Determining those values involves evaluating Judd's own statements and writings, as well as considering the aesthetic and art historical significance
of the objects he created.
Second Life participants create avatars, or customizable digital selves, to navigate a virtual landscape with an over-the-shoulder screen view of their persona as it walks, runs, or flies through or over mountains, forests, buildings, and all manner
of objects created by users employing Second Life's internal 3 - D modeling tools.
This sort of image can be deceptive because its apparent location doesn't match up with the actual, physical location
of the object creating that image.
Lead Animator Zach Volker talks about the use of volumetric lighting and self - casting shadows: «specular mapping on particle effects, environmental tessellation and a drastic increase in the sheer volume
of objects create a near - photorealistic world,» he says.
Presented as one exhibition across several venues, including locations beyond the Castle grounds, The Persistence
of Objects creates a new way of experiencing Lismore through some compelling artworks, sited in the gallery and locations ranging from the imposing surroundings of St. Carthage Cathedral to small, disused shop units.
In contrast to their monumental scale and brutal shape, the ridges and valleys
of each object create a delicate interplay of depth, movement and light.
Not exact matches
Retailers
object to this «honour all cards» rule because not all cards are
created equal: sellers pay upwards
of 3 % to process «premium» cards, like the Infinite, compared with 1.5 % for others.
3 - D printers, which use a process called «additive manufacturing,»
create objects by laying one level
of a material on top
of another.
«We
create a digital twin
of the
object on the blockchain,» says Leanne Kemp, Everledger's chief executive.
Ultrahaptics pairs gesture technology with tactile feedback by using ultrasonic waves that cause the user's skin to vibrate,
creating the illusion
of touching buttons or other physical
objects and allowing users to control devices seemingly in mid-air.
In an article from Co.create.com, Abigail Posner, Head
of Strategic Planning And Agency Development at Google explains our societal fascination with sharing cat memes and videos: «In the language
of the visual web, when we share a video or an image, we're not just sharing the
object, we're also sharing in the emotional response it
creates.»
Between that video, which showcases optical illusions
created by real
objects, and Google's award winning commercial Google Chrome Speed Test, that compares the browser to a potato gun, 1stAveMachine credits practical design — that is, building real projects instead
of using digital trickery.
Musk says that a giant balloon is «great for
creating a giant
object that retains its shape across all Mach regimes & drops ballistic coefficient by 2 orders
of magnitude.»
Simply because being too rigid and too inflexible
creates far more pain and anguish than perhaps the use
of a wrong word, or placing an
object in the wrong place, or someone turning up five minutes late.
Magic Leap is
creating an «augmented reality» headset — essentially a headset that overlays virtual 3D
objects into your field
of vision, making them seemingly appear in real life.
But Carbon3D's technology
creates 3D
objects «like a chemist grows crystals,» said DeSimone, who previously co-founded a number
of companies including medical device makers.
Lee's research team experiments with technology for
creating objects in an «additive» manner like Carbon3D's machines as opposed to a «subtractive» manner in which
objects are
created by cutting away at large hunks
of materials.
Creating 3D printed
objects in this manner eliminates the layers associated with the types
of 3D printed creations on the market.
The magic
of 3 - D printing technology is that it allows for complex, custom
objects to be
created relatively simply.
It means understanding that no amount
of money or physical
objects creates happiness or cultivates success.
But Pettis, a 38 - year - old former Seattle art teacher, is a man on a mission to put his company's manufacturing kits on every desktop so users can build their own 3 - D printers to
create colorful plastic models
of objects that they design or download from the web.
Using high precision optics, a photo scanner (it looks a little like a drip coffee maker attached to a turntable) can
create a three - dimensional digital image
of an
object placed inside it.
But applications for 3D printing, the process
of making a physical
object from a digital model by adding successive layers
of material, don't stop at
creating inanimate
objects.
The marriage between hardware and software can then be used by app developers to
create all kinds
of interesting apps, including those that place 3 - D
objects in the real world.
We will start to see a plethora
of «dumb»
objects become connected, sending signals to each other and alerts to our phones, and
creating mounds
of «little data» on all
of us that will make marketers salivate.
'' [W] e can now get extremely sharp images,» he said, which
creates «a unique opportunity to improve our physical understanding
of Eta Carinae and many other key
objects.»
