Her works have been part
of numerous international group exhibitions, including Centro dos de Mayo, Madrid (2016), Van Abbemuseum, Eindhoven (2015), the Armenian Pavillion at the Venice Biennial (2015), Istanbul Biennial (2015), New Museum, New York (2014), São Paolo Biennial (2014) and Documenta 13, Kassel (2012).
She has had solo exhibitions and performances in Tehran, Los Angeles, Chicago, New York and has been part
of numerous international group exhibitions.
Not exact matches
Cai has been the subject
of numerous international solo
exhibitions, including «Cai Guo - Qiang — An Explosion Event: Light Cycle Over Central Park» (2003) at Asia Society Museum, as well as a part
of such seminal
group exhibitions as Asia Society's «Inside Out: New Chinese Art» (1998).
He has been included in
numerous significant
group exhibitions including Display — between art and arts & crafts, Applied Arts Pavilion, the 57th Biennale di Venezia (2017); Okoyama Art Summit (2016), Viehof Collection:
International Contemporary Art, Deichtorhallen, Hamburg (2016); You've Got to Know the Rules... to Break Them, de la Cruz Collection, Miami (2015); Beyond the Supersquare, The Bronx Museum
of Arts, New York, US (2014); KölnSkulptur # 7, Skulpturenpark Köln, Cologne (2013); Print / Out, MoMA Museum
of Modern Art, New York (2012); Art
of Communication: Anri Sala, Yang Ah Ham, Philippe Parreno, Jorge Pardo, National Museum
of Art, Deoksugung (2011); The Jewel Thief, The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, (2010); theanyspacewhatever, Solomon R. Guggenheim Museum, New York (2008); Index.
Sugimoto's work has been presented in
numerous international solo and group exhibitions among them The J. Paul Getty Museum (2014); 17th Biennale of Sydney (2010); Yokohama Triennale (2001); 3rd Biennale d'art contemporain de Lyon (1995); and Carnegie Internat
international solo and
group exhibitions among them The J. Paul Getty Museum (2014); 17th Biennale
of Sydney (2010); Yokohama Triennale (2001); 3rd Biennale d'art contemporain de Lyon (1995); and Carnegie
InternationalInternational (1991).
Gaining early
international recognition with her participation in Damien Hirst's Freeze
exhibition, Surrey Docks, London (1988), she has had
numerous solo
exhibitions, including: Thomas Dane Gallery, London (2017), Museum
of Contemporary Art San Diego, CA (2015), Lehmann Maupin, New York, NY (2015), Blum & Poe, Los Angeles, CA (2014), Headlands Center for the Arts, Sausalito, CA (2014), Artpace, San Antonio, TX (2013), Annet Gelink Gallery, Amsterdam (2011), Camden Arts Centre, London (2008), SculptureCenter, New York, NY (2006), and Tate Britain, London (2002); and
group shows at venues such as Bohusläns Museum, Uddevalla, Sweden (2016), Museum
of Contemporary Photography, Chicago, IL (2014), the FLAG Art Foundation, New York, NY (2013), Contemporary Arts Center, Cincinnati, OH (2012), Whitechapel Gallery, London (2011), and Kunstmuseum Bonn, Germany (2009).
She has received several
international honors, including the Fukuoka Arts & Culture Prize (2013) and has been the subject
of numerous international solo and
group exhibitions including, in 2014, her solo
exhibition «Transgressions» organized by Asia Society Museum.
During his life, he participated in important
group exhibition including Fourteen Americans, The Museum
of Modern Art, New York (1946); four editions
of the Carnegie
International (1958, 1961, 1964, 1967); Documenta (1959, 1964); and
numerous editions
of the Whitney Annual (1939, 1945, 1950, 1952, 1956, 1960).
Weems has participated in
numerous solo and
group exhibitions at major national and
international museums including the Metropolitan Museum
of Art, The Frist Center for Visual Art, and the Solomon Guggenheim Museum in New York.
