Why do you think the author chose to write a novel based on her family's experiences instead
of a nonfiction piece?
Not exact matches
Like its predecessor, «Under the Gun» potently combines statistics, expert commentary and personal stories into a well - researched and easy - to - consume
piece of nonfiction filmmaking.
Sort
of a Russian companion
piece to Erik Gandini's
nonfiction Videocracy, which looked at modern Italian life and the high - glitz, low - information media culture promulgated by prime minister Silvio Berlusconi, documentary Putin's Kiss throws a light on dissident voices and oppositional political groups in the former Soviet Union, where once - and - present president Vladimir Putin has in ways both subtle and not - so - subtle encouraged the stifling
of political foes and those seeking greater governmental transparency through a youth group known as Nashi.
The New York premiere
of In the Last Days
of the City coincides with the 2018 edition
of Art
of the Real, a showcase
of «
nonfiction and hybrid filmmaking,» and several titles in the series make good companion
pieces.
It's a
nonfiction ensemble
piece that aims for slice -
of - life, which may be part
of why it feels like a mess, both in terms
of structure and pacing.
In this
nonfiction piece, the author shares what he learned about the way
of life
of grizzly bears after spending a full year in Alaska...
In the course
of doing research for a book like Astoria, which my agent has called «historical adventure,» I find myself reading bits and
pieces of all sorts
of works
of nonfiction, as well as explorers» journals and memoirs, history, anthropology and many other eclectic subjects.
Careful explanations and spectacular art make this a joyous
piece of nonfiction that informs and delights in equal parts.
But even if you're writing a memoir or a
piece of creative
nonfiction, you still have to craft it into a story with an arc.
And my third
piece will be to advice about a good image: the saying «never judge a book by its cover» was created by a lazy author who didn't give much thought
of what really works in the marketing
of both fiction and
nonfiction.
I recently finished pulling together a collection
of my shorter prose
pieces, some fiction, mostly
nonfiction, and that will be coming out in the spring
of 2008.
I was a magazine journalist who had written a few
nonfiction articles about Maine game wardens, and one Saturday morning, I started noodling around with a short
piece of fiction — not even a story, just an anecdote — about a rookie warden and a marauding black bear.
Write to Sharon Dolin directly:
[email protected] and attach 3 poems or short
pieces of creative
nonfiction that best represent your work plus the name and email
of 1 reference who can speak to your ability to live and work well in a small - group setting.
And nothing destroys a
piece of creative
nonfiction like a disorganized narrative.
You've edited two anthologies
of short creative
nonfiction essays, which are often short memoir
pieces.
Participants will come away with a list
of places to read and submit brief
nonfiction, as well as some prompts to create short
pieces on their own.
One day I sat down with the thought
of trying my hand at a
piece of nonfiction, a personal memoir
of youth, but over the next several weeks, without intending it, the work began evolving into what has become Tomcat in Love.
So for my last book, Underground Airlines, the
nonfiction included several histories
of slavery (especially Edward Baptist's 2014 The Half Has Never Been Told, various histories
of the Civil Rights movement, Ta - Nahesi Coates's brilliant Atlantic essay «The Case for Reparations» and Ted Conover's devastating Harper's
piece about slaughterhouses, «The Way
of All Flesh.»
Through a series
of what I can only assume are clerical errors and cases
of mistaken identity, I've managed to publish two novels, four short stories, and several
nonfiction pieces.
Readers will learn about a range
of extraordinary people, and many
of the poems are accompanied by a brief
nonfiction piece that highlights the subjects» accomplishments.
It's a fantastic
piece of narrative
nonfiction journalism and asks profoundly important questions about race, policing and media bias.
A joyous
piece of nonfiction that informs and delights in equal parts.»
Every
piece of reading material that crosses a reader's path that isn't fiction is
nonfiction.
Each month they release a
piece of longform
nonfiction, which is sent to subscribers and available to buy on the Matter website (thanks to Medium, which recently bought Matter, soon they will be switching to publishing
pieces weekly).
Writing a
nonfiction piece every week can be tedious, especially when you're in the middle
of writing a novel.
Their responses are expansive, touching on the difference between adapted fragments and «a real flash
piece;» transitioning from
nonfiction and poetry; erotic gapes; Carver, Sarraute, Oulipo, and Joseph Cornell; fast - food literature; guerilla literacy; readers as co-creators, and the future
of flash's evolving aesthetics.
I'm thrilled to have received permission to post Heidi Julavits» short
piece of creative
nonfiction, «The Writers in the Silos.»
The thesis is a substantial
piece of creative writing: a novel, a collection
of short stories or creative
nonfiction, or a collection
of poems.
I am constantly trying to find the right audience for some
of my unpublished creative
nonfiction pieces.
Smokler recently moved on to the
nonfiction e-publisher Byliner.com, which made a splash with its first
piece, «Three Cups
of Deceit,» in which Jon Krakauer looked closely and skeptically at the work
of bestselling author Greg Mortenson.
An archive
of short non-fiction
pieces, one for every school day, on a wide variety
of topics, written by outstanding iNK
nonfiction authors for children, waiting to be used by you and your students
If we look at the
nonfiction side
of the New York Times bestseller list, we can see that those authors all do other things besides write and publish books - they are television personalities, professional journalists who are expanding on magazine
pieces, scientists, sports figures, politicians, doctors, or consultants.
Interviewed by Poynter.org yesterday, Lozada talked about his plans, which are focused on «building a digital audience,» by using «author interviews; short posts that highlight key nuggets from new books; deep dives on trends in
nonfiction,» such as his
piece, «The End
of Everything» and adds, «while I know that lots
of people use reviews to help them decide which books to buy and read, lots
of them also see reviews as a substitute for reading the book.
The reaction to Broken
Pieces has been nothing short
of amazing (it just made the final round for Best
NonFiction for the eFestival
of Books.
Critically acclaimed
nonfiction author Deborah Hopkinson
pieces together the story
of the TITANIC and that fateful April night, drawing on the voices
of survivors and archival photographs.
Dec. 5 2017 The Writers» Union
of Canada (TWUC) is pleased to launch its 25th Annual Short Prose Competition for Emerging Writers, which invites Canadian writers to submit a
piece of fiction or
nonfiction of up... More