Sentences with phrase «of old cinema»

But it doesn't gel with the film's often juvenile spoofing of old cinema.

Spielberg had been trying to recapture some of the excitement of the old cinema Saturday matinees and the film succeeds in achieving this.

Located in London's Notting Hill, Electric Cinema combines the beauty of an old cinema with modern amenities.

Not exact matches

The idea of the good old cinemathèque feels very last century, and yet, maybe they are the last fortress of cinema to resist the dominance of super hero boredom on screen.

It's just a modern - day state of the art cinema which keeps repeating the same old movies??

«While the era of 35 mm will end at this time, there will still be some older films circulating in print for some cinemas,» Hancock said.

After chatting with my friend, I popped to the centre for a work aperitive and then dinner in one of the oldest restaurants in Milan and to finish the cinema.

Electric cinema is the UK's oldest working cinema and shows a mixture of the latest mainstream, independent and classic films.

Dubbed «sugar babies», these good - looking girls join rich older men for cinema dates, gym trips and holidays in return for a monthly cash allowance and lavish presents - plus the piece of mind that they'll leave university in the black.

35 year old man with a gorgeous 5 year old son, full time chef of 18 years, enjoys going out, eating out, cinemas, running, gym etc, seeks woman of similar age for friendship, maybe more

A cavalcade of theatrical personalities, juicy war stories, unforgiven grievances and old - school cinema dazzle.

It's the type of Adult cinema older people would be more accustomed with even when coming from someone who is very well versed in South Korean Cinema of the noughties until today.

It isn't often in the summer that you enjoy the intense pleasure of a certain kind of old - fashioned cinema experience, the sort that sweeps you up in sheer spectacle with bigger - than - life images and yet holds you close with intimately observed characters and the details that keep your eyes and mind busy.

A first - rate cinema intellectual — as a 24 - year - old graduate student he wrote «Transcendental Style in Film,» a study of Bresson, Yasujiro Ozu and Carl Dreyer that is still worth reading (and has just been reissued)-- Mr. Schrader has been, to put it mildly, an uneven filmmaker.

(including its 2017 premiere at the Sundance festival), he went back to one of the oldest practices in cinema and delivered a live narration.

At just 24 years old, the English actor has already established himself as one of cinema's most talented newcomers.

Alice, Sweet Alice is an underrated gem of old school horror cinema.

Presented in 70 mm and with a running time of 187 minutes (because Tarantino), the film continues his love for old school cinema, right down to the three minute «overture» that opens the film, something I don't think I've seen since Dancer in the Dark.

Dolan is only 25 years old, but he clearly represents the next generation of filmmakers pushing cinema forward.

«Facing Windows» stars the late Massimo Girotti, an icon of the Italian cinema who starred in films by Visconti, Rossellini, De Sica and Bertolucci, as the old man whose presence compels characters — played by luminous Giovanna Mezzogiorno («The Last Kiss») and Raoul Bova («Under the Tuscan Sun»)-- into peering into the facing windows that symbolize unfulfilled longing.

Stealing the show was Sarah Patterson, a 12 - year old actor whose uncanny balance of childhood innocence and adulthood experience makes The Company of Wolves one of cinema's most memorable coming of age treats.

Clip is one of those rare films about young people, directed by a very young filmmaker, but with the gravitas of cinema crafted by very old European masters.

This year I was introduced to a few new filmmakers, saw the latest film from many old ones, and caught a glimpse of the future of cinema.

As always, complementing the festival's Official Selection is the Cannes Classics sidebar, the annual showcase of new restorations of older films, as well as a handful of cinema - focused documentaries.

Hidden from view, like a demented old aunt, sits the realm of zombie rabbits and «erotical thrillers», a teeming tide pool of B - movie cinema.

If you're interesting in watching Old Joy, use your Movie Mezzanine coupon for an exclusive discount and access to a breathtaking library of cinema!

The score lends itself to both sides as well, at times capturing the familiar romance of France that we all know and love and at others paying homage to a much older time in cinema.

It makes a new generation of moviegoers, who already are ignorant of old films and the history of cinema, another reason not to see the original.

These movies are fun, especially for those just dipping their toes into discovering older releases of Japanese cinema.

After developing a love of cinema at 8 years old, Cline studied at the University of Southern California, earning a Bachelor of Arts in Journalism / Communication Arts.

But as a story, «Stealing Beauty» (which Bertolucci wrote with Susan Minot) is a misbegotten, sentimental reunion with old European cinema: Sandrelli, who acted in Bertolucci's «The Conformist,» and Jean Marais, well known for his performance in Jean Cocteau's «Beauty and the Beast,» make idiots of themselves.

