Sentences with phrase «of oil crayons»

Remnants of oil crayons in artist Eddie Martinez's studio (Greenpoint, Brooklyn, 03.01.12).

The linear layers of the oil crayon drawings, many on the lower level, diagram the palimpsest effect of what she calls the «overlays» perfectly.

Not exact matches

Art therapy uses materials such as paint, oil pastels, markers, clay or crayons as a means of self - expression.

If you want to give them a try, scoop up the next box of chalk or oil pastels you see — they are versatile, and are much more than crayons for adults.

, Crème Eyeshadow Crayon in Abstract, a shimmery charcoal, Hydrating Lipstick in Whitney, travel eyelash curler, a sample of their gorrrgeous smelling Perfume Oil, Mineral Powder Blush.

The game's art style is similar to that of previous Yoshi games, with backgrounds drawn as though they are created from crayons, watercolors or oil paints.

Students can also do some Wax and scratch drawings of natural forms using wax crayons and oil pastels.

For this activity you'll need: Oil pastels (crayons, markers, or colored pencils also work) White paper Blue construction paper Scissors Glue Also, at the beginning of this -LSB-...]

Max Brand (German, b. 1982) paints with a wide variety of media including sidewalk chalk, crayon, pencil, marker, spray paint, ballpoint pen, chlorine bleach, and oil and acrylic paints.

Sandy Walker's oil crayons depict the pines and rocks not of Paul Cézanne, but the Pacific Northwest.

Greenbaum's non-hierarchical handling of materials, such as marker, ballpoint pen, crayons, oil paint, and gouache, is utilized on all of these surfaces, including on porcelain sculptures.

Also on view are several early non-ballpoint works; an early lithograph Untitled (1979); a drypoint etching Untitled (1980); two small crayon and oil on paper works Untitled B (1980) and Untitled R (1980); an acrylic and oil on board Untitled 84 - 6 (1984); and Untitled 82 - A (1982), a stunning example of an early painting drawn with a sharp nail and a precursor to his recent acrylic and oil paintings.

Jonathan Lasker gives oil squiggles the informality and visceral color of crayon, and Rochelle Feinstein's white acrylic almost fades into canvas before one's eyes.

Using oil and acrylic paints, pencils, crayons and various markers, Ms. Greenbaum has produced abstract compositions of infectiously joyous, improvisational panache.

These artists created works on paper with the use of many different mediums to achieve their unique creative goal including, graphite drawing, etching, oil paint, collage, crayon, lithography, and watercolor.

The current show at the Quogue Gallery has a large assortment of paintings done with oil, acrylic, and crayon, created from the»50s right through the»80s.

The works on view, a selection of oil paintings and works on paper including acrylic and crayon, display a joyful exuberance expressed through sensuous black lines and both geometric and amorphous shapes that are reminiscent of both Miró and Matisse.

Avery insisted on a rigorous study of his subject, and most of these mature works were the result of sketches or drawings made with color notations, later enlarged and simplified into watercolor or oil crayon and finally translated to oil applied in luminous, thin washes of closely valued colors overlaid with swiftly applied expressionist brushstrokes.

Another Twombly, Lot 51, «Mohammed Ali,» a oil paint, wax crayon and graphite on canvas that was executed in 1964 had an estimate of $ 800,000 to $ 1,200,000 and was passed at $ 650,000.

In Ligon's paintings, the instability of his medium — oil crayon used with letter stencils — transforms the texts he quotes, making them abstract, difficult to read, and layered in meaning, much like the subject matter that he appropriates.

Cy Twombly, Untitled, 1970, graphite pencil, colored pencil, oil, crayon, tape, printed and photographic paper, and plywood on cardboard.The Menil Collection, Houston; Gift of the artist.

A series of cursory strokes, both scribbles and letters, run across the dense medium - gray, crayon - and - oil ground and remind us of the origin of the impulse toward mark making and its kinship to the marking of a letter.

At the end of the video we color Princess Bubblegum using oil pastels but you can use anything to color her (crayons, markers, colored pencils).

