Sentences with phrase «of painting as a whole»

While each adjustment is undertaken to orchestrate and tighten the relation of each pictorial unit to every other pictorial unit, to secure formally the integrity of each painting as a whole, the overall effect of the process is also to enliven the space, to acknowledge its flatness while simultaneously allowing it visually to twist and warp and bend, to project and recede, to be positive and negative — and thus to explore and personalize what's become natural to pictorial space since Cezanne and Cubism radicalized it more than a century ago.
This would apply to an aesthetic experience: if you look at only specific details of a painting you lose the sensation of the painting as a whole; and inversely: if you look at a painting as a total image you lose its details.
Such strokes intensify the fluidity of the painting as a whole, as one sees in, for example, «Acquafer» (2010).

Not exact matches

Assuming the letter you've received doesn't paint the whole picture for you, calling this number will be well worth it as talking to a person not only helps you understand the nuances of the situation but there's comfort in knowing that a human being with a name and a face at the IRS is there to help you figure things out.
While there are some reasoning for these numbers individually, as a whole they seem to paint a broader picture that Millennials are afraid of entering the market in any capacity.
But informing the whole is the image of Scripture as a painting, with Jesus the incarnate Word as the «ground» against the «background» of the triune God, and the Church and cosmos in the «foreground.»
While claiming that the whole of creation has as its very structure the Sabbath principle, Barth qualifies this statement by suggesting that creation (through its culmination in the Sabbath rest) paints also to redemptive history (to covenant) and to the final consummation of the same.
Do nt paint the whole church as bad for the inexcusable misdeeds of some.
As a skilful cook says of a dish in which there are already a great many ingredients: «It still needs just a little pinch of cinnamon» (and we perhaps could hardly tell by the taste that this little pinch of spice had been added, but she knew precisely why and precisely how it affected the taste of the whole mixture); as an artist says with a view to the color effect of a whole painting which is composed of many, many, colors: «There and there, at that little point, it needs a touch of red» (and we perhaps could hardly even discover the red, so carefully has the artist shaded it, although he knows exactly why it should be introducedAs a skilful cook says of a dish in which there are already a great many ingredients: «It still needs just a little pinch of cinnamon» (and we perhaps could hardly tell by the taste that this little pinch of spice had been added, but she knew precisely why and precisely how it affected the taste of the whole mixture); as an artist says with a view to the color effect of a whole painting which is composed of many, many, colors: «There and there, at that little point, it needs a touch of red» (and we perhaps could hardly even discover the red, so carefully has the artist shaded it, although he knows exactly why it should be introducedas an artist says with a view to the color effect of a whole painting which is composed of many, many, colors: «There and there, at that little point, it needs a touch of red» (and we perhaps could hardly even discover the red, so carefully has the artist shaded it, although he knows exactly why it should be introduced).
But to paint that one as representative of the whole is patently untrue.
For the average North American church - goer, it is confusing in the extreme to entertain the «different» picture of the Christian past that much scholarship is painting today, because that entails entertaining a different conception of his or her nation's past as well — in short, of the whole past.
Since these are compiled by independent organizations, they tend to focus on a subset of survey information from the candidates that are most pressing to that group, but taken collectively you can paint a pretty good picture of the candidate as a whole.
According to him, victory for the party in the impending elections will help paint a good impression about the clout of the vice president not only in NDC but the region as a whole.
U.S. Sen. Chuck Schumer on Monday declined to offer his assessment of Bharara or respond to the criticism from some lawmakers, who complained to The Daily News that the prosecutor has a tendency to grandstand and humiliate the Legislature by painting the whole body as rife with corruption.
Given that this was the decade that saw two whole parliamentary sessions without a single vote being cast against their whip by a member of the governing party, this observation was at least more accurate then than modern - day attempts to paint politicians as a bunch of spineless sheep.
It features a large collection of the eponymous northern painter of industry as well as a whole separate variety of artistic projects, spanning painting, sculpture, photography and theatre.
But taken as a whole, she says, all the evidence «knits together» and «adds considerable force to the attribution of this painting to him.»
As the participating organisations represent the whole landscape of the sciences, including natural sciences, life sciences, humanities and the arts and social sciences, the speakers of the conference will paint a broad canvas of the facts and challenges in various areas and will offer their visions and solutions.
I have loved art as long as I can remember and spent hours and hours in and out of school drawing and painting pretty much my whole life.
I am not sure what the whole process looks like, as far as how they come up with the colors for each season and how those translate to fabric versus paint or graphic design, but if you start paying attention to the Pantone colors, all of a sudden you will begin to see those colors in the new season's line of clothing, home furnishings, graphics and even architectural designs for offices.
«Unified through the motif of splattered paint, each channel has been designed to be read as a unique part, while simultaneously being piece of a much larger networked whole,» share the artists.
Hi I'm in the middle of doing my whole dining room set in mineral paint I used raw silk (antique white) so far chais and bottom of table are done need to do china cabinet curio cabinet and a side bar the top of table of sidebar will be stained but the chairs I used black wax to enhance the flowers on back of chairs china cabinet has as well but going to use everyday as dining kitchen table is there a sealer that I can use for sure that won't yellow I'm scared to try
