In contrast to the ancient apostles» media landscape
of oral stories and parchment scrolls, Bendiksen was confronted with contemporary Messiahs communicating revelations in the age of Facebook, viral YouTube videos, twitter - storms and thirty - second attention spans.
How could they communicate the rich content and complexities
of their oral stories in their own writing?
Short stories followed much later and came from the tradition
of oral story telling.
Not exact matches
I all but begged him to let me do a series
of oral - history interviews with him to record his
story, central as it was to a critical phase
of Silicon Valley's development.
When I sat for
oral examinations in my master's degree in English, where I concentrated in creative writing, one
of the questions was about how I approach foreshadowing in my short
stories.
I don't think this is how it really happened, but the point
of the
story is that no Jewish person would ever expect a non-Jewish person to obey or observe all
of the Jewish laws, either the 613
of the Torah, or the 6000 + laws
of the
Oral Torah.
Throughout history, people have learned by
oral tradition and from the
stories of others.
It would be possible for Luke to have constructed a
story in writing that would bear all the hallmarks
of oral tradition, but it is unlikely.
Particularly at certain points, we sense the
oral quality
of the
stories: this, or this, or this strikes us as something told, even though we read it now.
First, it is plain that the empty tomb was not the originating factor since careful critical study
of the material found at the end
of all four Gospels makes it clear that the
stories about the empty tomb are more in the category
of Christian apologetic — however honestly believed and taught at the time when the Gospels were compiled from earlier
oral tradition — than in that
of historical reporting.
Gary, the Gospels are also different because, in ancient cultures, and many contemporary tribal cultures, the
oral Tradition was a means
of transmitting experiential wisdom through
stories than historical facts (modern historicism) or systematic theologies.
The writers
of Scripture sought to be faithful to available tradition, with all the limitations
of oral culture, and were not necessarily averse to adjusting narrative to Old Testament prophecy, iconic
stories of their culture, and theological proclamation.
It used the incident, as it used everything else that was given it in the
oral tradition about Jesus which preceded the setting - down in written texts the
story of Jesus, as a way in which the importance
of the originating event was declared.
And one
of the most important people in the
story is famed evangelist and university founder
Oral Roberts.
Performance
of sacred
stories and subsequent
oral interpretations made the faith
of Judaism accessible to outsiders and helped to assimilate pagans into the communities
of worship.
The nature
of the sayings, and their origins in an
oral culture, put them in a different category from the
stories about Jesus» actions.
We have already noted that there are reasons for thinking that the burial
story had been in circulation in
oral tradition for some time, as it exhibits signs
of having passed through a transformation.
Let us set down three observations: (a) Mark 15:40 - 16:8 possesses several features which divide it so sharply from the Passion narrative that it could hardly have been the natural continuation
of that in the stage
of oral tradition, (b) this pericope, however, could not have existed in its present form as an independent tradition, (c) the pericope itself falls naturally into two parts, the first
of which can exist as an independent
story, but the second
of which can not, for it depends upon the first.
How do you account for the presence
of two discrete forms
of the
oral tradition (a healing
story and a conflict
story) in a single narrative?
* Most, if not all,
of the
stories of the Old Testament are incomplete and inaccurate records
of an
oral tradition.
You have verifiable fact type books, then moral carrying fictional
stories of an
oral tradition which as most
oral traditions go, the base
stories were built up on every time they were retold and so again every time they were rewritten and translated!!!
We can learn skills that will enable us to memorize and recite biblical
stories in corporate worship and other gatherings, or at least read them aloud as
stories, letters, poems, and other expressions
of oral art.
> You are the one ignoring histoy and culture
of the Jews who were abloe to transmit
stories accurately in
oral form..
You can not even prove any
of the godspel accounts are
oral histories and not invented
stories, and as a JD you must surely know at least three are lies.
After all, he states in the prologue
of his first anthology
of short
stories (1941): «It is an arduous and impoverishing whim to compose vast books, to extend for five hundred long - winded pages an idea whose perfect
oral exposition lasts a few minutes.
Thomas Boomershine's
Story Journey: An Invitation to the Gospel as Storytelling reflects the influence
of this
oral, traditional approach.
But the historicity
of the «miracle»
stories has now been severely undermined by modern Biblical study, which has shown that we have here no infallible historical records, but the testimony
of Christian traditions which had been molded by two or more generations
of oral transmission.
