Sentences with phrase «of numerous catalogue»

She is the author of numerous catalogue essays and her writing has appeared in publications such as Artforum, Art Journal, Documents, and October.

She is the author of numerous catalogue essays.

It's in need of an update, although so few of the numerous catalogue DVDs released in the past 18 months have come equipped with great bonus features the way the advertised titles mostly have.

He is the author of numerous catalogues and essays on contemporary and modern art, and has been a grant panelist for numerous federal, state, city, and private foundations.

To date, the artist has been the subject of numerous catalogues addressing his more than 25 bodies of work.

Not exact matches

The outstanding example, of course, is the Chinese government's long - running «one - child policy,» replete with forced abortions, public trackings of menstrual cycles, family flight, increased female infanticide, sterilization, and other assaults too numerous even to begin cataloguing here — in fact, so numerous that they are now widely, if often grudgingly, acknowledged as wrongs even by international human - rights bureaucracies.

He also led an expansion of the brand's merchandising, licensing partnerships and product offerings to include numerous products co-branded with the Tabasco brand name, as well as a thriving catalogue business in licensed merchandise, including, for example, the popular Tabasco neckties.

In his 1864 book Man and Nature (original title: Man the Disturber of Nature's Harmonies), George Perkins Marsh catalogued numerous examples of changing climate conditions on losing forests and wrote, «When the forest is gone, the great reservoir of moisture stored up in its vegetable mold [humus] is evaporated, and returns only in deluges of rain to wash away the parched dust into which that mold has been converted.

For readers, we host a catalogue of free eBooks of numerous classics that have been professionally designed.

Rounding out the catalogue are numerous details and installation views, atmospheric color photographs of the artist's studio and materials, and an illustrated visual appendix showing a selection of Frecon's reference sources for the comprised works, including insightful commentary written by the artist.

She is a contributor to numerous exhibition catalogues and art publications, including Aperture, Art in America, Artforum.com and Spike Art Quarterly, and has given talks and presentations at a range of symposia and discursive platforms, including at Bienal de São Paulo, Johann Jacobs Museum, Brooklyn Museum of Art, Museum of Modern Art New York, Para Site International Conference Hong Kong, The Studio Museum in Harlem, Whitechapel Gallery, Whitney Museum of American Art, New York University, Stanford and Northwestern University, among others.

Hull has organized numerous publications and exhibitions including Blind Date (1998), a catalogue of 31 artists and writers» collaborations; I'm Still In Love With You (1998 - 99), an album and catalogue in which visual artists and writers respond to the 1972 album by Al Green; Song Poems (2000 - 01), a catalogue with three CDs of 43 original lyrics, songs and album art contributed by numerous writers, artists and musicians; and Nothing Moments (2007), a publishing and curatorial project consisting of 24 limited edition books and over 400 original drawings.

While there have been numerous catalogues on Andre's work since the 1960s, this will be the first comprehensive catalogue of the artist's poetry.

Rothko is the subject of numerous publications, including the catalogue raisonné, Mark Rothko: The Works on Canvas by David Anfam, Yale University Press, 1998.

She has written widely on the subject for numerous journals and exhibition catalogues, and is the author of many artists» monographs.

She is also the founder of the online publication artcore journal and has contributed essays to numerous exhibition catalogues and books, including those on Steve Locke, Clare Rojas, and Hung Liu.

Having curated more than fifty exhibitions, he has been the primary or sole author of numerous exhibition catalogues, including Artists at Continent's End: The Monterey Peninsula Art Colony, 1875 - 1907; Edgar Payne: The Scenic Journey (Pomegranate); A Touch of Blue: Landscapes by Gregory Kondos; Armin Hansen: The Artful Voyage (Pomegranate); David Ligare: California Classicist; and E. Charlton Fortune: The Colorful Spirit (forthcoming from Pomegranate).

