Sentences with phrase «of my enamel work»

Today I am most proud of my enamel work which I taught myself from start to finish and which is a new direction that is getting me noticed with top shows and clients across the US.

Not exact matches

I purchased one of Martha Stewart's enameled coated pots from Macey's and it works beautifully.

I baked my first loaf last night, I bought a KitchenAid enamel covered cast iron Futch Oven on sale for 69,99 regular 199.99 it is 6.5 qt, worked great, the loaf is a little flatter due to the wide base of the pot but it is simply delicious.

I have purchased Martha Stewart enamel cast iron pots at a fraction of the price and they work just as well.

I found it does not work on the inside but only because the cleaners is difficult to get out of the cratches in my enamel

i've used a paste of baking soda and water to get baked on stuff off of my enameled cast - iron pot and it works like a charm.

Further work is planned to investigate the spatial profiles of acidic organic acids within mixed - species oral biofilms on enamel surface to better understand the demineralization process that occurs in tooth decay.

The delicate hand enameled detailed gold finch and cherry tree branch create a work of art in these hoop earrings!

Rauschenberg was so inspired by his Art Car that he ultimately created a new series of works dubbed «Beamer,» which were also made from transparent films applied to enameled aluminum.

«Our Red Dingo designs on our enamel tags are mini works of art, and over a million pet owners have adorned their pets with them.

There is a cooking area at the pool deck complete with preparation bowls, plenty of working space and its own funky set of enamel crockery.

I have spent the last 5 years taking classes from a local art jeweler, teaching myself specific applications of enameling and working away in my garage, which is now my studio.

Each piece can take 4 to 5 days to create and with my enamel work each piece is truly a one - of - a-kind.

In particular, his «Black Paintings» — monochromes of enamel on newspaper collage — have much in common with the late work of both Mark Rothko and Ad Reinhardt, and have recently been referenced in relation to Pollock's «Black Paintings» from the very same years (1951 — 52).

Judd's work with enamel on aluminum greatly expanded his palette of colors, which had previously been restricted to the colors of anodized metal and Plexiglas, and led to the use of more than two colors in an individual artwork.

For all the materiality of their surfaces — Reginato works in enamel — the paintings are, as the exhibition's title underscores, fictions.

(5) Of note, too, is the fact that although her work gives the appearance of metal, sleek enamel, or a mirror, the effect is an illusioOf note, too, is the fact that although her work gives the appearance of metal, sleek enamel, or a mirror, the effect is an illusioof metal, sleek enamel, or a mirror, the effect is an illusion.

Over the last several years, her work evolved into depictions of more universal mythologies and populated landscapes: tree spirits; goddesses; lilting, attenuated flora and fauna — first in oil paint, and now with a combination of enamel and oil.

The surfaces of these wooden works are variously inscribed with watercolor, enamel, and acrylic paint, lacquer, oil, colored pencil, and graphite — materials that they share with the drawings that trace the evolution of individual pieces.

The artist began working with enamel on aluminum in 1984, when he commissioned Lehni AG in Switzerland to construct works by bending and riveting thin sheets of the material, a process Judd previously used to create furniture.

A forceful portraitist of black women who often composes her pieces with paint, enamel and rhinestones, Ms. Thomas, who has lived and worked in Brooklyn for 17 years, conceded that she was «scared as hell.»

Merging a wide array of different materials, such as oil, enamel, and spray paint, his color sensibility is resolutely experimental and oscillates between close - value, nearly monochromatic works to luminous, retinally - charged paintings that appear to vibrate off their surfaces.

Pollock's Black Enamel paintings, Cezanne's late works, and the landscapes of the late - Ming Dynasty painter Tung Ch» i - Ch» ang are a few of the sources I draw from.

After a few years of working mostly with oil paint — largely for its ability, she says, to capture light and communicate space — she recently went back to making her signature enamel paintings.

His final body of work, landscape paintings done from memory with a 6» roller and black enamel paint, has affected the direction of my own recent paintings, the memory part if not the utility of them.

Steven Parrino, Universal Mafia, 1992 Enamel on canvas, 72 x 103 inches September 25 — November 3, 2007 Gagosian Gallery is pleased to announce an exhibition of works by Steven Parrino.

After high school, Ash went on to obtain a Bachelor of Fine Arts from McMurry University in Abilene, where she began to perfect her unique style, working mainly with mixed media, including enamel, oil, acrylic and graphite.

William Anastasi, Untitled, 1966 One gallon of industrial high - gloss enamel, poured Dimensions variable April 21 — July 21, 2007 For this exhibition William Anastasi has recreated seminal site - specific works dating from the mid-1960s.

And again, you can see the connection to the strength of the Richmond Art Center — there are sixty exquisite pieces of enameling, not just traditional approach, but non-traditional sculptural, functional and non-functional works.

For more than a year he worked on what became known as his Black Paintings: large, aggressive canvases covered with stripes of black enamel paint that formed repetitive, rippling patterns.

