While each adjustment is undertaken to orchestrate and tighten the relation of each pictorial unit to every other pictorial unit, to secure formally the integrity
of each painting as a whole, the overall effect of the process is also to enliven the space, to acknowledge its flatness while simultaneously allowing it visually to twist and warp and bend, to project and recede, to be positive and negative — and thus to explore and personalize what's become natural to pictorial space since Cezanne and Cubism radicalized it more than a century ago.
This would apply to an aesthetic experience: if you look at only specific details of a painting you lose the sensation
of the painting as a whole; and inversely: if you look at a painting as a total image you lose its details.
Such strokes intensify the fluidity
of the painting as a whole, as one sees in, for example, «Acquafer» (2010).
Not exact matches
Assuming the letter you've received doesn't
paint the
whole picture for you, calling this number will be well worth it
as talking to a person not only helps you understand the nuances
of the situation but there's comfort in knowing that a human being with a name and a face at the IRS is there to help you figure things out.
While there are some reasoning for these numbers individually,
as a
whole they seem to
paint a broader picture that Millennials are afraid
of entering the market in any capacity.
But informing the
whole is the image
of Scripture
as a
painting, with Jesus the incarnate Word
as the «ground» against the «background»
of the triune God, and the Church and cosmos in the «foreground.»
While claiming that the
whole of creation has
as its very structure the Sabbath principle, Barth qualifies this statement by suggesting that creation (through its culmination in the Sabbath rest)
paints also to redemptive history (to covenant) and to the final consummation
of the same.
Do nt
paint the
whole church
as bad for the inexcusable misdeeds
of some.
As a skilful cook says of a dish in which there are already a great many ingredients: «It still needs just a little pinch of cinnamon» (and we perhaps could hardly tell by the taste that this little pinch of spice had been added, but she knew precisely why and precisely how it affected the taste of the whole mixture); as an artist says with a view to the color effect of a whole painting which is composed of many, many, colors: «There and there, at that little point, it needs a touch of red» (and we perhaps could hardly even discover the red, so carefully has the artist shaded it, although he knows exactly why it should be introduced
As a skilful cook says
of a dish in which there are already a great many ingredients: «It still needs just a little pinch
of cinnamon» (and we perhaps could hardly tell by the taste that this little pinch
of spice had been added, but she knew precisely why and precisely how it affected the taste
of the
whole mixture);
as an artist says with a view to the color effect of a whole painting which is composed of many, many, colors: «There and there, at that little point, it needs a touch of red» (and we perhaps could hardly even discover the red, so carefully has the artist shaded it, although he knows exactly why it should be introduced
as an artist says with a view to the color effect
of a
whole painting which is composed
of many, many, colors: «There and there, at that little point, it needs a touch
of red» (and we perhaps could hardly even discover the red, so carefully has the artist shaded it, although he knows exactly why it should be introduced).
But to
paint that one
as representative
of the
whole is patently untrue.
For the average North American church - goer, it is confusing in the extreme to entertain the «different» picture
of the Christian past that much scholarship is
painting today, because that entails entertaining a different conception
of his or her nation's past
as well — in short,
of the
whole past.
Since these are compiled by independent organizations, they tend to focus on a subset
of survey information from the candidates that are most pressing to that group, but taken collectively you can
paint a pretty good picture
of the candidate
as a
whole.
According to him, victory for the party in the impending elections will help
paint a good impression about the clout
of the vice president not only in NDC but the region
as a
whole.
U.S. Sen. Chuck Schumer on Monday declined to offer his assessment
of Bharara or respond to the criticism from some lawmakers, who complained to The Daily News that the prosecutor has a tendency to grandstand and humiliate the Legislature by
painting the
whole body
as rife with corruption.
Given that this was the decade that saw two
whole parliamentary sessions without a single vote being cast against their whip by a member
of the governing party, this observation was at least more accurate then than modern - day attempts to
paint politicians
as a bunch
of spineless sheep.
It features a large collection
of the eponymous northern painter
of industry
as well
as a
whole separate variety
of artistic projects, spanning
painting, sculpture, photography and theatre.
But taken
as a
whole, she says, all the evidence «knits together» and «adds considerable force to the attribution
of this
painting to him.»
As the participating organisations represent the
whole landscape
of the sciences, including natural sciences, life sciences, humanities and the arts and social sciences, the speakers
of the conference will
paint a broad canvas
of the facts and challenges in various areas and will offer their visions and solutions.
I have loved art
as long
as I can remember and spent hours and hours in and out
of school drawing and
painting pretty much my
whole life.
I am not sure what the
whole process looks like,
as far
as how they come up with the colors for each season and how those translate to fabric versus
paint or graphic design, but if you start paying attention to the Pantone colors, all
of a sudden you will begin to see those colors in the new season's line
of clothing, home furnishings, graphics and even architectural designs for offices.
«Unified through the motif
of splattered
paint, each channel has been designed to be read
as a unique part, while simultaneously being piece
of a much larger networked
whole,» share the artists.
Hi I'm in the middle
of doing my
whole dining room set in mineral
paint I used raw silk (antique white) so far chais and bottom
of table are done need to do china cabinet curio cabinet and a side bar the top
of table
of sidebar will be stained but the chairs I used black wax to enhance the flowers on back
of chairs china cabinet has
as well but going to use everyday
as dining kitchen table is there a sealer that I can use for sure that won't yellow I'm scared to try
Within weeks I was dating men whom I never would have met otherwise, exploring new restaurants, discovering a
whole new range
of things to do on a date, such
as paint night, something I could have never done with my boyfriend.
