Sentences with phrase «of musical scores from»

Charles Gaines's new original master composition for the Art Biennale is derived from his most recent body of work, Notes on Social Justice, a series of large - scale drawings of musical scores from songs, some borrowed from as early as the American Civil War (1860 — 1865) and others dating from the mid twentieth century.

For example, even though we have millions of musical scores from the Baroque era, we have no idea how often any of them were actually performed.

Not exact matches

But whereas art is a movement from complexity to simplicity within the limits of a canvas, a musical score, a poem, a novel, or a play, the religious impulse seeks an unrestricted field of value whose harmony involves an ever - enlarging processive synthesis of complexity and intensity.

Starring former Mouseketeer Ryan Gosling and Emma Stone, the musical tells the story of two struggling lovers in modern day L.A.. From striking visuals to inspiring musical sets, the film has already won awards at the Capri Hollywood International Film Festival for best ensemble cast and best film score.

This «Dawn of the Dead» inspired chiller is strong on concept, style and brutally violent action, but suffers from poor musical scoring, and a digital video format that helped keep its budget at 10 million dollars.

From Clint Eastwood's iconic performance to Ennio Morricone's unforgettable (and much - parodied) musical score, A Fistful of Dollars (****) took the western down trails it had never explored.

For the life of me, I somehow can't find the identity of this series» cinematographer, but whomever this person may be, my hat is off to him or her, as his or her efforts, while not breathtaking, is consistently quite tasteful in its plays with coloring and lighting, which has a tendency to sometimes go from tasteful to just plain stunning, thus making the series a strong visual piece, as surely as it is something of a strong musical piece, as Christopher Dedrick must also gain some recognition for his spirited and sometimes upstanding score work.

To fully immerse players in the center of the game's multi-dimensional story, Derivière created a visceral and emotional musical score — rendered in real - time within the game's engine — that infuses sound sources from the game's environments and reacts directly to the actions of the player.

Edelman's music isn't particularly similar to any of the previous scores, though they're all rather different from one another so one could hardly accuse him of breaking any kind of musical continuity.

The harsh, violin - heavy original score is rigid and haunting, accompanied late in the film by a heavy dose of the symbolic title song from the musical «Camelot», which became forever connected with the Kennedy family.

As well, a thundering musical score bellows out of the speakers from beginning until the climatic conflict at the end of the production.

Everything from the majestic shots of the scenic landscapes to the musical score felt ripped out of the 1960s.

In spite of being the most visually - stunning title seen on any console to date, and having a gorgeous musical score from famed composer Harry Gregson - Williams, the game created vast rifts in the gaming community with Solid Snake's replacement in Raiden.

It features the superb high - definition master from the original Blu - ray release — the image is sharp and rich, with deep blacks and textured shadows, a reminder of just how beautiful black - and - white can be on a well - mastered, well - produced Blu - ray — and the isolated score, attributed to Columbia's musical director Mischa Bakaleinikof but including musical cues from the studio's music library, plus a booklet with an essay by Julie Kirgo.

Best Original Score (Music and / or Lyrics) Written for the Theatre Come From Away (Music and Lyrics: Irene Sankoff and David Hein) Dear Evan Hansen (Music and Lyrics: Benj Pasek and Justin Paul) Groundhog Day The Musical (Music and Lyrics: Tim Minchin) Natasha, Pierre & The Great Comet of 1812 (Music and Lyrics: Dave Malloy)

On the downside, too many scenes are wrapped up in a barrage of CGI effects that, along with a pounding musical score, prevent us from engaging with the performers and caring about whether they live or die.

And while it initially seems like John Debney's generic musical score is going to be the only source of mood establishment, something funny happens: setup established, the characters begin to move about like butterflies emerging from cocoons, displaying tenfold more emotional nuance than one might rightfully, albeit cynically, expect from such a film.

Among other Oscar lowlights were Sean Penn's mumbling presentation of the Best Actress award, a sleep - inducing, interpretative dance number choreographed to musical selections from the Best Score nominees, and Tom Hanks» failure to introduce the 10 nominees before opening the envelope to announce the Best Picture.