SHOWS (selection) 2014 still on view: Kunst im Bau 5, installation in the former engineering workshops of the Isarthal Railway, Munich (curator Christoph Nicolaus) UNPAINTED media art fair, Munich, lab 3.0: positions of media art (curator Li Zhenhua) 2013 ikono On Air Festival on ikonotv, ikono Menasa and numerous locations in Berlin Villa Biesental, Berlin, K - Geist 100 Economy Pack Installation in the studio building of the City of Munich, K - Geist 100 Studio, (with Jutta Burkhardt) 2012 Satellite For Contemporary Art, Platform 3, Munich, Raw Material Artistic Spirit Repository For Knowledge And Art in the Syntopic Salon, Potsdam, Germany, a collaboration with the Berlin Brandenburg Academy of Science Biennale For One, KloHäuschen Munich, Germany German Consulate General, New York, Etsi Omnes Ego Non 2011 532 Gallery Thomas Jaeckel, New York, USA, The Shadows of the Fire in my Mind, (solo show) Regensburg New Art Society, Regensburg, Germany, kitchnapping goes shopping Kunstherberge Birkenau, Munich, Germany, The Driftwood Project (Feb — Mai) Salon, ISCP Gallery, Brooklyn, New York, USA Künstlerforum Bonn, Germany (solo show) 2010 Open Studios, International Studio & Curatorial Program (ISCP), Brooklyn, New York, USA Gallery Bezirk Oberbayern, Munich, Germany, Et In Arcadia Ego, (solo catalogue) 2009 Ebersberg Art Society, Ebersberg, Germany Brainwash, performance at St Luke's Church, Munich Art Meets Fashion, nurjungekunst.de, Prater Island, Munich 2008 The Medium of Drawing, Great Art Show, Haus der Kunst, Munich, Germany 2007 The Dark Side of Beauty, nurjungekunst.de, Munich, Germany real, sortiert, fingiert, Linhof - Gallery, Munich, Germany Centre for Contemporary Art, Plovdiv, Bulgaria Goethe Institute, Sofia, Bulgaria 2006 Landshut Art Society, Landshut 2005 Ebersberg Art Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, Germany

She is the author of a wide range of books, which include The Omega Workshops (Secker & Warburg, 1983), The Origins of the Romanesque (Lund Humphries, 1983), Eric Gill: The Sculpture (Herbert Press, 1993) and Andy Goldsworthy: Midsummer Snowballs (Thames & Hudson, 2001), and has written exhibition catalogues on numerous artists including Eduardo Paolozzi, Henry Moore, Barbara Hepworth, Lynn Chadwick, Elisabeth Frink, Magdalena Abakanowicz, David Nash and Carl Plackman.

A former editor of Afterall and co-founder of the journal FR David, Roelstraete has published extensively on contemporary art and related philosophical issues in numerous catalogues and journals including Artforum, e-flux journal, Frieze, Metropolis M, Mousse Magazine, and Texte zur Kunst.

Carlo McCormick is a New York art critic and curator, and has been the author of numerous publications, monographs, and catalogues on contemporary art and artists.

Mr. Fairbanks initiated the Catalogue Raisonné on the French Post-Impressionist painter, Henri Lebasque (1865 - 1937), wrote the monograph on the artist, published in 1988, and has been the author of numerous exhibition catalogues and articles.

This unassuming ambiguous object resonated not just with Wiley and Nauman, but also with a whole range of Bay Area artists in the 1960s, inspiring more than one group exhibition themed around it, a catalogue, and numerous articles as well as extensive use as a teaching tool by the painter Frank Owen.

Lessing completed her Ph.D. in Art History at Indiana University under the guidance of Sarah Burns, and she has authored numerous books, articles, catalogue essays, and papers on eighteenth and nineteenth - century American art.

The catalogue will also include an extensive illustrated chronology of Chin's career by Lisa Crossman, PhD, numerous entries on specific artworks, and a comprehensive bibliography.

This exhibition of 12 sculptures and numerous drawings and photographs by the Italian - born artist is prefaced by a new work, In Frequencies, by Tony Cragg, who in the accompanying catalogue credits Rosso as the first modern sculptor.

The co-author, with Ken Okiishi and Alise Upitis, of The Very Quick of the Word (Sternberg Press, 2014), she has penned features and catalogue essays on the work of numerous artists, including Okiishi, Korakrit Arunanondchai, Alex Da Corte, Loretta Fahrenholz, Marianna Simnett, and Cally Spooner.

Dr. Flam is the author of numerous books, catalogues, and articles on various aspects of nineteenth and twentieth - century art, and on African art, and is most recently co-author of the catalogue raisonné of Robert Motherwell's paintings and collages and of Robert Motherwell: 100 Years.

During his tenure he developed numerous exhibitions and published nearly three hundred exhibition catalogues, of which he personally designed two hundred.

She has contributed to numerous catalogues and curated several exhibitions, including «Only Make - Believe: Ways of Playing» at Compton Verney in Warwickshire, UK (2005).

His extensive writing credits include a wide range of contributions to exhibition catalogues as well as numerous contributions to Artforum, Frieze, Flash Art, and Parkett.

He has authored numerous articles, books and exhibition catalogues throughout his career and has served on many juries of exhibitions, public sculpture commissions and awards.

