Sentences with phrase «of painted gestures»

While an audience familiar with the Wells College landscape will inevitably seek to identify familiar sites in this work, Leduc's photographic depiction of painted gestures and slick reflections invites viewers to identify both with her process and her exploration of new environments.

Murphy uses milk - based casseine paint for it's dryly controllable nature, creating skeins of painted gestures that connect to the fine forms of the wire sculptures but also take the mind in the direction of textiles too.

Like Richard Pousette - Dart, Tobey's spiritual optimism and physical distance from New York City set him apart from his abstractionist contemporaries, but his interest in the expressive potential of the painted gesture echoed their own artistic concerns.

Abstract painting continued to dominate the artistic discourse in the 1950s and early 1960s, but the concerns began to shift from the tactility and energy of the painted gesture to a preoccupation with emphasizing the flatness of the canvas.

Not exact matches

House speaker Paul Ryan said: «Here lies America's pastor,» gesturing to Mr Graham's casket under the eye of the dome, surrounded by family, friends, politicians and a ring of paintings of the nation's founders.

Think of John Ashbery's «Self - Portrait in a Convex Mirror,» in which the artist Parmigianino gestures with his hand in the painted convex surface, as if welcoming us, even as the figure in the mirror pulls away.

With exaggerated gestures and abrupt facial expressions that he has developed over the years, and with appropriate strains of strings and brass in the background, Schuller painted word - pictures of America's achievements over the years and her magnanimity toward other nations and their peoples.

The artist has stated that she wants to observe in a person the nuances of gestures and expressions that may be particularly characteristic in that individual as «the challenge in painting portraits is to catch that essence of who a person is, their spirit and emotion, in a painting.»

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As a welcoming gesture, and an attempt to strengthen India's ties with British aristocracy, Maharaja Ram Singh of Jaipur ordered the entire city to be painted pink, a shade widely associated with hospitality.

He explores the gesture of affection and empathy and his wealth of images have included the dreamlike and enchanting melancholy paintings of women and flowers, children absorbed in daydreams, the serene White cat Gardens and beach scenes.

The deluxe edition of Monster Hunter: World includes the Samurai Set armor, three additional gestures, two additional sticker sets, an additional face paint, and a hairstyle for your character.

Schjeldahl writes:» [Thomas»] best acrylics and watercolors of loosely gridded, wristy daubs are among the most satisfying feats (and my personal favorites) of the Washington Color School, a group that included Morris Louis, Kenneth Noland, and others associated with the prescriptive aesthetics of the critic Clement Greenberg: painting shorn of imagery, the illusion of depth, and rhetorical gesture.

In this way Jones has assumed the mantle of Pollock's late paintings such as Portrait and a Dream and The Deep, mining the unconscious shared meaning between gesture and image.

And indeed, the Dejeuner sur l'herbe, with Manet's brother, brother - in - law - to - be, and favorite model, Victorine, staring blandly out of the decor of Giorgione's venerated pastoral idyll, their elegant contemporary costume — or lack of it — making a mockery of the «timeless» Raphaelesque composition, must have seemed as full of protest and constituted as destructive and vicious a gesture as that of Marcel Duchamp when he painted a mustache on the Mona Lisa.

The intimacy of the hand which leaves its imprint and the glyphs and gestures of a spontaneous approach reveal his enthusiasm for painting.

«If I was going to get around Bill de Kooning, first of all I had to go faster than he, and second of all I had to do something much larger than he,» says Whitten, who created a 12 - foot - wide tool he called the «developer» to drag paint in a single gesture across the entire picture plane.

Each is a closeup of a fragment — of a gesture, of fabric, of grain, or of paint itself?

Through exuberant works that sometimes engage the heroic gesture or make use of pop imagery, artists explored the traditions of figuration and history paintings and offered new interpretations of abstraction.

Throughout his more than five - decade career, he created paintings and drawings distinguished by their intensity of gesture and intellectual rigor.