Joanne Greenbaum, Untitled, 2016, oil, acrylic, ink, oil crayon and Flashe on canvas, 60 x 50 inches (courtesy of Rachel Uffner Gallery)

When oil pastels use more of a wax binder (to save money) they will behave more like crayons and will not blend as smoothly as an oil pastel should.

Gilliam's red, blue, and green watercolor, Parade VII, employs color through staining; Thompson's humorous oil painting, The Golden Ass, features a more traditional application; McArthur Binion uses crayon and collage elements in his 2016 brown abstraction, DNA: Sepia II; Nathaniel Mary Quinn's Mean Ol' Teacher uses color as a way to bridge abstraction and figuration in a collaged face made up of many different harlequin features.

Franz Erhard Walther, Selection of Work Drawings, 1963 - 1972, Pencil, gouache, coffee, oil, typewritten text, ballpoint pen, coloured crayon, glue, graphite and other materials on paper Installation view of «Franz Erhard Walther: The Body Decides» at WIELS, Brussels, 2014.

Say Goodbye Catullus, to the Shores of Asian Minor (A Painting in Three Parts) by Cy Twombly (1994) Oil, Acrylic, oil / wax crayon, and graphite on three canvaOil, Acrylic, oil / wax crayon, and graphite on three canvaoil / wax crayon, and graphite on three canvases

The exhibition begins with his drawings from the early 1970s, when he drew primarily on paper with ink, charcoal, lithographic crayon, and black paintstick — a crayon comprised of a mixture of pigment, oil, and wax.

This crayon, graphite pencils, ink, oil stick, colored pencil, tape, and cut and torn papers is comprised of the sketch of six vertical strips arranged laterally from left to right that make up the simple, but captivating design only Twombly could create.

• English Sporting Paintings o Henry Thomas Alken (English, 1785 - 1851), four works from the series A Steeplechase at Market Harborough, Leicestershire, ca. 1840 - 50, oil on panel, each 10 × 14»: The First Fence; Taking a Brook; Bad Fall at a Paling Fence; and Coming up to the Finish o Sir Edwin Landseer (English, 1802 — 1873), A Terrier on a Step, oil on canvas, 7 ⅛ × 8 ⅛» o Sir Alfred J. Munnings (English, 1878 — 1959): Study of the Pytchley Bitch, 1928, oil on panel, 16 × 16»; Pilot, one of Freeman's Hunters, Pytchley, Brixworth, 1928, oil on board, 16 × 8 1/4» • European Paintings o Kees van Dongen (Dutch, 1877 - 1968), Haystacks, n.d., (possibly ca. 1904 - 05), oil on canvas, 19 ⅝ x 25 1/2» o Raoul Dufy (French, 1877 - 1953), L'Atelier au bouquet, 1942, oil on canvas, 25 ⅝ × 31 ⅞» o Paul Gauguin (French, 1848 - 1903), Still Life with Bowl, ca. 1889, oil on canvas, 8 x 12 ⅜» o Vincent van Gogh (Dutch, 1835 - 1890), Daisies, Arles, 1888, oil on canvas, 13 x 16 1/2» o Camille Pissarro (French, 1830 - 1903), The «Royal Palace» at the Hermitage, Pontoise, 1879, oil on canvas, 21 ⅜ x 25 ⅞» o Rene Princeteau (French, 1843 - 1914), Le Tilbury, oil on canvas, 15 ⅞ x 22 ⅛» o Georges Seurat (French, 1859 - 1891), Houses and Garden, ca. 1882, oil on canvas, 11 x 18 1/2» o Henri de Toulouse - Lautrec (French, 1864 - 1901), Norfdac, 1881, oil on panel, 9 1/4 x 5 ⅝» • European Drawings o Leon Bakst (Russian, 1866 - 1924), La Chasse, pencil and watercolor on paper, sight: 12 ⅛ x 18 ⅝» o Eugène Boudin (French, 1824 - 1898), recto: Deux Bretonnes en costume, verso: untitled graphite and watercolor sketch, 10 1/2 x 8 ⅛» o Alexandre - Gabriel Decamps (French, 1803 - 1860), Studies of Hounds, black chalk on grey paper, 6 3/4 x 10 ⅞» o Georges Seurat, Enfant à l'echarpe, black conte crayon, sight: 6 1/2 x 4» o Henri de Toulouse - Lautrec, Le depart, pen and ink and pencil, sight: 6 x 9 3/4»

Using oil sticks, crayons, and laser - printed images of personal and legal documents, Binion creates mixed - media works filled with geometric patterns and flashes of abstract expressionism.

