Sentences with phrase «of narrative gaps»

Not exact matches

Regrettably, the narrative ends with 1966 and one can not help but wonder what the author makes of the gap between then and his rather complaisant conclusion about contemporary Catholicism.

What we are hearing here is a kind of gap in the story that Meir Sternberg shows is characteristic of the poetics of biblical narrative.

In reading such a narrative, we realize the gap between the thirteenth and the twentieth century, and we feel that saintliness of character may yield almost absolutely worthless fruits if it be associated with such inferior intellectual sympathies.

I call it an unspoken event because, in one of those resounding gaps that (as Meir Sternberg has shown in his Poetics of Biblical Narrative) are characteristic of the artistry of biblical narrative, we learn that the man listened to the voice of his wife, but we are not told what she said (GeNarrative) are characteristic of the artistry of biblical narrative, we learn that the man listened to the voice of his wife, but we are not told what she said (Genarrative, we learn that the man listened to the voice of his wife, but we are not told what she said (Gen. 3:17).

«The truth is that the Tories» change in language has touched a nerve, reflecting a big gap in our own political narrative,» Mr Lammy says, before going on to attack the Tory leader's lack of depth.

More from Ernst: «The testing of historical narratives implies that the wide gap between science and the humanities that so troubled physicist C. P. Snow is actually nonexistent.»

The extent of the film's social satire is its democratic nepotism, with Grant having enlisted family and friends to provide the awful (non-stop) soundtrack and the hate - crime performances, all of which are strung together in the sort of loose narrative (two families gather for the titular shindig) that allows Grant to play both slovenly, gap - toothed protagonist Ringworm and his evangelical brother Snake.

Owners of Episode 1 and 2 will also have access to Episode Metal; a free mini-campaign starring Metal Sonic that brings with it four reworked levels from Episode 1 and plugs the narrative gap between Sonic CD and Episode 2.

There aren't big gaps of plot development or brute force narrative devices.

Then again, who am I to say that there isn't an audience of adult fans of the book who also want an overly simplified framing narrative to fill in the gaps between the poetry, as well as children who like their broad comedy to be interrupted by spiritualistic poems about life and death?