Writer - director Paul Dalio devastatingly autobiographical «Touched With Fire» (Lakeshore Records) also shows him sparking with musical talent as his score rises with the chiming, child - like wonder of impossible optimism, then plunges to surreal despair in his score's entrancing mood swings that conveys lives gone askew with mental illness, his haunting, religious - like musical portrait making us understand the price that comes with artistic inspiration born from bipolar enthusiasm.

Another plus is the magical production's recreation of the period via an appropriately retro musical score along with fitting backdrops, wardrobes, mannerisms and slanguage from the bygone era via painstaking attention to detail which only add to the picture's palpable sense of realism.

Audio Commentary by Film Historian Rudy Behlmer / Isolated Music Score / Documentaries: «Glorious Technicolor» (60:00), «Welcome to Sherwood: The Story of The Adventures of Robin Hood» (55:42) / «Warner Night at the Movies» Intro by Leonard Maltin (2:41) / Musical Short: «Freddie Rich & His Orchestra» (10:47) / Cartoons: «Katnip College» (7:26), «Rabbit Hood» (7:58), «Robin Hood Daffy» (6:56) / Shorts: «Cavalcade of Archery» (8:28) with Rudy Behlmer Intro (0:58), «The Cruise of the Zaca» (18:02) with Rudy Behlmer Intro (1:54) / Making - of Featurettes: «Robin Hood Through the Ages» (6:52), «A Journey to Sherwood Forest» (13:15), «From the Cutting Room Floor» Deleted Scenes & Outtakes (7:07) with Rudy Behlmer Intro (1:15), «From the Cutting Room Floor» Blooper Reel Short: «Breakdowns of 1938» (12:43) with Rudy Behlmer / 2 Newsreels (2:46) with -LRB-: 40) Intros / Errol Flynn Trailer Gallery.

Incorporating hearty doses of slapstick humor and scores of musical show tunes, she also explores the deeper, more sensitive topics of what happens when family members choose a path (be it lifestyle, religion or career) that differs from the rest of the clan.

With stunning locations, a great musical score, and some sharp performances from the non-professional actors comprising the films cast, this is a true must - see adventure for the summer of 2015.

A change in pace for a festival that usually offers easy pleasures, there is no musical score here, and a large portion of the voice - over is from Hepnarová's letters, verbatim.

Variety Dan Hagerty (best known as «Grizzly Adams» from TV died this morning at 74 New Now Next Nico Tortorella gives you tips on how to maximize your Instagram account (of course if you look like Nico Tortorella you probably won't need any tips to get popular on Instagram Playbill the David Bowie scored musical Lazarus set to close this next week off broadway might get a second life The Guardian Mike Lee talks about what he's up to, his past film, his politics and his next project Peterloo (date TBA) about a Manchester massacre in 1819.

His versatility as a composer has led to a busy and varied movie - scoring career taking him across musical boundaries from the acclaimed BAFTA - winning film TOUCHING THE VOID to THE LAST KING OF SCOTLAND.

Best Original Score: «Come From Away» — Music & Lyrics: Irene Sankoff and David Hein «Dear Evan Hansen» — Music & Lyrics: Benj Pasek & Justin Paul «Groundhog Day The Musical» — Music & Lyrics: Tim Minchin «Natasha, Pierre & The Great Comet of 1812» — Music & Lyrics: Dave Malloy

Other winners in the film categories were Lady Bird for Best Picture (Comedy or Musical); Guillermo del Toro for Best Director for The Shape of Water; Gary Oldman for Best Actor (Drama) for Darkest Hour; Saoirse Ronan for Best Actress (Comedy or Musical) for Lady Bird; James Franco for Best Actor (Comedy or Musical) for The Disaster Artist; Allison Janney for Best Supporting Actress for I, Tonya; In the Fade for Best Foreign Feature; Coco for Best Animated Feature; Alexandre Desplat for Best Original Score for The Shape of Water; and «This Is Me» from The Greatest Showman for Best Original Song.

The film's tone is open and emotive from the very start, with warmly glowing cinematography, a surging musical score and lots of over-serious conversations.

The Program is focused on supporting accomplished composers from a wide range of musical backgrounds, which may include composers with previous experience writing for film as well as accomplished composers working outside of film whose work is suitable for film scoring.

