat, a sculpture student like Keita Takahashi, a new media artist like Toshio Iwai, a graphic designer and DJ like Baiyon, an illustrator like Superbrothers — what results is something not only amazing & unique, but something that itself charts a new course for future games.
You'll experience work created in a wide variety of mediums, including painting, drawing, sculpture, photography, and multimedia installations.
Maurizio Cattelan has restaged an old work with a live donkey and Heather Phillipson has created a multimedia work comprised of headless dog sculptures.
Trained in art history and sculpture, her body of work is distinctive in its layering of sound, images and ideas in sophisticated and ethereal multimedia collages, encompassing video, drawing, installation, sound, performance and text.
The gallery features the works of Ron Flemmings for oils especially of coastal Massachusetts, Gale Fitzwater McBrien for bronze sculptures, & Catherine Mein for multimedia abstracts.
Mixing the traditional media of painting, printmaking and sculpture with elements of digital and interactive technologies, Keith Piper's large - scale multimedia and multi-screen installations are recognised by their «cut & paste,» multi-layered aesthetics.
Garvey Simon is pleased to present J Ivcevich: Trail of Mystics, an immersive, multimedia exhibition showcasing the artist's most recent paintings, sculptures, ceramics and sound design.
He works with a wide range of genres, such as sculpture, installation, painting, performance, and interactive multimedia, and has participated in several international exhibitions, including Shanghai Biennale, Shenzhen Sculpture Biennale, Gwangju Biennale in South Korea, Chinese Contemporary Sculpture Documenta, with exhibitions presented at the National Art Museum of China, China Central Academy of Fine Arts Museum, Shanghai Long Museum, Today Art Museum, Songzhuang Art Center, Museum of the Orient in Portugal, Iberia Center for Contemporary Art, C5 Art, Central Institute of Fine Arts in Beijing, Central Academy of Fine Arts Sculpture Center, Times Art Museum, White Rabbit Gallery in Australia, Centro Cultural Providencia in Chile, and Bonn Museum of Modern Art in Germany, and also solo exhibitions held at Ullens Center for Contemporary Art in Beijing, and Phoenix Arsculpture, installation, painting, performance, and interactive multimedia, and has participated in several international exhibitions, including Shanghai Biennale, Shenzhen Sculpture Biennale, Gwangju Biennale in South Korea, Chinese Contemporary Sculpture Documenta, with exhibitions presented at the National Art Museum of China, China Central Academy of Fine Arts Museum, Shanghai Long Museum, Today Art Museum, Songzhuang Art Center, Museum of the Orient in Portugal, Iberia Center for Contemporary Art, C5 Art, Central Institute of Fine Arts in Beijing, Central Academy of Fine Arts Sculpture Center, Times Art Museum, White Rabbit Gallery in Australia, Centro Cultural Providencia in Chile, and Bonn Museum of Modern Art in Germany, and also solo exhibitions held at Ullens Center for Contemporary Art in Beijing, and Phoenix ArSculpture Biennale, Gwangju Biennale in South Korea, Chinese Contemporary Sculpture Documenta, with exhibitions presented at the National Art Museum of China, China Central Academy of Fine Arts Museum, Shanghai Long Museum, Today Art Museum, Songzhuang Art Center, Museum of the Orient in Portugal, Iberia Center for Contemporary Art, C5 Art, Central Institute of Fine Arts in Beijing, Central Academy of Fine Arts Sculpture Center, Times Art Museum, White Rabbit Gallery in Australia, Centro Cultural Providencia in Chile, and Bonn Museum of Modern Art in Germany, and also solo exhibitions held at Ullens Center for Contemporary Art in Beijing, and Phoenix ArSculpture Documenta, with exhibitions presented at the National Art Museum of China, China Central Academy of Fine Arts Museum, Shanghai Long Museum, Today Art Museum, Songzhuang Art Center, Museum of the Orient in Portugal, Iberia Center for Contemporary Art, C5 Art, Central Institute of Fine Arts in Beijing, Central Academy of Fine Arts Sculpture Center, Times Art Museum, White Rabbit Gallery in Australia, Centro Cultural Providencia in Chile, and Bonn Museum of Modern Art in Germany, and also solo exhibitions held at Ullens Center for Contemporary Art in Beijing, and Phoenix ArSculpture Center, Times Art Museum, White Rabbit Gallery in Australia, Centro Cultural Providencia in Chile, and Bonn Museum of Modern Art in Germany, and also solo exhibitions held at Ullens Center for Contemporary Art in Beijing, and Phoenix Art Palace.