FIRST PLACE / NARRATIVE The Peculiar Abilities of Mr. Mahler, Paul Philipp, director FIRST PLACE / ANIMATION Negative Space, Max Porter & Ru Kuwahata, co-directors FIRST PLACE / NONFICTION Breaking the Cycle, Josephine Jackson & Vincent Augusto, co-directors FIRST PLACE / EXPERIMENTAL Gray Umbrella, Mohammad Poustindouz, director STUDENT AWARD It's Just a Gun, Brian Robau, director TEXAS AWARD Bodies of Water, David Lykes Keenan, director Jury Prize — Guan Xi, Dora Wu, director Jury Prize — The Driver is Red, Randall Christopher, director Jury Prize — The Modern Lives, Bill Plympton, director Performance Award — Michael Laskin, A Real Adventure Cinematography Award — Wasteland, Jakub Michnikowski, director Honorable Mention, Narrative — Counterfeit Kunkoo, Reema Sengupta, director Honorable Mention, Narrative — Mrs McCutcheon, John Sheedy, director Honorable Mention, Narrative — Hope Dies Last, Ben Price, director Honorable Mention, Narrative — Passion Gap, Matt Portman & Jason Donald, co-directors Honorable Mention, Narrative — Seven, James Morgan, director Honorable Mention, Nonfiction — Hunger for Truth: The Rhea Clyman Story, Andrew Tkach, director Honorable Mention, Nonfiction — Uncle Jessie White - Portrait of a Delta Blues Man in Detroit, Stashu Kybartas, director Honorable Mention, Experimental — Strangers, Eve Duhamel, director Honorable Mention, Student Film — The Chocolate Soldier, Jackson Smith, director Honorable Mention, Texas — Underneath, Christopher Grissom, director Honorable Mention, Texas — Aberration, Andy Pollack,NARRATIVE The Peculiar Abilities of Mr. Mahler, Paul Philipp, director FIRST PLACE / ANIMATION Negative Space, Max Porter & Ru Kuwahata, co-directors FIRST PLACE / NONFICTION Breaking the Cycle, Josephine Jackson & Vincent Augusto, co-directors FIRST PLACE / EXPERIMENTAL Gray Umbrella, Mohammad Poustindouz, director STUDENT AWARD It's Just a Gun, Brian Robau, director TEXAS AWARD Bodies of Water, David Lykes Keenan, director Jury Prize — Guan Xi, Dora Wu, director Jury Prize — The Driver is Red, Randall Christopher, director Jury Prize — The Modern Lives, Bill Plympton, director Performance Award — Michael Laskin, A Real Adventure Cinematography Award — Wasteland, Jakub Michnikowski, director Honorable Mention, Narrative — Counterfeit Kunkoo, Reema Sengupta, director Honorable Mention, Narrative — Mrs McCutcheon, John Sheedy, director Honorable Mention, Narrative — Hope Dies Last, Ben Price, director Honorable Mention, Narrative — Passion Gap, Matt Portman & Jason Donald, co-directors Honorable Mention, Narrative — Seven, James Morgan, director Honorable Mention, Nonfiction — Hunger for Truth: The Rhea Clyman Story, Andrew Tkach, director Honorable Mention, Nonfiction — Uncle Jessie White - Portrait of a Delta Blues Man in Detroit, Stashu Kybartas, director Honorable Mention, Experimental — Strangers, Eve Duhamel, director Honorable Mention, Student Film — The Chocolate Soldier, Jackson Smith, director Honorable Mention, Texas — Underneath, Christopher Grissom, director Honorable Mention, Texas — Aberration, Andy Pollack,Narrative — Counterfeit Kunkoo, Reema Sengupta, director Honorable Mention, Narrative — Mrs McCutcheon, John Sheedy, director Honorable Mention, Narrative — Hope Dies Last, Ben Price, director Honorable Mention, Narrative — Passion Gap, Matt Portman & Jason Donald, co-directors Honorable Mention, Narrative — Seven, James Morgan, director Honorable Mention, Nonfiction — Hunger for Truth: The Rhea Clyman Story, Andrew Tkach, director Honorable Mention, Nonfiction — Uncle Jessie White - Portrait of a Delta Blues Man in Detroit, Stashu Kybartas, director Honorable Mention, Experimental — Strangers, Eve Duhamel, director Honorable Mention, Student Film — The Chocolate Soldier, Jackson Smith, director Honorable Mention, Texas — Underneath, Christopher Grissom, director Honorable Mention, Texas — Aberration, Andy Pollack,Narrative — Mrs McCutcheon, John Sheedy, director Honorable Mention, Narrative — Hope Dies Last, Ben Price, director Honorable Mention, Narrative — Passion Gap, Matt Portman & Jason Donald, co-directors Honorable Mention, Narrative — Seven, James Morgan, director Honorable Mention, Nonfiction — Hunger for Truth: The Rhea Clyman Story, Andrew Tkach, director Honorable Mention, Nonfiction — Uncle Jessie White - Portrait of a Delta Blues Man in Detroit, Stashu Kybartas, director Honorable Mention, Experimental — Strangers, Eve Duhamel, director Honorable Mention, Student Film — The Chocolate Soldier, Jackson Smith, director Honorable Mention, Texas — Underneath, Christopher Grissom, director Honorable Mention, Texas — Aberration, Andy Pollack,Narrative — Hope Dies Last, Ben Price, director Honorable Mention, Narrative — Passion Gap, Matt Portman & Jason Donald, co-directors Honorable Mention, Narrative — Seven, James Morgan, director Honorable Mention, Nonfiction — Hunger for Truth: The Rhea Clyman Story, Andrew Tkach, director Honorable Mention, Nonfiction — Uncle Jessie White - Portrait of a Delta Blues Man in Detroit, Stashu Kybartas, director Honorable Mention, Experimental — Strangers, Eve Duhamel, director Honorable Mention, Student Film — The Chocolate Soldier, Jackson Smith, director Honorable Mention, Texas — Underneath, Christopher Grissom, director Honorable Mention, Texas — Aberration, Andy Pollack,Narrative — Passion Gap, Matt Portman & Jason Donald, co-directors Honorable Mention, Narrative — Seven, James Morgan, director Honorable Mention, Nonfiction — Hunger for Truth: The Rhea Clyman Story, Andrew Tkach, director Honorable Mention, Nonfiction — Uncle Jessie White - Portrait of a Delta Blues Man in Detroit, Stashu Kybartas, director Honorable Mention, Experimental — Strangers, Eve Duhamel, director Honorable Mention, Student Film — The Chocolate Soldier, Jackson Smith, director Honorable Mention, Texas — Underneath, Christopher Grissom, director Honorable Mention, Texas — Aberration, Andy Pollack,Narrative — Seven, James Morgan, director Honorable Mention, Nonfiction — Hunger for Truth: The Rhea Clyman Story, Andrew Tkach, director Honorable Mention, Nonfiction — Uncle Jessie White - Portrait of a Delta Blues Man in Detroit, Stashu Kybartas, director Honorable Mention, Experimental — Strangers, Eve Duhamel, director Honorable Mention, Student Film — The Chocolate Soldier, Jackson Smith, director Honorable Mention, Texas — Underneath, Christopher Grissom, director Honorable Mention, Texas — Aberration, Andy Pollack, director