The escape from the hospital is accompanied by the kind of musical score we might expect in a heist film with more humor than tension.

Kubo and the Two Strings Rated PG for thematic elements, scary images, action and peril Rotten Tomatoes Score: 97 % This stunning stop - motion animated film from Focus follows the tale of young boy who must hide from and eventually battle his aunts and grandfather with only his magical musical instrument, a monkey and a giant warrior beetle to protect him.

From its sketchy screenplay to its uninspiring score by Benj Pasek and Justin Paul to its showy but shallow performance by Jackman and its oddball staging of musical numbers (one is actually performed by Efron and Zendaya while they're twirling on ropes and spinning dizzyingly as in a Cirque du Soleil routine), the film does little to advance the cause of musical motion pictures.

Best Picture (Drama): «Slumdog Millionaire» Best Picture (Musical / Comedy): «Vicky Cristina Barcelona» Best Director: Danny Boyle, «Slumdog Millionaire» Best Actor (Drama): Sean Penn, «Milk» Best Actress (Drama): Anne Hathaway, «Rachel Getting Married» Best Actor (Musical / Comedy): Dustin Hoffman, «Last Chance Harvey» Colin Farrell, «In Bruges» Best Actress (Musical / Comedy): Sally Hawkins, «Happy - Go - Lucky» Best Supporting Actor: Heath Ledger, «The Dark Knight» Best Supporting Actress: Penelope Cruz, «Vicky Cristina Barcelona» Best Screenplay: Simon Beaufoy, «Slumdog Millionaire» Best Foreign Language Film: «Everlasting Moments» Best Animated Feature: «WALL - E» Best Original Music Score: Alexandre Desplat, «The Curious Case of Benjamin Button» Best Original Song: Bruce Springsteen, «The Wrestler» from «The Wrestler»

None of that is important for the first 30 - 40 minutes of the movie, though, because Cuarón and his team of collaborators — notably Emmanuel Lubezki (gorgeous cinematography), Steven Price (unsettling musical score), Mark Sanger (seamless editing with Cuarón), and Andy Nicholson (meticulous production design)-- have created a setting and a mood and a tempo and a feeling that sweeps from sheer beauty quickly into sheer, sustained terror.

Best Original Score Written for the Theatre: Come From Away, Irene Sankoff and David Hein Dear Evan Hansen, Benj Pasek and Justin Paul — WINNER Groundhog Day The Musical, Tim Minchin Natasha, Pierre & The Great Comet of 1912, Dave Malloy

The acting is solid, particularly from Dano; Pohlad's direction is assured and graceful; and Atticus Ross's score is kind of incredible, especially when you consider that he had to create music for a movie about a musical genius.

I've yet to see Paul Thomas Anderson's latest, Phantom Thread, but over our holiday break, I found myself obsessed with a short musical excerpt from the film's score that Nonesuch Records published ahead of tomorrow's full digital release.

In an era in which hashtag protests can quickly spread like wildfire on social media, the academy avoided a potentially thorny situation when James Franco — who has recently faced accusations of sexually inappropriate behavior from several women — failed to score a lead actor nod for his performance in «The Disaster Artist,» which earned him a Golden Globe award for best actor in a musical or comedy just weeks ago.