Mthethwa has had more than 35
international solo exhibitions and has been featured in numerous group shows, including the 51st Venice Biennale in 2005 and Snap Judgments: New Positions in Contemporary African Photography at the International Center of Photography, New Y
international solo
exhibitions and has been featured in
numerous group shows, including the 51st Venice Biennale in 2005 and Snap Judgments: New Positions in Contemporary African Photography at the
International Center of Photography, New Y
International Center
of Photography, New York, in 2006.
Her work has been presented in
numerous group exhibitions at
international venues, including the San Francisco Museum
of Modern Art (2011); Stedelijk Museum Schiedam, Netherlands (2011); South London Gallery (2010); Centre National d'Art Contemporain, Grenoble, France (2009), and De Appel, Amsterdam (2008).
He recently had solo -
exhibitions at Centre for Contemporary Art (Derry, 2016); Walker Gallery (Liverpool, 2016) and Art on the Underground (London, 2015) and has participated in
numerous group exhibitions: British Art Show 8 (Leeds, Edinburgh, Norwich and Southampton, 2015 - 2016); Institute
of Contemporary Arts (London, 2015), Jerwood Space (London, 2015); Baltic 39 (Newcastle, 2014); Adelaide
International 2014 (Adelaide, 2014), and Museum
of Arts and Design (New York, 2013).
She has been included in
numerous international group exhibitions at venues including Documenta 14 (2017) with Rosalind Nashsashibi, The Renaissance Society, Chicago (2013), The Metropolitan Museum
of Art (2013), Carnegie Museum
of Art, Pittsburgh (2010), Centre Georges Pompidou, Paris (2010), and K21 Düsseldorf (2010), Tate Britain (2009), the 5th Berlin Biennale (2008), and the 52nd Venice Biennale (2007).
Maor has curated solo shows for
numerous Israeli and
international artists, as well as large - scale, thematic
group exhibitions such as «Embroidered Action,» «(after),» «Temporally,» «History
of Violence,» «Living Room,» «showtime,» and others.
He has also exhibited in
numerous group exhibitions including Paper and Process 2, Art Projects
International, New York; Krungthep 226, Bangkok Art + Culture Center, Thailand; Different Ways
of Seeing: The Expanding World
of Abstraction, Noyes Museum
of Art, New Jersey; and The Inverse Mirror, Chambers Fine Art, New York IL LEE is best known for his pioneering work with ballpoint pen that he began 30 years ago and continues today.
Curiously, though her work has been included in
numerous major
international group exhibitions and has been the focus
of several solo
exhibitions, she still manages to slip into obscurity in some countries.
She has participated in
numerous solo and
group exhibitions at major national and
international museums including the Whitney Museum, the Museum
of Modern Art, and the Solomon Guggenheim Museum.
Douglas's work has been featured in
numerous solo and
group exhibitions at major institutions around the world, and in 2012 he received the Infinity Award from the
International Center
of Photography, New York.
She has been featured in
numerous group exhibitions including at Gallery IS (2017), SOMA Museum
of Art Performance Festival - Bring Your Own Body (2016), Gwanghwamun
International Art Festival (2017) and among others as a rising artist.
In addition to participating in
numerous international biennales and important
group shows, he has held solo
exhibitions at Capsule Gallery, Tokyo (2014); a site specific
exhibition entitled «House Lives with Time» in a traditional house in Seoul, Korea (2012); Kunstmuseum St Gallen, Switzerland (2012); Ullens Center for Contemporary Art, Beijing (2011); Miyanomori Art Museum, Hokkaido, Japan (2010); San Francisco Museum
of Modern Art, USA (1997); Fondation Cartier pour l'Art Contemporain, Paris, France (1996); and Modern Art Museum
of Fort Worth, USA (1996).
Her work has been the subject
of numerous solo and
group exhibitions at prominent institutions worldwide, including the 56th
International Art
Exhibition at the Venice Biennale (2015); The Metropolitan Museum
of Art, New York (2013); Palais de Tokyo, Paris (2012); MoMA PS1, New York (2012 and 2005); Collezione Maramotti, Reggio Emilia, Italy (2012); Aspen Art Museum (2011); Whitney Museum
of Art, New York (2010); the 7th Gwangju Biennale, Korea (2008); and the Royal Academy
of Arts, London (2006).
