Sentences with phrase «of nonrepresentational art»

Lucid Art Foundation (CA), Call for Applicants: Artist - in - Residence 2018 Deadline: November 15th, 2017 The Lucid Art Foundation encourages exploration of nonrepresentational art through multimedia, conceptual, ecological, and interdisciplinary approaches.

Masullo cites Oct. 27, 1977, as a benchmark in his biography; a printmaking instructor explained the concept of negative and positive space, opening up the idea of nonrepresentational art.

The work in About Abstraction suggests a kinship with the Abstract Expressionist movement of 1940s SoHo and San Francisco, and illustrates the enduring vitality and power of nonrepresentational art for well over a century.

Not exact matches

In modern art the criteria of beauty in nonrepresentational pieces are still open to question.

But if the spiritual in art is not primarily a matter of content or representational or nonrepresentational technique, what is it?

At the time, I imagined that our nonrepresentational, process - or - performance - based, and conceptual art would save Chicago from a group of artists whom I now love, the figurative surrealists — Jim Nutt, Roger Brown, Christina Ramberg, Gladys Nilsson, and Jeff Koons's teacher Ed Paschke — known as Chicago Imagists.

Vasily (Wassily) Kandinsky (1866 - 1944) was a Russian painter, teacher, and art theorist who was one of the first artists to explore nonrepresentational art and, in 1910, created the first totally abstract work in modern art, a watercolor entitled Composition I or Abstraction.

We will explore topics ranging from the emergence of nonrepresentational painting to the persistence of abstraction in contemporary art.

Magnetic Fields aims to change this perspective by focusing on nonrepresentational work by women artists >> more Kemper Museum of Contemporary Art ISBN 9780996272834 US $ 60.00 CAN $ 79.00 TRADE Hbk, 9 x 11 in.

Inspired by natural sciences, primitive arts, Eastern philosophies and ancient rituals, he synthesized diverse influences into an expressive, nonrepresentational language emphasizing subtle graduations of color and form.

A mysticism of the senses is indeed brought forth in these paintings by Jenkins, who uses the nonrepresentational to demonstrate the priority of the metaphysical — in life, as well as art.

Each of the artists in this exhibition were chosen because they create nonrepresentational art based on personal narratives that may go unnoticed when viewing the formal elements of the artwork alone.

In Linear Abstraction, the SCAD Museum of Art negotiates the status of nonrepresentational work as it exists in the 21st century and includes work in various media, including painting, sculpture, photography, and digital formats.

In Mitchell's case, metonymy involves an empathetic response to nature that led her to use memories of taking her dog to a swimming hole as the impetus for the nonrepresentational, but allusive and expressionistic George Went Swimming at Barnes Hole, but It Got Too Cold (1957; Albright - Knox Art Gallery).

A pugnacious art world fugitive who had studied with and then taught under Josef Albers at Yale in the 1950s, yet defiantly rejected his era's vogue for nonrepresentational painting, out in his element he'd be squinting at the fish, the birds and the far - off horizon, spitting tobacco, chewing his mustache, cursing us all — a roll of Tums in his shirt pocket and his eye zeroing - in on the flat, all - over screen of his life's obsession....

In 2017 in Krems we could see the exhibition Abstract Painting Now featuring sixty different art positions, and focus on the present - day international state of play of the nonrepresentational easel painting.

In post-World War II America, however, the primacy of abstract art was clearly acknowledged, and by 1961, when Norman Rockwell painted The Connoisseur — his visual treatise on the subject juxtaposing Jackson Pollock's nonrepresentational art with his own illusionistic imagery — Abstract Expressionism had been covered in the popular press for nearly fifteen years.

Art Issues, January 1989, p. 21 Jones, Amelia, «The Contingency of the Nonrepresentational: Liz Larner's Objects,» Visions Art Quarterly, Spring 1989 Kelley, Mike, «Foul Perfection: (Thoughts on Caricature),» Artforum, January 1989, pp. 92 - 99, illus.

Via the gentle sheen and fractured architecture of Untitled (Nearest Window) and the waxy consistency of Untitled (Departed Blue Relief), Lee tweaks nonrepresentational art's most rigid parameters with loving attention.