Sentences with phrase «of numerous biennials»
Hoffman previously served as the director of the CCA Wattis Institute of Contemporary Arts, San Francisco, and as curator or cocurator of numerous biennials, including in Shanghai (2012), Istanbul (2011), and Berlin (1998).
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She has curated international exhibitions as part of numerous biennials including Printemps de Septembre 2016 (Toulouse, France); EVA International 2016 (Limerick, Ireland); Format International Photography Festival 2015 (Nottingham, UK); Summer of Photography 2014 (Brussels, Belgium); 10th Dak» Art Biennial 2012 (Dakar, Senegal); 3rd Photoquai Biennial of World Images 2011 (Paris, France).
Not exact matches
We carried out a sustained advocacy and engagement plan, discussing and / or presenting our findings at numerous events including: the National Information Board Ethics Advisory Committee of the 100,000 Genomes Project, Human Variome Project biennial meeting, the joint congress of the European Society of Human Genetics and European Meeting on Psychosocial Aspects of Genetics, Curating the Clinical Genome and Association for Clinical Genetic Science annual conference
He has been the subject of numerous solo museum exhibitions, two Lyon Biennials, the Sydney Biennial, the Whitney Biennial, and others.
Milhazes has participated in numerous biennials worldwide, including Prospect.1, New Orleans Biennial, Louisiana State Museum, Louisiana (2008); Shanghai Biennial, Shanghai Art Museum, Shanghai (2006); XXIV Bienal Internacional de São Paulo, São Paulo (1998); Biennale of Sydney, Sydney (1998) and Carnegie International, The Carnegie Museum of Art, Pittsburgh (1995).
With 53 of the show's artists - almost as many as Bonami included in his entire biennial - her overstuffed fraction included numerous women working in abstract painting or fabric, notably a knockout Sheila Hicks tower that was, hands down, the best work in the show (Pillar of Inquiry / Supple Column, 2013 - 14).
Jaar has participated in numerous biennials, including the 1986 and 2007 Venice Biennales and the Documenta exhibitions of 1987 and 2002.
Pich's work has been featured in numerous international museum exhibitions and biennials such as his solo exhibition at The Metropolitan Museum of Art in 2013 and Documenta 13.
Freilicher was included in the Whitney Biennials of 1955 (the painting annual, as it was then known), 1972, and 1995, and her work is included in numerous museum collections, including the Museum of Modern Art, the Metropolitan Museum of Art, and the Whitney Museum of American Art.
Vernon Fisher's artwork has been featured in numerous museum exhibitions, including the Museum of Modern Art, New York, the Hirshhorn Museum and Sculpture Garden, Washington, D.C., the Museum of Contemporary Art, Chicago, and two biennials at the Whitney Museum of American Art, New York (most recently in 2000).
She has also participated in numerous biennials including Kiev Biennale, Ukraine (2012) and the 17th Biennale of Sydney, Australia (2010) and the 40th Venice Biennale, Italy (1982).
His work has been shown in numerous biennials (Paris, Venice, Sydney) and has been exhibited in the Grand Palais (Paris), Hirshhorn Museum (Washington, D.C.), Haggerty Museum (WI), House of Culture (La Paz, Honduras), Sivori Museum (Buenos Aires), and National Art Museum of China, among hundreds of others, and can be found in the collections of the Louvre Museum (Paris), Brooklyn Museum (NY), National Museum of Modern Art (Paris), Museum of Modern Art (Vienna), LaSalle Bank Photography Collection (Chicago), Guggenheim Museum (NY), and Deutsche Bank Collection, among several others.
His work has also featured in numerous group exhibitions and biennials including «Roberto Burle Marx: Brazilian Modernist», Jewish Museum, New York, USA; «United States of Latin America», Museum of Contemporary Art, Detroit, Michigan, USA (2015); «The insides are on the outside», curated by Hans - Ulrich Obrist, Casa de Vidrio, Sao Paulo, Brazil (2013); the Aichi Triennial, Nagoya, Japan (2010), Museu de Arte Moderna de São Paulo, São Paulo (2009); the Sharjah Biennial, United Arab Emirates (2009); the Mercosul Biennial, Porto Alegre, Brazil (2007); the São Paulo Biennial (2006); the San Diego Museum of Art (2005) and the American National Society, New York (2005).
His work has been prominent in major international biennials and has been the subject of numerous solo exhibitions across Asia, Europe and America.
Currently he is engaging in a series of public interventions and has been invited to participate in numerous biennials between 2018 and 2019.
He has written about the work of Andrea Bowers, Mark Bradford, Glenn Ligon, Sharon Hayes, and Wangechi Mutu, among others, and has organized exhibitions including: «Quadruple - Consciousness» at Vox Populi, Philadelphia, «Fade: African American Artists in Los Angeles,» for the city of Los Angeles, numerous exhibitions and programs for LAXART, Los Angeles, where he served as Curator, and «Made in L.A., 2012,» the first Los Angeles biennial, co-organized by a curatorial team from the Hammer Museum and LAXART.
Gillick's work has been included in numerous important exhibitions including documenta and the biennials of Venice, Berlin and Istanbul.
She has participated in numerous group exhibitions in museums, galleries and biennials across the US, Europe and the Middle East, including Kunsthall Stavanger (2017); Biennale of Moving Images, Miami (2017); CCS Bard, New York (2017); Villa Empain Boghassian Foundation, Brussels (2017); Museum of Contemporary Art, Chicago (2017); Sursock Museum, Beirut (2016); Villa Stück, Munich (2016); the New Museum Triennial, New York (2015); Serpentine Gallery, London (2014); ICA London (2014); and the 9th Gwanju Biennale (2012), among others.