Since 1985 Ugo Rondinone's work has been included in
numerous international solo and
group exhibitions, including at the Museo de Arte Contemporáneo de Castilla y Léon, Léon (2009); Sculpture Center, New York (2008); Hamburger Bahnhof, Berlin (2008); Palais de Tokyo, Paris (2007); Kunstmuseum Wolfsburg, Wolfsburg (2007); Whitechapel Gallery, London (2006); Witte de With — Center for Contemporary Art, Rotterdam (2006); Museum
of Contemporary Art, Chicago (2005), Australian Centre for Contemporary Art, Melbourne (2004); Musée des Beaux - Arts du Canada, Ottawa (2004); Centre Georges Pompidou, Paris (2003); Museum für neue Kunst / ZKM, Karlsruhe (2002); Swiss Institute, New York (2002); Museum
of Modern Art, New York (2002); Kunsthalle Wien, Vienna (2002); Palazzo delle Esposizioni, Rome (2001); P.S. 1.
Jensen has been featured in
numerous important
international group exhibitions including Documenta (1964, 1968, 1972), the Venice Biennale (1964), Biennial
of São Paulo (1977), and Post Painterly Abstraction, a landmark travelling
exhibition curated by Clement Greenberg for the Los Angeles County Museum
of Art (1964).
Her work has been shown in
numerous individual and
group exhibitions in Alaska and the contiguous United States, including the national
exhibition Changing Hands 2: Art without Reservation, the
international exhibition Arts from the Arctic, and Hide at the National Museum
of the American Indian in New York.
Piero Manzoni's work has been the subject
of numerous solo and
group exhibitions, including
international retrospectives at the Museum d'Art Moderne de la Ville de Paris (1991), the Serpentine Gallery, London (1998), and the Museum d'Arte Contemporanea Donnaregina, Naples (2007).
A 2001 recipient
of CCF's Fellowship for Visual Artists, over the years she has had
numerous group and solo
exhibitions throughout the world including the California African American Museum, Japanese American National Museum, the Craft and Folk Art Museum, the
International Assemblage Artists Exhibition (Berlin, Germany), National Museum of Mexican Art (Chicago, Illinois) and international Assemblage Artist Award Exhibition (New Yor
International Assemblage Artists
Exhibition (Berlin, Germany), National Museum
of Mexican Art (Chicago, Illinois) and
international Assemblage Artist Award Exhibition (New Yor
international Assemblage Artist Award
Exhibition (New York, New York).
He has taken part in
numerous group exhibitions at The Fruitmarket Gallery, Edinburgh, The Hirshhorn Museum and Sculpture Garden, Washington, D.C., deCordova Museum and Sculpture Park, Lincoln, MA, Scottsdale Museum
of Contemporary Art, MACRO, Rome, Museum De Fundatie, Zwolle, The Solomon R. Guggenheim Museum, New York (2010); Making Worlds: 53rd
International Art
Exhibition, La Biennale di Venezia (2009); 50 Moons
of Saturn, Turin Triennial (2008).
In 2016, Murillo participated in
numerous international group exhibitions, including the 2nd Hangzhou Triennial
of Fiber Art 2016 in China; the 3rd Aichi Triennial.
She has also participated in
numerous group exhibitions including Perez Art Museum, Miami, Little Haiti Cultural Complex, Miami, Musée
International des Arts Modestes in Sete, France, Museo Arte Contemporáneo de Puerto Rico, San Juan, NSU Art Museum, Fort Lauderdale, White Box, New York, Inman Gallery, Houston, TX, National Museum
of Women in the Arts, Washington, D. C., among others.
He has also exhibited in
numerous group exhibitions including Paper and Process 2, Art Projects
International, New York; Krungthep 226, Bangkok Art + Culture Center, Thailand; Different Ways
of Seeing: The Expanding World
of Abstraction, Noyes Museum
of Art, New Jersey; and The Inverse Mirror, Chambers Fine Art, New York.
