Sentences with phrase «of oil enamel»

Not exact matches

I decided to follow their instructions and I lightly oiled the pot, however even with that, after the 30 mins pre heat when I pulled it out there was a strong smell of burnt enamel.

The meat had been marinating overnight, in an enameled metal bucket, in a bath of vinegar, oil, onions, black pepper, coriander seeds, and bay leaves.

While the coconut oil may be the cause of whiter teeth, the health and appearance of your teeth are also influenced by genetics, smoking habits, and consumption patterns — like drinking wine or coffee, or eating high - calcium foods or highly acidic foods - which can damage the enamel on your teeth.

Oil pulling involves swishing oil in your mouth for a sustained amount of time, giving it a chance to cut through plaque and buildup while leaving your tooth enamel intaOil pulling involves swishing oil in your mouth for a sustained amount of time, giving it a chance to cut through plaque and buildup while leaving your tooth enamel intaoil in your mouth for a sustained amount of time, giving it a chance to cut through plaque and buildup while leaving your tooth enamel intact.

Untitled # 31 (A Decorated Chronology of Insistence and Resignation) 1994 Acrylic, oil, and enamel on wood panel 84 x 60 inches (213.4 x 152.4 cm)

Over the last several years, her work evolved into depictions of more universal mythologies and populated landscapes: tree spirits; goddesses; lilting, attenuated flora and fauna — first in oil paint, and now with a combination of enamel and oil.

The surfaces of these wooden works are variously inscribed with watercolor, enamel, and acrylic paint, lacquer, oil, colored pencil, and graphite — materials that they share with the drawings that trace the evolution of individual pieces.

Cueva de El Castillo, Puente Viesgo, Spain Panel of Hands, photo: Pedro Saura Cueva de El Castillo, Panel of Hands, photo: Pedro Saura Cueva de El Castillo, Corridor of Disks, photo: Pedro Saura Hologram, Museo Nacional de Altamira, Santillana del Mar, Spain, photo: Estudio Nómada Inside Conellante, Matienzo, Spain, 2010, photo: Randee Silv El Pendo, entrance, 2010, photo: Randee Silv Pech Merle, Cabrerets, France, photo: Steve Errede, Dept. of Physics, University of Illinois Airbrushing, photo: Don Hitchcock, Don's Maps Finger Flutings, Grotte de Rouffignac, France, photo: Kevin Sharpe & Leslie Van Gelder Untitled, Alice Rahon, 1945, watercolor, 10 x 8», photo: Creighton - Davis GallerY L'Enclume, Wolfgang Paalen, 1952, oil & fumage, 53 x 74», photo: Artsy.net Message, No. 8, Mathias Goeritz, 1959, gold paint, perforated steel, pushpins on board, photo: Arevalo Gallery Conference Poster 1950, Willi Baumeister, Centro de Arte Riena Sofia, Madrid, photo: Randee Silv Altamira, Joan Miró, 1958, lithograph, photo: Quittenbaum Auction House, Munich Joan Miró & Josep Llorens Artigas, Altamira, 1957, photo: Fundación Botín, Santander, Spain Patterns of Aranjuez, 1955, N. H. Stubbing, oil on canvas, 78 x 69 ″, photo: England & Co, London Cave of Black, Herman Cherry, 1954, enamel / coffee grinds on canvas, 61 x49 ″, David Findlay Gallery, photo: Randee Silv Untitled, Denny Winters, 1982, photo: Gamage Auction House, Rockland, Maine Before the Caves, Helen Frankenthaler, 1958, oil on unprimed canvas, 102 x 104 ″, photo: Berkeley Art Museum The Homely Protestant, Robert Motherwell, 1946, oil on masonite, 98 X 48 ″, photo: Metropolitian Museum Cave Study (Perigord Region), Elaine de Kooning 1983, segment, photo: Artvalue.com Lascaux Cave, France, closeup of Megalaceros section, photo: Wikimedia commons Untitled 1963, David Smith, spray enamel on paper, 14 x 19 ″, photo: David Smith Estate Chauvet Cave, Vallon - Pont - d'Arc, France, photo: Dr. Jean Clottes Exhibition poster, Miguel Barceló, Institut Valencià d'Art Modern, 1995 photo: Michel Fillon Gallery, Paris Stages of Trance, photo: David Lewis - Williams, Inside the Neolithic Mind Pareidolia, Conellante Cave, 2010, Matienzo, Spain, photo: Randee Silv Blackness, Conellante Cave, 2010, Matienzo, Spain, photo: Randee Silv

The title «PEARLESCENT» comes from the exploration of specialty formulations of One Shot Oil Enamel, the glossy, viscous fluid pigment used... Read more

Merging a wide array of different materials, such as oil, enamel, and spray paint, his color sensibility is resolutely experimental and oscillates between close - value, nearly monochromatic works to luminous, retinally - charged paintings that appear to vibrate off their surfaces.

