Sentences with phrase «of particular exhibitions»

By placing each fragment against opposite walls of the gallery so that the front half appears from one wall, while the back disappears into another, Paolini not only destroys the object quality of the sculpture but in doing so creates an installation which calls attention to the architecture of the particular exhibition space.
Since the 1990s his work has explored the relationship between language and space, temporality and a critique of the «phenomenology of perception» characterized by a formal precision and clarity often developed in relation to the context of a particular exhibition site.
However, within the wider context of this particular exhibition, such a judgement seems almost secondary because, as is so often the case, the principal issues and concerns arising out of exhibition work by Black artists in white gallery spaces revolve around the «politics» of these exhibitions, rather than the wok itself.

Not exact matches

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Film Comment was joined by Apichatpong at the exhibition on its final day to discuss how this unique project came to be, the influences behind the look and feel of the hotel, and how dreams function as a very particular and personal form of cinema.
And special attention will be paid to promoting leading Russian book fairs — in particular the Moscow National Exhibition «Books of Russia» and St. Petersburg International Book Fair — and attracting new participants with the hope of bolstering Russia's reputation in the international arena.
Coinciding with di Suvero's 80th birthday, the exhibition holds particular significance for the artist who emigrated from Shanghai to San Francisco at the age of seven.
Opening: «DE / CONSTRUCTING CHINA: Selections from the Asia Society Museum Collection» at Asia Society Museum China has eclipsed the U.S. as the world's largest trading nation, and this exhibition looks back on the way this success has affected — and how it will alter — the physical and social landscape of the country (in particular, the socioeconomic divide between urban and rural areas).
As I teach, judge, visit exhibitions and look at work in books or across social media, I see bits and pieces of paintings that cause me to think about how a particular effect or even a type of brush stroke could impact my own work.
Featuring 28 works by 19 artists — both black and white — the exhibition explores how visual perspectives of blackness «have been influenced at particular historical moments by specific political, cultural, and aesthetic interests, as well as the motives and beliefs of the artists.»
The Creation Myth, Rhoades» work which was exhibited in London in the 2009 Hayward Gallery exhibition Walking in My Mind, is emblematic of this idea of the use of «highly particular materials.»
Among quite a few other gallery exhibitions, I mention in particular winter 2000 shows of Marcel Duchamp at Achim Moeller, Sherrie Levine at Paula Cooper, Deborah Mesa - Pelly at Lombard - Freid, and Sam Taylor - Wood at Matthew Marks.
We are one of the few local institutions that commissions new works by artists, paying particular attention to artists of note who have not had a significant exhibition in the Southeast.
A particular emphasis of the exhibition is focused on the Holocaust Memorial, which was unveiled in 2000 at the Judenplatz in Vienna.
The San Francisco — born Mary Heilmann, perhaps the most unashamedly painterly of the lineup and the most established, at least in terms of her market, surveyed her current exhibition at the Neues Museum in Nuremberg, providing a few insights into her particular brand of transcendental color - based abstraction along the way.
The new space allows Gavlak to stage larger and more ambitious exhibitions by her roster of contemporary artists, and to turn an eye to California - based artists in particular.
Bacher's career is marked by restrained yet comprehensive interventions into exhibition frameworks, highlighting her particular pairing of work and context.
Edited by the exhibitions's co-curators Frances Morris and Tiffany Bell, and with essays by leading scholars that give a context for Martin's work — her life, relationship with other artists, the influence of South - Asian philosophy — alongside focused shorter pieces on particular paintings, this beautifully designed volume is the definitive publication on her oeuvre.
Of particular note are the archives of such figures as Ivan Albright, Irving Penn, and Richard Ten Eyck, each of whom played a key role in recent exhibitions organized by The Art Institute of ChicagOf particular note are the archives of such figures as Ivan Albright, Irving Penn, and Richard Ten Eyck, each of whom played a key role in recent exhibitions organized by The Art Institute of Chicagof such figures as Ivan Albright, Irving Penn, and Richard Ten Eyck, each of whom played a key role in recent exhibitions organized by The Art Institute of Chicagof whom played a key role in recent exhibitions organized by The Art Institute of Chicagof Chicago.
This particular exhibition was probably one of the most pure we've managed to do.
Of particular focus is Giacometti's studio practice, which is examined through rarely seen plaster sculptures that highlight the artist's working process, in addition to historical photographs documenting his relationship with the Solomon R. Guggenheim Museum — which hosted the artist's first US museum exhibition, in 1955 — and with New York City.
The fascination engendered, in particular, by the works of Mitchell and Riopelle can express itself through a stimulating virtual experience in the exhibition galleries.
In line with Tillmans's interest in exhibitions as amplifiers of a particular underlying perspective, each of the works engages in an intricate system of relationships between its aesthetic elements, subject, and institutional setting.
BOOKSHELF A number of recent exhibition catalogs have featured artists from the Black Arts Movement and AfriCOBRA in particular, including «Soul of a Nation: Art in the Age of Black Power,» «Witness: Art and Civil Rights in the Sixties,» «The Freedom Principle: Experiments in Art and Music, 1965 to Now,» and «We Wanted a Revolution: Black Radical Women, 1965 — 85.»