On Sept. 20, some 450 paintings from all periods of a five - decade - long career and about 1,750 drawings executed with pencil, graphite, conte crayon, ink and oil, as well as watercolors and pastels, will be published in high resolution on the website of the Clyfford Still Museum in Denver.

While oil and pastels were his media of choice for painting, Still explored a full range of drawing material: he did work with oils and pastels, but he also created colorful, dynamic works with watercolor, gouache, graphite, pen and ink, charcoal, crayon, and tempera, too.

HMF 760 Standing Female Figure, Pen and ink, crayon, watercolour wash, gouache, oil paint, The Board of Trustees of the Victoria and Albert Museum, London.

After seeing James Bishop, which is currently on view at David Zwirner (September 6 — October 25, 2014), I would urge anyone who cares about what an artist can do with paint to go and immerse themselves in this beautiful, sensitive, astringent exhibition of eleven mostly square, human - scaled paintings in oil and four small works (all are less than six inches in height and width), done in oil and crayon on paper.

Working closely with groups of two, Rhode instructed the children to color in the geometric designs using the oversized oil pastels and graphite crayons included in the exhibition.

Takefumi Hori's mixed media paintings are created using multiple layers of acrylic paints, acrylic gels, sometimes an acrylic or oil crayon for detail along with gold, silver, and copper leaf applied to canvas.

It's an interactive, wall - drawing project with a group of young kids, who drew on the walls directly with enlarged oil crayons.

From left, «Home from the Deep Bayou - Outside New Orleans,» circa 1970 (collage of various papers and acrylic on Masonite) by Romare Bearden; «Cotton Monument,» 2002 (oil, fabric and paper collage on paper) by Benny Andrews; and «My Shadow,» 1977 (crayon on paper) by Robert Colescott.

In terms of technique, she stands out as a truly talented colourist and draughtswoman, favouring crayon, pastel, acrylic or collage over oil paints (Manifesto for a Lost Cause, 1966; Stray Dogs [Dogs of Barcelona], 1965).

Fall Tree, 2007, drawing, Cassel earth pigment, transfer, oil, tempera and crayon on handmade paper, 50 x 65 cm, courtesy of Studio Ricardo Brey, Ghent La Tempête, 2007, drawing, oil, transfer, Cassel earth pigment and crayon on handmade paper, 50 x 65 cm, courtesy of Studio Ricardo Brey, Ghent

The exhibition also includes other works from the series: touchedup photographs using colored oil crayon in a style inspired by Toulouse - Lautrec's posters, as well as a selection of artist's books published in 1974 and 1975.

On view are works made of oil, oil stick, alkyd, acrylic, pastel, ink, and crayon on canvas, watercolor paper, and newsprint.

To put this aspect of the artist's prints into perspective, the exhibition includes, alongside a broad survey of the editioned prints, color trial proofs; an oil, ground glass, and crayon painting; and a mixed media metal - relief painting from the artist's personal collection.

He focused on oil painting but executed a number of watercolours and crayon drawings.

★ Joanne Greenbaum (closes on Sunday) Using oil and acrylic paints, pencils, crayons and various markers on canvases measuring 90 by 80 inches, Ms. Greenbaum has produced abstract compositions of infectiously joyous, improvisational panache.

The fifty - seven works in the exhibition can be divided more or less equally into three related groups: eighteen oil paintings done on linen, all measuring 22 x 28 inches; nineteen oils done on paper, all measuring 22 x 30 inches; twenty drawings on paper, most of which measure around 11 x 14 inches, and done in a wide range of materials, including gouache, colored pencil, crayon, ink, and graphite.

Arlington, VA — In June, the Focus Gallery features a solo show of contemporary realism works in oil by artist Dennis Crayon entitled «Fragments of Everyday Life.»

Anderson's process is visible in the many different kinds of mark - making in oil crayon and oil paint and in the complexity of the resulting compositional space.