After a few years of working mostly with oil paint — largely for its ability, she says, to capture light and communicate space — she recently went back to making her signature enamel paintings.

After high school, Ash went on to obtain a Bachelor of Fine Arts from McMurry University in Abilene, where she began to perfect her unique style, working mainly with mixed media, including enamel, oil, acrylic and graphite.

This series of paintings that illustrate this interview are from a 2005 exhibition at Locks Gallery featuring pairs of oil paintings on polygonal - shaped canvases and diptychs of her iconic baked enamel steel plate paintings.

In her unique approach to painting, Kate Shepherd applies threadlike lines of oil paint upon highly saturated layers of enamel.

Increasingly she combined Pollock's epic battlefield with the flesh - like leaves of de Kooning's 1948 Painting — but in sepia rather than black enamel and white oil.

Image: Vivagua, 2010 oil, acrylic, and enamel on linen 120 x 96 inches 304.8 x 243.8 cm Paul Kasmin Gallery announces a two-fold exhibition of works by the renowned pop artist Kenny Scharf, on view at the gallery's Chelsea locations from January 27th through February 26, 2011.

David Smith Untitled, 1960 Spray enamel and oil on paper 17 3/4 x 11 1/2 inches (45.1 x 29.2 cm) © The Estate of David Smith / VAGA, New York

© Laura Owens; Laura Owens, Untitled, 1995, acrylic, oil, enamel, ink, and felt - tip pen on canvas, Collection of the artist.

Deborah Grant, «In the Land of the Blind the Blue Eye Man is King,» from the series By the Skin of Our Teeth, 2007 (oil, archival ink, paper, Flashe paint, and enamel on five birch panels).

Rubin is a self - taught artist who works predominantly in the medium of oil and acrylic / perm enamel painting, but also pursues collage, digital creations.

Her works in oil are as evocative as those in acrylic / ink / enamel spray paint and the juxtaposition of light washes and heavily layered paint reinforces contrast in many of her works.

Crossing lines glow, in oil and enamel, even as they fade into what one group show has called «The Shapes of Space.»

-- Santa Monica Museum of Art, 2012 AUCTION PRICES Come With Me Now, I Need You, 2007; Acrylic, rhinestones, and enamel on panel, 72 x 60 inches; Sotheby's, November 12, 2015; Sale 472, $ 145,000 Quesequzah, Une Très Belle Négresse # 3, 2012; Acrylic, rhinestones, and oil on panel, 90 x 80 inches; Christie's, September 23, 2014; Sale 2875, $ 106,250

Stingel's recipe describes how to whip a brightly - colored oil paint with a kitchen hand mixer, brush it onto the canvas, lay a sheet of gauze over it, rub with a squeegee, spray on silver enamel paint with an air gun, and then remove the gauze to reveal the finished painting.

Just as the artist Natalie Frank has begun to attract widespread attention for her expert paintings that collide art history, theater, and dread - inducing violence, she has deked into a new direction with her latest works, which trade her customary canvases for wooden board that she paints with enamel and then overlays with patches of cut - out canvas that she paints with oil.

Threadlike lines of oil paint are applied on highly saturated layers of enamel, and joined wood panels, connoting the architecture for which the paint is meant, are the base of the paintings.

In her distinctive approach, Shepherd applies fine lines of white oil paint upon monochromatic layers of glossy enamel.

The exhibition will explore Pollock's practice via a selection of paintings made between 1947 and 1949; these works will serve to contextualize the radical departure represented by the black paintings, a series of black enamel and oil paintings that Pollock created between 1951 and 1953.

Oil Enamel, Spray Paint on Canvas 20 ″ x 24 ″ Courtesy of 532 Gallery Thomas Jaeckel Read more

Images: Jackson Pollock, Echo: Number 25, 1951, 1951, enamel paint on canvas, Acquired through the Lillie P. Bliss Bequest and the Mr. and Mrs. David Rokefeller Fund, Museum of Modern Art, New York © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Number 7, 1951, 1951, enamel on canvas, The National Gallery of Art, Washington, D.C., Gift of the Collectors Committee (1983.77.1) © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Untitled, c. 1949 - 50, painted terracotta, Collection Gail and Tony Ganz, Los Angeles © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Portrait and a Dream, 1953, oil and enamel on canvas, Dallas Museum of Art, gift of Mr. and Mrs. Algur H. Meadows and the Meadows Foundation, Incorporated © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Number 14, 1951, 1951, oil on canvas, Purchased with assistance from the American Fellows of the Tate Gallery Foundation 1988 © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Black and White Painting II, c. 1951, oil on canvas, Private Collection © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York

Two of Eddie Martinez's silkscreen ink, oil, enamel and spray paint works on canvas — including one that contained chewing gum — went for as much as $ 75,000 each.