She has written for Frieze, Sculpture, and Art Papers, as well as numerous exhibition catalogue essays, and she works as a staff writer at the University of Pennsylvania.

She has participated in numerous national and international exhibitions, including the solo exhibition This, and other things at The Irish Museum of Modern Art, Dublin, 2010 accompanied by a catalogue with writing by Charles Esche, Hans Ulrich Obrist, Vaari Claffey and Rachel Thomas.

In 1972 at the age of 27, he was the youngest artist ever to be offered a retrospective at The Tate, to which he responded with King for a Day a one - day exhibition which consisted of a catalogue listing 1000 proposals for sculpture, he has gone on to have numerous one man exhibitions at major museums including The ICA, Whitechapel and MOMA Oxford.

Her writings have appeared in numerous artists» catalogues and journals and she is editor of the serial publication The Artist as Curator for Mousse.

He is the author of dozens of books and catalogues and numerous essays on subjects ranging from eighteenth - century drawing to the work of Bob Dylan.

An editor of Afterall journal and frequent contributor to Mousse Magazine, Frieze and Artforum, Roelstraete's writing has appeared in numerous catalogues and art publications.

In the catalogue for the rest of the sale from various owners, there are numerous highlights.

He has published hundreds of texts in books, catalogues and magazines, and has given numerous talks and conferences at museums and universities around the world, also carrying out an important teaching activity in New York.

In addition, his work has been in numerous group exhibition catalogues, including Solomon R. Guggenheim Museum, One Hundred Paintings from the G. David Thompson Collection and the Museum of Modern Art, Tamarind: Homage to Lithography.

He has written for numerous exhibition catalogues and has published in Art History, Nineteenth - Century Art Worldwide, and the Berkeley Review of Latin - American Studies.

This exhibition of nearly 140 works — including the notorious rock paintings; the «Bloody Head» series, 1973 — 2011; and numerous rarely seen early drawings — and its accompanying catalogue will explore that beautiful paradox.

The fully illustrated exhibition catalogue features an essay, entitled «The Music of Invisibility,» by renowned art historian, critic, and curator David Anfam, whose numerous publications include: Abstract Expressionism (1990), Franz Kline: Black & White: 1950 - 1961 (1994), Mark Rothko: The Works on Canvas — A Catalogue Raisonné (1998), and Abstract Expressionism: A World Elsewhercatalogue features an essay, entitled «The Music of Invisibility,» by renowned art historian, critic, and curator David Anfam, whose numerous publications include: Abstract Expressionism (1990), Franz Kline: Black & White: 1950 - 1961 (1994), Mark Rothko: The Works on Canvas — A Catalogue Raisonné (1998), and Abstract Expressionism: A World ElsewherCatalogue Raisonné (1998), and Abstract Expressionism: A World Elsewhere (2008).

She is the author of numerous artists» catalogues and monographs and has curated exhibitions in the United States, Europe and Asia.

Since joining the museum in 2009, she has curated numerous exhibitions, including the retrospective Bertrand Goldberg: Architecture of Invention (2011 — 12), which was accompanied by a scholarly catalogue.

The 352 - page catalogue, which includes 116 full - page color reproductions of paintings in the show as well as numerous other illustrations and a detailed chronology of the artist's life, has an essay by Carol Mancusi - Ungaro on «Material and Immaterial Surface: the Paintings of Rothko,» and interesting interviews with several artists including Ellsworth Kelly, Brice Marden, Gerhard Richter, Robert Ryman and George Segal.

These passages make me think of other great memoirs cataloguing spousal indiscretion — in particular Norris Church Mailer's A Ticket to the Circus, about Norman Mailer's «grand experiment in monogamy» with the author, his sixth and last wife, which of course was a failure («I'm not going to talk about the numerous girlfriends, but you know who you are, and there are many more of you than you think,» she writes).

In addition to curating numerous exhibitions on contemporary art, she has contributed critical writings to Art in America, Bomb, Trans, and Parkett and has edited a number of publications, including the symposium volume for SITAC 8 (Mexico City, 2011) and the exhibition catalogues Marta Minujín: MINUCODEs, Arturo Herrera: Les Noces (both Americas Society, New York, 2011) and The Art of Friendship: Xul Solar and Jorge Luis Borges, among many others.

He organized Canada's art exhibition for Expo 93 Korea, and is author of numerous books and catalogues for exhibitions held at many prestigious museums, such as the Tate Gallery, Russia's Hermitage Museum, the National Gallery of Canada, the Phoenix Art Museum and the Montreal Museum of Fine Arts, among others.