They live above an old cinema and Del Toro takes great delight in showing light from the projector seeping up through the cracks of their floorboards — a reminder of the way fantasy can seep into real life in positive ways, giving those shut out from the world the strength to be themselves, even in dark times.

It bets the house on them, gambling on the possibility that an old - fashioned morality play asking Big Questions about faith, activism, and the futility of trying to save the world will pay off in a moment when even serious American cinema — i.e. films unconcerned with Skywalkers or Infinity Stones — comes at least partially steeped in irony.

Morita's work in The Karate Kid is iconographic — the character functions like any number of old Asian man archetypes from martial arts cinema, but, transplanted to American pop (his arrival softened by Yoda in The Empire Strikes Back), Miyagi becomes something like an albatross for Asians in modern Western culture not for its incompetence, but for its tonal perfection.

From 3D cane toads on opening night (Cane Toads: The Conquest) to John Woo kung fu to close the program (Reign Of Assassins), possibly the world's first «womantic» feature (the Brisbane - based comedy Jucy) to the utterly indescribable (Tommy Wiseau cult phenomenon The Room), the new look festival — in a new timeslot and new venues (Palace Centro and Barracks cinemas, and Tribal Theatre)-- has assembled an amazing line - up, with films for young (well, 18 and over for the most part, given the severing of links between BIFF and Cine Sparks) and olOf Assassins), possibly the world's first «womantic» feature (the Brisbane - based comedy Jucy) to the utterly indescribable (Tommy Wiseau cult phenomenon The Room), the new look festival — in a new timeslot and new venues (Palace Centro and Barracks cinemas, and Tribal Theatre)-- has assembled an amazing line - up, with films for young (well, 18 and over for the most part, given the severing of links between BIFF and Cine Sparks) and olof links between BIFF and Cine Sparks) and old.

Ultimately, he said earlier today, the mix of fantasy, romance, thriller and old - style Hollywood is a movie that's «in love with love and in love with cinema.»

Medium jumps are never an easy thing to do, whether it's today's commonplace practice of remaking an old television series as a film residing between homage and parody, or as in the case of The Muppet Movie, simply bringing characters who found popularity on TV to a cinema audience.

Director Gabe Klinger is a scholar of cinema history, and he was keen to invoke the textures and traditions of older films and filmmakers for this project.

Stuart Heritage: It was a shoo - in for a bunch of Oscars, pleased monarchists and history buffs, and got an older generation back in cinemas.

The 85 year old filmmaker is probably more well - known for his examinations of public institutions in films like Welfare (1975), Titicut Follies (1967), At Berkeley (2013) or High School (1968, followed by a sequel in 1994), but he's also one of cinema's great chroniclers of art as work.

Danny Madigan (Austin O'Brien), an 11 - year - old boy with a a particular devotion to film tough - guy Jack Slater (Arnold Schwarzenegger), is given a cinema ticket imbued with oofle - dust by Houdini and enters the world of the film he is watching.

When he sees a short propaganda film the old - fashioned leftists have produced (essentially a version of the third cinema option Assayas pointed to), Rene puts the matter bluntly.

The haunted house shtick is older than cinema itself yet Wan created a genuinely tense and chilling atmosphere through skilled editing and carefully composed shots, proving all it takes is a little bit of ingenuity to breathe new life into a tired idea.

This time he alludes to the art - cinema context much more directly by opening with music from Francois Truffaut's Jules and Jim and evoking the form of that film with offscreen narration (delivered by Baumbach himself) recounting the story in past tense and with old - fashioned devices such as irises and wipes and French New Wave devices such as fantasy inserts, fleeting flashbacks, freeze - frames, and jump cuts.

No Country For Old Men (Ethan and Joel Coen) A model of simple, strong, evocative storytelling pared down to the bone and character and meaning radiating from every image, every movement, and every moment, «No Country» is cinema in every sense of the word.

When Pierre Morel's action thriller Taken was first released in cinemas back in 2008, many people were surprised to see the then - 56 year old Liam Neeson taking on the role of anti-hero Bryan Mills.

It's purely a treat to fans of cinema, a multi-layered monster that masterfully blends the age old Gothic romance with a traditional ghost story.

It's left to a refreshingly diverse international cast of consummate professionals — led, once more, by an increasingly disconsolate - looking Tom Hanks — to breathe what conviction they can into this hoary material, but the result still gives the lie to the old industry maxim that great cinema can spring from trash literature.

Two Old Masters A pair of cinema giants died this summer.

Just two years older than Scorsese, Bertrand Tavernier was too young to come of age as a filmmaker during French cinema's most widely - celebrated époque, the New Wave.