Within weeks I was dating men whom I never would have met otherwise, exploring new restaurants, discovering a whole new range of things to do on a date, such as paint night, something I could have never done with my boyfriend.
The Valiant Files section offers a whole mess of original sketches, background paintings, production stills, promotional posters, and photographs, all of which you can access as easter eggs by snooping with a magnifying glass through Eddie's office or from a simple menu at the bottom of the screen.
Painted on a larger canvas, The Bourne Ultimatum poses itself as an unavoidable political allegory (what with Greengrass fresh off the triumph of United 93), lending a lot of weight to its portrait of a completely broken world where one wrong word spoken on an open line can bring the whole weight of a rogue National Security Agency down on them like a concrete gargoyle.
Most of the credit goes to 16 - year - old rising star Charlie Plummer, easily carrying the whole film on his scrawny shoulders as the delinquent teen who wastes a weekend with his kid cousin in Nowheresville: spray - painting doors, dodging bullies and mooning over the girl he hasnt got the nerve to talk to.
Even the poster was weird, as it's a Norman Rockwell-esque painting of the whole cast sharing a dinner table.
By asking students about their motivations, learning strategies, and beliefs about themselves, PISA paints a more accurate picture of the student as a whole.
The attractive space also includes a dash painted to match the seat stitching, available keyless entry and standard push - button start, and the ability to call up a whole bunch of vehicle info (such as pitch and roll) on the display screen.
But the intermediate - term is relatively predictable, because today's high valuations paint a clear historical picture of what total returns are likely to be over the next decade or so as a whole.
The results of the 2014 Pet Groomer Survey are in, and as you'll soon be able to read in the cover story for the December / January issue of Grooming Business, they paint a fairly rosy picture of the industry as a whole.
By painting all parties involved as a little morally gray, introducing several new characters to this world, and having them dip from comical to referential of the original to dramatic across its length, it held my attention and interest the whole way through when it could have simply relied on its gameplay.
After calling out the NPD reports as «outdated», they teamed up with NPD to paint a better picture of the industry as a whole, by including Physical, Digital and Mobile games in the calculations.
It's a shame that stuff has to paint part of the picture as a whole, but it does.
I thought the clarity of the glass was fine but that the painting as a whole lacked character somehow and looked a bit washed out.
I mean as much as it creates greater ambiguity, it also reveals both a sense of history of the layering of the paint while, at the same time, anchoring the whole image so that it doesn't float in the picture plane.
Advancing the fields of painting, photography, performance, and more, Rauschenberg's work is inextricable from the history of art as a whole.
As a whole, the three paintings constitute a complex exploration of the affinities and dissimilarities of unique and repeated patterns.
Each work is an instance of a ripped frescoes, a technique developed by the artist in the 1980s which brings together two key moments in his paintings: a construction, based on a site, as a process for the formation of a support; and a reluctant walk (of a fake restauration) in the memory and the material history of the painting, of deconstruction, subtraction, a kind of intimate and forged archaeology, where a re-emergence of an unexpected fragment in the shape of clay, mosaics or shred (of colour or material) can become the focal point of the whole painting.
However, discussing Dalwood's more recent work illuminated his practice as a whole, helping me to figure «Burroughs in Tangier» into a much broader understanding of the artist's paintings.
And as soon as I started using figures my whole idea of my painting changed.
I can also imagine the whole exhibition as a reply to a previous one, almost as if this first painting, on a wall of its own, announces that the show is the artists reply, situated within a previously established dialogue.
Kandinsky is generally regarded as the founding father of abstract art; however, Swedish artist Hilma af Klint may, according to art historians, have created the first abstract painting as early as 1906 — a whole five years before Kandinsky.
Anna McNay: Your exhibition here at Marlborough Fine Art brings together recent paintings, sculptures and works on paper that will give visitors an overview of your visual language as a whole.
This means that the galleries show chairs and tables arranged in symmetrical patterns as though in a great house, even if four identical chairs give no more information than one; they contain numerous «cutesy vignettes» (in the present curators» words) with vases placed on furniture to create a decorative effect, often to the detriment of the support; and are filled with paintings which make a decorative but not thematic contribution to the whole.
The sensation of these rising shapes, and the painting as a whole, is that of the formation of a nascent being.
Discussing this series in the context of his «70s output more generally, Stella says, «The effect of doing [the Diderot paintings] «by the numbers,» so to say, gave me a kind of guide in my work as a whole... The Concentric Squares created a pretty high, pretty tough pictorial standard.
At its essence, the whole corpus of Nicola Samorì's work is a profound meditation on time and the fragility of existence: His earliest works appeared to be paintings of X-rays of individuals as if seen in a morgue — e.g. Der Neid, 2005; other works were constructed as if assembled from archeological remnants — e.g. Siliqua, 2007; and more recently, Samorì has turned his attention to re-examining famous artworks from the Western canon, notably the paintings of Spanish seventeenth century master Jusepe Ribera.
He began by pouring wet paint onto the paper till it was saturated, he tore, he scratched, he scrubbed at it in a kind of frenzy and the whole thing was chaos — but gradually and as if by magic the lovely ship, with all its exquisite minutia, came into being and by luncheon time the drawing was taken down in triumph.
Dr. Tsai, the curator of the exhibition, will discuss the selection and presentation of nearly 60 works, including sculpture, stained - glass panels and oil paintings which together, as a whole, alter the narrative of art history.
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