Under the auspices of the Lone Wolf Recital Corps — a sound - based performance collaborative founded in Zurich in 1986 — Adkins and fellow corps members stage multimedia happenings that interact with and employ architecture, sculpture, video, music, spoken word, costumes, and recorded sound.
For Oursler's first solo exhibition in Hong Kong, entitled «PriV % te,» Lehmann Maupin gallery presents eight new multimedia wall works and sculptures offering the artist's perspective on a particular slice of chaos erupting at the convergence of digital media and cultural identity: facial recognition technology.
The exhibition will encompass the wide range of diverse mediums that Piper has explored for over 50 years: drawing, photography, works on paper, video, multimedia installation, performance, painting, sculpture, and sound.
Lanina exhibits a multimedia presentation consisting of paintings, animations, and animatronic sculptures of music boxes.
Although her early work was in sculpture, she was better known for her multimedia pop culture assemblages of found objects and her paintings, which included found images.
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On view at the San Francisco Museum of Modern Art (SFMOMA) from February 18 through June 17, 2012, and at Yerba Buena Center for the Arts (YBCA) from February 18 through May 27, 2012, in its only West Coast presentation, Mark Bradford is the first major museum survey of paintings, sculptures, and multimedia works by this leading figure in contemporary American art.
Hassan Sharif: I Am The Single Work Artist traces nearly five decades of the artist's multimedia practice, including painting, sculpture, assemblage, drawing, installation, and photography, as well as never - before - seen late works by the artist.
Her multimedia installation reveals the process of repetition and mutation, by which drawing is recoded into sculpture, sculpture into drawing, drawing into video, and installation into photography.
Further highlights include Polly Apfelbaum's strips of textile that are combined to form a colorfully woven painting; Rashid Johnson's tropical enclave containing various unexpected elements from sculptures made with shea butter to video portraits; Katherine Bernhardt's monumental painting with tropical birds, cuddly robots and cigarette stubs, which at once editorializes and summarizes modern culture and the artist herself; an interactive multimedia installation by Nedko Solakov comprising nine sofas in the shapes of the nine Chinese characters constituting the phrase «I miss Socialism, maybe»; and Yu Hong's large - scale painting depicting a famous Chinese fable widely cited in both modern Chinese art history and Chinese Communist narratives.
With a strong appeal to sculpture, Palma's work has followed the direction of multimedia installations, using non-traditional methods of production and working regularly within a team of carpenters, mechanics, engineers, and biologists.
Hancock's mythology has also been translated through performance, even onto the stage in an original ballet, Cult of Color: Call to Color, commissioned by Ballet Austin (2008, 2013), and through site - specific murals for the Welcome Center at the University of Houston, TX (2015), Houston Children's Hospital, TX (2011), Olympic Sculpture Park, Seattle Art Museum, Seattle, WA (2010), Dallas Cowboys Stadium in Dallas, TX (2009), and a permanent multimedia installation as part of the centennial celebrations at Hermann Park in Houston, TX (2012).
Pivot is an international, multi-venue group art exhibition exploring processes of consuming and subsuming through multimedia, sculpture, sound, and research lecture.
Beginning with Robert Rauschenberg and Robert Whitman's 1966 Experiments in Art and Technology (E.A.T.) with Bell Laboratories engineers, and including new and rarely seen multimedia works, film, painting, sculpture, photography and drawings by over 70 artists such as Cory Arcangel, Roy Ascott, Jeremy Bailey, Judith Barry, Trevor Paglen, Nam June Paik, Ryan Trecartin and Ulla Wiggen, this publication tells the story of a global visual culture.
In his spectacular stage piece Coucou Bazar, Jean Dubuffet combined painting, sculpture, theatre, dance and music into a unique, multimedia work of art.
In the Locker Plants maze of thick - walled rooms, Ganzglass installed three video projections and multimedia sculptures.
Benedict Drew (b. 1977) works across video, sculpture and music, creating large - scale multimedia installations which comment on the effects of socio - political and environmental issues.
Paul Myoda's multimedia installation consisted of a color film and sculptures.
The survey exhibition will include a selection of Cave's (b. 1959) signature «soundsuits,» video projections, a multimedia installation, and wall - mounted sculptures.
The first American museum exhibition dedicated to the artist in nearly three decades, Günther Förg: A Fragile Beauty, brings together over 40 years of the artist's multimedia practice — including works on paper, photography, sculpture, and rarely - exhibited late - career paintings — to provide new insight on the practice and enduring influence of this extraordinary and complex artist.
She has recently begun to approach painting as an expanded field, placing her canvases in the context of multimedia installations that include moving images, sculpture, and performances.