0G - No gods, ghosts, goblins or ghouls We have the
story of Gods revelation to mankind put into writing 3,400 years ago containing the
oral traditions that go back before Abraham to Adam and Eve.
They hold on to a particular interpretation
of an ancient
story in Genesis that they have fashioned into a modern account
of origins - a
story that began as an
oral tradition for a wandering tribe
of Jews thousands
of years ago.
Meanwhile, in 1981, in an innovative paper presented at United Theological College, Bangalore, Arvind P. Nirmal found a point
of irreversible departure «Towards a Sudra Theology» which had eventually led him to be the father
of dalit theology.3 Nirmal himself used to recall the lores and
stories from the Marathi dalit
oral tradition and admitted that he has been greatly influenced by them in his understanding
of God.
Everything
of enduring significance that ancient Israel became, believed, and proclaimed is ultimately influenced not only by what actually occurred in the time
of the exodus, but by the
story of the exodus — the
story as it was first remembered and repeated; the
story as it assumed relatively fixed classical forms in different areas, in the North or South; the
story as its multiple versions, written and
oral, were compared, mutually «corrected,» and finally composed into the single, unified narrative that is before us now.
Riddles: There are a number
of riddles known as PODUPU KATHALU (= puzzle
stories), or VIPPUDU KATHALU (= untie
stories) most
of which are still in
oral transmission.
In his words, «Furthermore, since between 95 and 97 percent
of the Jewish state was illiterate at the time
of Jesus, it must be presumed that Jesus also was illiterate, that he knew, like the vast majority
of his contemporaries in an
oral culture, the foundational narratives, basic
stories, and general expectations
of his tradition but not the exact texts, precise citations, or intricate arguments
of its scribal elites» (Ibid: 25 - 26).
They have created their own ways
of communication, ranging from
stories in
oral traditions to folk art and music, from popular histories to religious and cultural sysmbolism.
It is important to remember that we are dealing with a part
of the Old Testament
story which had a long
oral history before it assumed its written form, and no doubt the
oral form was shaped, preserved, and periodically «celebrated» at some particular, ancient cultic center.
This material, partly
oral, partly written, was already in circulation in the communities before the composition
of the Gospels, and it consisted
of narratives, sayings, and other bits
of discourse (including the parables), and the Passion
story.
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Instead, as if from some other age, an
oral history
of the coach developed, and whenever old players or other Scooba minstrels gathered, they would share Bull Cyclone
stories, telling the same ones over and over, word for word, liturgically, as the wives drifted to the corners and shook their heads.
NASA Alumni League, reseach grant for «Space
Stories:
Oral Histories from the Pioneers
of the American Space Program,» 1999.
Space
Stories:
Oral Histories from the Pioneers
of the American Space Program has been published as an e-book containing condensed versions
of selected interviews.
2012 Space
Stories:
Oral Histories from the Pioneers
of America's Space Program by Robbie Davis - Floyd, Kenneth J. Cox, and Frank White.
Honeywell Corporation, reseach grant for «Space
Stories:
Oral Histories from the Pioneers
of the American Space Program,» 1998.
Space
stories:
Oral Histories From The Pioneers
of America's Space Program An
Oral History Project conducted in conjunction with the Houston Chapter
of the AIAA and Honeywell Corporation Official...
Institute for Advanced Interdisciplinary Research (IAIR), research grant for «Space
Stories:
Oral Histories from the Pioneers
of the American Space Program,» 1999; grant for interview with Dr. Richard Smalley, Nobel Prize Winner for the invention
of nano - technology, 2000.
The goal
of the project is to gather Real
Stories of Real Babies into an
oral history
of cloth diapers and to connect our era
of cloth diapering with internet support to an earlier era when women told one another face - to - face how to diaper their babies.
Here, some things people told us in a
story for an exhaustive
oral history, the entirety
of which you can read.
Rikki Rockett, drummer in the band Poison, shares his
story of oral cancer, chemotherapy and immunotherapy.
As part
of its ongoing
Oral History Project to record personal
stories.
October 16, 2012 • A new
oral history
of women working in comedy includes
stories from the world
of stand - up, the world
of late - night, and the world
of comedy.
The deliberately over-plotted
story has nefarious government experiments gone horribly wrong, military types, including Tarantino, doing battle with an unscrupulous scientist (Naveen Andrews with hair flowing and bandana in place), a doctor with an unusual
oral fetish (Josh Brolin) and his straying wife (Marley Shelton), who fulfills her doctorly duties by packing a garter - belt full
of syringes.