Too often, those gaps are too wide to be satisfactorily traversed on our own, which is problematic, and as the film races toward its climax, some of those little storytelling niggles threaten to overwhelm the narrative Nichols is trying to convey, but his ensemble is so strong, his filmmaking assured, and enough of his ideas are alluring that the ship manages to keep itself afloat.

It touches on the #OccupyWallStreet protests of 2011, but seems uncertain of how to fold that event — along with a tripling in the national income gap over the past three decades - plus — into a narrative that breaks down along free trade versus protectionist lines.

A plausible, cinematic parable presuming to fill in gaps in the Biblical narrative of the Lord's early life.

Other education experts, such as those from the National Council on Teacher Quality, dismiss the narrative of a national shortage, saying instead that the school staffing gaps are localized by subject area and geography.

Through extensive study in the areas of next generation learning, social and emotional learning, wellness, urban planning, Hip - Hop culture, Chicago history, the opportunity gaps that exist among marginalized students, economic mobility, arts education, and the at - risk communities on Chicago's South Side, Art in Motion has a solid research foundation upon which to build an innovative middle and high school that has the potential to change the narrative for many Southside youth.

The over-arching narrative of Induction (and Institute) is that lazy and / or cruel traditionally - trained teachers are responsible for the achievement gap (the evil, purple - sweatshirt wearing, veteran teacher in Ms. Laura's story, anyone?

At another point, after composing maybe fifteen pages, I called my editor to ask if I might exaggerate a few incidents and invent other incidents to strengthen the narrative and to fill in the gaps of a faulty memory.

So I wanted to collect some of the elements that had been left out of my stories and use them to remind the reader of the gap between narrative and experience, traveler and writer, truth and presentation.

It would have been so easy for Warner Bros to have thrown together a cheap and dirty port of the PS3 version of Arkham Origins, but instead developer Armature Studio came up with a whole new narrative that even kind of serves to bridge the gap between Batman: Arkham Origins and Arkham Asylum and maybe starts something brand new (watch through the credits).

While the HD systems are receiving a new Prince of Persia title that fits into the narrative gap between last generation's The Sands of Time and The Warrior Within, the Wii version of The Forgotten Sands is a stand - alone story with its own unique mechanics.

A 4D theme park ride, set in the same era as the start of Mass Effect 3 will supposedly be used to bridge a narrative gap between the original series and the new Andromeda title.

The culmination of the portable titles, a narrative gap lost in the shuffle of apps, and a brand new chapter...