About: The Los Angeles Center For Digital Art is dedicated to the propagation of all forms of digital art, new media, digital video art, net art, digital sculpture, interactive multimedia, and the vast panorama of hybrid forms of art and technology that constitute our moment in culture.
The event aims to also cover a variety of art alongside the photographs, including painting, sculpture, prints and multimedia.
The exhibition will encompass the wide range of diverse mediums that Piper has explored for over 50 years: drawing, photography, video, multimedia installation, performance, painting, sculpture, and sound.
Working in a range of media that encompasses painting, textile, soft sculpture and video projection, Jorge Galvan's multimedia practice explores themes of identity, place, and memory.
Leckey's interests might have shifted throughout the last decade — from an obsession with pop culture, subculture and the figure of the dandy in earlier films such as Parade (2003), and in his band collaboration DonAteller, with fellow artists Ed Laliq, Enrico David and Bonnie Camplin; to the high / low culture face - off of his BigBoxStatueAction performances (2003 — 11), in which Leckey's giant speaker stack confronts icons of modernist British sculpture, such as Jacob Epstein's Jacob and the Angel (1940 — 1); to his later multimedia performance lectures, the Internet - driven epiphany of dematerialisation In the Long Tail (2009) and its antithesis Cinema - in - the - Round (2006 — 8), with its more reflective inquiry into the physicality of images via, among others, Philip Guston, Felix the Cat, Gilbert & George, Homer Simpson and Titanic (1997).
Alongside with paintings and sculptures, illustrating the key - phases of the artist's career, the exhibition will feature the spectacular Coucou Bazar, a multimedia work where painting, sculpture, theater, dance and music coexist, presented for the first time in New York in 1973.
According to Riley, these performative interventions — in addition to the artist's many drawings, prints, mosaics, and sculptures, and multimedia installations — address «the prospect of the residual but forgotten frontiers on the edge and inside overdeveloped urban areas, and their unsuspected autonomy.»
On Tower Level 5, Wong Ping creates a multimedia installation centered on a colorful, racy animated tale that explores the tension between an aging population and the relentless pace of a digital economy; in her paintings and sculptures, Duan Jianyu depicts a surreal, transitory place where the rural meets the urban; and Lin Yilin constructs a virtual - reality simulation featuring a professional basketball star, testing the potential for using technology to inhabit the experience of another.
Chihuly Garden and Glass is a reflection of the artist's multimedia escapades; a place where architecture, sculpture, glass, acrylic and film all come together as organically as Chihuly's subject matter so that the installations are not so much installed, but grown.
Saya Woolfalk, one of the current Winter Workspace 2015 residents, is a multimedia artist working in video, sculpture and performance.
In a series of 17 exhibitions throughout central Berlin, more than 100 international artists present new original work — sculptures, paintings, art editions and multimedia installations — many of them for the first time in Germany.
In her solo exhibition at The Figge Art Museum, Yuriko Yamaguchi pairs recent and earlier work in a comprehensive survey showcasing multimedia installations and sculptures constructed from hand - cast resin connected by networks of steel, copper, and brass wire.
The Chicago gallery, known for its sharp focus on Latin American art, quilts together a lineup that includes the multimedia sculptures and wild drawings of Gustavo Diaz and Luciana Rondolini's sardonic representations of pop superstars.
The high heels are a new site - specific sculpture called Jubilee, one of the many multimedia works on display in English artist Sarah Lucas's new exhibition, Good Muse.
In addition, LSG is dedicated to a contemporary program that incorporates paintings, photography and sculpture, as well as conceptual and multimedia art by a growing roster of regional, national and international artists, including Gino Miles, Thalen & Thalen, Chris Bracey, David Spiller, Jason Myers, Russell Young, David Kramer, Wayne Warren, Dale Enochs, Constance Edwards Scopelitis and William John Kennedy.
A hero of graffiti, surfer, and skate - punk subcultures, Barry McGee makes paintings, sculptures, and multimedia installations that have won wide acclaim in the institutional settings of museums and commercial galleries.
His oeuvre spans a range of mediums, including performance, solo recording, compilation, sculpture, photography, painting, video and multimedia installation.
During the multimedia performance, images of flying birds were projected onto the white - clothed bodies of the performers while they moved from the museum out into the courtyard space, each holding slats of venetian blind, which, as art historian Kellie Jones notes in South of Pico: African American Artists in Los Angeles in the 1960s and 1970s was the same material found in a sculpture that Nengudi was exhibiting within the gallery.
The program accommodates a wide range of artistic media (painting, sculpture, video, installation and drawing), presented via innovative, interactive, interdisciplinary and multimedia projects.
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