Sentences with phrase «of other artists connect»

Some of the other artists connected with Lyrical Abstraction were Victoria Barr, Jake Berthot, Dan Christensen, Ronnie Landfield, Pat Lipsky, John Torreano, Phillip Wofford and Robert Zakanitch.

Not exact matches

Head to this Mini Maker Faire to connect with other young tinkerers, engineers, authors, artists, crafters, and makers of all kinds (Boston)

«I guess I must be, because this film represents a lot of ideas and feelings I have as an artist,» he said, going on to highlight his movie's «environmental message and the idea that we are all connected to each other as human beings.»

The role of the artist in society; coming to terms with death, God and fate; and the importance of escaping from the trap of solipsism in order to connect with others are among the most prominent themes, but they are far from the only ones.

«It's been a great way to connect with other artists, support a good cause, and have fun re-living a game that each of us grew up loving despite our different backgrounds.»

As a member, you'll be able to connect with other artists who work in similar media, including all kinds of painting (even digital), sculpture, photography, mixed media, and more.

We also built The Abundant Artist Association as a way of connecting artists who want this other path.

Connecting with the energy of others can help artists focus on their own work.

On the other hand, though the group of painters represented here form a tight - knit «generation» (one constraint of the show is that all the artists were born between 1939 and 1949), and though the selected works originate from the same period and place, the works are aesthetically independent enough to resist any easy categorization according to style or aims... Rubinstein's curation in Reinventing Abstraction proposes something — an idea, a possible history — that may connect with others but which is, nevertheless, its own.

Norte Maar for Collaborative Projects in the Arts is a 501 (c) 3 not - for - profit arts organization which creates, promotes and presents collaborations within the disciplines of visual, literary, and the performing arts: connecting visual artists, choreographers, composers, writers and other originating artists with venues and each other.

NORTH ADAMS, MASSACHUSETTS — MASS MoCA and MCLA seek northern Berkshire teens (ages 13 - 19) to participate in five hours of improv theater, studio art, collective music - making, yoga, and more, all while connecting with other teens, college students, and artists.

Known for over 25 years as a legendary director of exhibitions at Massachusetts College of Art and Design in Boston, Jeffrey Keough's innovative curatorial vision has connected local artists in the New England region with international artists such as Xu Bing, William Wegman, Kiki Smith, Tony Oursler, and many others, while tackling diverse historical, social, and political themes ranging from the Holocaust, to AIDS, to the bombing of Hiroshima.

This idea of an artist - driven museum (reinforced by Kerry James Marshall's succinct speech, at the opening, about all art coming from other art) also connects to Met's digital strategy via its web video series «The Artist Project,» which dispatches contemporary artists through the halls of the Met in search of inspirational artist - driven museum (reinforced by Kerry James Marshall's succinct speech, at the opening, about all art coming from other art) also connects to Met's digital strategy via its web video series «The Artist Project,» which dispatches contemporary artists through the halls of the Met in search of inspirational Artist Project,» which dispatches contemporary artists through the halls of the Met in search of inspirational works.

About Norte Maar: Norte Maar for Collaborative Projects in the Arts is a 501 © 3 non-profit arts organization founded in 2004 by curator Jason Andrew and choreographer Julia K. Gleich to create, promote, and present collaborations in the disciplines of the visual, literary, and the performing arts: connecting artists, choreographers, composers, writers, and other originating artists with venues and each other.

Her work engages connected themes of change and community, and in the early» 00s, this often took the form of dinner parties (organized with her sister and performance artist Marianne Vitale), dance marathons, and social invasions, among other carnivalesque happenings.

Other pieces, by David Levinthal, Cindy Sherman, and Lorna Simpson push the conventions of photography to new limits and expand our understanding of what the medium can be, while photographs by international artists, such as Shirin Neshat and Liu Wei exhibit the exchange of ideas that is possible in today's universally connected world.

It's not going to have an exhibition connected to it; instead, every month there will be a lecture, screening, or other event that is in some way connected to an ongoing process of thinking through the artist's work.