Furthermore, it can aptly reference the output of contemporary artists of today — those creative minds who defy any particular label but have enjoyed remarkable success at recent exhibitions in America and abroad.
In his essay «Light in the Dark» Robert Long looks at each piece in the exhibition and explores the artists particular use of black to heighten the intensity of the work.
This impressive collection coincides with an ambitious exhibition programme that tells the story of the birth of the L.A. art scene, with particular focus on Judy Chicago, Hammons, Hockney and Ruscha.
-- Pedro Salazar Torres (Partido Socialista Trabajador), this exhibition examines the influence of the Latin American diaspora on the global imagination, identity, and economy, with particular emphasis on Southern California.
New York, NY — Pace Gallery is pleased to present Blackness in Abstraction, an exhibition curated by Adrienne Edwards tracing the persistent presence of the color black in art, with a particular emphasis on monochromes, from the 1940s to today.
As well as stocking books, selling them in the shop and mailing them all around the world, they have regular surveys that are exhibitions of particular people's art books or movements.
What is expected of the artist: The artist should prepare an exhibition in Istanbul for the particular gallery space.
A large portion of the exhibition features works already seen in past solo exhibitions worldwide, for example works such as Grapes (2011), Divina Proportione (2012), and Study of Perspective (2014)-- while this could potentially be perceived by trained audiences as a disappointment, the artist's engagement with the topical refugee issue, in particular his engagement with the group of local photographers, transforms Ai Weiwei at Cycladic into a riveting exhibition.
Antonia has a particular interest in contemporary craft, a specialism reflected in her work on previous exhibitions, including The Fabric of Myth in 2008.
With particular strengths in colonial portraiture, the Hudson River School, American Impressionism, and the Ash Can School, also not to mention the important mural series The Arts of Life in America by Thomas Hart Benton, the Museum relies heavily on its permanent collection for exhibitions and programming, yet also displays a significant number of borrowed shows and works by emerging artists.
Every piece, as the exhibition title's reference to foodstuffs might suggest, bears a history of function that precedes its current status as art: a curvy - bladed knife, a mezzaluna, to chop garlic with, perhaps; or a piece of fine china designed for a particular dish.
The exhibition featured a broad range of work and was deliberately sweeping, showcasing works ranging from George Segal's Laundromat to Richard Serra's Slow Roll for Philip Glass, examples understood as and unified by representing a particular moment.
The beauty that can emerge from cultural transfer and hybridity surely will be the overarching effect of these exhibitions, along with the particular political power of each artist's work.
This volume also contains a chronological list of works with black - and - white thumbnails, a chronological list of exhibitions and a bibliography that reflects Kippenberger's very particular use of the terms «exhibition catalogue,» «artist's book» and «book.»
The show places particular focus on pieces emblematic of the gallery program from 2016 and 2017 with relevance to recent Museum exhibitions and acquisitions, as well as showcasing rare and sold out contemporary editions...
With a particular focus on the African American art scene on the South Side of Chicago, this group exhibition explores the connection between avant - garde jazz and experimental music of the late 1960s and contemporary art and culture.
Throughout this exhibition there is a particular focus on the role and expression of female relationships in Goldin's work.
Charlie Clarke, Ron Mueck's long - time exhibition manager, is in conversation with the Modern's Senior Curator, Andrea Karnes as they discuss the work and career of Ron Mueck, from his first acclaimed sculpture, Dead Dad, to his most recent installation of 100 giant skulls, Mass, with a particular focus on the works in the Modern's exhibition Ron Mueck.
The point of departure for the exhibition is a particular shade of violet that all three artists coincidentally found themselves using, with this coincidence inspiring an interest in seeing their work side by side, to draw a line between their practices and their innovative approaches to painting.
We welcome the support of individuals who wish to become involved in a particular exhibition, event or education project.
Genzken, who has often dedicated particular art works to specific people, naming sculptures after friends, artists, or people whom she admires, focuses in this exhibition on her own image, thematizing the idea of portraiture and self - portraiture, being at once the artist and the subject.
It includes a reassessment of Rauschenberg's work as a sculptor by author and painter Mimi Thompson, an essay by Trisha Brown, an illustrated exhibition history, a preface by Philip Rylands and introduction by Susan Davidson that focuses on Rauschenberg's relationship to the Guggenheim and the artist's engagement with Venice in particular.
These gallery visits may include follow - up educational activities based on the exhibition's content and conceptual premise with a focus on a particular area of study or curriculum requirement.
I wanted to make sure to see the George Bellows exhibition at the Metropolitan before it closes February 18, in order to see a few paintings that had been recommended to me by Susan Bee, in particular three paintings done between 1907 and 1909 of the excavation of the site for Pennsylvania Station.
With Inherent Structure, Michael Goodson, Senior Curator of Exhibitions at the Wexner Center for the Arts at The Ohio State University, brings together 16 contemporary artists whose works reflect not just formal conventions exclusive to painting, but also the artists» particular material, psychological, and sociopolitical concerns.
From introductions to little - known or forgotten artists, to reappraisals of modern giants and old masters, it has been a rich and rewarding year in art: in no particular order, here are just a few of the exhibitions that our critics have enjoyed in 2016.
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