Like Krasner's «Little Image» paintings, they eschew the big, swashbuckling gestures of textbook Abstract Expressionism in favor of a wiry sgraffito (or occasionally, in Krasner's case, a thin and tightly controlled drip).

Her elegant structure transforms painting into architecture (and vice versa), with the imperfections and eccentricities of the hand - glazed tiles functioning like a painter's gestures.

And it is challenging for me to see how little information in terms of content, colour and gestures I need to make a good painting, to reach the maximum level of emotion.

These artists are acting like industrious junior postmodernist worker bees, trying to crawl into the body of and imitate the good old days of abstraction, deploying visual signals of Suprematism, color - field painting, minimalism, post-minimalism, Italian Arte Povera, Japanese Mono - ha, process art, modified action painting, all gesturing toward guys like Polke, Richter, Warhol, Wool, Prince, Kippenberger, Albert Oehlen, Wade Guyton, Rudolf Stingel, Sergej Jensen, and Michael Krebber.

His post-war paintings — emotional abstractions which explored varieties of gesture and mark — were considered reactions to his experiences in battle.

In his most recent work, Télémaque has reintroduced gesture, especially in a series of paintings inspired by the concept of the forest canopy, a place one can't see from within the forest itself and is always in the state of becoming.

From illusionistic, or trompe l'oeil (trick of the eye), paintings to more ephemeral and conceptual gestures, these artworks challenge what we see and prompt us to appreciate and even enjoy experiences of dissonance.

Murillo's huge and physically enveloping canvases (seen at Art Basel 20135), echo familiar threads through contemporary fine art painting practice — the energetic gestures and scribblings of Cy Twombly, the haptic scruffs and mixing of materials of Antoni Tàpies and Anselm Kiefer, the calling out (in script) of Colin McCahon6 and the drawing, foodstuffs and performances of Joseph Beuys and William Pope.L.7

Cardoso's paintings evoke Frank Stella's polygon and protractor paintings, and the white and green monochromatic canvases and light flurried abstractions gesture toward the long history of modern painting.

Part II, 1950 — 2000, Whitney Museum of American Art, New York (September 26, 1999 — February 13, 2000) Primed & Un-Primed: Paintings from the 60s and 70s, Lawrence Rubin, Greenberg Van Doren Fine Art, New York (August 9 — October 2) Abstractions Américaines, Musée Fabre, Montpellier, France (July 3 — October 3) American Abstraction / American Realism: The Great Debate, Susquehanna Art Museum, Harrisburg, Pennsylvania (June 8 — August 21) In Honor of Alan Groh» 49: The Buzz Miller Collection of American Art, Bayly Art Museum, Univeristy of Virginia (June 4 — July 18) between art and life: vom abstrakten expressionismus zur pop art (organized with Fundación «la Caixa,» Barcelona), Schirn Kunsthalle Frankfurt, Germany (April 30 — July 10) Catherine Murphy, Joan Mitchell, Harriet Korman: Three Rooms, Lennon, Weinberg, Inc., New York (April 1 — April 24) Art at Work: Forty Years of the Chase Manhattan Collection, Museum of Fine Arts, Houston and Contemporary Arts Museum, Houston (March 3 — May 2) Sign and Gesture: Contemporary Abstract Art from the Haskell Collection, North Carolina Museum of Art, Raleigh (March 21 — June 13).

The energetic execution of the painting is governed by the artist's control, and the immediacy of the gesture is captured and locked in an instant.»

Known for her vocabulary of schematic linear constructions evocative of fantastic structures, tight to loose linear coils, and flat, template - like shapes, Greenbaum has steadily moved from drawing in thin paint on white grounds to layering the surface with different structures and gestures.

GESTURES, Vilem Flusser, Univerity of Minnesota Press, 2014, p 4 In my experience everything visible in an abstract painting establishes meaning within the context of the painting.

Action Painting is characterized by energetic techniques that depend on broad gestures directed by the artist's sense of control interacting with chance or random occurrences (that is why it is also called Gestural Abstraction).