DAVID DRISKELL Creative Spirit: Five Decades by Bridget Goodbody DAINA HIGGINS New Paintings by Charles Schultz LOIS DODD New Panel Paintings by Sharon Butler Unlikely Friends: JAMES BROOKS & DAN FLAVIN by Greg Lindquist DAMIEN HIRST The Complete Spot Paintings 1986 — 2011 by Corina Larkin LORI ELLISON by Corina Larkin GEORGES HUGNET The Love Life of the Spumifers by Valery Oisteanu Dark Christmas by Bradley Rubenstein ELLSWORTH KELLY Schwarz & Weiss by David Rhodes MALCOLM MORLEY Another Way to Make an Image, Monotypes by Robert Storr Five Works from the Collection of Albert Murray: ROMARE BEARDEN and NORMAN LEWIS by Charles Schultz THE RONALD S. LAUDER COLLECTION: Selections from the 3rd Century BC to the 20th Century / Germany, Austria, and France by Charles Schultz Anonymous Tantra Paintings by Noah Dillon SANGRAM MAJUMDAR New Work by Kara L. Rooney GUDMUNDUR THORODDSEN Father's Father by Paolo Javier SOTO Paris and Beyond, 1950 — 1970 by Cora Fisher JESS Paintings by Phong Bui GEORGE MCNEIL by Robert Berlind VICTOR MATTHEWS by Vincent Katz LOLA MONTES SCHNABEL Love Before Intimacy by David Markus THOMAS WOODRUFF The Four Temperament Variations by Kara L. Rooney MARTHA CLIPPINGER Hopscotch by Robert Berlind PETER GALLO by Jonathan Goodman Connected by Noah Dillon KANDINSKY's «Painting with White Border» by Susan Bee BARBARA SANDLER Straight On Till Morning by Robert Berlind December (Organized by Howie Chen) by Nathan Kernan EDWIN DICKINSON In Retrospect by Robert Berlind JOSÉ RIVERA by Nathan Kernan REMBRANDT»S WORLD: Dutch Drawings from the Clement C. Moore Collection by Sara Christoph JOSEPH MONTGOMERY Velveteen by Linnea Kniaz The Renaissance Portrait from Donatello to Bellini by Mira Schor BOSCO SODI Ubi Sunt by Jonathan Goodman DOUG WADA Americana by Lilly Wei Mind the Gap by Anne Sherwood Pundyk BILL JENSEN by Ben La Rocco WITHIN / WITHOUT: A Studio Visit With SHOSHANA DENTZ by Zachary Wollard SUSANNA HELLER's Studio by Robert Berlind STUDIO VISIT: JOYCE PENSATO by William Corwin Making American Taste: Narrative Art for a New Democracy by Shane McAdams Letter from BERLIN by David Rhodes JOSEPH MARIONI Eye to Eye by Robert C. Morgan GORDON MOORE by Joan Waltemath Master Bill at MoMA by Irving Sandler

Her images lay the white gaze bare, unearth a genealogy of a racist visuality, and work in the gap between image and text to write against the grain of imperialist narratives.

Fallah left the sale with diaries, home movies, clothing and other objects chronicling the family's personal history; he then spent the course of the next year sifting through these fragments of the family's life, filling in the gaps where necessary, to create a narrative and build portraits of the family members through painting, sculpture and collage.

Berlin - based artist Mariana Castillo Deball (b. Mexico City, 1975) reveals gaps in the often unquestioned narratives of museology and archaeology in a new exhibition at San Francisco Art Institute's (SFAI) Walter and McBean Galleries this spring.

The labyrinthine path of architectural forms is superposed to a strict narrative, closing the gap between the challenges of monochromatic perception and the visualization of a memory palace.

Unfolding as an American epic of the small and incidental, Graham's sequences of photographs span gaps of time and place, their interweaving of narrative threads, their digressions and shifts of scene creating imaginative spaces and a sense of the country at large, while mirroring its social divisions and discrepancies alongside the unpredictable fluctuations of life.

The practice often involves her reimagining absent or potential histories suggested by the source materials, filling in gaps to generate a strong sense of narrative.

This graph is from «Climate Risks: Linking Narratives to Action,» an important new essay in the Stanford Social Innovation Review on the gap between major environmental groups» messaging on human - driven global warming and the focus of their programs and spending.

I was pointing out that this is increasingly the challenge to the climate consensus that is voiced in public, per Carlson in the video, and that this approach will increasingly help expose the gap between the narrative of certain calamity (whatever its touted threshold du jour, which has changed over the years and may continue to do so) and the reality of what is knowable even in the way that the IPCC defines this knowability (let alone what is knowable when taking approaches to uncertainty such as that of our host here).

However that narrative is based on what we have actually observed over a period of 1000 years with the gaps filled in by deduction informed by known laws of physics.

You wrote, «However that narrative is based on what we have actually observed over a period of 1000 years with the gaps filled in by deduction informed by known laws of physics.»

Four distinct narratives of child maltreatment are used by Canadian media, each of which is found missing critical components, inviting the public to «fill in» these gaps with dominant understandings of child maltreatment.

Each of these narratives is missing critical components, however — thus allowing the public to «fill in» these gaps with dominant understandings of child maltreatment.

Addressing this gap, we studied negative emotion in romantic conflict narratives as a function of gender and associations with self - reports of conflict strategies.