Works by artists such as William Blake, Louise Bourgeois, Martin Creed, Richard Hamilton, Nicola Hicks, Jim Shaw and Tøyen are displayed alongside a medieval silver hand containing the bones of a saint, an electronic prosthetic hand that connects with Bluetooth, a bisected 3D model of Snoopy showing his internal organs, and many other treasures that all share connections.

Although it sounds like a pun, or the finale of someone's talk THIS THEN THAT means to create an atmosphere of meaningful diversity to artists» works that are somehow connected to each other but not necessarily coming from a common conceptual or aesthetic background.

About Norte Maar: Norte Maar for Collaborative Projects in the Arts is a 501 (c) 3 non-profit arts organization founded in 2004 by curator Jason Andrew and choreographer Julia K. Gleich with a mission to create, promote, and present collaborations in the disciplines of the visual, literary, and the performing arts: connecting artists, choreographers, composers, writers, and other originating artists with venues and each other.

What connects the artist who gave us entertainers, cowboys, nurses, and Hells Angels with their girlfriends to the hallowed turf of the Bibliothèque Nationale de France — the library of kings, repository of French culture, and the stomping ground of Karl Marx, Walter Benjamin, and other titans of Eurocentric critical theory?

One train of thought defines the British painter Edward Burra as a satirist and connects him to the production of the German artist Otto Dix, while the other views him as a social realist due to his sharp and distorting eye of the human nature, and landscape.

In addition to connecting residents to the diverse range of resources, archives, libraries, artists and other practitioners in Chicago, the program builds relationships with like - minded arts organizations and resident programs around the world to expand our understanding of contemporary practice and create transformative opportunities for artists.

Each artist connects to the unconscious through highly allusive depictions of human and other animal bodies.

Each have a prolific multi-decade artistic career deserving of further scholarship, but a palpable coincidence further connects these three gures: Betty Parsons was the founder of the eponymous gallery which launched the careers of the likes of Pollock, Rothko and Newman; Arakawa and his wife co-founded the Reversible Destiny Foundation, seeking a new model for architectural practices by borrowing from disciplines including experimental biology, quantum physics, and medicine; Lohaus co-founded the Wide White Space gallery (WWS) in Antwerp in 1966, which exhibited artists such as Beuys, Broodthaers, Christo and many others.

There's a sense of mutual aid and support that I think make artist - run spaces vital to connecting people with each other.»

Future instalments may focus on other generations, but this being the New Museum they started with the freshest bunch, the Millennials, artists who were born no earlier than 1976, who came of age amidst far - reaching economic prosperity and who are mobile, global and hyper - connected.

Opening this year at Sydney's Museum of Contemporary Art, Miyajima's first major retrospective takes the second of these major themes as its namesake, Connect with Everything, with the artist explaining: «Everything interacts with each other.

We've approached artists who feel part of a thread running through history, who are connected to the past and will be the artists that people look at in that future: Cecily Brown, Luc Tuymans, Glenn Brown, Beatriz Milhazes and others.

Lyrical abstraction, a term connected to a number of abstract artists working between 1945 - 1960s, was used to describe the work of Meyer along with others painting all - over compositions (with no singular focal point) that exhibited a nearly patterned organization with vibrational movement.

When the group had the final meeting to share the projects they plan to include in the show, they discovered a remarkable thing: as if a mirror of the essential thing that connects them all, each artist was working on two distinct trajectories that exist in conversation with each other.

Taking Freud's idea of the Uncanny as a starting point, artist Mike Kelley plays Sunday curator and presents work by Jasper Johns, Paul McCarthy, Jeff Koons, Tony Oursler, and others (reprinted from a 1993 catalogue), plus photos of chewing gum wrappers, postcards, record covers, and toys, all connected to ideas of youth and the Uncanny.

Some of the works included in the exhibition explicitly engage with Eliot and his writing, such as Philip Guston's grim deathbed painting East Coker: T.S.E. (1979); David Jones's painted inscription Nam Sibyllam (1958), made as a gift for Eliot, which combines the text from Petronius that is The Waste Land's epigraph with the opening lines of the poem and other phrases connected to the Grail myth; Graham Sutherland's two Illustrations for T. S. Eliot (1973); and Vibeke Tandberg's The Waste Land (2007), which consists of 36 collages in which the artist has cut out each of the words of the poem, and re-organised them alphabetically and in groups, at once fragmenting Eliot's poem of «broken images» even further and bringing its underlying verbal structure to light.