Among
numerous group exhibitions in national and
international gallery and museum venues, Sánchez had solo
exhibitions at BRIC Arts / Media House, P.S. 1 / MoMA Contemporary Art Center, El Museo del Barrio, Exit Art, Bronx Museum
of the Arts, the 5th Havana Biennale, and El Museo de Historia, Antropologia y Arte, Universidad de Puerto Rico.
Teresita Fernández has been featured in
numerous solo and
group exhibitions internationally and abroad at sites including the Corcoran Gallery, Washington, D.C. (1997); the Institute
of Contemporary Art, Philadelphia (1999); Site Santa Fe, New Mexico (2000); the Witte de With, Rotterdam (2001); Outer City, Inner Space: Teresita Fernández, Stephen Hendee, and Ester Partegas at the Whitney Museum
of American Art at Phillip Morris; Castello di Rivoli, Torino, Italy (2001); Miami Art Museum, Florida (2002); Centro de Arte Contemporáneo de Málaga, Spain (2005); Lehmann Maupin Gallery, New York (2009); Blind Lanscape at the Contemporary Art Museum at the University
of South Florida in Tampa; the Blanton Museum
of Art in Austin, TX (2009); and the Setouchi
International Art Festival, Naoshima, Japan (2010).
The work
of Parisian artist Pierre Huyghe (HEW - ig) has won
international acclaim and has been presented in
numerous solo and
group exhibitions in recent years.
Salter has had
numerous solo and
group exhibitions recently including: Paintings, Drawings, Prints, Beardsmore Gallery, London (2016); First Light, Howard Scott Gallery, New York (2015); New Works on Paper (with Gianfranco Foschino) Galerie Michael Sturm, Stuttgart (2014); Beyond, Beardsmore Gallery, London (2013);
International Print
Exhibition UK / Japan, Kyoto, Kita Kyushu (2012); into the light
of things: Rebecca Salter 1981 - 2010, Yale Center for British Art, Connecticut (2011); Rebecca Salter and Japan, Yale University Art Gallery (2011); 40 Artists: 80 Drawings, Burton Art Gallery and Museum, Bideford, Devon (2011); Pale Remembered, Beardsmore Gallery, London (2009); 40 Artists - 40 Drawings, Victoria and Albert Museum (2009); Drawing into Painting into Drawing, The Drawing Gallery, UK (2008).
With the support
of an experienced team
of curators, advisors and SITE's Board
of Directors, Hofmann continues SITE's legacy
of presenting first one - person museum
exhibitions of numerous emerging and now internationally recognized artists in addition to significant
group exhibitions, while garnering SITE an expanded profile among its national and
international peer institutions as well as in its own community.
Weems has participated in
numerous solo and
group exhibitions at major national and
international museums including the Whitney Museum, the Museum
of Modern Art and the Metropolitan Museum
of Art.
Although most
of Moore's output was destined for these shows he also participated in
numerous group exhibitions during the decade, most notably the
International Surrealist
Exhibition in London and Cubism and Abstract Art at the Museum
of Modern Art, New York, both in 1936.
Apart from participation in
numerous international group shows, Nara has had solo
exhibitions at the Chicago Museum
of Contemporary Art and the Santa Monica Museum
of Art, and he is preparing for a retrospective in 2002, which will travel throughout Japan.
Ratman has exhibited in
numerous of international group exhibitions, including Real Time: Israeli Art 1998 - 2008, at Israel Museum (Jerusalem) in 2008, Teritorial Bodies at the Museum Beelden Aan Zee (Haag) also in 2008, Why don't you say it at the Herzliya Museum
of Art in 2005 and the Video Art Festival in Beijing in 2003.
He has exhibited in
numerous solo and
group exhibitions at institutions such as the Smithsonian, National Museum
of African Art, Washington, the New Museum
of Contemporary Art, New York and the Hood Museum
of Art, Dartmouth, and his works are housed in
international public and private collections.
