Sentences with phrase «of pencils on canvas»

Working with a variety of pencils on canvas, the images are made up of consecutive and contiguous marks determined by the length of the breath.

She began drawing with a long needle and thread instead of a pencil on canvas.

Not exact matches

Yet I changed my tools from brushes, oil paints, and canvas to pencil, paper, and computing power for years and finished physics with a diploma on the topic of many - particle theory, under the supervision of Prof. Nolting at the Humboldt University in Berlin.

My work is of mixed media, some in Oils on Canvas, watercolour, pencil / Colour pencil, charcoal sketches and conte crayon.

Julian Hatton, Yard, 2016 - 17 oil, wax pastel and colored pencil on canvas, 48 x 54 inches (courtesy of Elizabeth Harris Gallery)

Within a few years the materiality of oil paint takes on a more central role in his work when he begins to make paintings by depositing small amounts of liquid paint onto his canvases and tilting them this way and that to direct the paint toward the edges of some feint pencil markings.

A self - portrait and a portrait of an elderly woman, both clothed and on seven - foot tall canvases from 1983, plus a number of intense, graphite pencil - on - paper portraits display skills that few young artists today are bothering to acquire.

Her paintings are built up through layers of acrylic paint on canvas, overlaid with mark - making using pencil, pen, ink and thick streams of paint.

The show brings together a new body of work executed in acrylic, charcoal and pencil - on - canvas, which present surreal and often discomforting scenes, accentuated by chaos.

Her paintings are composed of layers of acrylic on canvas and overlaid with marks made in pencil, pen or ink.

Finally, farthest back, there's a stretched linen canvas of the same dimensions on which the outlines of the facade are delineated in pencil.

Martin Johnson Heade, Study of Varied Flowers with a Hummingbird, 1870, Oil and pencil on canvas, 17 x 21 in.

Each of his works begins as a pencil sketch, which is then replicated on the canvas, before the application of finely blended acrylic paint.

All were unique and distinctly reflecting the wide variety of artistic approaches of the 21stcentury from paintings on canvas & board (Kawaguchi, Sudran, & Dorsey) to the mixed media work of Mielenhausen & Dworin, the installation by Kubo that filled gallery walls, to the photographs of Moody, Smith and Gaynor and the colored pencil drawings of Borkow.

Amir H. Fallah, You've Got One Hell Of An Expressive Face, 2011 Acrylic, ink, pencil, & collage on paper mounted to canvas, 12 x 10 inches.

The show's more than fifty works included important canvases from private and public collections, but the most spectacular inclusions, in many ways, were the works on paper, ranging from intimate pencil studies with little or no color to pastel and crayon - enriched images, as complete as paintings; many of these had rarely — if ever — been exhibited before.

Also of interest are a series of photographs by Anne Sager, James Brooks's The Springs (lithograph, 1971), Marcia Gygli - King's Main Beach, East Hampton (oil on canvas, mixed media frame, 1988 - 91), and Terry Elkins's Montauk (collage and pencil, 1994 - 97), a work which is memorable both for his signature collage technique but also for the use of shadowing, which adds a significantly suggestive intimation to the image of the Montauk lighthouse.

«Mehretu's abstract paintings, which are created with layers of acrylic on canvas followed by marks in pencil, ink and more layers of paint, were already fetching six figures in 2006.

The works on display are not just art objects but drafts and records of daily labor, from Peter Schuyff's dozens of carefully carved wooden pencils to the late author David Foster Wallace's notes for The Pale King (written in pink Cuddly Cuties kitten journals) to the beautiful, abstract gestures recorded across Louise Fishman's canvases.

Rather, the space is lit by diffused natural light, which intensifies the intimacy of looking at Martin's painting: the subtle variations of the pencil lines, the thin washes and layers of paint that seem to sit on the surfaces of stretched canvas.

Since then, Tuttle has presented prominent and influential series in the history of contemporary art such as the cloth pieces, which he installed dyed and cut canvas on the wall, and were both pictorial and three - dimensional, and the wire pieces, which consisted of wire and its shadow and pencil lines, and small - scale collage pieces among others.

Original and unique work of Maria A. RAVENTOS on canvas and collage Signed by the artist in pencil Perfect condition.

SHIRAZEH HOUSHIARY String, 2012 pencil and pigments, black aquacryl on canvas and aluminum 27.56 x 27.56 inches 70 x 70 cm Collection of The Metropolitan Museum of Art, New York © Shirazeh Houshiary

SHIRAZEH HOUSHIARY String (detail), 2012 pencil and pigments, black aquacryl on canvas and aluminum 27.56 x 27.56 inches 70 x 70 cm Collection of The Metropolitan Museum of Art, New York © Shirazeh Houshiary

Neill creates works on canvas, linen and paper using a variety of mediums, including graphite, colored pencil, charcoal and paint.

jar Drawing Tools: Blue and Red Prismacolor Verithin pencils Supports: 4 commercially Stretched Canvases or panels (two 24 x 30» and two as large as you can transport) Palette: Plexiglas palette Tape: Blue 2» wide painters Xacto knife Hair dryer Clip on light with extension cord and breaker bar water containers: 2 large yogurt size Soap: Brush cleaning soap or a regular bar of soap is cheaper and will do fine Roll of paper towels Spray bottle

Installation from left «Elbow II», 2006 Oil, charcoal, pen, and pencil on canvas 81 x 90 inches ARG # LJ2006 - 007 «Cuddletown of the Hill», 2006 Oil, charcoal, and pencil on canvas 64 x 58 inches ARG # LJ2006 - 004 «The Senior Tour», 2006 Oil and charcoal on canvas 24 x 18 inches ARG # LJ2006 - 009 «Curatorial Studies Program», 2006 Oil, charcoal, pen, and pencil on canvass 82 x 102 inches ARG # LJ2006 - 002 © José Lerma

At the entrance, the large elaborately textured and tinted, latently Symbolist paintings on paper by Kerstin Brätsch — which suggest masses of rustling silks or feathers — flank a wall of works from which they could not be more different: Joe Bradley's emblems simply outlined in grease pencil on raw canvas, redolent of children's drawings.