Amongst our favorite artworks being exhibited here are Marc Dennis» realistic still - life painting of luscious flowers at Dallas» Cris Worley Fine Arts, Francis Upritchard's gesturing bronze figure at London «s Kate MacGarry, Jason Middlebrook's geometric abstraction on an elm plank at New York «s Ameringer McEnery Yohe, Luis Gispert's abstraction made by embedding gold chains in a field of black stones at Palma de Mallorca's Lundgren Gallery, and Klara Kristalova's ceramic sculpture of animals in a tub at Lehmann Maupin, with galleries in New York and Hong Kong.

Lee Ufan makes his own minimal gesture on an opposite surface, his multi-layered brushstroke serving as a mark of time and place, while a new suite of paintings by Stanley Whitney completes this more lyrical, meditative and philosophical section of the show.

These rounded, individuated gestures, defined by the width of her tools, the stretch of her arms and the fluidity of her paint, lend an open quality to the new paintings.

Elements of silkscreen only confuse the layering of paint and print or of gesture and grid that much further.

Featuring about 60 works, «Five Decades of Painting,» demonstrates that beyond innovation, content remains paramount to Whitten — from his contemplations of the violent tenor of the civil rights movement in the 1960s, to his more recent «Apps for Obama,» a gesture to the president.

I should also note that he was the first of the New York School to make a mural - size painting (it measures 7.5 × 10 feet), and that his personal style owes nothing to the athletic gesture that is often identified with certain works by Pollock, de Kooning and Kline, or the subtle applications of the hard - edge geometry of Reinhardt, or the fields of suffused and unbroken color in Rothko and Newman.

In the 1940s and 1950s the main groups within the Abstract expressionism were the «Gesture Painters» and the «Color - Field Painters», who experimented with new techniques for applying paint: dripping, pouring, throwing, squirting, squeegeeing, and spattering, and with the use of unconventional tools, such as wall paper brushes, sticks, and trowels.

Confronted with work like this, I feel every specific thing that I feel for the work, and then more generally — gratitude, that they took the trouble, that they disciplined their passion enough to capture some fraction of it in paint, that they made that gesture, both generous and greedy, of capturing how and what they see and making it visible outside themselves.

Movements refers both to literal and suggested motion and change: her gestures on the canvas, the viscosity of her paint, and the way these actions combine to produce a shifting spatiality within her compositions.

In these paintings, there is a gestural energy that distantly recalls Abstract Expressionism, but the gesture may just as well be that of wiping away as of laying down paint.

[17] Her disciplined work lost ground to the assertive gestures of the Neo-Expressionists in the 1980s, but a 1999 show at the Serpentine Gallery of her early paintings triggered a resurgence of interest in her optical experiments.

Unlike his contemporaries, such as Mark Rothko and Barnett Newman whose art expressed an urge to transcendence, Kline was focused on pure abstract forms and gesture itself, deprived of any symbolic character or «painting experience».

In the press release for the Fort Tilden show, MoMAPS1 suggested that Grosse's ambition was to «extend the scope of her painting beyond the borders of the canvas» and declared that her installation projects «evoke the physicality of action painting and earthworks through their gestures and monumentality.»

Many of Schnabel's signature tropes — the use of dropcloths and soiled canvases, the incorporation of studio debris and other «imperfections» into the body of the work, and his re-imagining of found materials — have become celebrated gestures in contemporary painting.

Bookended artistically and conceptually by two paintings, Mark Rothko's Untitled (1968) and Gerhard Richter's Abstract Painting (613 - 3)(1986), the exhibition charts the alternating appeal of gesture, authenticity, and self - expression, on the one hand, and irony, appropriation, self - effacement, on the other.

Important paintings on view from this period include Blue Cradle (1956) and Thursday (1960), which feature strong colors and gestures, as well as Crossfield I (1968), which hints at the final phase of Tworkov's career in its grid - like structure and layered lines.