The Valiant Files section offers a
whole mess
of original sketches, background
paintings, production stills, promotional posters, and photographs, all
of which you can access
as easter eggs by snooping with a magnifying glass through Eddie's office or from a simple menu at the bottom
of the screen.
Painted on a larger canvas, The Bourne Ultimatum poses itself
as an unavoidable political allegory (what with Greengrass fresh off the triumph
of United 93), lending a lot
of weight to its portrait
of a completely broken world where one wrong word spoken on an open line can bring the
whole weight
of a rogue National Security Agency down on them like a concrete gargoyle.
Most
of the credit goes to 16 - year - old rising star Charlie Plummer, easily carrying the
whole film on his scrawny shoulders
as the delinquent teen who wastes a weekend with his kid cousin in Nowheresville: spray -
painting doors, dodging bullies and mooning over the girl he hasnt got the nerve to talk to.
Even the poster was weird,
as it's a Norman Rockwell-esque
painting of the
whole cast sharing a dinner table.
By asking students about their motivations, learning strategies, and beliefs about themselves, PISA
paints a more accurate picture
of the student
as a
whole.
The attractive space also includes a dash
painted to match the seat stitching, available keyless entry and standard push - button start, and the ability to call up a
whole bunch
of vehicle info (such
as pitch and roll) on the display screen.
But the intermediate - term is relatively predictable, because today's high valuations
paint a clear historical picture
of what total returns are likely to be over the next decade or so
as a
whole.
The results
of the 2014 Pet Groomer Survey are in, and
as you'll soon be able to read in the cover story for the December / January issue
of Grooming Business, they
paint a fairly rosy picture
of the industry
as a
whole.
By
painting all parties involved
as a little morally gray, introducing several new characters to this world, and having them dip from comical to referential
of the original to dramatic across its length, it held my attention and interest the
whole way through when it could have simply relied on its gameplay.
After calling out the NPD reports
as «outdated», they teamed up with NPD to
paint a better picture
of the industry
as a
whole, by including Physical, Digital and Mobile games in the calculations.
It's a shame that stuff has to
paint part
of the picture
as a
whole, but it does.
I thought the clarity
of the glass was fine but that the
painting as a
whole lacked character somehow and looked a bit washed out.
I mean
as much
as it creates greater ambiguity, it also reveals both a sense
of history
of the layering
of the
paint while, at the same time, anchoring the
whole image so that it doesn't float in the picture plane.
Advancing the fields
of painting, photography, performance, and more, Rauschenberg's work is inextricable from the history
of art
as a
whole.
As a
whole, the three
paintings constitute a complex exploration
of the affinities and dissimilarities
of unique and repeated patterns.
Each work is an instance
of a ripped frescoes, a technique developed by the artist in the 1980s which brings together two key moments in his
paintings: a construction, based on a site,
as a process for the formation
of a support; and a reluctant walk (
of a fake restauration) in the memory and the material history
of the
painting,
of deconstruction, subtraction, a kind
of intimate and forged archaeology, where a re-emergence
of an unexpected fragment in the shape
of clay, mosaics or shred (
of colour or material) can become the focal point
of the
whole painting.
However, discussing Dalwood's more recent work illuminated his practice
as a
whole, helping me to figure «Burroughs in Tangier» into a much broader understanding
of the artist's
paintings.
And
as soon
as I started using figures my
whole idea
of my
painting changed.
I can also imagine the
whole exhibition
as a reply to a previous one, almost
as if this first
painting, on a wall
of its own, announces that the show is the artists reply, situated within a previously established dialogue.
Kandinsky is generally regarded
as the founding father
of abstract art; however, Swedish artist Hilma af Klint may, according to art historians, have created the first abstract
painting as early
as 1906 — a
whole five years before Kandinsky.
Anna McNay: Your exhibition here at Marlborough Fine Art brings together recent
paintings, sculptures and works on paper that will give visitors an overview
of your visual language
as a
whole.
This means that the galleries show chairs and tables arranged in symmetrical patterns
as though in a great house, even if four identical chairs give no more information than one; they contain numerous «cutesy vignettes» (in the present curators» words) with vases placed on furniture to create a decorative effect, often to the detriment
of the support; and are filled with
paintings which make a decorative but not thematic contribution to the
whole.
The sensation
of these rising shapes, and the
painting as a
whole, is that
of the formation
of a nascent being.
Discussing this series in the context
of his «70s output more generally, Stella says, «The effect
of doing [the Diderot
paintings] «by the numbers,» so to say, gave me a kind
of guide in my work
as a
whole... The Concentric Squares created a pretty high, pretty tough pictorial standard.
At its essence, the
whole corpus
of Nicola Samorì's work is a profound meditation on time and the fragility
of existence: His earliest works appeared to be
paintings of X-rays
of individuals
as if seen in a morgue — e.g. Der Neid, 2005; other works were constructed
as if assembled from archeological remnants — e.g. Siliqua, 2007; and more recently, Samorì has turned his attention to re-examining famous artworks from the Western canon, notably the
paintings of Spanish seventeenth century master Jusepe Ribera.
He began by pouring wet
paint onto the paper till it was saturated, he tore, he scratched, he scrubbed at it in a kind
of frenzy and the
whole thing was chaos — but gradually and
as if by magic the lovely ship, with all its exquisite minutia, came into being and by luncheon time the drawing was taken down in triumph.
Dr. Tsai, the curator
of the exhibition, will discuss the selection and presentation
of nearly 60 works, including sculpture, stained - glass panels and oil
paintings which together,
as a
whole, alter the narrative
of art history.