«It's a different style
of game play,» he says, one that revolves around
creating new materials and
objects and thus rarely feels repetitive.
It also happens to be one
of the world's largest makers
of building information modeling (BIM) software, used by designers, engineers, and architects to digitally model the physical
objects they seek to
create.
A head - mounted computer that inserts interactive
objects and holograms into your field
of view, it could transform the world
of work, pave the way for screenless computers, and
create radical new entertainment mediums.
A photo lightbox is a tent - like container with several light bulbs aimed at its interior that photography professionals often use to
create well - illuminated images
of objects.
You've probably heard
of 3 - D printers that can
create three - dimensional
objects like jewelry and tools.
The radar shoots lasers at
objects in order to detect them and works closely with the cameras and normal radars to
create a thorough image
of the car's surroundings.
Before we produce information, we will attempt to notify affected users and give them an opportunity to
object unless notification is prohibited by law or if we believe that notification would
create a risk
of harm or be otherwise counterproductive.
The radar shoots lasers at
objects in order to detect them, and works closely with the cameras and normal radar to
create a thorough image
of the car's surroundings.
The news: Facebook
created a data set
of 3.5 billion pictures and 17,000 hashtags pulled from public Instagram accounts to improve how well it can recognize
objects in images, the company announced on stage at its annual F8 developer conference today.
You can save your studies and
create your own systems, and have the option to set the colors
of each
object on the real time chart.
3D printing also called additive manufacturing is the process
of creating three dimensional solid
objects from a digital file.
Although it's much more available than pushing from store to store to find a specific
object and
creates window selling a lot easier and more comfortable, concerns
of rascal deter shoppers from creation certain or as many purchases as they differently would.
This complex eternal
object is a graded ordering
of all possibilities for the new occasion as it
creates itself through the process
of decision (PR 374.75, 195, 373).
It has been the sins
of the Leviathan and Dynasau not only to make all humans as
objects of exploitation and oppression, but it is also the sin to make the
created things the
object of the exploitation, for these sins are to turn the God's
created garden into the jungle.
Because before the foundation
of the world, God decided to
create some
objects as «vessels
of wrath» so that those who were chosen to be His vessels
of mercy might glorify God all the more!
Its
object was to
create military discipline among the Muslims, looking back to the early Islamic tradition when every Muslim was a soldier
of God.
In manus tuas commendo spiritum meum.17 Into the hands which broke and quickened the bread, which blessed and caressed little children, which were pierced with the nails; into the hands which are like our hands, the hands
of which one can never tell what they will do with the
object they are holding, whether they will break it or heal it, but which we know will always obey and reveal impulses filled with kindness and will always clasp us ever more closely, ever more jealously; into the gentle and mighty hands which can reach down into the very depth
of the soul, the hands which fashion, which
create, the hands through which flows out so great a love: into these hands it is comforting to surrender oneself especially if one is suffering or afraid.
To satisfy them natural
objects are transformed into a complex environment
of created artifacts bearing the impress
of human mentality.
«The first iteration
of the mandate in 2011
created an onerous burden for institutions that conscientiously
object to providing contraceptives and / or abortifacients for religious reasons, as it contained only a very narrow exemption that applied to a small number
of churches,» stated the council.
Yet it does not seem likely that her audience is as uniform as all that; and even those readers who do not share this writer's commitment to traditional religion may still wonder whether, if we are going to
create our own
object of worship, the exchange
of a personal, loving God for an impersonal, unresponsive Good is an appealing trade.
This comparison
of an actual entity to the structure
of a linguistic proposition can be misleading, however, since the concrete wholeness
of a process is the
creating subject (which is closer to the simple predicate linguistically) and the subject / whole's parts are
objects (the subjects linguistically).
The only think I can think
of that you are
objecting to is the suggestion that depending on how these kind
of issues are addressed then sometimes all that happens is a prolonging
of misery and suffering with the
creating and enabling
of fear and retribution.
But the logic
of change requires actual entities be wholes that
create object / parts for other wholes.
He wants an eternal
object to be «the same for all actual entities» (Process 23), and yet needs each
creating subject to have its own subjective form
of that
object (Process 227, 232, 246), in other words, to
create its own, novel «eternal»
object.