Image: Vivagua, 2010 oil, acrylic, and enamel on linen 120 x 96 inches 304.8 x 243.8 cm Paul Kasmin Gallery announces a two-fold exhibition of works by the renowned pop artist Kenny Scharf, on view at the gallery's Chelsea locations from January 27th through February 26, 2011.

In his more recent works, including those in this show, he uses enamel on linen, spray painting looping black lines, then erasing or blurring them with rags, engaging in a complex play of presence and absence, gesture and cancellation.

Rubin is a self - taught artist who works predominantly in the medium of oil and acrylic / perm enamel painting, but also pursues collage, digital creations.

Other thematically unrelated but visually cohesive works include a trio of Early Modernist knockoffs from the mid-1980s by Sherrie Levine, which remain conceptually irritating but here look refreshingly, crisply graphic; a 45 - minute video from 1994 by Gary Hill; a 2009 color photograph of a child in a white Levi's t - shirt by Josephine Pryde; some bundled pseudo-newspapers by Robert Gober (1992) and, in a collaboration between Gober and Christopher Wool, a photograph of a girl's dress hanging in a tree (the dress presumably Gober's handiwork; the photograph, Wool's), near one of the latter's enamel - on - aluminum pattern paintings.

On one work, a sagging blob of enamel paint kissed the lower left corner, and a 4 - inch - long drip hung off...

Tajima will also present a new group of works from her «Furniture Art» series consisting of spray enameled transparent paintings each subtitled by a geographic location — Shikoku, Ojo Caliente, Kerala — drawing on the psychogeographic associations produced by the affective names of industrial colors and paints.

In addition to works from these years, Gerhard Richter: Colour Charts will present a collection of archival documents related to the series, including an original 1960s Ducolux sample card for enamel paint.

The artwork of Edgar Heap of Birds includes multidisciplinary forms of public art messages, large - scale drawings, Neuf Series acrylic paintings, prints, works in glass, and monumental porcelain enamel on steel outdoor sculpture.

Her works in oil are as evocative as those in acrylic / ink / enamel spray paint and the juxtaposition of light washes and heavily layered paint reinforces contrast in many of her works.

He had his first solo exhibition at the Charles Egan Gallery in New York in 1948, with a body of work in black - and - white enamel paint.

Obscured behind an opaque, inky mass of black enamel, the viewer is left wondering whether the gesture is continuous or, like so much of Wool's work, a carefully crafted illusion.

Candid Magazine's works to look out for include Ugo Rondinone's stunning white - enameled bronze tree from Sadie Coles HQ, John Chamberlain's bright pink rope knot work shown by Gagosian, Bernar Venet's powerful 17 Unequal Acute Angles presented by Blain Southern, Alicia Kwade work composed of rocks and mirrors from Kamel Mennour Gallery, and Miguel Barceló's gravity - defying elephant from Acquavella Galleries.

Just as the artist Natalie Frank has begun to attract widespread attention for her expert paintings that collide art history, theater, and dread - inducing violence, she has deked into a new direction with her latest works, which trade her customary canvases for wooden board that she paints with enamel and then overlays with patches of cut - out canvas that she paints with oil.

The exhibition will explore Pollock's practice via a selection of paintings made between 1947 and 1949; these works will serve to contextualize the radical departure represented by the black paintings, a series of black enamel and oil paintings that Pollock created between 1951 and 1953.

The artist best known for his flattened approach to the human figure takes his signature aesthetic into sculpture with «Cut Outs,» a solo exhibition of four works depicting Katz's wife Ada, the full set of his nine - piece «Black Dress» series, and one larger, multifigure work, all rendered in stainless and porcelain enamel coated steel.

Alex Katz «Cut Outs» Paul Kasmin 515 West 27th Street CLOSES: April 12 The artist best known for his flattened approach to the human figure takes his signature aesthetic into sculpture with «Cut Outs,» a solo exhibition of four works depicting Katz's wife Ada, the full set of his nine - piece «Black Dress» series, and one larger, multifigure work, all rendered in stainless and porcelain enamel coated steel.

Two of Eddie Martinez's silkscreen ink, oil, enamel and spray paint works on canvas — including one that contained chewing gum — went for as much as $ 75,000 each.

During that timeframe, both men were working in the realm of pure abstraction; McChesney, who was based in Northern California, was creating the works in his Arena series, which came to be his best - known and most celebrated paintings — a series of works that incorporated sand on wet enamel.

Similar mark - making partitions works on paper, exhibited for the first time as studies for sculptures likeUntitled Draped Figure, in which a mannequin head and torso are bound to wooden architecture with ropes of fiberglass and enamel paint.

By contrast, the labels at the New Museum accord with my experience by allowing whatever referential features may be there to remain at the level of suggestion by focusing on form and process («Composed along a central axis, each work is charged with a magnetic asymmetry; delineations between colors are blurred in the process of melting the powdered enamel pigment into glass») and by relying on Müller's biography (her work with a genderqueer collective) to prompt viewers to wonder what exactly gender might have to do with what we see in her paintings — if anything at all.