Outstanding Achievement in Sound Editing — Animation Short Form - Overwatch Outstanding Achievement in Sound Editing — Student Film (Verna Fields Award)- Homegrown Outstanding Achievement in Sound Editing — Special Venue - Carne Y Arena Outstanding Achievement in Sound Editing — Computer Interactive Game Play - Call of Duty: WWII & Star Wars: Battlefront II (TIE WINNER) Outstanding Achievement in Sound Editing — Computer Cinematic - Halo Wars 2 Outstanding Achievement in Sound Editing — Non-Theatrical Feature - In Search of Fellini Outstanding Achievement in Sound Editing — Non-Theatrical Documentary - Becoming Bond Outstanding Achievement in Sound Editing — Non-Theatrical Animation Long Form - Lego DC Super Hero Girls Outstanding Achievement in Sound Editing — Single Presentation - Oasis Outstanding Achievement in Sound Editing - Episodic Long Form — Effects / Foley - Godless Outstanding Achievement in Sound Editing - Episodic Long Form — Dialogue / ADR - Black Mirror «USS Callister» Outstanding Achievement in Sound Editing - Episodic Long Form — Music / Musical - The Get Down «Only from Exile Can We Come Home» Outstanding Achievement in Sound Editing - Episodic Short Form — Effects / Foley - Game of Thrones «The Spoils of War» Outstanding Achievement in Sound Editing - Episodic Short Form — Dialogue / ADR - Game of Thrones «The Spoils of War» Outstanding Achievement in Sound Editing - Episodic Short Form — Music / Musical - Stranger Things «Chapter Eight: The Mind Flayer» Outstanding Achievement in Sound Editing — Live Action Under 30:00 - Superstore «Tornado» Outstanding Achievement in Sound Editing — Effects / Foley - Blade Runner 2049 Outstanding Achievement in Sound Editing — Dialogue / ADR - War for the Planet of the Apes Outstanding Achievement in Sound Editing — Musical - The Greatest Showman Outstanding Achievement in Sound Editing — Music Score - Dunkirk Outstanding Achievement in Sound Editing — Foreign Language Feature - Loveless Outstanding Achievement in Sound Editing — Feature Documentary - Jane Outstanding Achievement in Sound Editing — Feature Animation - Coco

Perhaps the most interesting thing to note about the movie is its near absence of a musical score, aside from the opening credits.

Accompanied by John Williams» full - bodied musical score and edited with an easy, assured rhythm by Michael Kahn, War Horse is established as an epic in the style of wide - screen classics from the 1950s and 60s, married to a storytelling sensibility dating to the mid-to-late 30s.

Of the other two, I missed Andrea Arnold's American Honey but forced myself to sit through Nicole Garcia's From the Land of the Moon, a ludicrous post — Marguerite Duras soap opera with an unbearably schmaltzy score — as if Marion Cotillard's precise enactment of frustrated sexual desire needed a musical boosOf the other two, I missed Andrea Arnold's American Honey but forced myself to sit through Nicole Garcia's From the Land of the Moon, a ludicrous post — Marguerite Duras soap opera with an unbearably schmaltzy score — as if Marion Cotillard's precise enactment of frustrated sexual desire needed a musical boosof the Moon, a ludicrous post — Marguerite Duras soap opera with an unbearably schmaltzy score — as if Marion Cotillard's precise enactment of frustrated sexual desire needed a musical boosof frustrated sexual desire needed a musical boost.

With Alien: Covenant just around the corner, Sean Wilson looks back at the illustrious musical heritage of one of cinema's greatest franchises... Just recently I was listening to the score for the imminent Alien: Covenant, Ridley Scott's return to the sci - fi horror franchise he inaugurated, and was struck by the plethora of material from Jerry -LSB-...]

Apart from the audio tracks, the CD also includes the following: - A licence to perform the work; - Notes for a teacher on how to put on the musical; - Story of Orpheus; - Complete Lyrics Sheets; - Narrative script; - Full production script; - A songbook adaptation for piano and voice; - Instrumental scores for violin, viola, cello, trumpet, clarinet, piano and conductor's full score; - Photos of cast members and musicians; - Backing tracks with synchronised lyrics for children to practise to, or perform with, if you don't have access to musicians.

It is pieced together from letters, musical scores, photographs, diary entries, fragments of movie scripts, newspaper entries, maps, telegrams, ship boarding passes, menus, pages torn from books and crumpled notes rescued from wastepaper cans and reassembled with, of course, missing lines.

The combination of the stellar musical score, which uses much of the music from the original movie (remastered of course) and the sound effects — from the grunts and growls of the Alien to the creaks and groans of an aging space station in the process of being decommissioned and moth - balled — create an experience that many fans have been longing for from the Alien franchise for decades.

Meanwhile, Episode 3's visuals also take a dramatic turn from its predecessors, with a graphical depiction and musical score reminiscent of 16 - bit RPGs.

In these situations, he likes to listen to the scores from the franchise to «understand the musical language» of the different properties..

Ocarina of Time also set world records for high review scores, although personally I do not like the game very much, apart from two elements — the titular ocarina, which was perfectly designed for the controller and taught the player some actual musical skills, and the horse Epona, about which I will have more to say later in this serial.