She has participated in a number
of international group exhibitions, including the 53rd Venice Biennale (2009); Liverpool Biennial (2006); 26th São Paulo Biennial (2004); 1995 Whitney Biennial; among
numerous others.
Eisenman's work has been included in
numerous group exhibitions including the 2016 Biennale de Montreal; «American is Hard to See,» Whitney Museum
of American Art; «Painting 2.0: Expression in the information Age,» Museum Brandhorst, Munich; «The Forever Now: Contemporary Painting in an Atemporal World,» Museum
of Modern Art, New York; Manifesta 10, the State Hermitage Museum, St. Petersburg; the 2013 Carnegie
International; and the 2012 Whitney Biennial.
Bedia's work has been exhibited in
numerous U.S. and
international solo and
group exhibitions, and is included in such museum collections as the Museum
of Modern Art, NY, Whitney Museum
of American Art, Guggenheim Museum and Tate Modern, London.
His work has been included in
numerous group exhibitions at institutions including Addison Gallery
of American Art, Andover, Mass.; Ca» Pesaro
International Gallery
of Modern Art, Venice; Peggy Guggenheim Museum, Venice; National Academy Museum, New York; and Portland Museum
of Art, Maine.
He has taken part in
numerous group exhibitions, including Light and Landscape, Storm King Art Center, Mountainville, New York, NEON, La material luminosa dell «arte, MACRO, Rome (2012); More Light, Museum De Fundatie, Zwolle (2011); Haunted: Contemporary Photography / Video / Performance, Solomon R. Guggenheim Museum, New York (2010); Making Worlds: 53rd
International Art
Exhibition, La Biennale di Venezia (2009); 50 Moons
of Saturn, Turin Triennial (2008); Refract, Reflect, Project: Light Work from the Collection, Hirshhorn Museum, Washington D.C. (2007); Light Art from Artificial Light, ZKM Karlsruhe and Colour After Klein, Barbican Art Gallery, London (2005).
She has participated in
numerous group exhibitions including Glasgow
International, Glasgow; Kunstverein München, Munich; and at the Museum
of Contemporary Art, Salt Lake City.
San Diego artists have participated in
numerous group exhibitions organized by MCASD, including the
international group exhibitions Weighing and Wanting: Selections from the Collection (2008); Soundwaves: The Art
of Sampling (2007); and From Baja to Vancouver (2004).
Fowler's work has been featured in
numerous solo and
group exhibitions throughout the United States, including Remix: Selections from the
International Collage Center in 2013 at the Daum Museum
of Contemporary Art, Sedalia, MO; Slash, Paper Under the Knife, an
exhibition celebrating the one - year anniversary
of the Museum
of Arts and Design, NYC, in 2009; and in LineAge at The Drawing Center, NYC in 2005.
Lives in Los Angeles, CA) has had solo
exhibitions at The Third Line, Dubai, United Arab Emirates, and the Nerman Museum
Of Art, Overland, KS in addition to
numerous international group exhibitions including the 56th La Biennale Di Venezia, Venice, Italy and the 9th Sharjah Biennial, Sharjah, United Arab Emirates.
His work has been shown at
numerous exhibitions, including Addis Calling
Group Show, Addis Fine Art (2016), Flying Spoons sculptural exhibition at Asni Gallery in Addis Ababa (2015), Draw Me A Castle, Alliance Ethio - Française, Addis Ababa and Paris (2011), Future Makers international group photo exhibition at the National Museum of Ethiopia and Goethe Institute (2012) and The Fine Line Between, Lela Gallery (2
Group Show, Addis Fine Art (2016), Flying Spoons sculptural
exhibition at Asni Gallery in Addis Ababa (2015), Draw Me A Castle, Alliance Ethio - Française, Addis Ababa and Paris (2011), Future Makers
international group photo exhibition at the National Museum of Ethiopia and Goethe Institute (2012) and The Fine Line Between, Lela Gallery (2
group photo
exhibition at the National Museum
of Ethiopia and Goethe Institute (2012) and The Fine Line Between, Lela Gallery (2008).