Tamika sur une chaise longue avec Monet, 2012, Mickalene Thomas, rhinestones, acrylic, oil, and enamel on wood panel, 108 x 144 x 2 in., Sydney & Walda Besthoff, Courtesy of the artist and Lehmann Maupin, New York and Hong Kong, © Mickalene Thomas.

He also arranged for Noland and Louis to visit Helen Frankenthaler's New York studio in 1953, where they were introduced to her method of soaking turpentine - thinned oil pigment into unsized, unprimed canvas (a technique Frankenthaler herself had learned from Pollack's 1951 black - and - while stain paintings made with thinned black enamel paint).

Ronald Lockett Wood, cloth, net, tin, industrial sealing compound, oil, and enamel on wood Collection of Souls Grown Deep Foundation, L2015.2.10

Molly Zuckerman - Hartung of Hell and 2010 - 2012 oil, enamel, Big Gap Filler, glass shards, spraypaint, collage on canvas 20 x 16 inches

In the second half of the piece, Thomas accumulates a dizzying abundance of floral print fabrics, faux wood panels, zebra print, and jarring yellows, oranges, and pinks rendered in a mixture of beads, enamel, acrylic, and oil paint on a curved wooden support.

Mickalene Thomas Vertical View of Jardin d'Eau, 2012 rhinestones, acrylic, oil and enamel on wood panel 100 x 90 in.

Martinez is known for his large - scale, energetic canvases in which densely built - up layers of oil and enamel paint are punctuated by elements of collage.

In the case of this work, he works with an enamel, more or less a spray paint, that will mix with the oil and will work together rather than against each other.

ELLEN GALLAGHER, Detail of «Deluxe,» 2004 - 2005 (portfolio of 60 printed objects with aquatint, dry - point, photogravure, spit - bite, lithography, silkscreen, embossing, tattoo machine engraving, laser - cutting, collage, crystals, cut paper, enamel, glitter, gold leaf, gouache, graphite, oil, plasticine, polymer medium, pomade, toy eyeballs, watercolor and velvet on paper; number 16 from an edition of 20 unique variations).

For his exhibition at the gallery, Zinsser will present a new set of oil and enamel paintings on stretched canvas, including several ambitious large - format works.

Using a combination of raw pigment, oil, acrylic, enamel, and spray paint, Lewis makes aggressive impasto paintings on large cardboard substrates, elevating the utilitarian material through his artistic interventions.

Jackson Pollock, Number 1, 1950 (Lavender Mist), 1950 oil, enamel, and aluminum on canvas, National Gallery of Art, Washington, Ailsa Mellon Bruce Fund

Long - haired high - heeled budding Asian collectors noted down work by new names such as the charming light - as - air butterfly oil painting at the Grosvenor gallery by Senaka Senanayake and took selfie - souvenirs in front of Love Struck, wrought by D * Face with «enamel and pigment based paint on medium grain cotton duck canvas».

Images from top to bottom: Installation view of Don Judd, Green Gallery, New York, December 17, 1963 - January 11, 1964; Poster for Don Judd, Green Gallery, New York, December 17, 1963 - January 11, 1964; Donald Judd, untitled, 1963, cadmium red light and black oil on wood with galvanized iron and aluminum; Donald Judd, untitled, 1963, cadmium red light oil on wood and purple enamel on aluminum.

One may hate to give up seeing them as abstractions, in which oil and acrylic can take on rough glow of enamel.

Still relatively under - known, Reswob has developed a charismatic style of painting replete with smoldering cigarette butts, anthropomorphized plant - and animal - life, and a mixture of enamel, acrylic, watercolor, and oil pastel.

The artist breaks away such divisions and focuses on the creation of the minimal abstract objects — wall - mounted reliefs from foam shapes, which Adian beforehand covers with oil enamel or spray painted canvas.

The cheap materials, including oil and enamel, certainly refer back to Jackson Pollock, but also to the needs of artists one step off the street themselves.

The show consists of 11 diptychs: 6 pairs of oil paintings on polygonal - shaped canvases and 5 pairs of painted, baked enamel steel plates.