Installation from left «Principles in Orthopaedics», 2006 Oil, charcoal, and pen on canvas with metal cabinet, paint transferred to wall 84 x 72 inches + variable dimension of transferred paint ARG # LJ2006 - 003 «The Golden Sea», 2006 Oil, charcoal, pen, and pencil on canvas 80 x 72 inches ARG # LJ2006 - 006 © José Lerma

Bare canvas and pencil lines visible between the stripes insist on the object and its making, and so does the wood of the stretcher, set thick dimension out.

People in front of Maximilian Toth's «White Wash» (2012), graphite, grease pencil, spray paint, oil on canvas, at Fredericks & Freiser gallery / Photo: Hrag Vartanian

Henry Brown, Gradual Reduction, 2007 Acrylic, pencil & gesso on canvas, 8 x 10 inches June 7 — July 28, 2007 The Story Goes explores the way in which artists create narratives with minimal reliance on the traditionally expected carrier of story - telling, the representation of human form.

For those who like larger Stellas, Lot 189 is a 109 1/2 - by - 110 3/4 - by -23-inch wall relief that is colorful and organic and was executed in 1982 and has an estimate of $ 180,000 to $ 220,000 and Lot 180, «Vemish,» is a 71 5/8 - by - 120 1/8 - inch acrylic, paper collage, plaster and color pencils on canvas that was executed by Stella in1985 and has an estimate of $ 150,000 to $ 200,000 and may tempt some viewers to don sunglasses and / or helmets.

Agnes Martin, a small painting on canvas featuring a painted white square and a series of horizontal pencil lines, is a good example of this.

Kettle's Yard is showing 10 canvases from her last years (she died in 2004 aged 92) alongside one well - known painting of 1965, the Tate's «Morning», and a suite of 30 screenprints titled «On A Clear Day» — all of which represent grids whose original ruled pencil lines are reproduced with illusive accuracy.

His expressionistic mark - making in colored pencil — a prominent feature of the paintings on display — detail the artist's hand across his canvases and lend a noticeably more intimate impression.

Soon after, he transitions to working with acrylic and pencil on masonite, outlining his geometric forms on shaped panels, such as the three half - circle canvases of & frac12; W, V, X Series (Orange, Green, Blue)(1968).

It encompasses a series of just under twenty new oil and acrylic on canvas and gouache and colored pencil on paper works.

Eugene Martin is best known for his imaginative, complex mixed media collages on paper, his often gently humorous pencil and pen and ink drawings, and his paintings on paper and canvas that may incorporate whimsical allusions to animal, machine and structural imagery among areas of «pure», constructed, biomorphic, or disciplined lyrical abstraction.

Star Wallowing Bull employs colored pencil on paper and acrylic on canvas to explore intersections of American Indian and U.S. pop culture in the 21st Century.

His large sepia - toned acrylic and silkscreen 1966 portrait of Marlon Brando in a scene from «The Wild One,» Lot 12, sold well over its high estimate of $ 2 million to a private collector for $ 2,642,500 (including the buyer's premium), but a small 1962 casein and pencil on canvas of a Campbell's Chicken With Rice Soup Can painting, Lot 13, that had been estimated at $ 600,000 to $ 800,000 soared to $ 1,652,500 (including the buyer's premium, much to the consternation of the determined underbidder, a woman in a black suit, high heels and wearing large earrings, who immediately got up from her seat and left with her companion after the lot was knocked down.

[Four undercoats of gesso and acrylic applied, then I get busy with the pencil on the canvas.

The Montreal based artist uses oil and pencils on a wood canvas in her «Matter and Memory» series, which explores elements of the natural world.

Glenn Goldberg, Glenn Goldberg, Okay (Blue), 2016, acrylic, gesso, ink, and pencil on canvas, 60 x 40 inches (courtesy of Charlie James Gallery)

Burgher's current practice vacillates between his extraordinarily intricate colored pencil works on paper, in which the figure is often present, and much larger acrylic on canvas drop cloth works which are essentially abstract and filled with a growing lexicon of personal symbols.

Here, gesso on a square canvas, pencil lines, and blue and white add up to an infinity of nuances, triggered by protracted looking.

Featuring works that range from pencil and ink drawings to oil on canvas, video and installations, Crossroads of the Dystopia is Matheu's first mid - career museum survey.

Mehretu creates large - scale paintings constructed from layers of acrylic paint on canvas overlaid with mark - making using pencil, pen, ink and thick streams of paint.

The gallery's back wall is a beauty, with three masters of the lean and clean: Ellsworth Kelly (a white diagonal arc cutting through black), Robert Mangold (irregularly shaped orange canvas «corrected» by pencil lines within), and Robert Ryman (white - on - white, in this case a froth of choppy sea).

Pousette - Dart created a number of works in the early 1950s like this one, using pencil and white paint on canvas or board.