Students get a first - hand perspective of the artistic process, becoming advocates for contemporary art through interactions with Artpace Artists - in - Residence as well as exhibiting artists, helping to connect and engage other teens in the San Antonio area with AArtists - in - Residence as well as exhibiting artists, helping to connect and engage other teens in the San Antonio area with Aartists, helping to connect and engage other teens in the San Antonio area with Artpace.

Women House's 39 artists come from four continents; they span from historic figures such as Claude Cahun to a young generation: Mexican artist Pia Camil, Iranian Nazgol Ansarinia, Portuguese Joana Vasconcelos, German Isa Melsheimer or the French Laure Tixierand Elsa Sahal... Some of the names are already famous (Louise Bourgeois, Niki de Saint Phalle, Martha Rosler, Mona Hatoum, Cindy Sherman, Rachel Whiteread), others are the subject of recent rediscoveries connected to a rereading of the History of Art in terms of gender parity (Birgit Jürgenssen, Ana Vieira, Laetitia Parente, Heidi Bucher).

Connecting art lovers across genres, tastes and locations, The Other Art Fair draws together some of the most talented emerging artists under one roof to showcase the best in independent art.

The works chosen for this exhibition connect not only sight, hearing, taste, touch, and scent, but reach out to a cosmos of «other» senses defined by the artists» — and our own — understanding of reality, and ways to make meaning of it.

In addition, there is the larger goal of connecting African - American artists» practice of portraiture with the legacy and history of portraiture practiced throughout the continent of Africa and the diaspora (the migration of Africans to other parts of the world).

By being comfortable with the middle — being a mid-sized institution, supporting artists at the emerging and blockbuster levels and everywhere in between, straddling the line between contemporary art gallery and community center — the Art Center has grown into a space of creative production that connects diverse audiences unlike any other in Chicago.

Michelada Think Tank is a group of socially conscious artists who are interested in hosting conversations, creating safe place, opening opportunity to connect and build with other people of color (PoC) and allies who are socially engaged / community artists and grassroots activist type folks interested in creative ways of making change happen.

Open Studios is a year - round series of events that brings public audiences closer to the creative process, inspiring and connecting them to artists, new ideas and perspectives, and other art - lovers.

We invite you to become a part of this legacy, join an impressive roster of artist members and — most importantly — connect with other artists.

Welcome & reception by Helga Christoffersen I AM OUR COMMON PRONOUN takes its title from I Civil (2012), a book by the Danish writer and artist Amalie Smith (b. 1985), which considers the body as a porous container of shards that connect and separate us from the world and each other.

Caribbean Linked Artist Residency Programme is a crucial space for building awareness across disparate creative communities of the Caribbean by finding ways to connect young and emerging artists with each other.

«He would have given the show a kind of resonance that only he could bring, since his work is connected to that of so many other artists, from Matthew Barney to Cindy Sherman,» Kertess says.

BLACK BOX BLACK BOX is a site for play, dialogue, and creative risk taking that encourages artists of all disciplines to engage with others connected to their subject matter.

S.K. - I can also imagine some of your work connected to the legacy of Cindy Sherman, Nan Goldin, Catherine Opie and other artists who touch intimacy and gender - role issues.

Literary Artists in our program can pursue their artistic discipline, create a body of work, and connect with other artists, while interacting with the historic, archeological and natural elements of the Estate's inspiring envirArtists in our program can pursue their artistic discipline, create a body of work, and connect with other artists, while interacting with the historic, archeological and natural elements of the Estate's inspiring envirartists, while interacting with the historic, archeological and natural elements of the Estate's inspiring environment.

BLACK BOX is a site for play, dialogue, and creative risk taking that encourages artists of all disciplines to engage with others connected to their subject matter.

Living here makes seeing a wide variety of art and connecting with other artists easy, which is essential to me.