Her work is included in museum collections across the U.S. and Europe, and she is the recipient of numerous prizes and fellowships, including two Whitney Biennials (1987 and 2000) and the 1990 Venice Biennale.
He has participated in numerous group exhibitions including Project Los Altos (off - site show in Silicon Valley, staged by San Francisco Museum of Modern Art, 2013); both Taipei and Sydney Biennials (2010); the Whitney Biennial, New York (2002) and the Venice Biennale (1999, 2013).
She has participated in numerous international biennials and festivals, including the 5th International Istanbul Biennial, Turkey (1997); the 2nd Johannesburg Biennale, South Africa (1997); XXIV Biennale of Sao Paolo, Brazil (1998); SITE Santa Fe, NM (1999); and the First Liverpool Biennial of Contemporary Art, England (1999).
Niemojewski has lectured extensively on the topic of biennials and his writings appeared in numerous books and journals.
Since then, the artist — a gentle, well - mannered man who still lives in the urban rainforest of Rio — has gone on to exhibit worldwide, having participated in the Venice (1982, 95) and São Paulo (1981, 87, 94, 98) biennials and Documenta (1997), as well as numerous solo shows.
She has exhibited widely at prominent institutions and biennials worldwide, and her work can be found in numerous public and private collections, including The Chrysler Museum of Art, Virginia; Centro de Arte Contemporaneo de Malaga, Spain; Hammer Museum, Los Angeles, California; Istanbul Museum, Turkey; Los Angeles County Museum of Art, California; Minneapolis Institute of Arts, Minnesota; Museum of Contemporary Art, North Miami, Florida; and Museum of Fine Arts, Houston, Texas.
Over the course of his career he has participated in numerous institutional exhibitions and biennials throughout the world, including most recently Not New Now, Marrakech Biennale 6, Morocco, 2016; Surface Matters, Museum of Fine Arts, Boston, 2015; Surface Tension, The FLAG Art Foundation, New York, 2015; Affecting Presence and the Pursuit of Delicious Experiences, The Menil Collection, Houston, 2015; Represent: 200 Years of African - American Art, Philadelphia Museum of Art, 2015; Pretty Raw: After and Around Helen Frankenthaler and New Acquisitions, Rose Art Museum, Brandeis University, Waltham, Massachusetts, 2015; and Witness: Art and Civil Rights in the Sixties, organized by the Brooklyn Museum, 2014 - 15.
Binstock is the author and / or curator of numerous books and exhibitions including Dan Steinhilber: Marlin Underground (2012); Sam Gilliam: A Retrospective (2005); Atomic Time: Pure Science and Seduction (2003), featuring the art of Jim Sanborn; the 47th (2002) and 48th (2005) Corcoran Biennials; Andy Warhol: Social Observer (2000); two exhibitions devoted to the late and influential artist Jeremy Blake (2000 and 2007); and, most recently, Meleko Mokgosi: Pax Kaffraria, published by the Hammer Museum, UCLA (2014).
She has won numerous awards including the Ryerson Alumni Achievement Award, 2015; the Fine Prize for an emerging artist at the 2013 Carnegie International; a Prince Claus Award, 2013; the Index on Censorship — Freedom of Expression art award, 2013; and the Casa Africa award for best female photographer and a Fondation Blachère award at Les Rencontres de Bamako biennial of African photography, 2009.
He has participated in numerous biennials, including those held in Venice, Italy; Lyon, France; Liverpool, England; Taipei, Taiwan; and Sydney, and at the Whitney Museum of American Art.
Ericka Beckman's work has been the subject of numerous solo and group exhibitions and film festivals most recently at Kunst - Werke (Berlin, Germany) in 2018; the Secession (Vienna, Austria) in 2017; Walker Art Center (Minneapolis, MN), Muzeum Sztuki (Łódź, Poland), MAMCO (Geneva, Switzerland) in 2016; Whitney Museum of American Art (New York, NY), Raven Row (London, UK) in 2015; Modern Art Oxford (Oxford, UK) and Swiss Institute (New York, NY) in 2014; Kunsthalle Bern (Bern, Switzerland), Tate Modern (London, UK) and Centre Pompidou (Paris, France), Castello di Rivoli Museo d'Arte Contemporanea (Turin, Italy) all 2013 and has been included in four Biennials at the Whitney Museum of American Art, New York.
McClelland's work has been exhibited at numerous notable institutions, including The Whitney Museum of American Art (2014 and 1993 Biennials) and The New Museum of Contemporary Art (2013).
About Connie Butler Connie Butler is the Chief Curator at the Hammer Museum, Los Angeles where she has organized numerous exhibitions including the biennial of Los Angeles artists «Made in LA» (2014), «Mark Bradford: Scorched Earth» (2015) and «Marisa Merz: The Sky Is a Great Space» (2017).
Since 1986, his work has been presented frequently in the annual exhibitions of the Emirates Fine Arts Society, Sharjah, and it has also been featured in Sharjah Biennials 1 — 6 and 8 as well as numerous other regional and international exhibitions.
His work has also been featured in numerous group exhibitions and biennials, most recently the 14th Biennale de Lyon, curated by Emma Lavigne (2017), Manifesta 7 (2015), along with 2017 group shows at Guggenheim Bilbao, Albright Knox Art Gallery, Centre Pompidou - Metz, and a permanent installation at the Museum of Contemporary Art, Chicago.